I’m not saying that I advocate the drunkenness and debauchery that goes on at on nights like this, but I know that it happens. And I figure if you’re going to overindulge on New Year’s Eve, you might as well have a soundtrack. I also figure it’s probably my job as a music blogger to provide it.
So in the interest of giving the readers what they want, wrap your ears around “Young Drunk,” the new single from The Smith Street Band. It’s as ocker as they come, with rough vocals and the kind of chorus you know you’ll start belting out later on tonight.
This is also the first time The Smith Street Band have treated us to a music video. Sure, it’s no work of creative genius, but it does capture the energy that comes when this band hits the stage. The footage here was captured at the band’s Sunshine and Technology album launch at The Tote in August.
If it has you itching to see this band live, you’re in luck. They’ll hit the following venues next year!
31 January 2013 – Prince of Wales, Bunbury (18+)
2 February 2013 – Rosemount Hotel, Perth (18+)
7 February 2013 – X&Y Bar, Brisbane (18+)
8 February 2013 – The Spotted Cow, Toowoomba (18+ – FREE)
13 February 2013 – The Shed, Byron Bay (All Ages)
14 February 2013 – Hoey Moey, Coffs Harbour (18+)
15 February 2013 – Annandale Hotel, Sydney (18+)
16 February 2013 – Great Northern Hotel, Newcastle (18+)
21 February 2013 – The Royal Oak, Lanceston (18+)
22 February 2013 – Brisbane Hotel, Hobart (18+)
23 February 2013 – Reverence Hotel, Melbourne (18+)
28 February 2013 – Karova Lounge, Ballarat (18+)
1 March 2013 – Enigma Bar, Adelaide (18+)
2 March 2013 – The Loft, Warrnambool (18+)
2012 is winding down, so before we all head off for our New Year’s Eve parties I thought I should cast my mind back to the year that was. Here’s my annual wrap up of everything musical that made 2012 special for me.
Then it was time for The Trouble with Templeton, an outfit that’s grown from solo act to ensemble in recent years. I became a fan in those early days when Thomas Calder adopted his moniker and released his impressive debut Bleeders. He seems at ease with his band, a bunch of talented performers in their own right, but I’m not sure they really fit a venue like Lizotte’s. And I’m not just referring to The Cubby House’s small stage! The sound was turned way up to eleven, a jarring contrast to The Falls’ more delicate set. There’s nothing wrong with being brash and bold, but sometimes less is more. Something tells me I’d have been better able to appreciate their songs if I could catch all the lyrics. It was also disappointing to see “Bleeders” so poorly represented. The cries for “I Wrote a Novel” fell on deaf ears; it would have made the perfect encore if they’d felt like giving us one. Encores are almost mandatory these days, so I was surprised the band didn’t return to the stage.
Sydney pop punk bank
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Official Soundwave photographer Kane Hibberd (or Kanye Lens as he’s sometimes called) is bringing his festival snaps to the masses with the release of his first photography book Kanye Lens Vs Soundwave Volume 1.