Budjerah Gears Up For Gentleman Release With “Could I Be”

I’m not sure when Budjerah got so smooth, but I’m absolutely vibing his confident new soul releases. His latest is “Could I Be,” a Bruno Mars-esque number from his forthcoming debut album, Gentleman.

Gentleman is my debut album and it’s inspired by who I wanted to be when I was growing up,” Budjerah said. “This album was almost a four-year process for me. Between my life at home and life on the road, I experienced so much change and growth. Chasing my dreams I faced new challenges which helped me understand who I wanted to be. Every song on this album holds a piece of me. I hope little Budjerah is proud.”

We can feast our ears on more new Budjerah material when his debut album Gentleman drops on July 24. Expect to hear many of those new tunes and all your old favourites at the following upcoming Budjerah shows:

14 June 2026 – OneSydney @ Sydney Opera House, Eora/Sydney
10 July 2026 – Ipswich Civic Centre, Tulmur/Ipswich
18 July 2026 – Wisely Wine and Food Day @ Queens Park, Yuwi/Mackay (FREE)

Photo credit: Daniel Boud

Sandy Louis Shines With “Keep on Riding”

Mulubinba/Newcastle-based singer-songwriter Sandy Louis has wowed me with her new single “Keep on Riding.” Her voice is so rich and textured, it’s stopped me in my tracks. The production keeps her vocals and lyrics front and centre, just as they should be.

This song has a beautiful message about resilience and learning to keep your heart open, even if it’s experienced pain. Sandy Louise cowrote this one with Shawn O’Friel, who she’s shared the stage with for many years at Sandy’s songwriter events. The collaboration’s been a long time coming, but it’s definitely worth the wait. Country ballads don’t get much better than this.

Along with hosting her regular Open Mic Songwriters Sing night at the Newcastle United Sports Club every Wednesday, Sandy Louis will play the following gigs this month:

6 June 2026 – Batesy’s Bar @ The Entrance Leagues Club, Darkinjung Country/Bateau Bay (duo with Brett Chapman from 8 pm)
13 June 2026 – Benchmark on Booner @ Hawks Nest (solo from 6 pm)

Image used with permission from Rock This Country

Saralyn Drops New Country Anthem, “Free as a Bird”

Although she packs out venues playing covers on her Lainey Wilson shows, Saralyn wants to remind listeners that she’s also an incredible songwriter. Her latest original single, “Free as a Bird” is an empowering country anthem about moving forward with lightness.

“Free as a Bird came from this idea of carrying your past with you, but not being weighed down by it,” Saralyn explained. “The song really wrote itself once I found that central image of someone who’s a little wild, a little restless, but completely at peace with who they are.

“I wanted to capture that feeling of being out on the open road, where every mile teaches you something and every mistake somehow gives you wings. For me, it’s a celebration of living untethered, embracing every story and scar, and still choosing to move forward.”

Saralyn has some big shows coming up this weekend, so catch her anywhere you can!

29 May 2026 – Nashville Jukebox @ Royal Hotel, Ngunnawal and Ngambri Country/Canberra
30 May 2026 – Nashville Jukebox @ The Oaks Hotel Albion, Woolyungah/Wollongong
31 May 2026 – Cronulla Jazz and Blues Festival, Kurranulla/Cronulla

Angus Legg Offers Final Folky Taste of EP With “Like I Never Left”

Naarm/Melbourne-based singer-songwriter Angus Legg continues to charm me with his latest single “Like I Never Left.” This beautiful acoustic folk number is a companion piece to his previous release, “12th of May.”

“’Like I Never Left’ is about coming home, carrying the quiet uncertainty of whether ‘home’ is still waiting on the other side,” Angus explained. “In this story, home isn’t a place, it’s a person. Where ‘12th of May’ captures the day I left – full of grief and uncertainty – ‘Like I Never Left’ lives in the return, holding onto the blind hope that what you had might still be there.”

“Like I Never Left” is the final single from Angus’ debut EP A Long Time Gone, which he’ll release on June 25.

Photo credit: Lucinda Goodwin

Alex Lahey Celebrates 10 Years of B-Grade University With Reunion Edition Feat. Tegan and Sara

Alex Lahey is marking 10 years since the release of her debut EP by revisiting the songs that put her on the musical map. On July 17, she’ll release B-Grade University (Reunion Edition), featuring reimagined versions of the original tracks.

“I am not exaggerating when I say this EP completely changed my life,” Alex said. “These songs found their place in the world in a way I could have never fathomed and have forged a life of their own over the last decade. They’ve taken me to corners of the world I could only have dreamed of seeing, let alone playing music in, given me the privilege of meeting so many people who have found their own stories in the songs and they have enabled me to keep making the next thing. I feel indebted to all of these songs and treat them with extra care and love whenever I play them live.”

One of the standouts from the new EP is likely to be Alex’s re-recorded version of “You Don’t Think You Like People Like Me” featuring Tegan and Sara.

In a shared statement, Tegan and Sara said, “The first time I heard Alex Lahey, I remember thinking, oh—this is the artist I wish I was, but don’t quite have the lungs to pull off being. When we toured together ten years ago, I realized she wasn’t just a great songwriter and performer—she’s also weird and very funny, which somehow makes her even more of a powerhouse. Going from watching her sing ‘You Don’t Think You Like People Like Me’ from side stage to singing on it for the B-Grade University ten-year re-release feels like a full-circle moment. If you don’t know Alex yet, congratulations—you’re about to have a new favorite. Just remember we knew her first.”

While B-Grade University (Reunion Edition) will be all over streaming, if you’re a serious fan you’ll want the limited-edition vinyl version available for pre-order right now. American fans will also get to see Alex touring this EP at the following shows:

16 July 2026 – Cafe Du Nord, San Francisco
17 July 2026 – Permanent Records, Los Angeles
18 July 2026 – Soda Bar, San Diego
21 July 2026 – 7th St. Entry, Minneapolis
22 July 2026 – Schubas, Chicago
23 July 2026 – Nightclub 101, New York
25 July 2026 – Songbyrd, Washington, DC
26 July 2026 – Middle East (Upstairs), Boston

Photo credit: Seannie Bryan

Jordan Briton Releases Soulful Single, “Satellite”

Meeanjin/Brisbane-based R&B artist Jordan Briton has just served up his smooth new single, “Satellite.” He was inspired to write this song after reconnecting with his roots and getting to know someone new.

“In early 2025, I booked a solo trip to the Philippines, somewhere I hadn’t been since I was a child,” Jordan recalled. “After my most successful single to date, the awards still felt empty. I realised I’d been pursuing music to show people how high I could climb rather than enjoying the journey for myself. While visiting my Lola and Lolo, I met a local singer-songwriter. Because we were both artists, I connected with her in ways I hadn’t felt before. I’d never pursued a long-distance relationship before, but I knew I’d regret not trying. ‘Satellite’ captures that genuine yearning of ‘if only’ put to music.”

If you’re into “Satellite,” you’ll be happy to know there’s a lot more new music on the way. This is the first of six singles Jordan plans to release before he drops his debut album Slow Burn in November.

Image used with permission from Good Intent

Pinky Beecroft Gives Me Chills With “My Heart Is In the Wrong Place”

If you’re only familiar with Pinky Beecroft’s music as the frontman of Machine Gun Fellatio, his latest single might take you a little off guard. “My Heart Is In the Wrong Place” is a gentle soul song, a world away from the brash alternative rock his old band was known for. I guess we all mellow with age, but don’t mistake a gentle sound with being boring. This song draws you in, wraps around you, and encourages you to stay a while.

“’My Heart Is In The Wrong Place’ is a song I first heard at my local pub in the Hunter Valley, watching Ben Salter play a solo show. It was an incredible gig – and halfway through he played this song and it blew my mind. I walked home afterwards and I was humming the melody; it just lodged in my brain,” Pink recalled.

“Some months later I was in a studio on the outskirts of Melbourne recording with Damian Cafarella, a producer, multi-instrumentalist and all-round genius musician. I’d gone there to put vocals on one song for him, on a record he was making — but we ended up recording for days. We accidentally made an entire album together. At that stage, this song was not part of my plans. By then I’d found out that Ben Salter originally wrote it for Vika & Linda; they’d recorded a version and released it a few years back — I thought well, OK… and I had enough of my own material anyway. But then I kept singing it, in the studio, in between breaks — and Damian said ‘Can we just quickly record this so you can get it out of your system?’ So we did. And I fell in love with the song all over again.

“It’s not just the melody, although it is a really simple, beautiful melody. The words of the song struck me – the whole story of friends struggling, trying to stay afloat in a time that can be pretty dark. I think we can all relate to that right now. But Ben turned it into a song of hope. I don’t do a lot of hope, in my own work — it’s hard to do, without being cheesy or saccharine. And I’m not a very hopeful person, by nature. So… yeah. This song affected me, a lot. It still does, when I perform it. I did a version at a gig in Hobart recently and it was kind of nerve-wracking — playing this song on Ben Salter’s home turf. But I think it went OK. I love it and respect it as a beautiful piece of songwriting. I hope I do it justice.”

“My Heart Is In the Wrong Place” comes from Pinky’s forthcoming album Lonesome Wolf, which we’ll hear in August. Fans in Eora/Sydney will get a little taste of his new music when Pinky plays The Factory Theatre on May 29.

Sam Fischer Releases Stirring New Single, “A Heart Doesn’t Hurt Itself”

One of the highlights of seeing Sam Fischer supporting Guy Sebastian last month was witnessing him premiering his new single “A Heart Doesn’t Hurt Itself.” It was so good that I was desperate for you all to hear it, and now it’s out in the world and you can. Sam’s emotional vocals and honest lyrics exploring heartbreak make this one of the best power-pop ballads I’ve heard in some time.

“I blamed myself pretty heavily for the erosion of a relationship I thought was unbreakable,” Sam said of the song’s inspiration. “It shattered my self-worth when it ended and it’s taken a few years of reflection to realise that maybe I didn’t do that to myself. I hope that if anyone sees themselves in ‘A Heart Doesn’t Hurt Itself’, they can find the strength to realise that your self-worth should always come from within and never be tied to someone else’s approval of you.”

Sam has a few more shows supporting Guy Sebastian before he steps up as the headliner for a very special hometown show. After witnessing how good he is live last month, I can assure you it’s worth grabbing a ticket anywhere you can!

22 May 2026 – Margaret Court Arena, Naarm/Melbourne (supporting Guy Sebastian)
23 May 2026 – Margaret Court Arena, Naarm/Melbourne (supporting Guy Sebastian)
24 May 2026 – Margaret Court Arena, Naarm/Melbourne (supporting Guy Sebastian)
29 August 2026 – Oxford Art Factory, Eora/Sydney

Image used with permission from beehive

Dingo Drops Seasonal Single “Autumn”

As the season’s chill sets in, it’s the perfect time to listen to “Autumn,” the latest single from local singer-songwriter and producer Dingo. His voice is so captivating. This song’s definitely snuck up on me, and now I can’t stop listening.

“The song was inspired by the changing of seasons and how that can relate to how we grow and change within a relationship,” Dingo shared. “It’s a love song that ultimately speaks to the way we can fall in love again and again like autumn leaves fall each year.”

“Autumn” comes from Dingo’s forthcoming album Nightwire, which he’ll release on October 9. He’ll barely have time to celebrate its launch, because he’s got shows scheduled with Adam Harvey and Ian Moss and Troy Cassar-Daley’s right through til mid-November. Make sure you arrive early enough for his set if you’re heading to any of these gigs.

22 May 2026 – The Centre, Mununjali/Beaudesert (supporting Adam Harvey)
23 May 2026 – Dag Pub & Motel, Jinibara and Turrbal Country/D’Aguilar (supporting Adam Harvey)
24 May 2026 – Kedron–Wavell, Meeanjin/Chermside (supporting Adam Harvey)
28 May 2026 – Morwell Hotel, Braiakaulung Country/Morwell (supporting Adam Harvey)
29 May 2026 – Hallam Hotel, Boonwurrung Country/Hallam (supporting Adam Harvey)
30 May 2026 – Gateway Hotel, Wadawurrung Country/Corio (supporting Adam Harvey)
5 June 2026 – Macksville Ex-Services Club, Gumbaynggirr Country/Macksville (supporting Adam Harvey)
6 June 2026 – Ballina RSL, Bullinah/Ballina (supporting Adam Harvey)
7 June 2026 – Coutts Crossing Hall, Daam Miirlarl/Coutts Crossing (supporting Adam Harvey)
12 June 2026 – Commercial Club, Bungambrawatha/Albury (supporting Adam Harvey)
13 June 2026 – Bathurst RSL, Dalman/Bathurst (supporting Adam Harvey)
14 June 2026 – Athenium Theatre, Wiradjuri Country/Junee (supporting Adam Harvey)
19 June 2026 – Avoca Beach Theatre, Darkinjung Country/Avoca Beach (supporting Adam Harvey)
20 June 2026 – The Beer Shed Brewing Co, Tharawal Country/Leumeah (supporting Adam Harvey)
26 June 2026 – Bligh Park Hotel, Dharug Country/South Windsor (supporting Adam Harvey)
27 June 2026 – The Oaks Hotel, Dharawal Country/Albion Park Rail (supporting Adam Harvey)
28 June 2026 – The Royal Hotel, Kuwinbiyan/Queanbeyan (supporting Adam Harvey)
27-30 August 2026 – Gympie Music Muster @ Amamoor State Forest, Gubbi Gubbi Country/Amamoor Creek
15 October 2026 – Events Centre @ Kings Theatre, Kal’owen-dha/Caloundra (supporting Ian Moss and Troy Cassar-Daley)
16 October 2026 – Twin Towns, Cooloon/Tweed Heads (supporting Ian Moss and Troy Cassar-Daley)
17 October 2026 – Saraton Theatre, Gumbin Gir/Grafton (supporting Ian Moss and Troy Cassar-Daley)
30 October 2026 – Commercial Club, Bungambrawatha/Albury (supporting Ian Moss and Troy Cassar-Daley)
31 October 2026 – Civic Theatre, Wiradjuri Country/Wagga Wagga (supporting Ian Moss and Troy Cassar-Daley)
6 November 2026 – Anita’s Theatre, Thurrural/Thirroul (supporting Ian Moss and Troy Cassar-Daley)
7 November 2026 – Blue Mountains Theatre & Community Centre, Dharug Country/Springwood (supporting Ian Moss and Troy Cassar-Daley)
12 November 2026 – The Art House, Darkinjung Country/Wyong (supporting Ian Moss and Troy Cassar-Daley)
13 November 2026 – Glasshouse, Guruk/Port Macquarie (supporting Ian Moss and Troy Cassar-Daley)

Image used with permission from Wildheart Publicity

Margo Mann Makes Her Mark With “Westgarth/Grace”

Naarm/Melbourne-based singer-songwriter and poet Taylah Caroll, recording under the moniker Margo Mann, has announced her arrival on the music scene with an impressive double-A side single, “Westgarth/Grace.” These incredible debut songs beautifully showcase her ethereal vocals and introspective lyrics. “Westgarth” is a confessional piano ballad inspired by standing on the precipice of love, wondering whether you’ll go into self-preservation mode or allow yourself to fall.

“Falling in love requires a degree of surrender — to the process, and to the inner world of the other,” Taylah said. “I don’t think it’s possible without temporarily loosening your grip on who you think you are, or who you’ve been up until that point. It straddles two conflicting feelings: ‘I don’t want to lose myself’ and ‘I just want to dive deeper into you’.”

While “Westgarth” leans into softness, “Grace” shows Taylah’s edge with its lyrics that rail against conforming to suit another.

“I was so angry when I wrote ‘Grace,’” she said. “I’ve come to believe that to feel anger requires a kind of belief in your own agency, which I was obviously struggling to access at the time. So it’s fitting that this song is all about shedding identities and performative roles that we all, and women especially, adopt by default, and to our own detriment. The song stomps its feet, throws in the towel and says ‘I don’t want to be Graceful for you anymore!'”

This is one of the best debut offerings I’ve heard in some time. I can’t wait to hear what comes next for Margo Mann.

Photo credit: James Morris