“The Overland” – Greg Steps and the Not for Prophets

The Overland is the result of years spent writing, recording, and performing for Greg Steps & The Not for Prophets. That might seem like a long time to develop an EP, but these musicians have made sure every song counts.

“Trying to Wake the Dead” is the perfect introduction to the music Greg Steps & The Not for Prophets make together. I was reminded of the music of James Taylor and David Gray as I listened. Those are big shoes, but there’s something so similar and rare in today’s musical landscape about the great storyteller quality in Greg’s voice and the classic blend of an acoustic guitar, piano, mandolin, and fiddle.

I found myself getting sucked into the story of “Railway Man,” that traveller so far from home. The following song, “Famous Last Words” gave me another story to identify with. Listening to it made me wonder why more songwriters don’t tell stories with their songs.

“Half a World Away” is my favourite song on the EP, a stripped back folk song that builds to such an honest, raw crescendo. “Early Hours of Morning” is a beautiful way to end The Overland. I love the harmonies and the delicate calm of this one.

The Overland makes such a strong impression in five songs. It has a timeless quality that’s so appealing. Greg Steps and the Not for Prophets will launch it with a show at the Wesley Anne in Melbourne on February 24. It will be available from that date on iTunes, Bandcamp, and selected music stores.

Over 40s Get The Coolest Dance Party

I can’t say I’ve ever wished to be 40 before, but I find myself longing for the big 4-0 after hearing about a new dance party for Baby Boomers. The Voice alum Steve Clisby and globally recognised DJ Stephen Ferris are behind the event, dubbed 40up, which is exclusively for those over 40.

There’ll be live music, DJ sets, and vintage music videos from the 70s, 80s, and 90s. Think Barry White, Earth Wind & Fire, Kool and the Gang, and the incomparable Prince.

“This is how you exercise your right to be over 40 and still party, without worrying about the millennials getting in the way,” laughed Clisby, the all-time favorite artist from reality show, The Voice Australia. “We’ve taken the dinner, dance show concept and turned it on its head. People are always telling me that the thing they love most about my gigs is the chance to get up and dance like they used to – to the music they love. Now there’s a show especially for them.”

It all happens at the Basement in Sydney on March 3. 40up tickets are on sale now.

Image used with permission from SGC Media

“The Leaving” – Rough River

After a few stressful days, I was looking for music to soothe my soul. I found it in The Leaving, the sophomore release from Melbourne singer-songwriter Rough River.

Her name suggests a performer much tougher than she appears to be. Her voice is rich and smooth, comforting, and her songs show a vulnerability that’s so endearing. The presser calls Rough River a folk-alternative country performer, a description which goes some way towards explaining the diversity of this release. “Sea Air and City Lights” has an ethereal, mystical quality, thanks to its gentle instrumentation and Rough River’s angelic voice. “Band of String” has an unashamedly old-school country vibe, and those country roots are also explored in a sublime cover of “Tennessee Waltz.” While elements of gospel can be heard in the album’s closing track “Will the Circle Be Unbroken.”

Whatever sound she’s exploring, there’s a sadness and longing that ties the tracks together. Songs like “What You Did,” “Sweet Saccharin,” and “We All Want” pack a real emotional punch, with simple melodies that let the lyrics shine through.

The Leaving is such a special album. It shows a performer coming into her own and being unafraid to show herself. Every song is wonderful in its own right, but together they are breathtaking.

The Leaving hits stores on February 17.

Image used with permission from Dusky Tracks

Red Hot Summer @ Westport Park, Port Macquarie – 4 February 2017

Port Macquarie is nearly four hours from my place. It’s a lovely part of the world, but it takes something special to get me to make the journey. But the combination of an irresistible Red Hot Summer line-up and a catch-up with my friend Lisa (who hails from Brissie, so had a much longer journey than me) was too good to pass up.

Ben Hazelwood helped make the already warm crowd that little bit warmer. They don’t call these shows Red Hot Summer for nothing! I knew his name rang a bell, but was surprised to read that he was on the first season of The Voice. As I saw photos I remembered a performer who was talented but a little bland, a world away from this sexy rock god that graced the stage. He had just the right amount of drama and theatrics to pull me in, and his voice has matured so much in just a few years. I thoroughly enjoyed his set and made a mental note to check out more of his compelling originals.

From new discoveries to old favourites, Taxiride were up next. I knew a whole lot of hardcore Taxiride fans when I was in my late teens, but I can only recall catching them once. Watching them on the stage, I felt a little regret that I didn’t see more of them in the ’90s. They’re every bit as good as they once were, if you were wondering, with some of the tightest harmonies you’ll ever hear and a back catalogue that’s bigger than you might expect. I found myself singing along with every song and clapping heartily for them, enjoying myself thoroughly despite the rain that would plague the rest of the evening.
I’ve never really been a Shannon Noll fan. His music is easy to listen to, but it always felt a little Triple M by the numbers for me. However, seeing him live I have a brand new appreciation for Nollsy. He’s such a showman, the quintessential Aussie larrikin with a great collection of songs that make people smile. Simple. I turned to my husband and said watching Nollsy belt out The Choirboys’ “Run to Paradise” may just be the most Australian thing I’ve ever seen at a gig. And even though he’s probably sung “What About Me?” more times than I’ve had hot dinners, he still put all his heart and soul into it. I was also not so secretly thrilled to see him decked out in double denim, with jeans and a sleeveless vest. I’m not sure he could have chosen a more perfect outfit!

Jon Stevens stood in for an ailing Daryl Braithwaite. I must admit, it took me a little while to warm up to him. In a show like this, you have such a short time with the fans. And let’s face it, as a fill-in act, they’re probably not your fans. So to start slow to a bunch of songs most of us didn’t know seemed an odd choice. All was forgiven once the hits started coming through. As well as the Noiseworks standards there was “Disappear,” an INXS track which reminded me of the very first time I saw Jon, fronting the seminal Aussie rock band. He also paid tribute to Dazza with a stirring cover of “The Horses.” By “Hot Chilli Woman” we were all in ecstasy right along with him.

James Reyne was the act I was most looking forward to, and as always, he didn’t disappoint. I’ve seen him play so many times, but mostly in an acoustic setting. So to hear him electric with a full band was bags of fun. His set was flawless, delivering all of the songs anyone could hope for, from his days with Australian Crawl to his solo successes. What a talent.

John Farnham was the man so many people of Port Macquarie came to see, as is evidence by how quickly the general admission area filled once his set began. It’s a shame that Westport Park doesn’t slope, because any parts that I could see from my comfy camp chair were on the big screens rather than the stage as people gathered in front. John Farnham’s voice is undeniable though. His set brought us hit after hit from his solo career and even his time in Little River Band. “Burn For You” was a poignant highlight, although it would have been nice if the yobbos in front of me could have quit laughing as they hoisted women onto their shoulders and taken a moment to be quiet and listen. It’s all about respect guys, for both the artists and the people around you who want to get lost in the music. My husband and I had to stand for “The Voice” because, well, it seemed unAustralian not to. During it my husband turned to me and said “No Lauren, this is the most Australian thing we’ve ever witnessed as a concert.” As we all sang out the chorus is was hard to disagree. As John came back for an encore I wondered what could be left in his repertoire. Where do you go after “The Voice”? It seems you visit the back catalogue of another legendary Aussie act, AC/DC. “It’s a Long Way to the Top” was the ideal end for this celebration of Aussie talent. I just wondered though, why not make use of the bagpipers you’ve already brought for “The Voice”? It seemed a strange choice.

Before I go, I should make mention of how well run the day was. The staff were exceptional. The personable MC made those moments between acts fly by. While the food and drink vendors didn’t deliver anything too flash, the food was hot and the lines were short. The bar queues didn’t even seem too intimidating, although the decision not to serve wine was a strange one. Special props to the Lions Club who diligently collected our rubbish throughout the day. It’s got to be such a thankless job, but it made the place feel so much nicer.

Port Macquarie is a long way to go for any concert, but the Red Hot Summer tour was definitely worth the trip.

Image source: own photos

James Chatburn Stuns With “Omens”

Aussie talent James Chatburn is impressing all the right people at the moment. He’s just dropped his first single of the year, “Omens,” after he was invited by influential Los Angeles label Soulection to be part of their 6th birthday “Promise Once More” compilation.

The song is just stunning. The music’s layered beautifully and James’ voice is right on point. It’s like nothing I can remember hearing, in the best possible way. What a special track.

Apparently James is planning to release a bunch more music this year, so listen out for it!

Awesome Aussie Acts front Up For 5th Apia Good Times Tour

I’m not sure whether seeing a concert sponsored by Apia is an indication of my advancing years, but I’m hanging out for this year’s Good Times shows.

I like to think it’s more to do with the awesome line-up of Aussie talent assembled. We’ve got The Black Sorrows with Vika and Linda Bull, Colin Hay, Deborah Conway, and Mental as Anything. Just take a moment to ponder how many amazing songs these local artists have produced!

I also love that this tour doesn’t just stay in the capital cities. It’s a good thing too, because I’m already booked in for the I Love the ‘90s show the night of the Sydney gig! Along with my hometown of Newcastle, you can enjoy a Good Time with some of Australia’s most enduring talents at the following shows. General sale tickets are available from Monday 6 February at 10 am.

17 May 2017 – Darwin Entertainment Centre, Darwin
19 May 2017 – Adelaide Entertainment Centre (Theatre Mode), Adelaide
20 May 2017 – Perth Concert Hall, Perth
21 May 2017 – Bunbury Regional Entertainment Centre, Bunbury (4pm matinee)
26 May 2017 – Hamer Hall, Melbourne
27 May 2017 – Ulumbarra Theatre, Bendigo
28 May 2017 – Costa Hall @ Geelong Performing Arts Centre, Geelong
31 May 2017 – Civic Theatre, Newcastle
1 June 2017 – Empire Theatre, Toowoomba
2 June 2017 – QPAC Concert Hall, Brisbane
3 June 2017 – Twin Towns Services Club, Tweed Heads
9 June 2017 – Enmore Theatre, Enmore
10 June 2017 – Anita’s Theatre, Thirroul
11 June 2017 – Canberra Theatre Centre, Canberra
16 June 2017 – Princess Theatre, Launceston
17 June 2017 – Wrest Point Entertainment Centre, Hobart

Nussy Releases Sparkling New Single

Nussy is back with an exciting new single “Hard as Diamonds.” I am really digging her brand of edgy synth pop. And that voice of hers is so compelling.

“Hard As Diamonds is about a person who has become jaded and built up walls to protect themselves from being hurt,” Nussy explained in the press release. “It’s about trying to unlock the beauty that is still evident within their soul.”

The Victorian talent will perform a string of shows this month and through to March to promote the new single. Catch Nussy at the following venues.

18 February 2016 – Gaytimes Festival, Lake Mountain Alpine Resort
25 February 2016 – Howler, Melbourne
16 March 2017 – Marley Bar, Sydney (FREE)
17 March 2017 – Oxford Art Factory, Sydney (FREE)

“Island” – Carus Thompson

With five albums already under his belt, you might assume that Carus Thompson was running out of things to say. However, listening to his new album Island quickly dispels that myth.

Perhaps it’s because Carus hasn’t released an album in five years. Think about your own life and how much you’ve learned in that period of time, and you’ll soon understand why Carus has so many stories to tell. He’s also spent his hiatus working with groups like Headspace, Canteen, and the Australian Children’s Music Foundation. I can hear the way some of the people he encountered during that time has informed his work. Carus has also returned home to Fremantle, to a quieter life with his two children. That sort of move is bound to be good for the soul.

Considering all of those factors, it’s not really surprising that Carus has so much to say with this release. It tackles some deep topics here. He sings so eloquently about the ice epidemic in the single “Bush Fires.” He humanises the plight of refugees on Manus Island in “Reza Barati.” There are themes of isolation and depression that run through.

“Lies” may be the happiest sounding song about betrayal that I’ve ever heard. I love the juxtaposition of this sing-along melody with the cutting lyrics. “Go There With You” is such an honest love song. There are no frills about it; Carus just bears the soul. The delicate “Gone But Not Forgotten” is such a poignant way to end this exceptional album.

Island is so easy to listen to. You could slip it on at your next BBQ and it would add a relaxed atmosphere. But it’s so much richer than just a cruisy acoustic folk album. Tapping into the lyrics you hear so much wisdom and heart. I know I’m going to go back to it at a time when I can just drop everything and really hone in on those words, because I know it’s going to hit me more with every listen.

Island by Carus Thompson is released today. Look out for his live show at the following venues.

12 February 2017 – The Grace Emily, Adelaide (Matinee)
17 February 2017 – Mojos, Fremantle
25 February 2017 – Piping Hot Chicken Shop, Ocean Grove
26 February 2017 – Grampians Festival, Halls Gap
3 March 2017 – Republic Bar, Hobart
4 March 2017 – The Workers Club, Melbourne
5 March 2017 – Newtown Social Club, Sydney
10 March 2017 – The Quarry Ampitheatre, City Beach

Asha Impresses With “Drowning”

You know those voices that you just stop you in your tracks because they are so beautiful? You’re about to hear one.

This is Asha, a Central Coast songbird with skills beyond her 18 years. She’s been playing shows in Newcastle and Sydney and even scored supporting gigs with Alex Lloyd and Diesel. Now with the release of her debut single “Drowning,” she sure to step out of the shadows.

Her voice is divine, but she backs it up with some fierce songwriting skills. Asha wrote “Drowning” about a toxic relationship and then worked with producer Rod McCormack to create a sound which fused Asha’s love of acoustic music with modern electronica.

“This is the music that I want to keep creating. I’d love to keep evolving within this genre. But at the same time I’m not going to limit myself to anything,” Asha states. “Drowning was a song that I wrote and then forgot about. It wasn’t even going to make the EP. One day I was reminded of the song, and we ended up recording it and it even superseded the title track of the EP Illusions, as we chose it to be my debut single.”

You can hear more from Asha when Illusions drops on February 3.

Themed Free Concerts Hit Werribee This Month

I think there’s something so special about parents and their children coming together to appreciate live music. So I want to make sure you all know about Wyndham City’s Friday LIVE Series which all kicks off on February 10.

Each night is themed and designed to celebrate some of Australia’s big name acts and introduce music lovers to some up and comers they’re bound to enjoy. It all kicks off with the ‘80s Family Fun show headlined by Pseudo Echo on the 10th. The Songwriters Showcase is on the next week, with Go Americana the following week closing the festival.

It all happens at Station Place, Werribee, from 5 pm to 10 pm on the nights below. There’ll be food and beverage vendors, so round up the entire family and check it out!

10 February 2017 – ‘80s Family Fun: Pseudo Echo, Happy Enchilada, Trent Hamilton, Jessica Paige, Troy Barrett, and Niall Dunsmore.
17 February 2017 – Songwriters Showcase: Charles Jenkins, Shaun Kirk, Little Georgia, Lisa Mary Drake, Jack Gramski, and Van Walker.
24 February 2017 – Go Americana: Dan Parsons Trio, Stetson Family, Gretta Ziller, The Weeping Willows, and Nigel Wearne.

Image used with permission from Remedy PR