“When The Water Stills” – Mietta

Music is often a lot like fine wine and good cheese; the best takes time. When so many records are pushed along through the corporate machine, there’s real beauty about an album that’s had time to breathe and grow. When the Water Stills, the debut album from Bunurong Country/Mornington Peninsula-based folk artist Mietta, is one of those special releases.

When the Water Stills came from a two-year, local community-grant-funded storytelling project. These songs developed naturally through Mietta’s performances and place-based gatherings, creating an indelible connection between the songs, the stories they tell, and the people and place that gave them life.

“The project is a lived reminder to go slow, tread softly, and be where our feet are – a practice often lost in the constant movement of our world and the music industry,” Mietta’s press release reads. That ethos really sets the tone for this special collection of songs.

I was immediately drawn in to Mietta’s world with the opening track “Margot.” When so many female artists want to stand out by belting or performing runs, Mietta’s subtler approach really stands out. The bare-bones acoustic arrangement beautifully supports her stunning voice, which reminds me of revered female storytellers like Sara Bareilles and Sarah McLachlan. Mietta feels like she’s having a direct conversation with listeners as she shares her story of getting her morning coffee and the universal experience of missing someone special.

I felt such a sense of calm as each song flowed beautifully from one to the next. With each one there was another story to connect to. I was especially drawn to “From Your Daughter,” which perfectly encapsulates the push and pull of healthy relationships between parents and their children, the oft-competing desires for independence and nurturing that exist all at once. “Young Years” is another absolute gem, a slow-burning ballad dripping in nostalgia.

The album reaches a turning point with “Eden” and “Choose to Care.” These tracks are unexpected, more experimental, more dynamic than the gentle folk music that came before. “Eden” has a cinematic feel reminiscent of a lost recording from Florence + The Machine. Then I was swept away by the pulsating beat of “Choose to Care.” Listening to these songs almost felt like reaching the mouth of the river, where the gentle flow meets the ocean and the water becomes more volatile, unpredictable.

But then the water calms as we return to that quiet, acoustic space with the penultimate number, “The Valley Song.” The title track is the perfect closer, a stripped-back number anchored by the foundations of Mietta’s music: her stunning voice and the warm tones of an acoustic guitar. This song feels like it brings us home, a little lighter and sonically nourished.

When the Water Stills is out now on all major streaming platforms and available as a high-quality digital download via Bandcamp.

Images used with permission from Mietta

“Making Room For Others” – Civic Video

After building real buzz for their live shows, Eora/Sydney-based indie-rock act Civic Video recently dropped their debut EP Making Room For Others. If they felt any nerves heading into the studio, I can’t hear them. This is one of the most confident and compelling indie-rock recordings I’ve heard in some time.

I’ve been listening to Making Room For Others for a couple of weeks, but it’s taken me a while to put my fingers to the keyboard. Not because I didn’t want to share it with you, because I certainly did. But I wasn’t ready to dissect it, to move from the phase of just enjoying it as a music lover to thinking about it as a critic. I didn’t want to analyse why I love this EP so much. I just wanted to rock out.

Frontman Zac Newton-John’s voice anchors this music. When he sings, you believe him. While some rock vocalists want to show listeners all their tricks, Zac is more restrained, delivering lyrics with heart rather than maximum power or acrobatics. He might be the man out front, but Civic Video are a tight, cohesive unit rather than a vehicle for their frontman. I found myself noticing the important contributions of the players as I listened. The snaky bassline of the opening track “Get Back to It” excites, the electric guitar and drums that bring an intensity to “Say It Out Loud” impress, and with every track that follows I fell a little more in love.

Like Gang of Youths, Holy Holy, and The VANNS, Civic Video have a knack for creating addictive indie-rock. I got to know these songs a couple of weeks ago, but I’m still pressing play. The choruses of songs like “Just Like You” and “Daisy” are so incredibly catchy, but they’re supported by stellar verses. By the time the EP reaches its epic title track, I’m powerless to resist one more listen.

Making Room For Others is out now. Civic Video are currently touring the EP along the East Coast, and they’ve got a couple of special events in store for fans outside those cities. Tickets are on sale now for their remaining shows:

23 October 2026 – La La La’s, Dharawal/Wollongong
24 October 2026 – Metro Social, Eora/Sydney
30 October 2026 – The Rions Halloween Special @ Cloisters at UniBar, Tarntanya/Adelaide
8 November 2026 – Spaced Out @ Gage Roads, Walyalup/Fremantle
13 November 2026 – Bergy Bandroom, Naarm/Melbourne

Main photo credit: yeahrad via Good Intent

“Stranger That I Know” – Toby Mobbs

Listening to a new Toby Mobbs album always feels like catching up with an old friend. He wowed me with his debut album Placid in the Rough in 2022, and impressed me again two years later with In Between The Words. Now another two years have passed and he’s gifted us with another fantastic collection of songs, his latest album Stranger That I Know.

Toby eases us in with the nostalgic pop-rock ballad “Far From Home.” It’s a song of longing and memories that builds to a beautiful brassy climax. It’s a natural precursor to “Returning,” which also has Toby reflecting on the life he’s led and where he’s heading. I love the way these songs start so small, with just the strum of an acoustic guitar and gentle piano chords, drawing us in before taking us on moving musical journeys as they gain emotional momentum.

Stranger I Know takes its first musical left turn with “Birdcage,” a rollicking rock number that will have you punching your fist in the air. It’s gloriously rebellious, an anthem to freedom and self-belief. He also rocks out on “Best For Me,” a duet with fellow Bungambrawatha/Albury-Wodonga native James Oswald. Meedie, a singer-songwriter from Mulubinba/Newcastle, joins Toby for “Long Forgotten,” a bittersweet breakup anthem. The reggae vibes of “200” put a smile on my face before Toby had me wiping away tears with “Rather Stay.” This powerful piano ballad is such a fitting end to a really special album.

As with his other releases, Toby has taken the time to create music he can be proud of on Stranger That I Know. Every detail is considered, every lyric heartfelt, every genre shift intentional. Stranger That I Know is available to stream or purchase on CD at JB Hi-Fi. He’ll celebrate the album’s release with a national tour featuring gigs in every single state and territory. Get your tickets for the following dates from the links below:

7 October 2026 – Thirsty Crow, Wiradjuri Country/Wagga Wagga
8 October 2026 – Pot Belly Bar, Ngambri/Canberra
9 October 2026 – Society City, Woolyungah/Wollongong
11 October 2026 – The Nook, Gubbi Gubbi Country/Sunshine Coast
17 October 2026 – Durack Community Arts Centre, Larrakia Country/Palmerston
23 October 2026 – Kokomo’s, Walyalup/Fremantle
27 October 2026 – Prince Albert Hotel, Kadlitiya/Gawler
30 October 2026 – The Old Church on the Hill, Djandak/Bendigo
1 November 2026 – Don Memorial Hall, Paranaple/Devonport
13 November 2026 – The Cube, Bungambrawatha/Albury-Wodonga (with Albury-Wodonga Symphony Orchestra)

Photo credit: M Rehman Photography

Stranger That I Know was:

Written by Toby Mobbs with additional writing by Matt Cross
Produced by Toby Mobbs and Matt Cross
Arranged by Matt Cross
Engineered and mixed by Simon McKenna
Mastered by Forrester Savell
With cover art by Ian Cossor

“HEAVEN IN A HURRICANE” – Amalia

When Naarm/Melbourne-based indie artist Amalia released her debut single “Electric Rush” in 2024, I declared it “one of the strongest debuts I’ve ever heard.” Now that she’s released her debut album HEAVEN IN A HURRICANE, I’m feeling every bit as effusive. Featuring 11 tracks written over three years during her late teens and early twenties, this album aims straight for the heart and doesn’t miss.

The late teens and early twenties are a tumultuous time, punctuated by sweet highs and crushing lows. Amalia takes us to all those places and in between as she grapples with life, love, and coming into her own. The high-octane opener “Borderline” alerts listeners that they’d better strap in. It’s the sort of song that encourages you to grab a hairbrush, dance around your room, and try to sing along, even if you don’t have Amalia’s incredible vocal range.

Amalia’s voice is really superb, and it seems to have no limits. It can go from an impassioned rock belt to a show-stopping falsetto with ease. It commands attention, demanding that you listen. There’s such power in that alone, but Amalia is also an incredible songwriter. Her lyrics pack an emotional punch, and her melodies are so catchy you can expect to be humming them long after you stop listening. I can hear the influences of Stevie Nicks, Alanis Morissette, Lana Del Rey, Florence Welch, Kate Bush, Pat Benatar, the greats that came before her, but Amalia is still so clearly her own artist.

I feel so connected to this album. Singing along to the powerful choruses of tracks like “Lies” and “Sugar Baby” is utterly cathartic. My heart broke hearing the emotion in Amalia’s voice in the beautiful closing ballad “Cruel to be Kind,” but I was healed by the joy of the independence anthem “Break Free.” I’ve always felt the true measure of music is whether it moves you. The way every track on HEAVEN IN A HURRICANE makes me confident it will be one of my favourite albums this year.

HEAVEN IN A HURRICANE is out now on all the major streaming platforms. Make sure you listen to this excellent local release.

Images used with permission from Amalia

“The Man You Remember” – Milina Mihic

Icy August weather calls for comforting music that wraps around you like a blanket. Eora/Sydney-based singer-songwriter Milina Mihic delivers the perfect soundtrack for the season with her debut EP The Man You Remember.

I fell for this collection of songs from the moment I heard Milina’s sublime vocals on the opening track, fittingly titled “Winter.” Her voice is so beautiful and compelling. It’s delicate, almost fragile in quiet moments, but capable of real emotional intensity as the music swells. Her tone’s warm, inviting. It draws you in and encourages you to stay in the songs and listen to what she has to share.

“Winter” is the first of six special songs featured on The Man You Remember. This EP’s been four years in the making and it shows. Not only is each song exceptional, but they’re infused with the sort of insights that can only come with time. There are moments of uncertainty mixed with real clarity as Milina explores themes of love, loss, and identity. While powerful as individual tracks, I love the way they come together to capture Milina’s coming-of-age journey from her teens to early twenties. Even though the lyrics are very personal, the universal themes help them resonate.

The Man You Remember has really cast a spell on me. Every time the final notes of the title track fade out, I find myself pressing play for another listen. Each time I catch new lyrics and sonic moments that move me. Take a little time out to discover The Man You Remember on your favourite streaming service.

Main photo credit: Niko Pirounakis

“Gentleman” – Budjerah

The release of Budjerah’s long-awaited debut album Gentleman feels like a reintroduction to this talented artist. The shy indie-pop teen we met in 2020 appears utterly transformed with this polished pop release.

From front to back, Gentleman is an album of bangers. But you might expect that when you browse Budjerah’s collaborators. Some of the songwriters include Poo Bear, known for his work with Justin Bieber, Rob Lewis, who’s been Christina Aguilera’s music director for more than 20 years, and Philip Lawrence, who’s Bruno Mars primary creative partner. And if that wasn’t enough, he’s got a song penned by Diane Warren, one of the most acclaimed lyricists of all time who’s written chart toppers for Cher, Celine Dion, Aerosmith, and countless others. These are people who understand what it takes to write a hit.

Their tunes are total earworms, but they would fall flat if Budjerah didn’t bring such charisma and confidence to them. It’s probably easy to be confident when you’ve assembled the Justice League of songwriters though! But they’re not doing all the heavy lifting. Budjerah also enlisted Grammy Award-winning producer Om’Mas Keith, who’s worked with talents like Frank Ocean, Jay Z, and Erykah Badu. His involvement ensures that Gentleman feels sonically interesting, rather than a record that’s commercial but ultimately forgettable.

From the upbeat soul of the title track and opener, Gentleman had me hooked. It feels like a natural companion to the next track “Want You Back.” They’re such perfect pop that Budjerah probably could have released an album entirely in this vein and kept me happy. But rather than play it safe, he experiments with genre. “I Only Remember Your Name” has a deep reggae groove, “Sinner” is a gospel-tinged ballad, and “Lonely” is pure yacht rock. Through all the twists and turns, Budjerah’s undeniable vocals shine through.

Gentleman has been a long time coming for Budjerah fans, but I’m glad he took the time. This is a considered release, one that comes from an artist who knows who he is and is now ready to share that definitive debut statement with the world.

Gentleman is out now. Budjerah will take these songs around the East Coast on his The Gentleman Tour this October and November. Tickets are on sale now from the links below.

31 October 2026 – The Espy, Naarm/Melbourne (18+)
1 November 2026 – The Sound Doctor, Kuarka-dorla/Anglesea (ALL AGES)
7 November 2026 – Metro Social, Eora/Sydney (ALL AGES)
20 November 2026 – Miami Marketta, Yugambeh Country/Gold Coast (ALL AGES)
21 November 2026 – Triffid Beer Garden, Meeanjin/Brisbane (ALL AGES)

Main photo credit: Daniel Boud

“Waiting for the Day: Artist Sessions” – Bachelor Girl

Twenty-eight years ago, Bachelor Girl released their debut album Waiting for the Day. It was a monster hit, spawning beloved singles like “Permission to Shine,” “Treat Me Good,” and “Buses and Trains.” And now, Bachelor Girl and some of their famous friends are revisiting that release with Waiting for the Day: Artist Sessions.

This album is absolutely stacked with talent. I’m talking Jessica Mauboy, Guy Sebastian, Darren Hayes, Delta Goodrem, S-tier Aussie acts. They help breathe new life into these songs, adding artistic flair that transforms them into something brand new. I appreciate the creativity and intent, even if I don’t always like the results. As a massive fan of the original album, some of the ultra-pop renditions fall a little flat for me. But when this album gets it right, it gets it so right. The rock edge of Suze DeMarchi on “Don’t Hold Back” and Jon Stevens on “This Must Be Love” play perfectly with Tania Doko’s iconic vocals. Michael Paynter proves why he’s one of the nation’s most in-demand singers when he joins Tania on “I Don’t Believe You.”

While the star power will encourage people to press play, it’s the core elements that made this album great the first time around that inspire repeat listens. Decades have passed, but the songs on Waiting for the Day are still so good. Tania Doko and James Roche created something so special with this album, and that legacy is celebrated here. It’s so fitting that Tania and James are the ones to deliver the title track and final number. While the star cameos are fun, the founding members of Bachelor Girl still shine so brightly without them.

Whether you look back on this album with nostalgia like I do or you’re new to the songs and lured by the stars, Waiting for the Day: Artist Sessions is an exciting release. It’s not as flawless as the original, but there are some real moments of brilliance here.

Waiting for the Day: Artist Sessions is out today. Bachelor Girl will support its release with the following shows:

8 August 2026 – Brunswick Ballroom, Bulleke-bek/Brunswick (18+ – SOLD OUT)
23 August 2026 – The Triffid, Meeanjin/Brisbane (18+)
28 August 2026 – The Gov, Tarntanya/Adelaide (18+)
4 September 2026 – Cube 37 @ Frankston Arts Centre, Monmar/Frankston (ALL AGES – u15s with adult)
5 September 2026 – Sounds of Rock Rockhampton @ Victoria Park, Darumbal Country/Wandal
10 October 2026 – Savannah in the Round, Muluridji Country/Mareeba
18 October 2026 – Factory Theatre, Bulanaming/Marrickville (18+)

Photo credit: Jess Macc

“be.” – NEAV

Darkinjung Country/Central Coast-based singer-songwriter NEAV lets listeners into her world with the release of her debut EP be. With these four songs, she walks the delicate line between sharing songs that are personal, yet incredibly relatable.

“I often find myself overthinking, worrying about the future, and struggling to stay present,” NEAV said. “be. reflects my personal journey toward self-discovery and acceptance, both in my mind and during my physical travels. These songs serve as a personal reminder to slow down, breathe, and find peace in the right now – to just ‘be.’ These tracks are incredibly personal to me, and my hope is that they give listeners a safe space to sit with their own thoughts.”

The opening track “Me” is a catchy pop number with real depth. While I appreciated its groove, I fell in love with its lyrics which celebrate self-acceptance. “Full of Yourself” is another irresistible upbeat track. Here NEAV turns the lens on someone who’s so self-absorbed that they left no space for her. The lyrics have real bite and NEAV’s vocals seem to have no limits.

NEAV changes direction with the third song, “Forever,” stripping the sound back to give space to her vulnerable lyrics and delicate vocals. This song is the heart of this EP for me. It’s so, so good. The final song, “Alone,” is an anthemic pop number which celebrates independence. NEAV’s strength is evident in every note. What a fitting way to close this EP.

be. is a beautiful EP from one of the country’s most promising new voices. While her knack for pop melodies is on full display here, her introspective lyrics are what will stay with me. be. is out now on all your favourite streaming platforms.

Images used with permission from Niamh Watson

“Butcher, Lover, Runner” – Jean Elliot

In an era where concept recordings are a dying breed, especially among female artists, Jean Elliot’s Butcher, Lover, Runner reminds listeners of their value. This is a boldly ambitious EP which blurs genre boundaries to tell a compelling story of survival in the Australian bush.

The EP’s title refers to its three central characters whose paths cross in the Devil’s Wilderness, a cinematic gothic-noir setting inspired by Jean’s home in the Dyarubbin/Hawkesbury River. The bluesy opening track “Hole in Her Head” introduces us to the Runner, the story’s female protagonist driven out of the township and into hiding after she was falsely accused of attempted murder. The intensity of this situation is revealed with “Wiretrap.” It’s a powerful alternative rock song that reminds me of music from Tori Amos and Fiona Apple with the contrast between its heavenly vocals and dark, grungy music. The darkness lifts for a moment when the Runner meets the Lover in the “Beneath Your Sun.” He’s a highwayman and a willing accomplice to her plans. Of course, their peace is short-lived, and we’re returned to the bleak reality of their existence with “Devil’s Wilderness Theme.” A spoken-word soundscape, it’s an ambitious piece that anchors this EP beautifully. “Lennon” and “Highwayman” bring the story to a close as the Runner and the Lover travel to confront the ringleader of the witch-hunt – The Butcher – and deal with the fall-out.

“The genre of Australian gothic-noir inspired the lyricism and visuals,” Jean explained. “The ideas about witch-hunts and boy gangs are inspired by the attitudes of young people I have come across, with the hunter and prey metaphor running through the story symbolising cycles of violence, relationships, and the cruelty/beauty of nature.”

Butcher, Lover, Runner takes listeners on a journey with its characters and genre shifts. Jean manages to do it all effortlessly, playing with country, blues, folk, rock, and genres in between. Whatever sounds she’s exploring, her striking voice and engaging narrative compel you to listen. It’s such an original, impressive EP. Butcher, Lover, Runner is streaming now.

Main photo credit: Ollie Acosta
EP artwork credit: Wilma Acosta (edit Layla George)

“Talking With Strangers” – MAXON

With every single release, Victorian singer-songwriter MAXON has been building a reputation as one of the most solid female voices on the scene. Now that her debut album Talking With Strangers is out in the world, there’s no doubt that she’s the real deal.

As someone with eclectic music taste, I appreciate the diversity of Talking With Strangers. MAXON delights in exploring different sounds. It all seems so effortless for her to move from raucously upbeat numbers like “18” and “Yabada” to heartbreaking ballads like “Best Shot” and the stunning closer, “Circles.” Often she plays in an Americana/country/folk space, but she isn’t afraid to throw us curveballs, like the synth-heavy retro pop-inspired “Tangerine Dream.”

While Talking With Strangers takes plenty of musical left turns, the album never gives listeners whiplash. It’s anchored so beautifully by MAXON’s voice. It’s rich, warm, comforting, authentic, steady. You know you’re in safe hands listening to her, so you’re open to wherever these songs take you. And then there’s MAXON’s exceptional songwriting skills. She’s a natural, writing songs that speak to the heart of her experiences as a woman and member of the LGBTQIA+ community. Together, they do an exceptional job of introducing MAXON to music lovers.

Talking With Strangers is out now. MAXON will officially launch her debut album with a hometown show at The Toff on May 7.

Photo credit: @heapsstoked