Molly Ringwald @ Hurstville Entertainment Centre, Hurstville – 8 June 2016

Three years ago I first saw Molly Ringwald performing jazz at the Sydney Writer’s Festival. I was thrilled to be simply in her presence, to be so close to the woman who’d made such an impression on me as I was growing up. However, that night we were in a makeshift venue on a pier in Walsh Bay and the crowd seemed dominated by hipsters rather than other people who loved and adored her. Those folks probably didn’t make the effort to head out to Hurstville last Thursday night to see Molly on her return visit to our shores.

There was never a question about whether I would though. It didn’t matter to me that Molly hasn’t released another album in that time. I didn’t mind if it would be a repeat of the same show I saw way back in 2013. I just wanted to be around her again.

The Hurstville Entertainment Centre gave me the intimacy that I was craving last time. The term entertainment centre makes it sound larger than it is. It’s more like an old dinner theatre, with tables at the front to hold the cheese and dessert plates they sell at the bar in the foyer. I was perched in the front row, close enough to see Molly has barely aged since she was a teenage pinup. I certainly don’t have the legs to pull off the glitzy sequined dress she strutted out in!

She smoldered through “Sooner or Later,” convincing us all that she could have easily taken the Madonna role in Dick Tracy she auditioned for. More songs from her album Except Sometimes came, as well as tracks from an upcoming release and others she felt deserve a place in the Great American Songbook. I appreciated the set list, which if my memory serves correctly was a bit more eclectic than the one on her first tour. Jazz standards were well represented, of course, alongside modern cuts from Rufus Wainwright and Elvis Costello and show tunes from My Fair Lady, West Side Story, and Guys and Dolls. Few artists could so convincingly deliver such varied material, but Molly’s acting chops served her well here. Credit should also go to her band; only the pianist tours regularly with Molly but they gelled so well.

The songs were punctuated by Molly’s musings. I hung on her every word. I loved hearing why she selected certain songs, what they meant to her, about roles she’s auditioned for and her life as a wife and mum. While great music matters to me, that personal touch you get when an artist shares themselves with you really makes a concert special. Molly Ringwald might be better known as an actress, but she certainly holds her own as a singer.

Image source: own photos

Molly Ringwald @ Pier 2/3, Walsh Bay – 26 May 2013

Every generation has a woman that makes a difference. She’s the kind of woman who inspires us. She’s the one that girls want to be, and guys want to be with. And for my generation, that woman was Molly Ringwald.

I remember being in awe of Molly as I grew up. I admired her strength as I watched her on screen railing against stereotypes and social classes. I desperately wanted to kiss Andrew McCarthy and Judd Nelson too. All those feelings I had about Molly never went away, so there was no question in my mind that I had to be there when she closed the Sydney Writers Festival with her jazz music.

Honestly, I went to bask in her presence, not to appreciate her music. She could have said she’d be there to read the phone book and I would have bought a ticket. For the first few songs I couldn’t think of anything else other than the fact that this woman who means so much to me was right there, breathing the same air as me, under the same roof as me.

But as the evening wore on, I found that I appreciated so much more than that. Admittedly, Molly isn’t technically the world’s best singer. Her voice is a little thin, and you can hear her struggling to reach the high notes. But her voice has so much character, and the charisma she oozed on the silver screen translates well to the musical arena.

I also appreciated that she really knows music. Her songs were so carefully chosen, jazz classics that aren’t overdone by the countless artists that delve into the Great American Songbook. The influence of her father, a jazz musician in his own right, was apparent. Her knack for telling a story was showcased beautifully in “I Get Along Without You Very Well (Except Sometimes)” and “Ballad of the Sad Young Men”.

She also gave so much of herself, chatting in between every song about the music, her family, and her life. By the time she closed her regular set with “Don’t You (Forget About Me)”, a tribute to the late great John Hughes, we were all on her side. There was no doubt we’d ask for an encore. She might be best known as an actress, but as a jazz musician Molly Ringwald certainly holds her own.

Image source: own photo