When she’s not keeping company with The Bloodpoets, Bec Plath is creating incredibly moving music as a solo artist. Her EP Unrequited was one of my favourite releases of 2010, and I was thrilled to see her follow it up with another stunner in Nightfall.
There are just four tracks on this short player, which makes it a bit bittersweet. I was captivated from the opener “Obsession,” a song driven by a dark Tori Amos-esque pounding piano. It could easily become too gloomy, but it’s balanced beautifully with its strong melodic core. “What I Was Waiting For” floored me with its passionate delivery and lyrics. It seemed all too soon when the opening strains of “At The End of the Night” began to close this release. This tune starts sweetly, showing a softer side of Bec, but it builds beautifully to become something much bigger.
Nightfall sees Bec Plath delivering more lush and powerful music. It’s another stellar EP from this Queenslander. It only poses the question, when will this incredible talent treat us to a full length album?
Image source: Bec Plath Facebook page
There’s a lovely retro Cure-esque quality to this tune that had me dancing around my lounge room in my PJs. Hey, I’m here with only the cat watching, so why not? While the good vibes of this tune hit the spot, it’s the lyrical depth behind the melody that makes things really interesting. This song speaks of the struggle of finding your own path in life so eloquently. I’m impressed.
I’ve had one of those weeks. My internet went down on Tuesday, and has only just returned. Other people might take this as an opportunity to have a holiday, but with deadlines looming I found myself dealing instead with a pocket wi-fi that dropped out frequently in my suburban home, and was crawling when I was online. My parents jetted off to Italy, leaving me feeling very jealous, and my husband started to pack for his two-week business trip to the States. To say I’ve been a bit emotional may be an understatement.
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Some of Australia’s leading musicians are coming together to pay tribute to the late, great Jimi Hendrix at Sydney’s Enmore Theatre on October 29.
The Cat Empire’s 
Baron Wolman, Rolling Stone’s first ever photographer, is heading to Australia to celebrate exhibitions of his rock photography in Sydney and Melbourne. The shows will draw from Baron’s book Every Picture Tells a Story … The Rolling Stone Years, which hits stores today.