Jagged Little Pill @ Theatre Royal, Eora/Sydney – 30 July 2021

Jagged Little Pill may be the greatest musical most people won’t see. The pandemic cut its original Broadway run heartbreakingly short. While it returned to New York’s Broadhurst Theatre, it closed soon after as America’s COVID-19 numbers picked up again. Here in Australia, the return season in Eora/Sydney is also being cut short as increasing case numbers become a concern. I feel pretty lucky I snuck in before the company pulls the plug. I bought tickets for the original run but transferred them when my husband ended up in hospital. Had I chosen a later date, it might not have happened.

It’s heartbreaking that we don’t all get more time with this musical, because it is so special. Featuring the songs of Alanis Morisette, you might be forgiven for thinking it’s just another jukebox musical. However, this piece is so much more. The songs are used so cleverly as a launchpad for a series of stories that are so relevant for the modern age. Through the Healy family and those close to them, the musical explores prescription drug addiction, sexual violence, sexuality, societal pressure, trauma, and healing. It’s heavy material and difficult to watch at times, but Diablo Cody’s witty book and the joyous energy of the cast balance it beautifully.

Speaking of the cast, I’m not sure I’ve ever seen such a solid group of performers. I admit, I was pretty skeptical when I heard Natalie Bassingthwaite had landed the plum role of MJ Healy. I’d seen her in theatrical productions before, but her roles in Rent and Footloose were nowhere as meaty as this one or as challenging vocally. But I can freely admit I was wrong. She was an absolute revelation. I didn’t know she had this performance in her. MJ is such a complex character, but she really rose to the occasion. I was also particularly impressed with the young actors. Emily Nkomo brought such a light and passion to Frankie. Bella is relatively small but pivotal, and Grace Miell was sensational in the role. A character like Nick could easily become wooden, but I thought Liam Head was excellent. People have raved about Maggie McKenna’s performance as Jo, but on the Saturday matinee Mo Lovegrove stepped into the role. Honestly, I think we lucked out. What an incredible talent they are. “You Oughta Know” and “Your House” are some of Alanis’ most challenging songs to nail in my opinion. Few can convey their messy emotions the way that Alanis can, but I was captivated by Mo’s take on these songs, not to mention their more subtle moments. The ensemble were also such incredible dancers and singers. There were no weak links. Just incredible.

Honestly, I haven’t stopped thinking about Jagged Little Pill since I left the theatre on Saturday. It’s truly special. You’ve got two weeks before it closes. The producers say they’re committed to bringing this story back to Australian stages in the future, but in these uncertain times, there’s no telling when that will be if it happens at all. So see it while you can. There are limited tickets for performances at the Theatre Royal to August 14.

Megan Hilty @ Theatre Royal, Sydney – 10 June 2016

I can scarcely believe a couple of weeks have gone by since I caught Megan Hilty’s performance at the Theatre Royal, but it was a performance so strong that my memory has barely faded.

The press releases surrounding her maiden Australian tour promised a journey through the Great American Songbook, but her set featured much more than standards. She opened with “Keep Moving the Line,” from the TV series Smash, the first thing that brought her to my attention. As an ardent fan of the series, I was thrilled to hear more of its songs peppering the set, such as “Mr. And Mrs. Smith,” “Let Me Be Your Star,” and the breathtaking “Second Hand White Baby Grand.”

Most of Megan’s career has seen her on the stage rather than the small screen, so it was only fitting that her Broadway turns were acknowledged too with “Popular” from Wicked, “Backwoods Barbie” from 9 to 5, and “Suddenly, Seymour” from the role that got away in Little Shop of Horrors. Stories like the incidences surrounding the part endeared Megan to the already enamored crowd. She spoke in glowing terms of meeting Dolly Parton when cast in her musical and working alongside Idina Menzel and Katherine McPhee and regaled us of personal stories of life with her daughter and husband, the very dishy Brian Gallagher who plays guitar in her exceptional band.

There were the promised standards like “Almost Like Being in Love,” “That’s Life,” and “Diamonds Are a Girl’s Best Friend,” a lovely nod to her time channelling Marilyn as Ivy Lynn in Smash. Don Henley’s “Heart of the Matter” didn’t quite seem to gel with the jazz and show tunes, but it’s such a great song I didn’t really mind. Closing with “Rainbow Connection,” a song she plays nightly for her daughter, left us all feeling warm and fuzzy inside.

No matter what Megan treated us to, it was exquisite. She has such a stunning voice, and her Broadway training sees her connecting to the songs in a way few artists do when singing covers.

This was a fleeting visit for Megan, who had to catch a plane the next day to attend the Tony Awards. She assured us she loved our city and wants to come back for a longer stay. I hope she’s a woman of her word, because I think I speak on behalf of everyone at the Theatre Royal when I say we’d welcome her back with open arms.

The venue didn’t allow photography, so here’s a video so you can all see how amazing she is!