Howie Day @ The Standard, Sydney – 30 March 2012

On Friday night I enjoyed one of the best nights of live music I have in some time at The Standard. American singer-songwriter Howie Day drew me in, but some exemplary supports made the night something truly special.

I fell in love at first note with Patrick James, a sweet young acoustic guitar-playing troubadour from Port Macquarie. He was a cutie, but his modest personality and superb lyrics really won me. Despite being a support act the crowd around me was so respectful that I could really take in the words he sang. Just when I thought his set couldn’t get any better he was joined by his banjo-playing pal. Together they created the perfect indie folk tunes to set the stage for the evening ahead.

I must admit, I was flagging after Patrick. Pub gigs always get so late for this middle-aged music lover! I whispered to my husband that I wished there wasn’t another support act; I wanted to hear Howie and head on home! But there was Brendan Maclean, a magnificent musician who turned my fatigue around. He made a big impression with his colourful jacket and Dwayne Wayne style sunglasses, but as his first impassioned piano driven song unfolded it was clear this guy wasn’t just about looks. His set flew by with quirky originals and cover versions of songs by Leonard Cohen and Lady Gaga. You’re not going to find that combination very often folks! Whether on piano or his beloved ukulele Murphy Brown, Brendan wowed me.

And then there was Howie Day. He’s still largely unknown in this country but I’ve been following his career for the past decade. In fact, my husband and I realised as we sat waiting for him to appear that we’d seen him first eight years ago in New York City. It was the first show we ever saw together, something I was thrilled to tell the man himself once his set wrapped up. But before I reverted to teenage fangirl it was time to soak up his brilliance. His set drew from his three albums and the brand new EP Ceasefire, something that pleased a long-time fan like me greatly. The simplicity of his lone acoustic guitar and plaintive vocals was matched perfectly by his tech wizardry. What that man does with looped recordings blows my mind each time I witness it. It’s such a neat trick that he uses like a pro, making the right songs feel bigger and more lush. However in the more intimate tunes like “She Says” and “No Longer What You Require” he does away with the trickery and lets his guitar and voice speak for themselves. It’s just magic.

I didn’t leave The Standard until around midnight. By that time I’m usually long tucked up in bed. I was exhausted, but so thrilled to have seen such a brilliant set from one of my most beloved musicians along with two more from new favourites. It doesn’t get any better than that!

Images source: own photos

Howie Day @ Annandale Hotel, Sydney – 28 November 2008

On Friday I made the trip to the Annandale Hotel in Sydney to check out one of my favourite acts in the world, Howie Day.

That my country still hasn’t quite latched onto the music of this talented American is both a blessing and a curse. I’d love to see him in a venue that isn’t quite so cramped, and minus the sticky floors. But I can’t complain too much about the $22 cover charge!

An indulgent Italian meal in Leichardt kept me away from the first support act Fairy Light, but I arrived just in time for Sophie Koh. I’d heard good things about this Melbourne singer-songwriter and she didn’t disappoint. She reminded me a lot of Bic Runga, with a sweet voice and compelling folk melodies. That sounds like the formula of so many girls with guitars, but Sophie’s poetic lyrics and intricate music ensure she stays always just that little bit left of centre. Most of us didn’t know her songs, but she kept us enthralled so that by the time she played Radiohead’s “Creep” we were all happy to sing along.

It was nearly 11 by the time Howie took the stage. I must be getting old, because I was fading. I’m used to concerts that finish at 11, not start. But Howie roused me with a set that was perhaps even better than the last time he graced our shores. He seemed more relaxed this time around, willing to joke around with the audience. We were all with him, laughing as he showed us how he could speak backwards and make uncanny bird noises.

Howie often performs with a full band, but he doesn’t need one. Just as his personality is big enough to fill a stage, so is his sound. He exploits technology, creating loops which allow him to play lead guitar, bass guitar, and percussion all at the same time. It’s clever but never gimmicky, just another colour in Howie Day’s box of crayons.

Once his set was done I just about fell over with exhaustion, knowing I still had to make it home to the Central Coast before I could drop. When I returned to Central station at a little after midnight to find the next train wouldn’t leave until 1:45 am, I nearly cried. But would I do it all again to see a show like Howie’s? In a heartbeat!

Image source: own photo

Howie Day Returns to Oz

You might remember me raving about the Howie Day shows I saw a few months ago. I became a fan of this talented American singer songwriter when he released his debut album in 2000, and it was worth the wait when he finally toured here with Whitley eight years later.

The positive response Howie received on his first trip has encouraged him to embark on his own headline tour! If you didn’t catch him the first time, don’t make the same mistake again. This man is one of the most amazing performers I’ve seen. Add the appeal of some intimate venues and you’ve got the recipe for some unmissable shows. Don’t say I didn’t warn you!

Catch Howie at the following venues later this year!

27 November 2008 – The Troubadour, Brisbane
28 November 2008 – Annandale Hotel, Sydney
29 November 2008 – Jive, Adelaide
30 November 2008 – Queenscliff Music Festival
3 December 2008 – Karova Lounge, Ballarat
4 December 2008 – East Brunswick Club, Melbourne

Image sourc: VickieVictoria @ Flickr

Howie Day @ Annandale Hotel, Sydney and Northern Star, Newcastle – 16 and 17 May 2008

I’m here feeling a little sad and sorry for myself, after taking in three gigs in three days. I’m clearly not as young as I used to be. The first was Chris Murphy. The second two were Howie Day.

You might remember me gushing about this Boston native’s first trip to Australia when it was announced some months ago. In fact, I was so excited by it that I couldn’t restrict myself to just one show.

Firstly, if you’re a Whitley fan reading this review hoping to hear what I thought of the headliner, you’re not going to find it. I had the best of intentions of catching his set. But as I drove to Sydney’s Annandale Hotel for the first show on my own, I figured I was better off leaving once Howie was done and seeing it the following night. My husband made the journey to Newcastle’s Northern Star with me, and we were shocked to find Howie wasn’t playing until 10:30 or so. The way I felt after his set was another glaring reminder that I’m just not as young as I used to be, so we ended up leaving to catch some sleep. I’m sure he was brilliant nonetheless.

But he was perhaps not as brilliant as Howie, although I’m completely aware that I’m biased. Howie Day is the kind of guy who can inspire me to drag my butt to a pub and stand for hours in a throng of largely obnoxious people. These aren’t the kind of gigs I like at all. But once that man took the stage I managed to (mostly) block out the people pushing me and the folks talking too loudly and just focus on the music.

As a support act his set was short, but he made sure to cram as much in for the fans who’d eagerly awaited his first Aussie shows. Both nights began with a slowed down version of “Sorry So Sorry.” This paired down acoustic arrangement was markedly different to the version which appeared on his debut album Australia, and it brought a new resonance to the lyrics.

It was that album that made me fall in love with Howie, so I was thrilled to hear two of my favourites, “Ghost” and “She Says” make the sets both nights. “Ghost” was a real highlight, with a frenetic guitar jam created by Howie’s trademark loops. I was also thrilled to hear “Collide” on both occasions, especially in Sydney where the crowd surprised me by launching into an enthusiastic sing-along. I’d clearly underestimated Howie’s popularity here, as most people I meet have never heard of him. We were also treated to some new songs which I hope to see on an album soon.

I was so excited the first time I saw Howie Day on a holiday the United States, I wasn’t sure whether these Aussie shows could possibly live up those memories. They did. I can’t wait to see him back in Australia really soon.

Image source: own photo