The Script @ Hordern Pavilion, Sydney – 8 April 2011

It’s been a year and a half since I first saw The Script live. After that show I was buoyed and excited, thrilled to see one of the greatest pop acts of our time doing their thing in the flesh. As they say in the classics, what a difference a year makes.

Let me make it clear: I still think that The Script are one of the greatest pop acts of our time. But walking out after their Sydney show on Friday night, I felt none of the same euphoria.
My mediocre night started with Tinie Tempah. I have no clue who thought it’d be a good idea to pair the inoffensive piano pop of The Script with the stylings of this brash Brit rapper, but it was a weird mix, to say the least. I hated his music, but was amused by his arrogant on stage persona. There’s something very contrived about a performer who demands crowd participation. People will wave their hands in the air and sing along if they feel like it; you really shouldn’t need to push it. I also feel a bit cheated when a performer merely raps over the work of other musicians, but that might just be me. The Video Hits loving crowd on the floor seemed to lap up his set, but I spent it giggling and cringing at his over-the-top antics. At least I was entertained.

Hearing the familiar piano driven music of The Script was a welcome respite from all that hip hop garbage. The Irishmen delivered a really solid set featuring tunes from their self titled debut and their sophomore effort Science and Faith in equal measures. They interacted with the crowd, and I couldn’t help melting every time they told us how much they appreciated our support and country. We sang along loudly to the big hits, no prompting needed. See Tinie? We’ll sing if we want to.

It’s hard for me to put my finger on exactly what was missing, but I certainly didn’t feel the adulation I did the first time around. The venue didn’t do them any favours. The Hordern is like a bit shed, with terrible acoustics and a lack of real intimacy. I certainly felt removed from the band, as often it seemed like they were just performing for the squealing girls in the first few rows. I don’t expect that I’ll get the same show sitting on the sides, but I expect a band used to stadiums to play the room a little more. Perhaps after such a brilliant Cyndi Lauper concert last week, most nights are going to pale in comparison. Either way, there was something missing. A night spent with The Script is always enjoyable, but this show wasn’t quite what it could have been.

Image source: own photos

The Script Make a Return Visit to Oz

When I saw The Script last September they put on one of the most enjoyable shows I saw all year. At the time they were all over radio with their singles “Breakeven” and “The Man Who Can’t Be Moved,” but the buzz has died down just a little. Rest assured, it’s about to kick off again.

The band are returning to our shores to spruik their sophomore album Science and Faith. They’ll also be ably supported by the lovely Michael Paynter. What a shame it’s all on while I’m enjoying a well-earned holiday in Adelaide! There are only two dates announced, so hopefully it won’t be too long before we see them back for a full scale tour. I’m keeping my fingers crossed!

I can’t make one of these gigs, but you really should. Snag your tickets on August 13 for the following shows.

43176, GLASGOW, SCOTLAND - Saturday July 31 2010. The Script perform at the In:Demand Live concert at the SECC in Glasgow.  Photograph:  Fred Lee, PacificCoastNews.com


5 October 2010 – Palace Theatre, Melbourne
6 October 2010 – Luna Park Big Top, Sydney

The Script and Wes Carr @ The Enmore, Sydney – 26 September 2009

On Saturday my husband and I headed into the city to catch The Script at Newtown’s Enmore Theatre. With reigning Australian Idol champ Wes Carr on supporting duties and a lovely intimate venue, this was one gig we were really looking forward to.
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From the first moment the night didn’t disappoint. Clearly solid touring duties since winning the Idol crown haven’t taken their toll on Wes. He was every bit as energetic as I remembered, and he could sustain it for much longer than we saw on the Idol stage. This guy is a firecracker who knows how to rock. The set drew from his original material rather than his Idol covers, and it was all the richer for it. The Way The World Looks has spawned enough singles to keep the crowds happy, a good thing when you’re playing for a largely teenage audience.

They loved Wes, but they went nuts for The Script. I’m not sure I’ve seen anything like this since I followed Human Nature in the late ‘90s. There’s that same boy band hysteria surrounding them, even though their songs have more cred than a Backstreet Boys smash. The Script might be unashamedly pop, but the heart which underpins their songs separates them from the rest. Their debut album is one of those discs I’ve played to death this year.

Experiencing the songs in the live arena took them to the next level. The band had so much energy, and the crowd really responded to that. Or perhaps it was Danny O’Donoghue and his sexy black T-shirt whipping them into a frenzy. Either way, there was a lot of love in the room.

One of the great things about seeing a band promoting their debut album is that you know all the songs. It encourages the kind of sing-alongs we enjoyed in “The Man Who Can’t Be Moved.” I’ve never been a fan of “I’m Yours,” believing it to be a bit of romantic fluff, but stripping it back in the live arena with a lone acoustic guitar brought out its true beauty.

The Script closed the night with a cover of David Bowie’s “Heroes.” Danny sang it out, jumping around and waving an Irish flag with the word Sydney scribbled on it. The band thanked us so much for coming out and assured us that we were the best crowd of the tour. They probably say that every night, but it felt genuine. Clearly we left an impression on The Script, but it may not be as big as the one they left on us.

Image source: own photos

Q & A With Mark Sheehan of The Script

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The Script are all over local radio and the Australian music charts, and soon the lads from Dublin will be here in the flesh. I chatted with Mark Sheehan ahead of the band’s September tour.

You’ve only recently visited Australia for some shows, yet you’re about to tour here again in September. What keeps you coming back?
What can I say? We’re suckers for the Aussies. We love it there. Aside from the band, Dan [O’Donoghue] and I have been there a few times travelling around a little. We LOVED it. Plus your beer is good!

You’re playing some small theatres while you’re here, yet back home you’ve been performing in stadiums. How do those intimate shows compare to the much larger ones?
I prefer them to be honest. The stadiums are very surreal and the shock settles in after you’re off stage … very annoying. But the smaller shows is where we are from and I find the atmosphere is always electric. We’re on top of the audience. God help them!

I’ve got tickets to your Sydney concert. What can I expect when I see you guys live?
Nakedness! No, I lie. We would clear the building out if we did that. Maybe I’ve just started an idea for last call in bars throughout the world: show them naked Script pictures and clear the shop. We like to call our live shows our time off because no one bothers us up there. It’s the reason why we’re in it so we really savour that and play the best we can. Our shows are high energy, so if the audience is any good then we just excel. It’s a reciprocal energy, so audience and band feed off each other so to speak. This is what we live for.
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