Cyndi Lauper @ State Theatre, Sydney – 31 March 2011

This review’s coming a little late by my standards, but I figured this is one of those articles best written once the high’s faded a little. If I’d sat down on Friday I’m not sure I could have written more than “I love Cyndi Lauper so much!” Even now I’m not really convinced I’ve got the necessary objectivity, but I’m going to try.

On Thursday night I made a pilgrimage to Sydney’s State Theatre to see one of my idols, Cyndi Lauper. Like many women of a certain age, I’ve been dazzled by Cyndi for as long as I can remember. In a musical landscape that is so often beige and homogenised, she’s always been a rainbow of color, fierce and fabulous. My expectations for her live show were sky high, but I’m thrilled to say she met every one.

But before she graced us with her presence it was Casey Donovan’s turn to charm us. I’ve been a fan of Casey’s since her Australian Idol days, and I was thrilled to see she’s only gotten better. Accompanied by a single acoustic guitar she delivered a stunning stripped back mix of covers and original material. Casey’s always been a master at delivering a song, but I’m thrilled to see her stage presence now matching her delivery. She’s come a long way from the quiet teen that wowed us in Idol. She bantered easily with the crowd between songs, charming us even more with her confidence. I was desperate to see Cyndi, but also disappointed to see her all too short set end.


I couldn’t be upset for too long though, because I was finally going to see Cyndi. The years certainly have not wearied this 80s icon. She bounced around the stage, dancing with wild abandon, a compelling figure with a shock of peroxide hair clad in black leather. From the first few songs we realised this show would be packed with songs from her Memphis Blues CD. I’m often put out when it seems an artist only wants to spruik their new material, but here it made perfect sense. I’ve never seen a supporting band as good as Cyndi’s. These guys are blues masters every one of them, and I wanted to hear the tunes that would show off that talent. Special mention must go to Charlie Musselwhite who blew my mind on harmonica.

Cyndi still played those songs we were desperate to hear though. It couldn’t be a Cyndi Lauper concert without a cheeky singalong in “She Bop,” a raucous extended version of “Girls Just Wanna Have Fun,” or poignant moments with “All Through the Night,” “Time After Time” and “True Colors.”

The mix of classic blues and retro pop was unusual, but that’s just what Cyndi’s always been. She’s a true musical artist who’s always rebelliously marched to the beat of her own drum. And in Sydney she performed her pants off, dancing about and jumping off the stage several times to be a bit closer to her adoring fans. How she could sing so flawlessly while delivering such an energetic show I’ll never know, but she did that too. She might be an 80s icon, but with this Memphis Blues album Cyndi’s shown her star certainly isn’t fading. It was incredible to bask in a little of that light for a while. Thank you Cyndi Lauper for one of the most enjoyable concerts I’ve ever witnessed.

Image source: Stephen Katulka

Trial Kennedy Impress with “Best of Tomorrow”

Trial Kennedy has been one of those Australian acts who’ve been in the background for the last decade, but never really grabbed me. That is, until now. I’m really digging “Best of Tomorrow,” their new single from their forthcoming album Living Undesigned, which hits stores on May 13.

It’s got all the right elements: a hooky chorus, great rock vocals and a real focus on melody. It’s the sort of track you’ll love at first listen, then find yourself humming for the rest of the day. If this is what we can expect from the new record, bring it on!

The Black Ryder Impresses in America

We haven’t heard much from The Black Ryder since they supported The Cult last May, but this Aussie duo certainly hasn’t been idle. They relocated to Los Angeles to support Buy The Ticket, Take The Ride, which got an American release last September.

They continued their association with The Cult, travelling around the country for 32 shows with the iconic British band. When that wrapped up they set about writing and recording the tracks that would form album number two.
They also continued to play and earn fans, including High Road Touring’s Frank Riley (Patti Smith, Portishead, My Bloody Valentine). He’s now their official US booking agent, which is no doubt helping them open a few more doors.

Frank’s clearly doing his job as The Black Ryder packed out a headline show in January, sold out a performance at San Francisco’s NoisePop festival in February, and performed on the opening night of Concept, part of Los Angeles Fashion Week. And it’s only April!

There are more shows to come this month when The Black Ryder supports Spectrum, fronted by English psychedelic legend Pete Kember. Something tells me we’re not getting The Black Ryder back any time soon, so if you’re stateside make sure you do yourself a favour!

27 April 2011 – Soda Bar, San Diego
28 April 2011 – Troubadour, Los Angeles
29 April to 1 May 2011 – Austin Psych Fest 4
29 April 2011 – Sons of Hermann Hall, Dallas
30 April 2011 – Seaholm Powerplant, Austin
25 May 2011 – Rickshaw Stop, San Francisco

Image used with permission from Pod Artist Services

Mike Noga Tours The Balladeer Hunter

The Balladeer Hunter, the sophomore solo album from The Drones’ drummer Mike Noga hits record stores today. To celebrate Mike’s announced that he’ll play a string of shows in May. That should give us all time to get familiar with the new material!

Mike should be in fine form as he’s just returned from a European tour that saw him supporting Band of Horses. He’ll play his Australian gigs alongside longtime collaborators Pat Bourke, or Dallas Crane, and Gus Agars of The Gin Club. They should be well and truly familiar with the material as they also appeared on the album.

Tickets for the following shows are on sale now from the venues.

7 May 2011 – The Toff, Melbourne
12 May 2011 – Jive Bar, Adelaide
13 May 2011 – The Republic Bar, Hobart
14 May 2011 – Norfolk Basement, Fremantle
15 May 2011 – The Bird, Northbridge
18 May 2011 – Notes, Sydney
19 May 2011 – Clarendon Guesthouse, Katoomba
20 May 2011 – Step Inn, Brisbane

Image used with permission from Other Tongues