Month: July 2014

Posted on by Lauren Katulka

Justice Crew Make Chart History

I ordinarily try to write about the ARIA charts whenever an Aussie act’s on top. However, other work commitments have seen me missing a few of the weeks during Justice Crew’s impressive reign. It’d be remiss of me to not publish an article now though, as their song “Que Sera” has broken the record for the most number of weeks an Aussie act’s spent at the top of the ARIA Singles Chart. With nine weeks, they’ve gone one better than Austen Tayshus’ “Australiana,” Savage Garden’s “Truly, Madly, Deeply,” and Gotye’s “Somebody That I Used To Know.” They’re still a few weeks away from equalling the overall record 13 weeks that Coolio spent on top with “Gangsta’s Paradise,” but very close to eclipsing the pre-ARIA record of 10 weeks that Daddy Cool’s “Eagle Rock” spent at number one in 1971.

Justice Crew have got some stiff competition in the form of fellow Aussie Sia, who’s having a comeback with “Chandelier.” After it appeared to be on the downslide, the song’s jumped six spots to land at number two.

Aussies are also seeing joy on the album charts, with 5 Seconds of Summer landing the number one spot with their self-titled album on debut. This album’s already spawned six top 20 hits, including the number one “She Looks so Perfect,” so its dominance was probably inevitable, but it’s still a real victory for the boys. They managed to head off the might of the Hillsong Church, who sit at number two in their first week with No Other Name.

Like Sia, Chet Faker’s also back on the upswing. His former number one album Built on Glass is back in the top ten for the first time since May. Clearly his current national tour is paying dividends!

And as if that wasn’t enough local love in the charts, 360’s also making his presence felt with his album Utopia. It sits at number eight this week.

Click below for all this week’s top 10s.

Continue reading “Justice Crew Make Chart History” →

Posted on by Lauren Katulka

Josh Pyke @ Cessnock Performing Arts Centre, Cessnock – 28 June 2014

The first time I saw Josh Pyke live was an outdoor blues festival. The rain started up just before his set, and I remember shivering with a plastic bag over my head as I tried to wipe the water from my glasses and watch him in action. What a difference a few years makes. Last Saturday I was seeing him again, but tucked up warm and dry in the wonderfully intimate Cessnock Performing Arts Centre.

I must admit, before this tour I didn’t realise Cessnock had a performing arts centre. What an underutilised space it is, with excellent acoustics, comfy seats, and wine in the foyer. It was the ideal setting for such a show like this, where well-crafted songs were at the fore.

The first came from Jack Carty, a performer I’ve always loved but until this point had never seen live before. What a talent he is. Most of the audience probably had no clue who he was, but they were hushed. Such is the power of this captivating singer-songwriter. With just an acoustic guitar, an incredible voice, and songs written with such poetic lyrics, he captivated us all. His set seemed to fly by.

Josh was there to promote his latest album, The Beginning and the End of Everything, an intimate recording which suited this setting perfectly. Apparently last time he had the full band in tow, but this time it was just Josh, an acoustic guitar, and looping machines to add some extra depth. This is an added dimension I’d never seen from Josh, and it was fascinated watching him at work. He treated us to choice cuts from his new album, but carefully balanced them with old favourites. It was wonderful to have Jack back on stage for a fabulously fun rendition of “Make You Happy.” Josh’s beautiful version of “Blackbird” made me wish I’d invested in tickets to that White Album concert.

I’ve seen Josh perform a few times now, and he never fails to disappoint. In fact, I think he might be getting even better.

Image source: own photos

Posted on by Lauren Katulka

Melanie Safka @ Lizotte’s Newcastle, 22 June 2014

When I was a kid, we didn’t have massive children’s acts like The Wiggles and Hi-5. Children’s entertainment wasn’t really a thing, so we sought out our own songs that resonated. For me it was “Butterfly Ball” by Roger Glover, “House on Pooh Corner” by Loggins and Messina, and perhaps most importantly, “Alexander Beetle” by Melanie Safka. There were no convenient CDs or digital version in those days either. Playing it was a bit of a production. We’d beg Dad to bring out his copy of Candles in the Rain and he’d remind us that we had to stand still so the stylus didn’t jump. So we’d keep our feet planted while we made those little beetle noises and sang along to the beautiful tale of a runaway bug. As I grew older I discovered more Melanie music, but that song was always one I held a little bit closer to the rest. And it was that song that took me to Lizotte’s, Newcastle, on 22 June.

I’d told myself that “Alexander Beetle” was such a small song really that I wasn’t going to hear it. I was going to be happy with the big hits and whatever else she decided to play. And I probably would have been. There’s a wonderful aura about Melanie. She’s so warm and giving, and her voice has lost little over the years. Her band is stellar, especially her son Beau. His incredible guitar talents might only be matched by how sweet he is looking out for his mother.

I was so happy just soaking it all up in the intimacy of Lizotte’s, and then she asked us what we’d like to hear. “Alexander Beetle!” yelled out a voice from a few tables away, and a few other voices joined the chorus. It seems I wasn’t the only one so touched by that little song. A hand flew to my mouth in surprise, and my heart soared as I realised it was going to happen. I was going to hear that song live that had meant so much to me. Do you know what that feeling’s like? I sang along as I fought back happy tears and decided it didn’t matter what else happened; this was already an incredible show.

I told myself I didn’t care what else happened, but I guess there was a part of me that would have been disappointed had I not heard the hits. They were all there, “Look What They’ve Done to My Song Ma,” the delightful “Brand New Key,” her incredible cover of “Ruby Tuesday,” and the jubilant “Candles in the Rain,” sounding so perfect. I gained a new appreciation for these songs as Melanie told us tales of their history.

Melanie plays those songs because she knows we want to hear them. She’s such a generous, giving performer. But she’s also quick to tell you that she hasn’t been idle over the last few decades. Her set included a smattering of new songs too, with lyrics so thick with wisdom. She lamented the way radio is only interesting in playing young shit, and listening to her new material I had to agree with her. She’s an artist that still has so much to give to anyone willing to listen. Who needs radio though? Hearing her incredible songs, new and old, come alive in such a small venue was so much sweeter.

Image source: own photo