Australian Idols Go Their Own Way

This week the Australian Idol contestants were allowed to sing the songs they felt represented them best. The open-ended theme was designed to showcase the best in them, but it also gave the contestants just enough rope to hang themselves.

But before all that, it was time to send one hopeful home. This week Kate Cook, Stan Walker, and James Johnson found themselves in the bottom three, but it was Kate’s turn to go. It was a close call, but I saw this one coming. It hurts to see her go, but we’re at that point where we have to lose people that we love. I just hope this isn’t the last we see of her.
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James Johnson opened the show with Duffy’s “Mercy.” As always, he sang this well, but James didn’t do enough with it to make it really special. My biggest complaint was with the delivery. It seems he didn’t connect with the lyrics at all. Begging for mercy? With all that smiling and bounce, it didn’t seem like James was begging for anything!
[youtube=http://www.youtube.com/watch?v=Vl2hTfAXVKk]
Toby Moulton returned to his Brit Pop love with Oasis’ “Don’t Look Back in Anger.” I love Toby, but I hated this. It felt like karaoke, and bad karaoke at that. It didn’t showcase his voice, or deliver any emotional punch at all. I could have picked a million better songs for him.
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Nathan Brake took on Maroon 5’s” Something to Believe In” and completely nailed it. I wasn’t sure about the song choice at first, but he really pulled it off. He’s got that lovely pop sensibility combined with such an incredible voice. He’s really hitting his stride right now, and I’m thrilled.
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Q & A with Thomas Stevens from StoneMason

Gold Coast quartet StoneMason has just set off on their latest Australian tour to support their brand new EP Noise and Haste. I caught up with the band’s bass guitarist Thomas Stevens, aka SteveO, to chat about the new release, life on the road, and why they love rock in more ways than one!

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You’ve just kicked off your latest tour. How does it feel to be back in front of crowds?
We’ve actually been playing wherever and whenever we can the last half of the year, but for this tour we’ll be doing a few larger shows which will be awesome. Being in front of crowds is great because we put on a much better show if we actually have people to perform to, because we really feed off the energy of the audience.

What do you love about being on the stage?
Personally, I just love playing music regardless of the setting. Plus it’s an incredible rush playing on stage and performing to people who enjoy the music we make.

I’ve heard your live show described as being “dynamic” and “unique.” What makes a StoneMason gig so special?
We practice a lot and really work at being tight and cohesive as a band so we can put on a decent show, and our sound incorporates a lot of different influences so we don’t really sound like anyone else. We’ve all been really good friends for ages and started the band because we enjoy playing music together, rather than being put together purely to achieve success, so we also have a live chemistry that a lot of other bands don’t.

You’re touring to promote your new EP Noise and Haste. What can you tell me about it?

We recorded Noise and Haste over the bulk of this year at Loose Stones Studios in Burleigh Heads. All the tracks were engineered and mixed by Luke Palmer except for ‘Out, Damned Spots’ which was mixed by Matthew Bartlem (The Butterfly Effect, Dead Letter Circus), and the whole EP was mastered in the US by Troy Glessner (Underoath, Anberlin, Haste The Day). The songs on Noise and Haste are a mix of fast-paced indie rock, synth driven pop punk and piano balladry, and we’re immensely proud of the result.

Your first single “Stockholm Fashion” is about being inspired. What inspires you?
With regards to music and playing in a band, personally I draw inspiration from the bands and artists I listen to every day. Seeing a band that I love and admire being able to gain enough deserved recognition to continue what they do and take their music to different people and places, inspires and motivates me to do the same more than anything else.
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Joshua Radin @ Manning Bar, Sydney – 22 October 2009

On Thursday night I headed out to the Manning Bar to catch American singer-songwriter Joshua Radin. It was a show I approached with a strange mix of joy and trepidation.

I fell for this gorgeous guitar boy somewhere around the time he performed at Ellen DeGeneres’ wedding to Portia de Rossi. He appeared on the talk show queen’s program and it was instant. I was sucked into his beautiful words and mellow guitar strumming. I ordered his first album, and pre-ordered the second which was yet to be released from the United States. The chance to see him here on my home soil was one I wasn’t likely to pass up.

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But boy I hate those sweaty bar gigs. I hate standing up for hours on end. I hate the heat. And generally I hate the crowds, who seem far more interested in chatting to their mates than hearing the band. When the show was changed from an intimate adults-only gig at the Oxford Arts Factory to a larger all ages show at the Manning Bar I seethed. I imagined all the young girls squealing over gorgeous Joshua.

But strangely enough, none of that went down. Yes it was hot and sweaty in the Manning Bar, but the crowd was one of the best I’ve ever had the pleasure of being a part of. This was probably due to the decision to keep all alcohol outside. While I was initially a little annoyed to make the choice between seeing the band or enjoying a cold beer, I came to appreciate the segregation. Those of us down near the stage were there because we wanted to be. We were quiet and attentive, and the performers loved it.

Sadly I missed the first act. My ticket said the show started at 8, yet their set was all over and done by then. Honestly, I can’t even remember the name I saw on the posters. If I did know it, I’d give them a plug to apologise for my missing their act.

I did catch Kyu though, two very cool girls creating the kind of ethereal music that wouldn’t be out of place at a Tori Amos concert. It had that same kind of magical vibe; a little bit banshee-like with wailing and drums, yet strangely compelling. I was initially sceptical but they sucked me in pretty quickly.

Then Joshua took the stage, and had me at hello. His set drew from both studio albums and his latest which is yet to be unveiled. The newer tracks were less intimate and more rock, but no one seemed to mind this change in direction, or the unfamiliar tunes. We also didn’t mind hearing all of the stories about the inspiration for his songs. How refreshing to be in a crowd that didn’t mind an artist pausing to reflect. He clearly appreciated it too, thanking us with all the sincerity of a person genuinely pleased to be playing for such a warm audience. This wasn’t the well-rehearsed shtick of a performing veteran; it was authentic joy at us hearing his words and embracing his songs.

The set included the usual suspects: “Today” was the song he sang at Ellen’s wedding, and “I’d Rather Be With You” got a nice run in a recent Home & Away commercial. But you never really know what you’ll get when a performer hasn’t released anything in our country. I was thrilled to hear my favourite song, “You Got Growin’ Up to Do.” It was originally recorded as a duet with Patty Griffin, and without a female voice on hand I definitely didn’t expect its inclusion in the set. What a thrill. I also loved his stripped back take on “Sky,” a request he happily took from a girl near the front row. How I love an artist who’s willing to play for the fans who brought them here.

Joshua hasn’t left yet, but he says he’s already anticipating a return journey. I’ll definitely be there to see him, even if I have to stand up all night in a sweaty pub to do it. Some performers are just that good.

Image source: own photo

Q & A with Jordan Wilson of Georgia Fair

You might not know the name Georgia Fair, but chances are you’ve been humming along to their new song “Picture Frames,” which provides the soundtrack for the current Big M flavoured milk ad. I caught up with one half of the talented duo, Jordan Wilson, to chat about the band’s new self-titled EP, their big upcoming tours, and his favourite Sunday afternoon tipple.

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You’ve just released your debut EP. What can you tell me about it?
It just came out on Friday. We spent about a month, on and off, recording it and had a really good time. It’s got some new songs and some old songs on there so hopefully that turns out.

People might have heard your song “Picture Frames” on the new Big M advertisement. How did it feel to see your song on the TV for the first time?
It’s pretty exciting. The first time I saw it it was a bit of a shock. I wasn’t actually expecting it. It was after the footy actually, after my team won. So it was a pretty good day.

You’ve managed to score some massive supporting gigs for Kate Miller-Heidke and Whitley in the coming months. Are you fans of their music?
Yeah, definitely. Ben and I both love their music so we’re happy to be supporting them next month. It’ll be a good tour.

Busy times supporting both artists I suppose too.
They’re sort of interlinking I think, so we’re managing to fit it in. We’re really happy we got to do both of them. There was a chance we’d only be able to do one, so this is good.

What do you love about being on stage?
I guess it’s definitely an adrenalin rush. The main thing is that I love playing our songs to people getting in the zone. It feels really natural playing our songs, especially the new ones.

How have the crowds been responding to your music?
Really good. The whole EP started with us playing full instrumentation with a band and stuff, but with the last couple of shows and this upcoming tour we’ve been getting acoustic, just by ourselves. So that’s a really good challenge, with the crowd and stuff. But we’ve found they’ve been pretty responsive and we’ve been playing some good shows. They’ve been listening and haven’t been too hard.
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Cassette Kids Announce Nothing on TV Album Release

They’ve spent the last 18 months earning a reputation as one of the most dynamic live acts in the country, and now Cassette Kids are ready to announce the release of their long-awaited debut album, Nothing on TV.

The first single, “Lying Around,” hits radio this week ahead of the album’s March 2010 release.

“The first single, “Lying Around,” has a great energy and quite a strong message: If you don’t get off your arse and go after what you want, then you can’t expect it to fall in your lap,” explained the band’s lead singer, Katrina.

The track is just one of a dozen tracks, the result of spending six months in the studio with Richard Wilkinson (Hot Chip, Adele, Magic Numbers, Carl Cox) and Michael Di Francesco aka Mikey from Van She (Ladyhawke). Under the guidance of these uber-talented producers, the Kids have experimented with their sound to create something really special. It’s a little more pop, but fans will be relieved to find the band’s trademark grit intact.

March may seem an age to wait, but you can get a taste of the new tracks on the Cassette Kids’ Lying Around tour. Tickets to all shows are on sale now.

NEWCK

8 November 2009 – Northbridge Festival, Perth WA (with Downsyde)
13 November 2009 – Northcote Social Club, Northcote VIC (with Canvas Kites and Red Ink)
14 November 2009 – Revolver, Prahran VIC (with Canvas Kites and Wilfred Jackal)
20 November 2009 – Oxford Art Factory, Sydney NSW (with Canvas Kites and We Say Bamboulee)
21 November 2009 – Trackside Festival, Canberra ACT (with Hilltop Hoods, Karnivool, Midnight Juggernauts)
27 November 2009 – The Clubhouse, Brisbane QLD (with Canvas Kites and Yacht Club DJ’s)
28 November 2009 – Open Arms Festival, Coffs Harbour (with Hilltop Hoods, Karnivool, Children Collide)

Image used with permission from Sony Music Australia

Guy Sebastian Duets with Jordin Sparks on New Single

Guy Sebastian will follow up the success of his latest single “Like It Like That” with a duet with American Idol winner, Jordin Sparks.guysebastian

Guy recorded the track “Art of Love” recently in the United States. The song is the second to be released from Guy’s fifth studio album Like It Like That, which hits stores on Friday.

It won’t just be Guy’s CDs that fans will see in the stores though. Guy’s just announced a run of in-store appearances ahead of his tour next February. Guy will sign autographs and perform for his loyal fans at the shopping centre appearances. Here are all the places you can catch Guy in the coming months. Make sure to mark them in your calendars!

23 October 2009 – Virgin Megastore, 343 George St, Sydney @ 1pm
24 October 2009 – Westfield Tea Tree Plaza, Adelaide @ 12.30pm
29 October 2009 – Westfield, Liverpool @ 6pm.
12 Feb 2010 – Riverside Theatre, Perth Convention Centre
13 Feb 2010 – Adelaide Entertainment Centre
14 Feb 2010 – State Theatre, Sydney
19 Feb 2010 – QPAC, Concert Hall, Brisbane
20 Feb 2010 – Arts Centre, Hamer Hall, Melbourne

Image source: Renee Anquetil @ Wikimedia Commons

Daniel Merriweather Announces Aussie Homebake Sideshows

Here’s some good news for Daniel Merriweather fans who missed out on a ticket to Homebake. At least, that is, if they’re over 18.ptsphotoshot187870-UIG-136676-0017

The Aussie expat, who’s done massive things on the UK charts this year, has announced three sideshows on the East Coast. Predictably it’s all capital cities and, sadly for younger fans, strictly adults only.

I must admit to feeling a little sorry for the small fries on this one. They were locked out of Homebake because of the age thing, and now they’re missing out again. For their sakes, I hope we see Daniel back on our shores, and in entertainment centres, really soon.

Everyone else can snare their tickets for the following shows on Wednesday 28 October.

29 November 2009 – The Tivoli, Brisbane
1 December 2009 – Prince Bandroom, Melbourne
2 December 2009 – Metro Theatre, Sydney

Image source: Newscom

"Looking for Vertical" – Gareth Skinner

Gareth Skinner’s experience in composing film scores shines through his sophomore studio album, Looking for Vertical. It’s an album of rich textures which can only be described as indie. That often seems like a cop-out term, but this album truly defies neat categorisation.lookingforvertical

Gareth thrives on strange marriages. After the electronic early tracks, “More Than What” comes like a bolt from the blue. It’s a beautiful cello driven ballad, stunning it its stripped back approach. That raw treatment is the all more stark after all the technical wizardry that came before. Strings are used again in “Intermission,” but there’s no classical inspiration this time. Instead the cello screeches, almost discordantly, to keep harmony with the electric guitars. “Uplifting” is the most obvious choice for a film score, a track which would surely be played when the hero triumphs. But that’s just one layer too. Over that inspiring soundtrack comes the ramblings of a passionate preacher. It seems at odds, yet on an album like this the strange juxtapositions are almost expected.

Looking for Vertical is an album which refuses to fit into a box. It’s brave because of that, but also a little alienating. An album featuring instrumental music, spoken word pieces, and traditional vocal driven tracks shouldn’t work, but there’s a strange beauty in the weirdness. Looking for Vertical will never become one of my go-to albums. It’s too challenging for that. But Gareth Skinner’s vision and daring approach are to be applauded.

Looking for Vertical is available for pre-order at Rubber Records.

Image source: Rubber Records

Shannon Noll and Street Warriors Cover "Solid Rock"

Shannon Noll has teamed up with indigenous hip hoppers Street Warriors to revamp an Australian classic, the Goanna hit “Solid Rock.”

The combination of hip hop beats and rock guitars breathes new life into the 1982 anthem which sang of the displacement of Aboriginal tribes during Australia’s white settlement. The themes made the song particularly poignant for the Street Warriors.

“If everyone practices respect – for land, for country, for each other, most of our problems would disappear,” said one half of the group, Abie Wright.

The video saw Shannon and the band headed to the Gommeroi Land around Gunnedah. The song pays homage to the Street Warriors’ ancestor, Red Chief Kangaroo, and they shot part of the video in the Red Chief Cave in his honour. Check it out below!
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Q & A with Chantelle Barry

You might remember Chantelle Barry as the Popstars alumn who took a very public fall from grace. These days she’s left the world of manufactured pop far behind to forge a career as an indie singer-songwriter. She’s currently in Australia to promote her debut album Simple Things. I caught up with her to talk about life in Los Angeles, the new CD, and why she still calls Australia home.

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How does it feel to be home?
It feels so good. I wish I could be here more and do what I’m doing over in L.A. Nothing compares to being home with family and friends.

How does life in Los Angeles compare to living in Australia?
I think the biggest difference is that it’s so fast-paced. There’s something happening all the time. There’s like seven or eight lanes on a freeway all going one way.

Oh my goodness. I struggle with Sydney!
Yeah, I know! It’s crazy! It seems like there’s always traffic. It’s always peak hour. Everyone around you is in the same industry, pursuing something creative in entertainment or fashion. It’s go-go-go, really competitive. But I do love it too because I have a bit of a competitive nature, which I think is what drives me in music.

What inspired you to head to the States?
Well, when I was younger I always wanted to go to America. I had some friends at a singing and dancing school that I went to as a kid and they went to America. And when they came back I was like “Oh my god, I want to go there!” It sounded so exciting and fun. And the opportunity arose in about 2000 for me to go and just visit. So I visited L.A. and I fell in love. The weather was fantastic; it’s comparable to Perth. And I knew some very good music producers over there. So I was like “I think I want to move and give it a go.” So it was just good timing I think. And I’ve been there for eight years. It’s been a slow but steady progression. Things have been happening and I’m happy there.

You’re out here to support the release of your new album Simple Things. What can you tell me about it?
Simple Things is very much a story. Every song on it is something that’s happened from my life over the course of the last seven or eight years. The title track, for example, “Simple Things” is about just getting back to the simple things, you know? Where material things don’t matter so much, and I refer to being young and carefree. And being in L.A. definitely inspired that song. At the time I wrote it I was broke and down on my luck, and I was like “I just want things to be back to simple; money not to matter and not to drive things.” I wrote that song and everyone that heard it really responded to it. It was such a good feel. And I realised it was actually relatable; it’s not just me who goes through these downs. Everyone wants the simple things in life.

I wrote the album over the course of probably two years, and then I chose the best songs. Scott Whyte, he produced the album, and we built a studio pretty much, and just locked ourselves in it for four months and really got to it. And it was such a fun process. We wrote a couple of songs together. We wrote the single together which is called “You,” and I just did a music video for that.

It seems to be going pretty well. I’m really, really proud of the album. I didn’t compromise any of the sounds or styles. Hopefully everyone else will receive it that well too.
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