Vale Angry Anderson

The news of the passing of Gary “Angry” Anderson at 69 has left me with real mixed emotions. He hasn’t been too far from my thoughts since he was admitted to hospital in Germany during Rose Tattoo’s European tour. But his passing has also thrust his life outside music into the spotlight. Angry was an absolute icon of the Australian rock scene. But he was so much more.

“Angry was a devoted father, and much-loved bandmate, friend, and member of the wider music and entertainment community,” the Anderson family and Rose Tattoo said in a shared statement. “His loss will be deeply felt by all those who knew and loved him both here in Australia and overseas. The family and band members are asking for privacy at this difficult time and will not be giving interviews. We kindly ask that their wishes are respected as they come to terms with this devastating loss and take time they need to grieve.”

Since the news of Angry’s passing broke, there have been plenty of media outlets that have jumped in to point out his flaws. Honestly, I wasn’t aware of his political views until that point, and I’ve been disappointed to learn of many areas where we didn’t align. They’re out there for all to see and worth reading and considering. In my opinion, they do taint Angry’s legacy somewhat, at least for me. But they also can’t change the impact of his music or his tireless charity work. And piling on right now, so soon after his passing, seems incredibly opportunistic.

RIP Angry.

Photo credit: Matt Williams

Norwood Soothes My Soul With “Lonesome”

After a stressful couple of days, “Lonesome,” the latest single from Naarm/Melbourne-based folk quintet Norwood, is exactly the tonic I needed. This gorgeous song invites you to sink into it and stay awhile. I’m so captivated by the vocals and lyrics of Olivia Bolmat, and the way the acoustic guitars, banjos, and harmonicas support them without ever stealing the spotlight.

“’Lonesome’ is about a quirky weatherboard house that Nathaniel [Peacock, co-vocalist and lyricist] and I used to live in, which had an intermittent fruit fly infestation, rotating housemates, and a growing mould problem,” Olivia recalled. “Like most old houses, it was cold in the winter and hot in the summer, and saw us through Melbourne’s seasonal shifts for three years. I think it’s ultimately about feeling lonely despite living in such close proximity to people who love you and grappling with a sense of disconnection that still lingers despite you sharing a hallway with your best friends.”

Norwood will support Bella Cloud at Merri Creek Tavern and Skyscraper Stan and the Commission Flats at Bergy Ballroom before joining Mick Thomas and his Roving Commission on their GoChristmasComeBack tour from November to January. Here are all the dates you need, music lovers!

8 October 2026 – Merri Creek Tavern, Westgarth
11 October 2026 – Bergy Bandroom, Naarm/Melbourne
6 November 2026 – Theatre Royal, Dja Dja Wurrung Country/Castlemaine
7 November 2026 – Young Street Tavern, Monmar/Frankston
13 November 2026 – Birregurra Hall, Gulidjan Country/Birregurra
14 November 2026 – Arco Bar, Bunurong Country/Heatherton
21 November 2026 – Whalers Bandroom, Gunditjmara and Kirrae Whurrong Country/Warrnambool
26 November 2026 – Smiths Alternative, Ngunnawal Country/Civic
27 November 2026 – The Servo, Wadi Wadi Country/Port Kembla
28 November 2026 – Marrickville Bowling Club, Bulanaming/Marrickville
29 November 2026 – Hamilton Station, Mulubinba/Newcastle
5 December 2026 – Wallaby Hotel, Yugumbeh Country/Mudgeeraba
6 December 2026 – Lefty’s Music Hall, Meeanjin/Brisbane
10 December 2026 – Wheatsheaf, Karraundongga/Thebarton
11 December 2026 – Mojo’s, Walyalup/Fremantle
12 December 2026 – The Oxford, Whadjuk Country/Leederville
13 December 2026 – The Oxford, Whadjuk Country/Leederville
17 December 2026 – Hepburn Palais, Dja Dja Wurrung Country/Hepburn Springs
18 December 2026 – Eureka Hotel, Djilang/Geelong
19 December 2026 – The Corner Hotel, Quo-yung/Richmond
1 January 2027 – The Archie’s Creek Hotel, Bunurong Country/Archie’s Creek

Photo credit: Emma Bolmat

Yamaha Music Australia Gifting Thousands to Local Creatives

After a successful launch in 2025, Yamaha Music Australia’s Main Stage Grant is back supporting creatives this year. The winner of each category (bands, songwriters/artists, and studio/music producers) will take home $5,000 cash and $5,000 worth of Yamaha gear.

“The response to Main Stage last year was incredible, and confirmed there was a real demand for a program like this,” confirmed Yamaha Music Australia spokesperson Mitch Kelly. “What stood out most wasn’t just the volume of applications, but the quality of the talent and the stories behind them. It reinforced our belief that Main Stage could become something much bigger than we originally imagined, and after hearing so many incredible stories from artists across Australia, it’s hard not to want to do more. Beyond the grant, we’ve supported artists with product, content creation and tour announcements, and we’re working to grow Main Stage into a wider support community.”

The clock’s ticking to be a part of it, as applications close at 10 am on October 6. If you need a little push, it’s worth noting that Yamaha Music Australia will donate $5 to Support Act for every application they receive.

Yamaha Music Australia will announce the Main Stage Grant finalists on October 27. Good luck everybody!

Australian Music Touring Network On the Horizon

The Australian Government is making it easier for artists and their teams to find venues through their new Australian Music Touring Network website. They’re encouraging venues to sign up to this national platform now ahead of its official launch next month.

The Australian Music Touring Network aims to make touring easier by helping artists and their teams identify suitable venues and discover new touring opportunities across the country.

“Touring is the lifeblood of our industry, and knowing where to take your music and who to connect with is essential to every artist,” explained Emily Tulloch, the acting general manager of the government’s Australian Music Industry Network. “The Australian Music Touring Network connects artists to venues, and promotes touring and industry relationships across the country. I’m really proud to be working on a project that addresses equity of access to information, and provides the tools needed to form the relationships that underpin successful touring.”

Registering on the Australian Music Touring Network is totally free, so venues have nothing to lose and a whole lot of live shows to gain. All venues that host original contemporary live music are encouraged to get their names on the site, from regional pubs, community halls, and cafes to big city venues. Visit australianmusictouringnetwork.com/venues to be a part of it.

Photo credit: Em Jensen

Vale Glenn A. Baker

I’m not sure you can be an Australian music fan without feeling the loss of Glenn A. Baker today. A giant of the industry, he passed away at age 74 after a period of illness.

For me, Glenn A. Baker was the guy on the telly with a seemingly encyclopaedic knowledge of music. As a kid, I’d watch him on the Today Show, Mornings with Kerri-Anne, The Bert Newton Show, and countless others and marvel at his insight and enthusiasm. When I got a bit older, I attended several concerts where Glenn was in the audience. You would hear a hush as he passed, a kind of reverence as people whispered, “That’s Glenn A. Baker.”

Reading the tributes today taught me so much about all of the incredible things he did. I knew he championed artists, but I didn’t realise that he began managing the band that would become Ol’ 55 while he was working as a media adviser of the NSW Postmaster-General’s Department. I didn’t know he recruited Wilbur Wilde and Frankie J. Holden, or that he co-wrote some of their songs. That band might never have achieved their immense chart success without him. I didn’t know he co-established local record label Raven Records, or that he was a partner in Timewarp Records. I wasn’t aware that he served as the editor of Billboard magazine for more than 20 years. I think I’ll have to track down some of his more than 17 books.

Glenn A. Baker was a man who did so much for the local music industry, and he will be sorely missed.

Photo credit: Eva Rinaldi Photography @ Wikimedia Commons

A Brief Break For Sounds of Oz

I’m in a bit of a mad panic this morning as I try to tie up the last of my loose ends before heading overseas for a couple of wonderful and well-deserved weeks away. Ordinarily when I travel I queue up posts so that you don’t miss me, but I haven’t written nearly as many of those as I would have liked. Time’s simply gotten away. It is what it is. I do hope you check in periodically to see them, and don’t get too frustrated by those quiet days. Rest assured, I’ll be back to your regular scheduled programming in a couple of weeks!

Photo credit: Ross Parmly @ Unsplash

Hands Like Houses Call For Aussie Supports

Fancy sharing a stage with Hands Like Houses? The Ngambri/Canberra rockers are giving back to the scene by launching a national search for local acts to support them on their April shows.

“There are a lot of stacked international tours rolling through right now (which is awesome), but real opportunities for local Aussie bands to play bigger rooms are still super limited,” Hands Like Houses said. “So we want to do this properly. We started our career opening for touring shows through Canberra, and we understand the confidence and momentum it can help build for any artist. We’ll check every submission, stats don’t matter, music does. Every selected support band will be PAID. Always. Much love, support local, support Aussie music.”

If you think you have what it takes, apply for one of those coveted support slots via this form. And if you just want to see Hands Like Houses, their already announced support act Dream On Dreamer, and one of the winning bands, get your tickets for the Lótus Tour at the links below:

16 April 2026 – The Baso, Ngambri/Canberra
17 April 2026 – Manning Bar, Eora/Sydney
18 April 2026 – Princess Theatre, Meeanjin/Brisbane
19 April 2026 – Kings Beach Tav, Gubbi Gubbi and Jinibara Country/Sunshine Coast
23 April 2026 – Beer Deluxe, Wiradjuri Country/Albury
24 April 2026 – 170 Russell, Naarm/Melbourne
25 April 2026 – UniBar, Tarntanya/Adelaide
26 April 2026 – Magnet House, Boorloo/Perth

Photo credit: Matt Higgs

Thunderstorm Artis Announces Intimate Aussie Dates

While it hasn’t aired on free-to-air TV for a while, I stay up to date with American Idol through YouTube. It’s good to have the local version back on TV, but I wish it championed original compositions the way that the US version does. There are regularly artists I follow years later because their originals have impressed me so much. Thunderstorm Artis is one of those special acts I’ve continued to support after the show wrapped, so I’m pretty stoked to see he’s announced an Aussie tour. And one that includes regional shows no less!

Thunderstorm probably didn’t win Idol because he’s not a “big” performer. He respects a melody, he doesn’t sing a lot of runs. There’s a purity to his performance that it much better suited to the small venues he’s playing on this run than stadiums. I am thrilled I’ll get to see him in places like this. Yes, I’m talking plural because I have a feeling that once I see him at my closest venue, I may be tempted to road trip to another show. We’ll see.

For now, if you’re not already across Thunderstorm’s music you’ve got a couple of months to come up to speed. Start with his American Idol audition song “Don’t Let Me Let You Go” and then let yourself fall down a YouTube rabbit hole. Then follow my lead and jump on some tickets. You don’t want to miss these shows.

5 March 2026 – Pelly Bar, Bunurong Country/Frankston
6 March 2026 – Bells Beach Brewery, Wadawarrung Country/Torquay
7 March 2026 – The Leadbeater Hotel, Naarm/Melbourne
11 March 2026 – UC Hub, Ngambri/Canberra
12 March 2026 – Six String, Darkinjung Country/Erina
13 March 2026 – Brass Monkey, Eora/Sydney
14 March 2026 – Heritage Hotel, Dharawal Country/Bulli
15 March 2026 – The Stag, Mulubinba/Newcastle
18 March 2026 – Press Basement Bar, Kamilaroi Country/Tamworth
19 March 2026 – Byron Theatre, Cavanbah/Byron Bay
20 March 2026 – Miami Marketta, Kombumerri Country/Gold Coast
22 March 2026 – Crowbar, Meeanjin/Brisbane

2025: Year in Review

2025 has gone by in a whirlwind. It was a tough one for me as I dealt with the fallout of a car accident last December, but it was also one of my favourite years for appreciating music. I saw what is among the best concerts of my life, and surprisingly it wasn’t from my all-time favourite artist Rob Thomas! It still has me buzzing more than a month later. The albums were fire! So here’s what got me tingling this year. What about you readers? I’d love to know about some of your favourites. Happy New Year Sounds of Oz readers. I’ll see you on the other side!

Top 10 Albums/EPs of 2025

  1. Unfurling – Malaika Mfalme
  2. Forgiving Spree – Slowly Slowly
  3. Politics and Footy Tips – Cardboard Cutouts
  4. Julie’s House – Ama
  5. WHAT IS AND WHAT ISN’T – ixaras
  6. TOY – Dear Seattle
  7. The Significance of Time – Tanya Ransom
  8. 4PM in the Morning – Felicity
  9. New Love – Ziggy Alberts
  10. Redemption Arc – Siobhan Cotchin

Top 10 Concerts of 2025

  1. Lenny Kravitz
  2. Rob Thomas (don’t make me choose between the two shows I saw!)
  3. Jimmy Barnes and friends
  4. Toto and Christopher Cross
  5. Cyndi Lauper
  6. Mayday Parade, Jack’s Mannequin, and The Home Team
  7. Billy Ocean
  8. Damien Rice
  9. George Clinton with Parliament Funkadelic
  10. Fanning Dempsey National Park

Photo credit: Kelly Sikkema

Live Nation Helping New Acts Play Live Shows With Next On

Getting in front of audiences can be tough for emerging acts. Venue overheads are pricy and as the cost of living bites us all and many music lovers prioritise seeing major acts simply breaking even if a challenge. Live Nation is giving up-and-coming Aussie and Kiwi acts a bit of a leg-up with its new Next On initiative.

Every month, Live Nation will give an artist the keys to one of their iconic venues, totally rent-free. It’ll cover all the show costs – from venue rental and production to marketing – and make sure every dollar from ticket and merch sales goes straight back to the artists. Live Nation will also promote the shows and provide professional support that could be absolutely massive for all acts selected. No wonder local talents like Kate Ceberano, Tim Rogers, Missy Higgins, and Teenage Joans are right behind this one. And they’re encouraging Aussie music lovers to do the same.

“Taking a punt on a new act, a new group, a book reading, a theatre show that is not necessarily on the popular culture radar WILL make you a more fulfilled human,” Tim Rogers enthused. “While the rush of being part of a spectacle is palpable, to engage with an artist as they begin makes you, more than ever these days, part of the experiment. To be a fan, a participant, a patron is a noble thing. You are not just an audience. You were involved, and joined the community. Welcome, Onward we go.”

“Giving young artists the chance to stand on iconic stages early, to find their voice and confidence in the right environment, is invaluable. I’m 100% behind it, and I’m thrilled to see these sorts of initiatives help make this possible,” Kate Ceberano added. “This is how we build a healthy industry – one strong foundation at a time.”

Do you want to play at the Palais Theatre, The Triffid, Fortitude Music Hall, Anita’s Theatre, Hindley Street Music Hall, or Tuning Fork as part of Next On? Click through for the Next On registration form. And if you just love music, keep an eye on the Live Nation website next year for all the details of its Next On shows.

Photo credit: Sam D’Agostino