Fingerless Drops Trippy New Track, “More to Come”

The press release for Fingerless’ new single “More to Come” describes the Meeajin/Brisbane act as a psych-folk-indie-rock group. It’s one of the more eclectic band descriptions I’ve read, but listening to this song it all makes perfect sense. It somehow reminds me of The Beatles, Suede, Pulp, and Powderfinger all at once. Playing with so many genres could get messy for a lesser act, but this song somehow works. It’s a love song with a difference, which rather than celebrating a relationship that will last a lifetime acknowledges uncertainty and that there is “more to come.”

The band recorded this single, and a few other tracks, at Black Box recording studio, where they worked with producer and recording/mixing engineer Jeff Lovejoy (resin Dogs, Sahara Beck) for the first time.

“We recorded these songs live, with vocal, percussion and acoustic guitar overdubs added later,” said Marc Cheeseman, Fingerless’ vocalist and guitarist. “We prefer to do it this way because that’s how we write the songs. It feels better, it’s more fun and it just makes sense. One really cool thing that happened during recording was getting to use the same 1950s mic stand that was used in the Baz Luhrmann Elvis film. Jeff worked on the film as a music equipment consultant and had some of the gear from the film at his studio while we were recording. So all the vocals from this single were done using that mic stand!”

Fingerless will launch the single for hometown fans at The Cave Inn on March 10.

Image used with permission from 4000 Records; credit: Jonny Pickvance

Come From Away @ Civic Theatre, Mulubinba/Newcastle – 4 March 2023

My husband and I watched the pro-shot of Come From Away when it dropped on Apple+ in September 2021, 20 years since terrorists drove their planes into the Twin Towers and other aeroplanes en route to the United States were diverted to the small Newfoundland town of Gander. We instantly fell in love with this musical that managed to somehow find the balance between comedy and tragedy. It was so truly heartwarming that when it travelled to Mulubinba/Newcastle, we couldn’t wait to introduce my mother to it.

I must admit, I had my reservations though. The Apple+ pro-shot featured the original Broadway cast. Jenn Colella won Drama Desk and Outer Critics Circle awards for her role, and arguably should have taken home the Tony. Could this Aussie cast possibly measure up? How could they convincingly bring us this American story that still resonates so deeply with the people of that country? As with Hamilton, I needn’t have worried. There was not one person in this production that wasn’t at the very least the equal of the Broadway cast. From the soul-stirring opening “Welcome to The Rock,” I found myself swept away again.

In fact, I think this time I was even more invested. While I knew the outcome, I found myself wiping away tears at a poignant moment that hadn’t made me weepy the first time around. While pro-shots are fabulous at drawing your attention to small details, seeing the show from the dress circle I could take it all in.

If like me, you’ve enjoyed the pro-shot of Come From Away, don’t make the mistake of thinking that you’ve already seen the show. You need to see this musical in person. And if you’re yet to discover Come From Away, there’s a reason why so many people rave about it. Do yourself a favour and check it out. Come From Away finishes its Mulubinba/Newcastle season today but will soon open at Her Majesty’s Theatre in Tartanya/Adelaide. It’ll then head to Boorloo/Perth’s Crown Theatre in May and Ngunnawal Country/Canberra in June.

Richard Marx @ NEX, Mulubinba/Newcastle – 1 March 2023

It’s very rare that I drag myself out to two midweek gigs. But when Richard Marx announced he was playing NEX in Mulubinba/Newcastle, I knew I had to get myself there. I’ve been seeing bands at the site once known as Newcastle Workies (and if you’re a local, forever known as the Workies) since my teenage years. They hosted Teenage Rampages when I was growing up, headlined by acts like Peter Andre and Teen Queens. There were standalone gigs from EYC and Goo Goo Dolls. Of course a lot has changed, and not just the acts. I haven’t been since the rebranding and refurbishment. It’s definitely more sophisticated these days, but it still seemed like an odd choice for the man who’s written more number one songs than anyone else.

Richard’s guitarist, who goes by the moniker Dandelion Head, opened up for him. Looking at a picture of Dandelion Head, you can probably imagine what he sounds like. Looking like he’s just finished teaching yoga classes at Byron Bay and probably smelling like patchouli, he admits that his songs are a bit “hippy-dippy.” It was a strange choice of opener, but Dandelion Head is undeniably talented. After a busy work day, I quite enjoyed chilling out and embracing his relaxed vibe.

You don’t chill out to Richard Marx. You cheer loudly. You sing along. You do whatever you want, according to Richard, because this is your show. He encourages photos and videos, insisting that he didn’t spend time putting product in his hair for people not to look at him. He even obliged a quick selfie with an opportunistic fan before insisting he had to get back to the show everyone had paid money for.

While Richard opened with a track from his new album Songwriter, he didn’t stray too far from the hits. Songs like “Take This Heart”, “Endless Summer Nights,” and “Angelia” came out early, delivered with the kind of passion that makes you forget he’s sung them for decades. If he’s becoming tired of them, it doesn’t show. A talented songwriter, “This I Promise You,” made famous by NSYNC and “Long Hot Summer”, cowritten with our own Keith Urban, also made the set.

In between songs, Richard chatted easily, cracking jokes and making us feel like we were just catching up with a friend. He’s such a generous performer who isn’t afraid to let his audience in. He introduces us to his sons during “When You Loved Me,” playing along with a video featuring their accompanying instrumentation and vocals. We get a further glimpse into his world when he plays “Front Row” in front of video featuring him relaxing with his dog and wife Daisy Fuentes.

It seemed like we’d already heard so many hits by the time the encore rolled around, but except for “Front Row,” this portion of the show was all about those massive numbers. “Hazard,” “Satisfied,” “Should’ve Known Better,” and the beautiful piano ballad “Right Here Waiting.” We sang along in raptures, so appreciative to share space with this talent. I’ve seen Richard Marx four times now, and I’ll probably go again, because it’s always a good time. Like a fine wine, he only seems to get better with age. He continues his Australian tour tonight in Eora/Sydney:

5 March 2023 – State Theatre, Eora/Sydney
7 March 2023 – Anita’s Theatre, Thurrural Country/Thirroul
8 March 2023 – Panthers World of Entertainment, Darug Country/Penrith
10 March 2023 – The Astor Theatre, Boorloo/Perth

Image source: Stephen Katulka

Del Amitri @ Enmore Theatre, Eora/Newtown- 28 February 2023

I thought I’d missed out on the chance to see Scottish pop-rock act Del Amitri. They last toured Australia when I was around 10, and while they continue to gig around Europe I thought their days of international touring may be far behind them. I jumped on tickets when they finally announced an Aussie tour last year and felt fever-pitch excitement as I shuffled into the Enmore last Tuesday night.

Darren Middleton provided solid support, proving a capable frontman away from his Powderfinger bandmates. He could have taken the easy route and played at least one song from that massive Aussie act, but I appreciated his confidence in his solo skills. He’s such a gifted songwriter and he surrounds himself with quality musicians that help him bring them to life.

Looking at The Dels now, with graying hair and a few more wrinkles, you’re acutely aware of the passing of time. But then they play, and it’s as if no time has passed. Justin Currie’s voice sounds just as compelling as it ever did. While he and Iain Harvie are the only original members, the band sounds tight. Their songs have the power to transport you back to a simpler time, and I revelled in each and every one.

When you’re as good as Del Amitri, you don’t need to save big songs. “Always the Last to Know” was the fourth song of the night, “Kiss This Thing Goodbye” the sixth. I sang along to every word, although I missed the harmonica and banjo that drove the original recordings.

This wasn’t a nostalgia tour though. Songs from 2021 album Fatal Mistakes were scattered liberally through the set. From my privileged position in the dress circle, looking down on the front few rows, it seems the fans didn’t mind. They were there to hear all the old stuff back in the day, and they were thrilled to witness the new material they already knew well enough to sing along to.

They’re a band of few words, preferring to let the music do the talking. They seemed at ease on stage though, happy to share in this music with appreciative fans who helped them feel at home.

A generous five-song encore gave me some of my favourite moments of the show. Justin Currie took the lead on the stripped-back “Empty” and you could have heard a pin drop. It was a powerful, compelling performance that I’m going to remember for the rest of my life. “Be My Downfall” is my favourite Del Amitri song, and they saved it to the very end. I was starting to worry it wouldn’t make the set, as it didn’t crack the top 50 here in Australia, but it was so worth the wait. With house lights up and an audience singalong, I had chills.

I didn’t get back home until 1 am, which is some kind of lunacy in the middle of the week, but I was running on such post-gig adrenaline that I couldn’t sleep for hours. I can only hope the Dels had as much fun as I did. Maybe they won’t make us wait for another three decades before making a return visit.

Image source: Stephen Katulka

Dande and the Lion Release Indie-Pop Treat, “Children of the Hour”

I love a happy-sad song. You know those ones that get you up and dancing, but are a lot darker than they first appear once you start listening to the lyrics. So “Children of the Hour,” the latest single from Eora/Sydney act Dande and the Lion, has everything I’m looking for. Rest assured, it will get you up off your seat and grooving along to the beat. But once you tap into the words, you’ll start to fully appreciate this gem.

‘Children of the Hour’ was inspired by a play I read by Lilian Hellman – ‘The Children’s Hour’ – that was later adapted into a film starring Audrey Hepburn and Shirley MacLaine,” explained vocalist Natassa Zoe. “Hellman’s story played a part in helping to initiate my songwriting process and I started to reflect on how this related to experiences in my own life at that time. ‘Children of the Hour’ centres around the push and pull within an intimate relationship; meeting someone who takes you completely off-guard and shakes up your world in a totally unexpected way. So much so, that you start creating excuses to see them, thinking about a future with them, yet despite all those feelings it never quite matches up, for whatever reason you’re both just out of touch.

“The song itself is about being playful in the moment, following the feeling rather than over-thinking things. Yet, despite this, the ‘hour’ never being quite right and ultimately leading to the endless wondering of how things might have been under different circumstances, in another time.”

Dande and the Lion are current touring around the East Coast to support this single’s release. Here are all their remaining dates:
3 March 2023 – Oriental Hotel, Mulubinba/Newcastle
25 March 2023 – The Jynx House @ Venue 114, Kabi Kabi and Jinibari Country/Sunshine Coast (supporting The VANNS)
5 April 2023 – Mumbo Jumbo’s, Darkinjung Country/Terrigal
14 April 2023 – Towradgi Beach Hotel, Dharawal Country/Towradgi
21 April 2023 – The Gum Ball, Wonnarua Country/Lower Belford
28 April 2023 – Kelly’s on King, Eora/Newtown

Image used with permission from beehive; credit: Saz Watson

MANE Wows Me With “Breathing Again”

LGBTQIA+ indie pop artist MANE has floored me with her beautiful new single “Breathing Again.” Giving us our first taste of her sophomore EP, this stunning track makes me pretty excited about what comes next. It’s anthemic and dramatic while being rooted in honest emotions.

“I distinctly remember writing this song with Charlie (McClean, cofounder of She Writes) at Kobalt studios in LA and feeling overwhelmed by a waterfall of happy/sad emotions … Charlie really gently helped coax them out of me in a way where I didn’t need to be specific or elaborate into any detail which was really nice,” she said. “The song to me is about a moment of clarity or relief in the midst of healing from something – the sometimes fleeting feeling that it is in fact going to be OK, for me those moments provide a lot of hope. It’s refreshing, relieving and sometimes exciting to feel, especially if it’s felt heavy and dark for so long. I think finding a space where you can genuinely smile, breathe and just exist after a grief is a testament to your own resilience, because even though you may still be going through it your finding room around it to seek hope and happiness and I think that’s brave as hell!”

A true creative, MANE also produced and edited the music video for her latest single.

“The footage of the dancer was filmed by Omri Ohana and although the choreography was not intended for my song it was really special editing it myself and seeing how well it came together,” MANE added. “The dilapidated settings of the dancing scenes had a real sense of finding beauty in the ugliness and heaviness that some of us face daily which is kinda what Breathing Again is about … so it just felt really right

The release of “Breathing Again” is the start of an exciting new chapter for MANE. Not only is her new EP on the way, she’s heading to the United States for festivals and a string of headlining shows. America, you are in for such a treat.

8-11 March 2023 – New Colossus Festival, New York City
12 March 2023 – Beerburg Brewery Festival, Austin
13-18 March 2023 – SXSW, Austin
19 March 2023 – New New Festival, Dallas
22 March 2023 – The East Room, Nashville
24 March 2023 – The Monarch, Louisville
25 March 2023 – TBA, Cincinnati
1 April 2023 – Plan 9 Records, Richmond (Acoustic Pop-Up Show)
4 April 2023 – The Camel, Richmond
12 April 2023 – TBA, Los Angeles

Image used with permission from Pretty Good Thanks; credit: Friends on Film

Anna O Releases Fantastic New Single “We’ve Got Time”

Boorloo/Perth electro-pop act Anna O has given me chills with her latest single “We’ve Got Time”. This track draws you in with a stripped-back opening verse which showcases Anna O’s vocals before that beat drops. If you love acts like Montaigne and Ngaiire, this will be right up your alley.

I also appreciate that Anna O is a woman who has lived a life because it makes her music so much meatier than your average pop song. Managing life as a mother of two with birth trauma, postnatal depression, physical disability, and undiagnosed neurodivergence, Anna’s relationship with her partner naturally struggled. “We’ve Got Time” came out of that period where they came back to one another despite the obstacles for the sake of the family they’d created.

“This song, for me, is about hope. It’s about the life we are building together now, and making a beautiful situation out of what felt like a very broken one,” she explained. “The last two lines of the bridge say ‘Can I see you right in front of me now? Cos you’re my way home. You’re my way home.’ And that’s just it, we’re finding our way home to each other again.”

“We’ve Got Time” is one of several new Anna O tracks produced by Luke Minness (PRISCILLA, Have a Good Day). Their partnership has led to one of the most productive years of Anna’s life, so it sounds like there’s plenty more fantastic music in store.

Image used with permission from Kick Push PR

Meatstock Expands Events for 2023

If you love meat, country music, and a whole lot of fun, you’re going to want a ticket to Meatstock. Fresh from a sell-out event in Jagera, Giabal and Jarowair Country/Toowoomba last year, Meatstock is expanding with Naarm/Melbourne and Eora/Sydney dates complementing the original.

The musical lineup varies in each city, but includes talents like Casey Barnes, Kingswood, Brad Cox, and Grinspoon. You won’t leave hungry, with plenty of BBQ pitmasters and food trucks on hand. As if that wasn’t enough, there’ll also be professional bull-riding and strong man and woman competitions.

Each event has day and weekend passes available. Queenslanders can also stay on site with camping and RV options. Tickets are on sale now but selling fast, so get onto it!

18-19 March 2023 – Melbourne Showgrounds, Naarm/Melbourne
14-15 April 2023 – Toowoomba Showgrounds, Jagera, Giabal and Jarowair Country/Toowoomba
5-7 May 2023 – Sydney Showgrounds @ Olympic Park, Eora/Sydney

Image used with permission from UMM

High Tropics Rock Out With “Girlfriends”

Kabi Kabi/Sunshine Coast indie-rock act High Tropics has put a smile on my face this morning with their cool new single “Girlfriends.” With gritty guitars, easy vocals, and an infectious melody, I know you’re going to dig it too.

“‘Girlfriends’ is a down-and-out love song that doubles as a love letter to the green queen Mary Jane,” explained the band’s creator, Josh Stewart. “Written during the healing process of a six-year relationship ending, it’s a song about picking yourself up and moving on.”

This track sounds effortless, but Josh has recently been candid about the struggles he faces with Crohn’s disease.

“I first got into music for all the wrong reasons, eventually completed a bachelor of audio engineering and got really ill in my final year of the degree,” he shared. “I ended up getting diagnosed with Crohn’s disease in 2013, which altered the course of my life. Ironically though, it was the thing that made me fall in love with and develop my songwriting, as it became my way of escaping reality. It’s my therapy.”

“As I’ve seen a bit of the stigma around disabilities lessen in society over the last few years, it’s helped me reflect and embrace my own struggles and experiences, and see it as part of my story, not something to be ashamed of. I want to be a force for good, and hiding my condition from the world doesn’t help anyone. Our industry has made some great headway with diversity over the last few years, but disabled artists are still extremely underrepresented, and my silence certainly hasn’t helped. I’d like to see more support for people living with disabilities, specifically within the music industry. It’s time to lose the stigma, let’s show the world everybody can rock.”

You can see Josh and his friends rock out when High Tropics hits cities around Queensland to promote this single in the coming months. Catch them at the following venues near you:

31 March 2023 – Solbar, Gubbi Gubbi/Maroochydore
21 April 2023 – Ole Bar, Kabi Kabi/Noosa
12 May 2023 – Tomcat, Meeanjin/Brisbane

Image used with permission from Good Intent

Polish Club Soundtrack Rugby League Season With “Good Time”

I’m not sure how many of you share my sentiments, but I’m pretty excited this week for the return of the regular seasons of the NRL and NRLW. With the trial games out of the way, it’s time to see whether my beloved Eels can go one better in 2023. The Nine Network has a history of opting for fairly safe choices for their rugby league theme song. Everyone loves the Hoodoo Gurus and Barnesy, but Nine’s shaken things up this year, opting for a little Polish Club instead. Rest assured, you’ll be hearing their track “Good Time” a lot this year. And that’s a very good thing.

“We wanted a short, sharp song, filled with nothing but catchphrases, with each part being its own hook. I think we nailed it,” said Novak. I don’t disagree.

Now hopefully we can see Polish Club booked as part of the grand final entertainment!

Image used with permission from Island Records Australia; credit: Derek Bogart