Have a Good Day Start Strong With Debut Single “Somebody, Nobody”

Starting with a bright, ‘80s shimmer, “Somebody, Nobody,” the new single from Have a Good Day, instantly makes you feel good. It doesn’t let up either, with a lush layered chorus and playful beat. If your day needs a lift, this new indie-pop act from Boorloo/Perth have you covered.

This song might be the first release from Have a Good Day, but these guys have been building a reputation in WA after their previous acts shared stages with the likes of Siobhan Cotchin, Dulcie, The Presets, San Cisco, and heaps more. After hearing this song, it seems like they’ve now found something special with this brand new musical project.

Image used with permission from Kick Push PR

MOONWOOD’s New Single “Lady in Red” Will Make Your Day Better

Is there anything more romantic than someone rearranging their plans to take a chance on someone special? I think not! Jake McCullough, the frontman of Eora/Sydney band MOONWOOD, shares the story of the time he took a chance on love in the band’s latest single “Lady in Red.”

“A few years ago, I had the opportunity of a lifetime to work in Los Angeles. Minutes before booking my flight and telling my boss I was leaving to pursue my dream I received a text message from a girl (the Lady in Red) asking if I was leaving. In recent weeks, I developed feelings for her despite being friends for years. I wasn’t sure if she felt the same way. As far as I was concerned, I did not think I had any chance, as I only had a short timeframe to grab this opportunity in Los Angeles. Instead of flying, I decided to pursue a girl who might turn me down. The move was risky, but it was worth pursuing,” he explained.

The song is pure joy, as is the lyric music video which sees Jake dancing in the middle of a street. The things we do for love, hey?

MOONWOOD have a couple of gigs coming up, including their big hometown single launch, so get on it!

24 February 2023 – Yours and Owls ‘To Be Honest Fridays’, Woolyungah/Wollongong
11 March 2023 – The Vanguard, Eora/Sydney

Image used with permission from beehive

EDIE Channels ’90s Sounds With “Front Row”

Western Australian singer-songwriter EDIE is taking me right back to the ‘90s with her new song “Front Row.” A grungy sound reminiscent of icons like Juliana Hatfield or Liz Phair, check. Lyrics exploring unrequited love that borders on obsession, check. We’ve all been there, right?

“Through the track ‘Front Row,’ I explore themes of fixation, love, and obsession. The song shines a light on the dynamic of a parasocial relationship and its all-encompassing nature,” EDIE explained. “The track conveys the power of the mind to create a fully realized fantasy relationship about an individual who is not even aware of your existence. From personal experience, I know this can happen to the best of us!”

The music video plays on EDIE’s ‘90s film influences, capturing the relationship between a front-row fan, played by EDIE, and the lead singer of a band.

“When I was a kid, I always enjoyed creating music videos with my best friend. We spent so much time planning and creating and so to be able to create and experience a music video is a childhood dream come true!” she gushed. “It was so incredibly fun and such a rewarding experience to see my vision and dream come to life. When I met my director Steph [Senior] it was a true meeting of like minds as we had a shared vision of how to capture the story within the song.”

This is such a cool track, I can’t wait to hear what comes next for EDIE.

Image used with permission from beehive; credit: Stephanie Senior

Sting @ Bimbadgen Estate, Hunter Valley – 18 February 2023

By now you might realise that this won’t be a standard concert review. However, while Saturday’s Sting concert wasn’t what any of us wanted and expected, we still received an afternoon filled with great music so I decided it was important to write about what I did experience.

When you buy tickets to an outdoor show, you never know quite what you’re going to get. The weather in late summer can be fickle. While I was in pants earlier in the week, the mercury hovered somewhere around 40 degrees in the Hunter Valley on Saturday. Shout-out to my dad, the real MVP, who drove Mum and I to the Hunter for a nice lunch, then some wine-tasting in air-conditioned cellars until the show was nearly about to begin. With our AAMI Lucky Club membership we were ushered through our special line without queuing and quickly found our seats. No lines at the exclusive AAMI Lucky Club bar either. No, this isn’t a paid promotion, but those perks make sticking with my insurance provider so worthwhile. Mum told me the seats were much better than they were last time she saw Sting, even though we didn’t splurge on close to the top tier.

I didn’t have high expectations for Joe Sumner, assuming he just got the gig because his dad was the headliner, but I really enjoyed his set. He reminded me a lot of his father vocally, although his top register was a little weaker. But he has some really solid pop-rock songs. He’s definitely got the goods as a singer-songwriter, and he’s super charismatic. One of the things I really love about these Day on the Green shows is you can often be pleasantly surprised by an artist who you wouldn’t ordinarily have seen. Rest assured, I’ll be checking out his back catalogue.

Unlike Joe, I knew exactly what I was getting with James Reyne. He’s one of Australia’s most dependable musicians, with one of the country’s most impressive back catalogues. When you can throw “Reckless” into the middle of your set, because you know there is plenty more people want to hear, you know you’ve got the goods. He has us all singing along, even if we were probably wrong with most of the words. I’ve lost count of the number of times I’ve seen James, but it’s always a thrill.

Sting is another one of those artists who has so many hits that he doesn’t need to save them for an encore. He walked out without fanfare, just a man with his guitar ready to put on a great show. “Message in a Bottle,” bam, “Englishman in New York,” bam, “Every Little Thing She Does is Magic,” bam. Sounding just as good as he ever has, with so much charm. With a triple-treat of hits so early, we didn’t even mind when he apologised for playing a couple of new songs. They were less familiar but still superb songs, and they gave us all a chance to catch our breath and take our seats for a bit. We were back to the hits for “If I Ever Lose My Faith in You,” a song made a bit more pleasant as the breeze picked up. We had been so hot that the wind was a welcome relief. I was honestly shocked when security ushered Sting off the stage. He said he’d be back if he could, and we were sure he would be. I called my dad, who was already on the way to pick us up, and told him the show might take a little longer as we were on a break waiting for the high winds to pass. He turned around to go home, and almost got there when I called him back to say we were being evacuated. We were a bit shocked really. It wasn’t raining, and I’ve been in some pretty heavy rain for Day on the Green shows, but I guess the wind and forecast lightning was the deciding factor.

I’ve attended countless Day on the Green shows and never had an experience like that. So perhaps it’s not a surprise that I felt the venue staff were ill-prepared for the turn of events. My mum and I were told to leave our seats, but we had no where to go, with my Dad around 50 minutes away. And then the rain started. Another shout-out to the amazing couple who let us take shelter in their car, insisting that they wouldn’t be moving for ages (they were right). Would we have been waiting in the conditions that were deemed too unsafe for a concert if they weren’t willing to help?

Now we’re left wondering what happens next. The team behind A Day on the Green say they’ll be in touch in the next day or so, suggesting there’ll be some kind of compensation. A reschedule seems unlikely given Sting’s busy schedule. Some people online have suggested we don’t deserve any sort of compensation, because we saw all three acts we paid for. However, if you’d asked me to pay $200 to see Sting sing seven songs, I’d have told you where to go. It’s the sort of experience that makes you wonder whether you should buy tickets to the shows at the safe, if somewhat sterile, indoor venues instead of the wineries. So I’m glad to hear A Day on the Green are looking to make up for our disappointment. It certainly wasn’t the show we hoped for, even if there was plenty to smile about early on.

Image source: Stephen Katulka

Hugo Stranger and the Rattlers Blow Me Away With “Leaders”

I’ll call it now; you will not hear a better song than Hugo Stranger and the Rattlers’ new single “Leaders” today. Maybe all week. Maybe all year. It’s a dark bluesy, gospel number with so much grit and gravel. You’ve got to listen to this one.

Thom Harrison, the band’s lead singer and guitarist, said he was inspired to write the song after listening to Sacred Roots of the Blues by Bluebird.

“I was driving and a hand clapping bluesy melody came into my head, so I pulled over and recorded what became the intro of the song,” he recalled. “I wanted to take a gospel song and flip the narrative to show a darker side. Lyrically, the song conjures a church sermon detailing how so-called leaders look down on others with judgment.”

Apparently Hugo Stranger and the Rattlers have a big 2023 coming up, so I suggest you follow them on the socials so you learn when they’re snaking through your town.

Image used with permission from Footstomp Music

Grace Woodroofe Stuns With Long-Awaited Single “Beginning”

If you caught one of Grace Woodroofe’s recent sets supporting Ben Harper, you probably want to know more about her. And if you didn’t, you’re going to wish you had after hearing her new single “Beginning.”

While its title suggests this is the start of Grace’s career, it’s more of a rebirth. This is her first single in eight years, a welcome return to the music scene. With stunning simplicity it explores the beginning of the end of an abusive relationship, those moments when the love is still so powerful and palpable that it helps you overlook the deep flaws.

“I had written many resentment songs when I first began the process of writing this album. They were the easiest to write about and sit with. When I sat down to write ‘Beginning’, I knew it was time to depict the stages that came before the anger,” Grace explained. “The bargaining, denial and desperation I had to keep things going was an important phase in the story, and a key part in grief. Holding onto key memories, moments and feelings, in order to divert the pain.”

With a new album in the works, we should hear a lot more from Grace in 2023.

Image used with permission from beehive; credit: Jody Pachniuk

Siobhan Cotchin Drops Beautiful New Single, “When the Curtains Close”

Siobhan Cotchin has impressed me with every release, so I knew I was going to enjoy her latest single “When the Curtains Close” before I even hit play. I wasn’t quite prepared for this song’s beautiful vulnerability though. It shows a much gentler side, drawing the listener in to the simple guitar, vocals, and powerful lyrics.

“’When The Curtains Close’ is about not being able to recognise someone you love after their actions show their true colors. It’s about feeling betrayed, thinking you should’ve seen the signs earlier but loving someone so much that you don’t want anything to jeopardise it,” Siobhan explained. “This song was one that basically wrote itself. I was going through a lot at the time, dealing with realisations about someone I was close with. In order to write the song, I just remembered how it felt to be in the presence of this person and the effect it had on me and others around me. It’s a very visceral song and I get transported back to the time I wrote it every time I sing it.”

Siobhan will play the stacked Bluesfest Boorloo/Perth show on April 1.

Image used with permission from beehive; credit: Jarrad Levy

Deuce Evolve Their Sound With “Breathe”

I hope like me you’re taking some time this weekend to recharge your batteries and unwind from the nine-to-five grind. In the spirit of rejuvenation, I figured it was the perfect time to put “Breathe,” the dreamy new single from Naarm/Melbourne duo Deuce, on your radar.

Deuce is the musical project of real-life lovebirds Kayleigh Heydon and Curtis Wakeling, and I think you can hear their connection in the music they make. “Breathe” comes from their sophomore album Wild Type, which is a start of a new, more evolved chapter for the band.

“When we started Deuce, I couldn’t play an instrument,” Curtis admitted. “Writing and recording the album relied on a lot of communication, allowing us to develop sound through description; not jargon or technical music terminology.”

Expect to hear more confidence from Deuce when their new album Wild Type drops on April 28.

Image used with permission from Dinosaur City Records

Em George Wows Me With “Home”

Exploring music from talents like Carole King, Joni Mitchell, and Leonard Cohen clearly hasn’t hurt Eora/Sydney artist Em George. Her new single “Home” is one of the most beautiful songs I’ve heard in some time.

This is one of those songs that stands tall on its own. It’s so well written that it doesn’t need big production. The creative process started in Em’s “tiny” studio apartment before she brought it to Golden Retriever Studios and Hercules Street Studios for the finishing touches.

“My favourite thing about music is it connects you to a feeling or experience. I hope people listen to this song and relate to what I’m writing about and feel connected to those around them,” Em said. “I had been feeling really down, hurt by a lot of people and was wondering why. I was also working and creating at full speed without any down time for myself and was exhausted. I realised I’d been letting people in who I shouldn’t and overextending myself to please others. The song is about creating boundaries for yourself, to not exhaust yourself for others and protect a space within yourself to create, grow and be at peace. But it’s also about being accountable, and realising that you attract what you seek”.

Excuse me while I press play for the umpteenth time.

Image used with permission from Footstomp Music; credit: Philip Le Masurier

Chelsea Berman Releases Hot New Pop-Country Track, “Going There”

Darkinjung Country/Central Coast talent Chelsea Berman adds some modern production to her usual country sound with her latest single “Going There.” Pop-country crossovers aren’t exactly new, but I’ve never heard one sounding quite so fresh.

This song sounds great, but it’s also incredibly relatable. After going back to the wrong person too many times, Chelsea channelled her frustrations into this fantastic track. Canadian songwriters Lydia Sutherland and Aaron Pollock helped her with the lyrics before Mulubinba/Newcastle producer Rhys Zacher added his magic.

Image used with permission from Rock This Country