Baby Animals Celebrate 30 Years Since First Album With Aussie Tour

It’s been 30 years since Baby Animals burst onto our scene with their iconic eight-times platinum ARIA Award-winning self-titled debut album. I was just 11 years old when it dropped, and I was sure Suze DeMarchi was the coolest woman on the planet. I hit play on that album again today and all the admiration I had for the band came flooding back from those first chords of “Rush You.” How has this album remained timeless through three decades? If you haven’t listened for a while, do yourself a favour. Then buy yourself some tickets for the band’s 30th Anniversary tour.

These shows promise all your favourite cuts from that killer debut, including “Early Warning,” Painless,” and “One Word.” I’ve seen the band play a few times over the past few years, and rest assured they’ve still got it. These shows will be epic.

Baby Animals will hit the road with Kingswood and stop at several capitals and major regional centres this winter. Check them out at the following shows.

25 June 2021 – The Triffid, Brisbane,
16 July 2021 – The Gov, Adelaide
23 July 2021 – Twin Towns, Tweed Heads
24 July 2021 – Nightquarter, Sunshine Coast
6 August 2021 – The Corner, Richmond
7 August 2021 – The Croxton, Melbourne

Image used with permission from Revolutions per Minute

Red Hot Summer @ Roche Estate, Pokolbin – 15 February 2020

I’m pretty sure I’ve never had a weekend as jam-packed with music as last weekend. I wrote about Fire Fight yesterday, but before all that went down I was dodging showers in the Hunter Valley at Red Hot Summer. Those storms meant this year’s event wasn’t as steamy as previous affairs, but the action on the big stage certainly lived up to the tour’s moniker.

I have been waiting an age to see Boom Crash Opera live. This blog tells me that it was 2014 when my parents were running so late to a Day on the Green concert that I only caught the tail-end of their set. In the years since, Dale Ryder left the band and rejoined! To say I was anticipating their set was an understatement, but they delivered everything I hoped. All the hits performed with the sort of energy and flair that makes you forget this band has been kicking around since the 80s.

Killing Heidi were another act I’ve always enjoyed but never managed to catch live. I’m pretty sure they haven’t lost anything over the years though. Their sound is just as tight as ever, and I can’t imagine Ella Hooper was any more energetic in her teenage years. She knows how to command a stage, bouncing around with a joy and confidence that’s so mesmerising to watch. It’s been a long time since I was an angsty teen, but songs like “Mascara” and “Weir” still resonate. Not even the first of the afternoon’s downpours can dampen the crowd’s enthusiasm.

We went from one strong female-fronted rock act to another, with Baby Animals taking the stage next. They broke the mould when they made Suze DeMarchi. She’s such a strong frontwoman, delivering the band’s hits with a cool confidence that draws you in. Those hits came thick and fast, encouraging the crowd to join their voices for songs like “Painless,” “Early Warning,” and “One Word.” They’re another act that seem to have lost nothing over the years. What a class act.

The Hunter Valley crowd was already enthusiastic, but their excitement certainly kicked up a notch when The Angels took to the stage. I first saw the Dave Gleeson-fronted outfit back in 2014, before Doc Neeson left us. At the time there was a little unease about the situation because this band was born out of a rift between Doc and the Brewster brothers. Now though time has healed all wounds and this band seems like a wonderful way to honour Doc’s musical legacy. Those songs are what matters, and Dave Gleeson performs them with the right blend of reverence and irreverence. It was enough to convert a friend of mine, who arrived at the gig a sceptic but emerged from the sweaty mosh pit singing Dave’s praises.

The Angels turned things up to 11 but The Living End kept the dial right there. They are another ‘90s act who age has not wearied. Their brand of punk is every bit as loud and defiant, their sound every bit as tight. They admitted they might struggle to get the crowd participation The Angels did with “Am I Ever Gonna See Your Face Again,” but I think we all gave it a crack joining in with “Prisoner of Society.” Theirs was the performance of the day for me.

I do have a soft spot for James Reyne though. His mellow numbers gave us all a chance to catch our breath, enjoy a couple of wines and sing along. We probably aren’t getting all the words right, mind you, but the intent is there. James is always reliable and appreciated, delivering a greatest hits set which draws from his days with Australian Crawl, Company of Strangers, and his solo years. I’ve gushed about his performances before and I no doubt will again. They don’t reinvent the wheel, but they are so solid that I will never tire of them.

Hunters & Collectors were our headliners, an understandable decision since they haven’t toured together since 2014. The big hits certainly went down a treat. The crowd lapped up singalong favourites like “Holy Grail,” “When the River Runs Dry,” and “Throw Your Arms Around Me.” The band sounded so tight, I couldn’t fault what they did. However, this is my fourth Red Hot Summer tour. The headliners usually get the crowds up on their feet, singing along to every song. This time around I found I could sit on my camp chair and enjoy a clear view of the stage, especially once the crowd started clearing out. I’m sure the punters down the front who anticipated the band’s return were satisfied, but for so many of us casual radio fans the more experimental tracks in their set didn’t resonate. I can’t help thinking that they would have been better suited to an earlier slot with a pared-down set that focused on the hits. Red Hot Summer gigs aren’t like typically concerts; people aren’t just there for the headliners. They attract a wider audience and as such the headliners really need that widespread appeal. When you lose so much of the crowd before the end, I think it’s a sign the wrong call was made.

Questions about running order aside, Red Hot Summer has grown over the last 10 years to become one of the best festivals in the country. Its focus on Australian acts and commitment to visiting regional areas are to be commended. I’ve attended events in Port Macquarie, Kariong, and the Hunter Valley and they always have such good vibes. The organisers might not always get everything right, but they come pretty close. I’ll be eagerly awaiting the announcement of next year’s line-up. Red Hot Summer tickets are rarer than hen’s teeth, but if you can find some I highly recommend getting along to one of the remaining shows.

22 February 2020 – Sandstone Point Hotel, Bribie Island
23 February 2020 – Queens Park – Frogs Hollow, Toowoomba
29 February 2020 – Sandstone Point Hotel, Bribie Island
1 March 2020 – Harrigans Drift Inn, Jacobs Well
7 March 2020 – Mackay Park, Batemans Bay
14 March 2020 – Kiama Showgrounds, Kiama
21 March 2020 – Gateway Lakes, Wodonga
28 March 2020 – North Gardens, Ballarat
29 March 2020 – Seppeltsfield, Barossa Valley
4 April 2020 – Lazy River Estate, Dubbo
11 April 2020 – Darwin Amphitheatre, Darwin
18 April 2020 – Barlow Park, Cairns
25 April 2020 – Mornington Racecourse, Mornington
26 April 2020 – Noosa & District Sports Complex, Noosa

Image source: own photos

Baby Animals @ Ettalong Diggers, Ettalong Beach – 8 February 2019

The quality gigs are coming thick and fast on the Central Coast. It’s rare that I can see two great shows back-to-back without travelling to Sydney or Newcastle, but it’s a sign of the buzz around the Coast at the moment. I only hope the music industry’s enthusiasm for my local area continues.
Ettalong Diggers is booking so many quality acts of late; the Baby Animals are the latest in a long line. The band room in Diggers is fairly unassuming, but it’s the kind of place where a rock band like the Baby Animals feels right at home. I’d previously seen the band play Red Hot Summer. I was impressed, but there was something that felt a little off about catching them in the harsh light of a summer’s day. They seemed more at home here, with enthusiastic punters with beers in hand happily singing along to more than just the hits.

Shows like Red Hot Summer give bands limited time, so the hits always come out early. I thought I might be left waiting at this extended gig, but instead the band wanted to fire us up from the get go. “Rush You” and “One Word” got us all singing along. I must admit, I’m not as familiar with the songs that didn’t make the charts, but it matters not with a woman like Suze deMarchi on stage. She’s such a compelling frontwoman, a force of nature that has the audience in the palm of her hand from the start. The natural chemistry she has with her bandmates is a joy to witness.

This was my third Baby Animals gig but in some ways Friday night’s show felt like an introduction. This was the way I was meant to see the band. Now to explore the back catalogue so I know a few more of those killer cuts for next time! I’ll get my chance when the Baby Animals kick off their greatest hits tour, supported by Killing Heidi, in May.

3 May 2019 – Revesby Workers Club, Revesby
4 May 2019 – Metro Theatre, Sydney
10 May 2019 – Croxton Bandroom, Melbourne
17 & 18 May 2019 – The Gov, Adelaide
24 May 2019 – Astor Theatre, Perth
25 May 2019 – Metropolis, Fremantle
31 May 2019 – Southport RSL, Southport
1 June 2019 – The Tivoli, Brisbane

Image source: own photos

Baby Animals Back to Best With “Tonight”

Baby Animals were the real surprise packet of this year’s Red Hot Summer shows for me. They were one of the only acts I’d never seen live before, and their blistering sets made me wonder why I’d left it this long. Suze deMarchi oozes cool and the band is one of the tightest I’ve ever seen. I also appreciate that they weren’t like so many other acts resting on their laurels. Trading on nostalgia is easy, but bringing new music to an audience takes balls. The new single “Tonight” was a highlight of the set, a track I wanted to make sure you all wrapped your ears around.

Baby Animals do too, so they’re touring the country as headliners to support its release. Expect to hear more tracks from their forthcoming EP along with all your old favourites at the following shows.

22 June 2018 – Corner Hotel, Melbourne
23 June 2018 – The Gov, Adelaide
29 June 2018 – Doyalson RSL, Doyalson
30 June 2018 – Waves, Wollongong

Image used with permission from Revolutions per Minute

Red Hot Summer @ Mt Penang Parklands (Central Coast) & Cockatoo Island (Sydney) – 24 & 25 February 2018

In my teenage years, it wasn’t unusual for me to see several shows back-to-back. Now in my late 30s, after two days at the Red Hot Summer shows, I’m feeling every one of my years. I’m tired. My feet hurt. My lower back is achy. I’m thankful that I gave myself a little time to recover before going back to work, because I need it. Was it all worth it though? Absolutely!

I decided to write a combined review of both shows because while the weather varied, this was essentially the same concert. It makes sense really, with each act crafting a set full of the right songs to delight the fans.

But as I mentioned, the weather. It really went from one extreme to the other, and neither was ideal. This is the risk with staging an outdoor concert. The gods might smile down and gift you the perfect sunny day, not too hot or too cold. Or you might get the sort of heatwave conditions I experienced at Mt Penang Parklands on the Central Coast. The kind that make you feel so lightheaded you wonder whether you’ll make it to the first band. Or you might get the kind of gloomy cold day with torrential rain that soaked us to the skin at Cockatoo Island in Sydney. Neither is ideal for a live show, but if you get right the things you can control, the crowds won’t mind too much.

The organisers of Red Hot Summer must be commended for that. The line-up was exceptional, perhaps even better than the one I saw in 2017. There was a diverse array of food vendors serving quality eats fast. There were plenty of toilets. We weren’t left waiting too long between acts; the MC’s giveaways helped keep us all interested until we were ready to rock again.


I also appreciate that Red Hot Summer is more than a nostalgia fest. Every year I look forward to discovering new talent. In 2018, Red Hot Summer delivered with Taylor Sheridan, an up-and-coming singer-songwriter from country Victoria. It’s always easy for an entertainer with pop-rock leanings playing an acoustic guitar to pique my interest. But to hold it takes something special. While his cover of “Billie Jean” was inspired, I was impressed with his excellent originals which rewarded anyone willing to listen to the lyrics. “Beauty of the Plan” and new single “Friends Like Me” were standouts. Finishing with a cover of “April Sun in Cuba” was the perfect way to win over anyone who wasn’t already on his side.


1927 are one of my favourite childhood bands, and as I discovered last year they’ve lost nothing. The band are tight and Eric Weideman’s voice is still so powerful. I wish I was feeling better for the Mt Penang show, as I felt I didn’t get to enjoy their set quite as much as I should have. I made up for lost time in Sydney though, jumping around and pumping my fists in the air during “You’ll Never Know.” “Compulsory Hero” gave me chills both shows. And those massive singles, “That’s When I Think Of You” and “If I Could,” has us all singing along.


The Black Sorrows were one of the standouts of last year’s Good Times tour, and they stamped their authority on the Red Hot Summer stages too. Joe Camilleri might be one of Australia’s most charming front men. I could watch him sing, wail on his saxophone, and dance around with wild abandon all day. Add in the divine voices of Vika and Linda Bull and you’re always going to have a good time. It was another superb set, with hit singles and some lesser known cuts represented. I loved watching the chemistry between Linda and Joe during “Baby It’s a Crime” and seeing Vika totally owning “Never Let Me Go.”


The Baby Animals were the only one of the big acts I’d never seen live before. Now that I have, I wonder why I left things so long. Suze DeMarchi oozes cool, even if she’s battling the heatstroke that plagued so many of us at Mt Penang. She’s definitely one of the most charismatic people I’ve ever seen performing. The way she moves, her commanding voice, her look, it’s all so impressive. The big hits like “Early Warning” and “Painless” sounded every bit as good as they did on the records, but had that extra special something that can only come from a live show. New single “Tonight” proved this is a band still in its prime, not one that needs to simply trade on nostalgia.


Daryl Braithwaite is such hot property right now. I’m not quite sure when it happened, but somewhere along the way he became really cool again. Millennials fell in love with “The Horses,” and there were plenty of them at the show, waving inflatable hobby horses and wearing rubber horse heads as they clapped along. But Daryl is much more than “The Horses.” While that song was the natural closer, it came after Dazza reminded us of his stellar career with Sherbet and solo smashes. Songs like “Summer Love” and “One Summer” are made for festivals like this.


The roar that came from the crowd suggested it wasn’t just the women with custom-made John Farnham shirts hanging out for Farnsy. There’s a certain air of excitement when he takes the stage, an indescribable feeling that magic will happen. Ably supported by his band of recognisable faces, musicians and vocalists who have been with him for decades, John belted out hit after hit. His was the sort of set you can sing along to, no matter whether you’ve ever bought a Farnsy album. These songs are in our DNA, from tender ballads like “Burn For You” to the show stoppers like “The Voice.” In between John chatted happily to the crowd, cracking jokes easily, then speaking with sincerity of the gratitude he has for those of us who stood in the heat or rain to hear his music. When the sets of most artists didn’t change, John made each show unique for his fans. The Central Coast was treated to “Don’t You Know It’s Magic” and the much maligned “Sadie the Cleaning Lady.” For Sydney it could be nothing other than “Raindrops Keep Falling on My Head.” They did, but with John to keep us company it was easier to grin and bear it.

The two Red Hot Summer shows in New South Wales didn’t happen under ideal circumstances, but by getting the essentials right the organisers ensured the crowds had the best time they could have hoped for. Bring on 2019, hopefully with better weather than this year brought!

Image source: own photos

Build Homes with the Baby Animals

The Baby Animals are heading to Indonesia to build houses for the needy, and they want you to help. The initiative called Rock the House is part of the band’s vital work with Habitat for Humanity.

The 25 homes built from October 22 to 29 in Yogyakarta will benefit locals living in shelters without access to water, electricity, or sanitation. The campaign also aims to provide a clean water facility for the new community.

“Our rock community is built on the power of music, so let’s call on that passion and unite to empower others,” Baby Animals frontwoman Suzi DeMarchi said. “Join us and help to build a rock solid future for generations to come.”

The Baby Animals hope 300 Aussies will volunteer their services by the application deadline of July 22. You can read more about the project and the application process on the Rock the House website.

Image used with permission from Social Family Records

Baby Animals Reboots Special Edition “This is Not the End”

By popular demand, the Baby Animals will release a special deluxe, fully-loaded edition of the 2013 ARIA charting album This is Not the End on June 6.

This special release, which celebrates the one-year anniversary of the album’s official release, features 16 never-before-released live versions of the Baby Animals’ biggest hits including “Early Warning,” “Rush You,” and “One Word” from their Feed the Birds tour. The album also features a BA365 Rockumentary on the making of the album, a lyrics booklet, and the new single “This Is Not the End.”

Pre-order your copy from the Social Family Records Store, Sanity, or iTunes and you could win the very jacket that Suze DeMarchi wore on the Feed the Birds tour and one of Suze’s original one-off artworks. The album drops in a few days though, so you haven’t got long to get your entry in the draw!

Image used with permission from Jaden Social

Aussie Legends Play Regional Red Hot Summer Shows

Some of Australia’s most beloved artists will perform for regional audiences this summer. Dubbed the Red Hot Summer Tour, the travelling concert series features a bumper line-up including Cold Chisel comrades Jimmy Barnes and Ian Moss, Baby Animals, Dragon, Ross Wilson, and Chocolate Starfish.

Unfortunately not every act will perform at every show, but fans will still see value with tickets starting from just $79.90. The line-up for each event is also posted on the Red Hot Summer Tour website, so you can make sure your favourites are playing near you.

Line-ups like this don’t come along every day, especially in some of these country towns! Tickets go on sale this Thursday, October 25.

5 January 2012 – Tumut Showgrounds, Tumut
6 January 2012 – Harry Sawkin Park, Nowra
10 January 2012 – Centenary Oval, Port Lincoln
12 January 2012 – Mary Ann Reserve, Mannum
13 January 2012 – Nowingi Place Soundshell, Mildura
19 January 2012 – Mulwala Waterski Club, Mulwala
20 January 2012 – Morning Star Estate, Mt Eliza
26 January 2012 – Parklands Resort, Mudgee
27 January 2012 – Crossing Theatre Lawns, Narrabri
2 February 2012 – Kryal Castle, Ballarat
3 February 2012 – Victory Park Soundshell, Traralgon
9 February 2012 – Country Club Lawns, Launceston
10 February 2012 – On the Point – Wrestpoint, Hobart
30 March 2012 – Warrnambool Racecourse, Warrnambool
31 March 2012 – Mansfield Showgrounds, Mansfield

Image source: Ticketmaster

Baby Animals Rock Australia with New Tunes

The Baby Animals are ready to rock again with a string of shows in October.

It’s been a bit quiet on the Baby Animals front since they supported Train and INXS on those Day on the Green shows in January. But there’s been a good reason for their absence from the live scene. The band’s been huddled away in the studio recording new songs for a forthcoming album which they’ll unleash at these shows.

Fans from the beginning shouldn’t stress though; I’m sure you’ll still get to hear “Early Warning” and “One Word”!

You can catch this stellar live act at the following shows next month.

8 October 2011 – Caloundra Music Festival, Caloundra
21 & 22 October 2011 – Annandale Hotel, Sydney
28 October 2011 – Canberra Southern Cross Club Events Centre, Canberra
29 October 2011 – Sydney Blues & Roots Festival, Windsor
31 October 2011 – Cup Eve @ Corner Hotel, Richmond

Image source: Danni Nix

Baby Animals Playing Live Again

It’s so great to see the Baby Animals kicking around Oz again. It’s been almost nine months since the iconic 90s rock act took to the stage, but they’re preparing to play two very special shows in October.

Sydneysiders can catch Suze Demarchi and the rest of the band at the Oxford Art Factory on October 20. Following this intimate show, the Baby Animals will rev things up for a performance at Armor All Gold Coast 600’s 600 Sounds festival.

If you can’t make it to one of these shows, it seems you might have a few more chances before the year is through. Suze is moving back home this month after spending the last 16 years in Los Angeles. She plans to stay in Oz until the New Year to play some more gigs and write some songs, all while enjoying our sunny weather.

“It’s about time I spent some decent time back home again”, she said from LA. “I’m looking forward to an Aussie summer. I’m feeling really creative and have a bunch of song ideas I feel ready to share with the band. I can’t wait to get together with Dave again. Who knows, we might just squeeze out another Baby Animals album!”

Let’s hope so. It’s been 17 years since the band released Shaved and Dangerous, their last album of new material, so it seems like a new record is well overdue!

Image source: Premier Artists