Tom Busby’s Good Oak Hit the Road

When he’s not wowing crowds as one half of Busby Marou, Tom Busby is making beautiful music with his housemates Stephen Ryan and Brett Gibson. Together they are Good Oak, a three-piece creating some of the most gorgeous folk music I’ve heard in some time.

The Queensland band’s just released their debut self-titled EP which includes the beautiful single “The Bear Song”. The harmonies are exquisite, and while it’s gentle it’s definitely a song that stays with you. Songs don’t always need to scream loudly to make an impression, do they?

If you love what you hear, make sure you catch Good Oak supporting their EP’s release on The Big Strong Bear Tour.

23 May 2013 – Gov’s Espresso, Mermaid Beach
24 May 2013 – The Armidale Club, Armidale
25 May 2013 – Brighton Up Bar, Sydney
26 May 2013 – Hoey Moey, Coffs Harbour

Pigeon Release Top Track “Encounters”

Brisbane band Pigeon are back with another killer single, “Encounters”. They’ve brought back the sax that I loved in “All That Bad”, and a chorus you’ll find yourself singing along to by the time the video’s done. It’s not quite mellow enough to be chill-out music, but unless your head is really pounding you’ll find this is a perfect Sunday soundtrack.

Flume Remixes Gurrumul & Yolanda Be Cool Collaboration

I started this blog with the aim of celebrating Australian music inclusively. I don’t care what genre it is, if it’s mainstream or alternative; if it’s good it’s good. So I was excited to find a track that seems to celebrate the same ethos: Flume’s remix of Yolanda Be Cool and Gurrumul’s collaborative effort “A Baru in New York.” Gurrumul and Yolanda Be Cool wrote the song about Gurrumul’s totem animal, a baru or saltwater crocodile. Flume’s treatment has taken it to another level.

These are three acts that come from very different areas of the Australian music industry. Most of us wouldn’t expect any joint effort to work. But then you listen, and it does.

“Gurrumul is so impressed with how his song with Yolanda Be Cool was reinterpreted by Flume,” explained Gurrumul’s friend and collaborator Michael Hohnen. “Gurrumul and I listened together to the remix, sitting on the floor, in front of a huge stereo system. He proclaimed at the end of it – “that sounds like a crocodile movie”.

“Gurrumul has embraced this song ever since he created it with the Yolanda boys, and even appeared in the beautiful music video. Flume’s managed to create almost electro-orchestral backing, while retaining the sense of history and dignity which is such a quality of Gurrumul’s music.”

If ever there was a track to bridge the gap between indigenous music and more mainstream fare, this is it. Wow.

Image used with permission from Stephen Green Consulting

Vaudeville Smash! Release Debut Album

Melbourne’s Vaudeville Smash! are bringing back New Wave sounds with the release of their debut album Dancing for the Girl.

The fun single “Look at Me” gives us a taste of the album, which hit stores yesterday. It’s got a gorgeous blend of dance and pop that makes children of the ‘80s like me feel all warm and nostalgic.

Vaudeville Smash! will kick off their Dancing for the Girl tour in Adelaide next month before they travel up and down the East Coast. With the band generating major buzz in North America, it might be our last chance to see them for a while!

8 June 2013 – Jive Bar, Adelaide
14 June 2013 – The Corner Hotel, Melbourne
21 June 2013 – UTS Glasshouse Bar, Sydney
22 June 2013 – The Beresford, Sydney
27 June 2013 – The Loft, Chevron Island
28 June 2013 – Sol Bar, Maroochydore
29 June 2013 – The Joynt, Brisbane
30 June 2013 – Beach Hotel, Byron Bay

Brittany Cairns Back with “Behind the Scenes”

All eyes are firmly on the new crop of The Voice contestants, but it’s worth noting that some of last year’s finalists are carving out credible careers away from the glare of the television cameras. One such talent is Brittany Cairns, who’s just released her new single “Behind the Scenes”.

If you’re a Taylor Swift fan, you’re going to love this. There are similar sweet vocals and the diary-style narrative recounting the optimism of young love feels very familiar. It’s pretty inoffensive stuff and it’s not likely to change the world, but that’s not a criticism. It takes real talent to create a song so accessible. Brittany’s had a little help from Rod Conley on that score, but she’s clearly got some songwriting chops. I’m looking forward to hearing more from Brittany when she releases her debut EP later this year.

Darren Percival @ Lizotte’s, Kincumber – 26 April 2013

I’ve been reading a lot of criticism about The Voice lately. I’ve heard that the program exploits its artists, that it doesn’t recognise the talent of established musicians, that industry professionals shouldn’t appear in the first place, that it’s gimmicky and fake and not the place Australians should turn to when discovering local music. I don’t deny the talent of many Aussie musos slogging away in the pubs and clubs. I accept this program isn’t an arena that many musicians would feel comfortable competing in. But when I question the value of a program like The Voice, I just have to look at Darren Percival.

Darren was one of those musicians I knew before he stood in front of those four chairs last year. I’d seen him sporadically live before then, singing backup vocals for James Morrison, and Jimmy and Mahalia Barnes. It took that program to take Darren to the front of the stage. And that’s just where I like him.

There’s something about the promise of a Darren Percival performance at Lizotte’s Kincumber that is irresistible to me. I’ve now seen him three times at the venue since he won The Voice, and every show’s been special. Darren seems so comfortable here, in this small space where punters can pass him handwritten notes acknowledging their parents’ wedding anniversary and milestone birthdays. He seems to thrive on the intimacy that comes when he can step down off the stage and walk amongst us, sitting down beside one adoring fan, taking the hand of another. There’s none of that inevitable distance that comes from a larger venue, and we all lap it up.

Much like the last time I saw Darren, the set contained highlights from Darren’s time on The Voice, the Ray Charles covers featured on his latest album, and a few other favourites. The blend doesn’t change too much, but there are always a few surprises. Who on earth would have expected a cover on Eddy Grant’s “Electric Avenue”? That alone might have been worth the price of admission, but I also hung on every word of his incredible version of “Georgia on My Mind”, and his solo take on “Without You”, the song he sang with mentor Keith Urban while on “that reality show”. His rousing rendition of “Hit the Road Jack”, with back-up singing from the captivated audience, was also spectacular.

You can say what you want about The Voice, but I’m thrilled it exists if only to see artists like Darren headlining concerts like the one I witnessed. I wonder which of the new breed I’ll be raving about in this way next year?

Image source: own photo

Atlas Genius Poised to Conquer America

Adelaide double act Atlas Genius might just have what it takes to be our next big export. The lads are putting in the hard yards now after the recent release of their debut album When It Was Now.

The album showcases the pop sensibilities and synth-laden riffs that had crowds buzzing at South by Southwest. You can get a taste of all that with the band’s latest video “Centered on You”.

South by Southwest was months ago, but it seems Atlas Genius are in no rush to return to home shores either, as they’ve got a stack of shows coming up around the US and Europe. They’ll even appear on The Late Show with David Letterman on May 2 (or May 3 Australian time). Make sure you set your PVRs Aussies! Here are all the places music lovers abroad can see them play. Hopefully we won’t lose this hot new act permanently!

3 May 2013 – Penguin in Soho, New York (Free All Ages Acoustic Show)
4 May 2013 – The Piazza at Schmidt’s, Philadelphia
7 May 2013 – Electrowerzk, London
8 May 2013 – Prinzenbar, Hamburg
18 May 2013 – KROQ Weenie Roast, Irvine
19 May 2013 – Live 105 BFD Festival, Mountain View
20 May 2013 – Soho Restaurant and Music Club, Santa Barbara (SOLD OUT)
22 May 2013 – Harlow’s, Sacremento
24 May 2013 – Wonder Ballroom, Portland
25 May 2013 – Sasquatch Festival, Quincy
26 May 2013 – Venue, Vancouver
29 May 2013 – Kilby Court, Salt Lake City
31 May 2013 – Bluebird Theatre, Denver (SOLD OUT)
1 June 2013 – The Black Sheep, Colorado Springs
4 June 2013 – Fine Line Music Café, Minneapolis (SOLD OUT)
6 June 2013 – Deluxe at Old National Centre, Indianapolis
7 June 2013 – Newport Music Hall, Columbus
9 June 2013 – 3rd & Lindley, Nashville
11 June 2013 – The Norva, Norfolk
12 June 2013 – The Canal Club, Richmond
14 June 2013 – Bayou Café, Albany
15 June 2013 – The Sinclair, Cambridge (SOLD OUT)
17 June 2013 – Met Café, Providence
18 & 19 June 2013 – Bowery Ballroom, New York (SOLD OUT)
20 June 2013 – Wolf Den, Uncasville
21 June 2013 – Firefly Music Festival, Dover
23 June 2013 – The Opera House, Toronto
24 June 2013 – Shelter, Detroit
27 June 2013 – Summerfest, Milwaulkee
30 June 2013 – The Pagent, St Louis
6 July 2013 – Kelowna’s Waterfront Park, Vancouver
10 July 2013 – Ottawa Blues Festival, Ottawa
13 July 2013 – Bunbury Music Fest, Cincinnati
2 August 2013 – Lollapalooza, Chicago
4 August 2013 – Osheaga Music and Arts Festival, Montreal
11 August 2013 – Golden Gate Park Outside Lands Festival, San Francisco
20 September 2013 – Sleep Train Ampitheatre, Chula Vista