There’s not a lot of flash or fanfare to Paul Greene. When he releases a new album the industry barely murmurs. Yet he continues to be one of Australia’s most consistent singer-songwriters.
The rest of the music world might not be making a lot of noise about Paul’s latest album Behind the Stars, but the disc has taken up permanent residence in my stereo. It’s one of those albums that makes you want to press play again the moment that the final track ends.
I was surprised by the opening title track; it’s very different to that easy pop rock I associate with Paul Greene. That difference isn’t a bad thing though. It’s a beautiful tune, with haunting vocals and lovely lush orchestration. After that somewhat experimental number, Behind the Stars settles into a more familiar feel. Don’t mistake that familiar feel for being middle of the road. It’s a gift to create music so instantly accessible.
I found myself writing copious notes about the tracks as they washed over me. I noted the great bluesy groove of “Her Minor Key,” the striking simplicity of the romantic “Enough of You,” the no frills John Cougar Mellencamp vibe of “What You’ve Got Goin’ On,” and the cheerful mood “Bad Luck Lately” put me in.
But then I realised I could say something positive about every single track on the disc. There are no fillers here; it’s just a good honest album jam packed with good honest song writing and genuine talent. Behind the Stars is another solid stunner from Paul Greene.
When Lisa Mitchell took to the stage it became clear that this wouldn’t be just another musical performance. She started her set reading some poetry from John Burroughs before welcoming her musicians and supporting vocal trio on stage. It was an unusual beginning, but one befitting a night with this quirky talent. She played a few gorgeous new songs before pleasing the masses with “Neopolitan Dreams.” I’ve always loved this whimsical track, and it sounded especially good in the church.
7 June 2012 – Retreat Hotel, Brunswick (Free)
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With his debut album No But It’s True in the can,