Last night I headed to Newtown to catch Jason Mraz at The Enmore. The theatre was cleverly organized so all the fans could experience the concert their way. The seats in the floor section were cleared out to make way for those enthusiastic young girls who wanted to dance and sing along with their idol. Up in the dress circle the vibe was a lot more mellow, with seats allowing us older folks to properly relax to Mraz’s laidback grooves.
But before all that we were treated to a set from Melanie Horsnell. I’d heard her name before but never any of her music, so I was keen to see what she could do. I was impressed with her instantly accessible lyrics and rich country-tinged voice. Although, as seems to be a common complaint with me, I really could have done without the chatter in the room. Am I the only person who listens to support acts any more? The audience did seem to take a little more notice when she performed a breathtaking acoustic version of Bernard Fanning’s “Songbird,” but this focus was short lived. It’s a shame because she was really very good.
All the chatter was replaced with rapturous applause once Jason Mraz stepped out. He drew everyone in with his easy personality and warmth and didn’t let go. This was my third time seeing him live, but with the first with the full band set up. It’s something I wasn’t sure about as I tend to prefer acoustic sets, but in the end I needn’t have worried. The set was lush and varied. Some songs utilised all the instruments and they were richer for it, while for other songs he knew all they needed was an acoustic guitar.
Continue reading “Jason Mraz @ The Enmore, Sydney – 9 August 2008”
