Inland Sea are Something Special

When you bring together ten musicians that are serious about their craft and good music, magic is sure to happen. And there’s magic indeed in Inland Sea, a folk-influenced band from Brisbane.

Their debut EP Traitor was only released around a week ago, and already it’s earning rave reviews and some serious airplay from Triple J. And it’s little wonder, with its gorgeous five-part harmonies and lush sound featuring the mandolin, ukulele, cello, violin, and heaps more. This is the kind of music I can really get excited about.

If you can too, make sure you see the band doing their thing in the flesh at the following shows. The first two shows are free, so there are really no excuses!

28 November 2010 – Brisbane Powerhouse, Brisbane (from 3:30 pm)
4 December 2010 – Rics, Fortitude Valley (from 8 pm)
15 December 2010 – The Zoo, Brisbane

Sarah McLeod Does “Dancing in the Dark”

Sarah McLeod has put her unmistakable stamp on a Bruce Springsteen classic with her new single “Dancing in the Dark.” The track comes from her forthcoming album Madness, which is part one of an ambitious trilogy.

I’m still not sure how I feel about Australia’s rock girl experimenting with so many dance and electro sounds of late, so I was thrilled to see this song takes things back to basics. It’s a very different treatment to be sure, but there’s also a lovely organic quality to it that I’m really warming to.

Given the nostalgia attached to the original I’m expecting this cover to polarise audiences. What do you think of it?

Q & A with Gun Street Girls’ Dave Larkin

Gun Street Girls are nothing if not hardworking. Less than a year after their debut album dropped, they’re giving birth to another one tomorrow. I caught up with the band’s vocalist and guitarist Dave Larkin to chat about the album Adult Loose, cool band names, and the band’s upcoming tour.

It’s not even been a year since you released your debut album, yet you’re already about to release album number two. How did it come together so quickly?
Well, we’re always working on new songs, and we kind of figured it’s best to have new material out there in the public stratosphere as opposed to sitting dormant in a hard drive or tape machine. We had a really good bunch of songs and just thought, “right, this rocks – let’s do it!”

What can you tell me about the new album, Adult Loose?
It’s definitely more of a refined collaboration between three guys than album number one. I think the songs are stronger and more considered production wise. You can hear a band coming together a lot more on this one, and finding their own thing.

How do you think you’ve developed as a band from one year to the next?
We definitely have a crystallized understanding of what Gun Street Girls is now. We’ve spent a bit of time on the road, and a lot of time discoursing about what’s important in music and what’s not. We don’t really give a stuff about trends, and being considered one of the “in” bands, because we know that’s all vacuous crap that means nothing in the long run. Rock’n roll music doesn’t go in and out of fashion for us because it’s always been cool. It’s like Levis jeans Coca-Cola and Converse sneakers – one of those things that transcends the ages.

You worked with Wayne Connolly, who’s been behind so many great albums from You Am I to Josh Pyke. What did he bring to your sound?
Wayne’s a really great engineer for nailing performances in their purest form. He’s all about the right mic, and the right amp, and is a bit of an ambassador for all things vintage. He’s got an acute understanding of the recording process and brings a raw honesty to the final product.

Your band has got such a distinctive name. Where did the Gun Street Girls come from?
It’s named after a Tom Waits song from the Raindogs album. It was no particular homage or anything like that, we were just on the search for a cool name and started out by trawling our iTunes playlists to trigger an idea. Turns out though this song just came on the radio and Dave B called me to see what I thought. When I scribbled it down on the page it looked cool. A band name’s always gotta look cool when you write it!
Continue reading “Q & A with Gun Street Girls’ Dave Larkin”

Caulfield Tours Debut Album

Sydney alternative punksters Caulfield are taking their debut album Clarity In A Sea Of Confusion on the road with a tour taking in Australia’s east and west. Guitarist Ned Jankovic describes the disc as the “perfect introduction” to this exciting new band.

“It’s about being lost emotionally and mentally and finding ways to get back to where you want to be and mixes all the elements we love,” he explained.

The album features the new single “Bring Sunday,” a moving track about learning to let go of the past and move on from mistakes made.

“It relates to how sometimes you can feel like a stranger even around the people you know best and overcoming this so you can move on with life,” added Jankovic.

Look out for Caulfield when they bring their show to your town!

27 November 2010 – Spectrum, Sydney
3 December 2010 – Caringbah Bizzos, Caringbah
4 December 2010 – Bridge 54, Picton
9 December 2010 – Oh Snap, Perth
10 December 2010 – YMCA HQ, Leederville (All Ages)
11 December 2010 – Elliot St Bar, Bunbury
17 December 2010 – Old Gaol, Mt Gambier
18 December 2010 – Black Market, Adelaide
23 December 2010 – Bull and Bush, Baulkham Hills
6 January 2011 – Rosies, Brisbane
7 January 2011 – The Fort, Brisbane (All Ages)
8 January 2011 – Miami Shark Bar, Gold Coast
13 January 2011 – Hot Damn, Sydney
15 January 2011 – Crest Hotel, Sylvania
16 January 2011 – The Wall, Sydney (All Ages)

Image used with permission from AAA Entertainment

British India’s New Single and Website

British India may be swanning about the UK, but that doesn’t mean they’ve forgotten their local fans. They’ve just released a brand new single, which ups Paul Simon’s efforts and offers “90 Ways to Leave Your Lover,” and launched a brand new website to boot.

In conjunction with the website launch you can receive a free demo of a new song “It Happens All The Time” when you sign up to the new British India mailing list. The tune gives us a sneak peek at the band’s forthcoming album, which will hit stores in 2011.

Head to www.britishindia.com.au to check out everything else that’s brand spanking new, including the upcoming United Kingdom and New Zealand tour dates!

Q & A with Dane Rumble

Dane Rumble’s latest single “Always Be Here” is one of the most addictive pop tracks I’ve heard in some time. So I was thrilled to catch up with the Kiwi singer ahead of his upcoming Aussie tour. Here’s what he had to say about the upcoming shows, his new album, and cracking the Australian market.

You’ve done really well in your native New Zealand. What’s inspired you to try and crack the Australian market?
As a Kiwi artist, it’s only a natural progression to release in Australia. We are very similar countries! Also I have spent a lot of time in Australia over the past seven years, and I absolutely love it. Any excuse to hang around really.

Your album The Experiment was a number one hit in New Zealand. Why are we going to love it?
I hope you guys will love it! I have had a lot of positive feedback on it and continuously hear how people can directly relate to the lyrics and topics of the songs. I guess it’s me laying it on the line, spiced with killer hooks!

When I first heard “Always Be Here” I was struck by its 80s retro vibe it had. Were you inspired by any of the artists of that period?
I grew up listening to a lot of 80s rock and pop, Midnight Oil, Talking Heads. I guess when I started writing this new style of music a lot of these influences naturally came out.

You’re just about to release your second single here, “Don’t Know What To Do.” What can you tell me about the song?
“Don’t Know What To Do” sounds like a love song, but it is really about my love/hate relationship with music. Being in the industry for the past 11 years, I have seen both the incredible highs, and the painfully real lows of the game. No matter what I do, I’m always drawn to it, so I guess I will never stop creating!
Continue reading “Q & A with Dane Rumble”

The Jezabels New “Mace Spray” Video

The latest song to get my blood pumping is “Mace Spray,” the lead single from The Jezabels’ third EP Dark Storm.

The EP name is an appropriate one, not just for all the gloomy grey weather we’ve been experiencing but that delicious moodiness that hangs over this song. Hayley Mary’s vocals are gorgeous, and all the musicians play their part to create a lovely brooding atmosphere.

The Sydney band are currently strutting their stuff in Canada, but they’ll be back soon enough to play a string of shows around the country. It seems I’m not the only one who’s fallen for this indie four-piece as many of the capital city shows have already sold out. If that’s not an excuse for a road trip I don’t know what is!

See them with new Canadian pals Two Hours Traffic at the following shows.


Luke and Joel Booted from The X Factor

I said that after a fairly uneven night of X Factor, I wasn’t really sure where the axe was going to fall. But I didn’t expect to see Luke and Joel and Mahogany in the firing line.

It must have been a hard night for Guy Sebastian, who forced the judging to a public vote rather than eliminate one of his own. As it turns out it wouldn’t have mattered; Luke and Joel were gone whichever way we cut it.

I’m sorry to see these two go. I was incredibly skeptical when they made it to the finals, but they’ve won me over with their sunny personalities, exceptional ability to interpret a song, and real musical flair. I hope we see a lot more of these boys on the outside.

SYDNEY, AUSTRALIA - JULY 30: (L-R) The cast of 'The X Factor' Natalie Imbruglia, Ronan Keating, Kyle Sandilands and Guy Sebastian pose during a media call on July 30, 2010 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)

Great ARIA Awards, Shame About the Ceremony

The ARIA Awards are intended to celebrate the year that was, and on paper they did just that. Angus and Julia Stone deservingly took home the lion’s share of the pointy statues. Their sophomore effort Down The Way was named album of the year, best adult alternative album, and best cover art, its second single “Big Jet Plane” single of the year, and the duo was named producers of the year.

I was also thrilled to see Washington bag a double for female artist of the year and breakthrough artist, and outgoing act Powderfinger recognized by the new popular awards for album and artist.

What a shame that the ceremony itself wasn’t fitting of the artists it recognised. I use the word ceremony loosely, because really there wasn’t anything ceremonial about it. I’m not suggesting the ARIAs need a great deal of pomp, but this thing was so relaxed that it got messy.

I cringed watching presenters wading through crowds to hand out the gongs, and seeing speeches given amongst the throng. The concept of making the awards accessible to the public looks good on paper; this music is for the people after all. But the execution was lacking last night. I’m not sure whether it made any more sense at the event, but at home watching on the TV it appeared shambolic.

The performances helped to save it, of course. We can always rely on our musicians to turn out quality acts, and they did. I loved Washington’s saucy delivery of “Sunday Best,” and Dan Sultan stepping in for INXS. If they’re looking for a replacement for JD Fortune any time soon, he’d do a great job.

While those musical numbers helped make the event watchable, they couldn’t save it completely. I only hope that next year our musicians get the ceremony they deserve.

The X Factor Celebrates Oz

With ARIAs fever in the air, our X Factor finalists took on Aussie hits.

Luke and Joel kicked things off with The Living End’s “White Noise.” It was a smart choice as The Living End have always been more about the energy than the technical skills. This is where these boys excel. They didn’t blow me away as they did last week, but that landed them in the bottom two; maybe it’s better to be solid at this point.

When I heard Sally Chatfield was taking on The Veronicas, I’d hoped she’d do “Everything I’m Not.” But I don’t know; there were some really nice moments but it just didn’t quite jump off the page for me. I loved the way she asserted herself, and that lovely spontaneous moment with the guitarist, but I’m just not sure she gave us all of herself. They seemed to lap it up in the studio, but I just wasn’t feeling it at home.

Andrew Lawson dished up a bit of Sam Sparro’s “Black and Gold.” This was so theatrical and over the top. The song choice was lovely and his vocals were brilliant, but for me it was just too glossy to take seriously. I think if it was stripped back this would have been much more convincing. I’ve often felt that The X Factor goes overboard on the production, and this is a prime example.

I never would have thought of picking a bit of Daryl Braithwaite for Mahogany, but I thought their version of “The Horses” was brilliant. Well done to Guy for remembering that Australian music didn’t start with the naughties. This was the most believable performance of the night. I can’t imagine Mahogany being in the bottom two after this.

Altiyan Childs closed the night with a really lovely version of “Never Tear Us Apart.” It was all those things I’ve been banging on about, being believable and authentic and stripping it all back to the root of the song. He’s definitely coming into his own, and it’s a beautiful thing to see.

After a fairly uneven night it’s hard to say who will go. I know who my favourites were, but we’ve all got to factor in that sympathy element. We’ll find out tomorrow night where the axe will fall.