HALO Vocal Ensemble Announce Intimate Night Cat Show

Melbourne’s HALO Vocal Ensemble are back with a special show at The Night Cat on Saturday 23 April. If you don’t know HALO Vocal Ensemble, there’s no better time to familiarise yourself with their talents. These incredible vocalists put their stamp on RnB, soul, jazz, gospel, and hip hop classics. I’m talking tunes from Nina Simone, Chaka Khan, Outkast, and Destiny’s Child reinterpreted like only HALO Vocal Ensemble can.

Led by powerhouse vocalist Liona Tatafu, HALO Vocal Ensemble shows always feature a revolving roster of artists. With DJ MzRisk, Emma Volard, and Strictly D.T already announced, you can bet there’ll be a couple of surprise appearances as well. This clip from the Melbourne International Jazz Festival gives you just a little taste of what they can do.

HALO Vocal Ensemble sold-out shows at the Melbourne Music Week x Melbourne Museum Summer Plaza Series and Melbourne International Jazz Festival in 2021, so you can bet the remaining tickets for this April 23 show at The Night Cat won’t last long. Head to Moshtix to get yours.

Image used with permission from This Much Talent

Matt Joe Gow Releases Gorgeous New Single, “Sweet Collapse”

You can always trust Matt Joe Gow for classic Americana tunes that just make you feel good. There’s a quiet confidence about what he does that puts you at ease. His latest track “Sweet Collapse” is no exception.

This track ticks all the boxes for me. I’m going nuts for the exquisite three-part harmonies and that piano solo. The track is a sequel to Matt’s song “Georgia Rose”, from his 2016 album Seven Years. How exciting to catch up with the story so many years later!

“Sweet Collapse” is the latest single lifted from Matt’s upcoming fourth album, Between Tonight & Tomorrow. Expect to hear a few more new tunes and all your old favourites at his upcoming New South Wales shows.

20 Apr 2022 – Peel Inn, Nundle
21 Apr 2022 – Outlaw Luncheon At The Dag, Nundle
23 Apr 2022 – MJG & TDL Showcase @ Tamworth Hotel, Tamworth
24 Apr 2022 – The Railway Hotel, Cowra
29 Apr 2022 – Occasional Wine Bar, Boorowa
30 Apr 2022 – Tomerong Hall, Tomerong
1 May 2022 – Golden Barley, Sydney

Image used with permission from Matt Joe Gow

Karise Eden Slays With “Gone”

When you search for Karise Eden on Spotify, the top five most popular songs are covers from her time on The Voice. Perhaps that’s understandable as the reality show catapulted her to stardom. However, that was 10 years ago. She’s released so many great original songs since then. If you’re just replaying that (admittedly incredible) cover of “It’s a Man’s World”, you’re missing the opportunity to really get to know what she can do. Instead of going back to the familiar, I encourage you to listen to her latest song, “Gone.”

This track is so beautiful. It’s everything we loved about Karise all those years ago. Pure soul, pure heart, pure passion. Her voice has never sounded finer. She puts so much emotion into it that I was sure she must have written it herself. Instead, it was a chance meeting that brought this song her way.

“This song was gifted to me by one of the most inspirational women I’ve met in a while … Stef Duzel, Publican of the Macedon Railway Hotel in Victoria. One in a million. A true songstress and songwriter,” Karise recalled. “I’m playing a gig at the pub. She takes me to a room at the back with this bed, guitar, and amps. We’re talking, laughing our heads off – music, life, kids, exes, her pub, you name it!

“She tuned her instruments up, while telling me her story, telling me about how she’d written this song, that she envisioned someone like me singing. Then she starts playing her guitar and out bellowed this voice like no other. The kind of voice you only hear from a life that’s been lived, a life that’s loved, been loved and a life that’s been broken more times before. When she began singing, the walls I have to hold everything inside, broke.

“She apologised for making me so emotional. I told her to keep singing. Every lyric that poured out of her spoke so deeply to me. I said I would absolutely love to sing this song and we worked at it, in a heartbeat. And so ‘Gone’ came to be.”

You can just tell this song will be even more powerful on stage. You can see Karise do her thing at one of the following shows:

19-22 May 2022 – Blues on Broadbeach Music Festival @ Kurrawa Pratten Park, Gold Coast
25 June 2022 – River Heads Rocks 2022 @ Hervey Bay
16 February – 2 March 2023 – The Gathering of the Goddesses, Riddells Creek
3 March 2023 – The Gathering of the Goddesses @ Fulton Park Campsite, Forth

Image used with permission from Revolutions per Minute

The Whitlams Cover Perry Keyes For Country Album

A friend introduced me to Perry Keyes’ “The Day John Sattler Broke His Jaw” a few years back. My friends introduce me to a lot of songs, and most of them I probably forget before too long. But this song was different. It was so good that I wondered why we don’t all know it, the way we know “Khe Sanh” and “The Horses”. It’s so good that when you hear it, you wonder why it’s not more well-known. It feels familiar from the first play. Once you do hear it, it’s not easily forgotten. I’m hopeful that a few more people will fall in love with it now that The Whitlams have put their stamp on it.

It’s no accident that this cover has more of a country sound than we’re used to from The Whitlams. It came from an idea hatched by frontman Tim Freedman as he drove between regional stops on his 2021 solo tour. While travelling from Gunnedah to Mudgee, via Black Stump Way, he discovered country radio playing his band’s latest single, “Man About a Dog.”

“I must admit it was a surprise to be played on Kix Country and Triple A Murri Country, but it was very cool,” he said. And it got him thinking. In Mudgee, he called Matt Fell, who produced his solo effort Australian Idle, and said “Put together your dream band. I think I want to make a country album.”

And so, The Whitlams got together with the new Black Stump Band, featuring Rod McCormack (on banjo, papoose, and acoustic guitar), Ollie Thorpe (pedal steel and electric guitar), and Matt Fell on bass. And they made that country album, The Black Stump Sessions, featuring this song.

Sydney photojournalist and director Johnny Barker made the gorgeous black and white video. It features archival footage of Tim’s father, Barrie Freedman, tipping Souths to win that historic rugby league grand final, with captain John Sattler finishing the game despite breaking his jaw. Talk about grit and determination!

The Whitlams, Black Stump Band will play shows all around the eastern states to launch the single later this year.

22 April 2022 – Longyard Hotel, Tamworth
24 April 2022 – Victoria Hotel, Bathurst
28 July 2022 – The Metropolitan Hotel, Mackay
29 Jul 2022 – Mansfield Hotel, Townsville
30 Jul 2022 – Tanks Arts Centre, Cairns
3 August 2022 – Gunnedah Town Hall, Gunnedah
4 August 2022 – Orange Civic Theatre, Orange
5 August 2022 – Royal Hotel, Queanbeyan
6 August 2022 – Bowral Bowling Club, Bowral
7 August 2022 – Tallagandra Hill Winery, Gundaroo
12 August 2022 – Westernport Hotel, San Remo
13 August 2022 – Queenscliff Town Hall, Queenscliff
14 August 2022 – Burrinja Theatre, Upwey

Image used with permission from Wildheart Publicity

Q & A With Barefoot Spacemen’s Scott Renton

Barefoot Spacemen are an exciting Melbourne act combining elements of funk, neo-soul, disco … all the good stuff that makes you want to dance. It’s something we really need after the last two years I think! I recently chatted to the band’s guitarist, Scott Renton, about how the pandemic impacted Barefoot Spacemen and the band’s latest music.

Your new single “NRG” drops today. Why did you decide to release that particular song?
We’ve been recording a bunch of tracks from our upcoming album, so we’re partly rolling a few out as they’re ready but also trying to pick songs that are fun, upbeat, and reflective of the sound we’re working towards. “NRG” is fun to play and hopefully fun to listen to, so it made sense to release this one.

The single features your artwork. Is that a real passion of yours?
Not particularly, if I’m honest! I enjoy creating things in general but I’m not much of an artist at all. Like most bands, we’re running on a pretty tight budget so the more things we can do in-house the better. We’ll get a proper artist or graphic designer on board for bigger projects, but for a single release during the colder months, we figured it would be best to just do it on our own.

You’re launching the single at Colour Club on April 21. What can people look forward to when they see you live?
We try to make our sets fun and filled with stuff people can dance to. Usually it feels like a big party and playing live is the main reason we make music, so we always really enjoy it. We’ve got a great lineup happening with Blue Nude and Jag, along with DJ Uly spinning vinyl afterwards, so there’s an interesting mix of genres and experiences for people to enjoy.

There’s such an excitement about live music at the moment as we move past a lot of covid restrictions. How are you guys feeling about playing again?
Playing live is almost the entire reason we make music. It’s dope seeing people enjoying themselves dancing to something you’ve put hundreds of hours into creating – super rewarding. We’re stoked to be back and to be able to get on with performing and recording, and we feel that energy reflected in the audience, too.

The pandemic was such a tough time for musicians everywhere. How did Barefoot Spacemen cope with the last two years?
Things got pretty grim but we spent a lot of time on the phone to each other talking about our plans for after lockdowns, writing new songs, working on our craft as musicians, and sending each other demos. When we weren’t talking about the band, we’d be on the phone to each other playing Xbox or something together as well, so I pretty much stayed in touch with the band every day throughout lockdowns. That friendship really helped me personally deal with everything at the time and definitely prevented things from spiralling out of control on a number of occasions. It’s been great to start acting on some of the plans we made during that time now that we’re able to.

I found listening to music was one of the big things that kept me sane during the pandemic. Were there any new artists you got into or old favourites you relied on during that period?
It depended a lot on my mood – sometimes I was so bored that I was desperate to find new music, but other times I just wanted the comfort of something familiar. I stumbled upon a few artists that I ended up loving – mostly older funk and disco stuff to try and keep the mood upbeat at home.

“NRG” is the second single from your upcoming debut album. What can we expect from the album?
We’re trying to explore sounds we’ve never dabbled in before, but the album is largely funk, Motown, disco, and hip hop inspired in its instrumentation. We want to produce tracks that people can dance to, vibe to, smoke to, whatever they want. There are a lot of grown-up themes and topics with our vocalist Aaron’s lyrics, which is a bit of a contrast to the playful and groove-centric nature of the music, but I like the dichotomy of it – this idea that you can be crying in the club or on the dance floor, but having a great time.

There’s a real funk influence in all Barefoot Spacemen music I’ve listened to. What do you love about that genre?
It’s just a lot of fun to listen to and even more fun to play. We’ve always been passionate about continuing to improve as musicians and we’ve found that we’re naturally leaning into that genre the longer we spend together as a band. We have a pretty eclectic mix of musical tastes, but funk and disco seems to be a common ground. There’s a lot of room to experiment with the genre as well, so it’s great that we can all bring influences from our own tastes and kind of blend them into this hybrid funk thing we’re trying to achieve with our sound.

It’s been a couple of years since you released your last EP Cabin Fever. What are the key lessons you’ve learned as a band since then?
Tough question! We’ve learned so much. If I had to narrow it down, I’d probably say that we’re learning to accept things that are beyond our control and do things at our own pace. There’s a heap of demand for a constant stream of content with musicians and artists in general these days, and we don’t want to lose sight of the art. So we’ve been focusing on creating for our audience and letting people engage with us at the same pace we’re willing to operate. Taking a kind of quality over quantity approach, despite what everyone has been telling us. That leads to the second lesson, which is learning which external opinions to take on board and which ones aren’t going to help us. I could go on forever about what we’ve learned, but it’s mostly realising the value of improving our craft and how much hard work it takes to make a living in this industry.

It sounds like it’s a really exciting time for the band with the new single release and the album not too far behind. Is there anything else on the horizon? A national tour perhaps?
We’ve been looking at touring both here and overseas, but we’re still working through the logistics and feasibility of it all. It’s definitely something we’d love to do but for now, after two years of setbacks, our sole focus is getting this album finished!

“NRG” is available today on all the major streaming services. Melbourne, make sure you catch Barefoot Spacemen’s single launch show at Colour Club on April 21.

Image used with permission from Barefoot Spacemen; credit: @aynsleymitchell

“Lonesome Blue” – Racing Birds

Just a couple of weeks ago I was raving about Racing Birds’ single “Rarely Never Loaded”. The reason I was so excited is that I already knew these guys weren’t just a flash in the pan. I was already listening to their debut EP Lonesome Blue, anticipating the day when I could tell you all about it.

I love the upbeat energy of “Rarely Never Loaded”, but the EP shows this duo has more than one gear. They seem more comfortable taking things at a slower pace, where their brand of bluesiness has time to marinate. They linger over lyrics, wringing every bit of emotion out of them. It ensures we feel the yearning in that title track, that we can see the beautiful imagery of “Silver Sun Bohemian” and “Vampires and LSD” coming to life without missing a detail. The raw, honest vocals from Jeremy Strother are a revelation, the perfect foil for Bobbie Lee Stamper’s rootsy blues rhythms. Together they’re creating some of the best alt-country music I’ve heard in some time.

I can’t wait to catch these guys live, because something tells me these tunes will sound even better experienced in a crowd of enthusiastic music fans. Until then, I’ve got this EP on repeat. Lonesome Blue is out today.

Image used with permission from Beehive PR

Crank Up Country Sounds of Hurricane Fall’s Newie, “This Night Forever”

Hurricane Fall are back with “This Night Forever”, their first single for 2022. It’s an epic slice of country-rock that should have you singing along by the chorus and feeling nostalgic about the best nights of your life.

Hurricane Fall want to share some memorable nights with their fans, so they’re heading on the road later this month. These guys have earned a reputation for their live shows. If you caught them supporting Billy Ray Cyrus or The Wolfe Brothers, you’ll know exactly what I mean. Find out for yourself when they stop at one of the following spots near you:

22 April 2022 – Blazes Showroom @ Wests, Tamworth
23 April 2022 – Stroud Rodeo @ Stroud Showground, Stroud
7 May 2022 – Scone Rodeo @ Scone Showground, Scone
13 May 2022 – Brookfield Show, Brookfield
14 May 2022 – Hard Rock Café, Brisbane
27 August 2022 – Gympie Music Muster, Gympie
24 September 2022 – CMC Rocks, Ipswich
1 October 2022 – Deni Ute Muster, Deniliquin

Image used with permission from Wildheart Publicity

Hannah May Sparks Climate Change Conversation With “Written in the Sea”

With a national election locked in for May 21, it’s more important than ever to think about the direction of the country. After recent floods, one issue that deserves headlines is climate change. If you’re not already thinking about it, “Written in the Sea” by Gold Coast singer-songwriter Hannah May should start the wheels turning. It’s a bit of a departure for Hannah who typically releases songs with a country flavour, but I’m really digging its acoustic folk sound.

“We seem to forget how much we rely on the environment for our wellbeing, while it continues to deteriorate in front of our eyes, we live our lives as if all is OK,” said Hannah. “We have to change our ways. This song is a reminder of that and I hope this inspires people to make a change however small it may be.”

Make sure you really tap into the lyrics when you’re listening to “Written in the Sea” as they’re so important, especially as we prepare to head to the polls. Making changes around the home matters, but it’s going to take changes on a federal level to really improve our environment.

Image used with permission from Hannah May

Lyn Bowtell Touches on Toxic Social Media With “Woman to Woman”

Lyn Bowtell made a splash on The Voice in 2017, but she’s been far from idle since that show propelled her into the spotlight. While she plays to smaller crowds now, she’s been releasing some incredible music. Her latest single “Woman to Woman” is the perfect reintroduction to her talent.

When so many young starlets dominate the charts, it’s so exciting to hear music from a mature woman sharing her experiences. Diverse voices are so important. It’s a timely song which speaks of the importance of real human connection in the digital age.

“I hope listeners to ‘Woman To Woman’ might be a little less influenced by social media in their everyday life and consider going to the source of information before they cast judgment on people,” Lyn said. “It’s great to be able to reach out across boundaries and borders to talk to people, but social media does come with negative effects as well and we are understanding that more and more now. I’ve never had anything particularly damaging said to me on social media, although there were a few moments after The Voice, but I’m lucky in that respect. Country music people are usually friendly, supportive and good-natured. Words can be so hurtful, faceless lies are painful. Don’t fool yourself into think that it’s nothing when it might mean something to someone else.”

“Woman to Woman” comes from Lyn’s forthcoming album, appropriately titled Wiser. She’s touring all over the country at the moment to support its release. See her at one of the following gigs:

24 April 2022 – The Longyard, Tamworth
12 May 2022 – Lizotte’s, Lambton
14 May 2022 – Halekulani Bowling Club, Budgewoi
15 May 2022 –Leichhardt Bowling Club, Lilyfield
26 May 2022 –The Front Gallery & Café, Lyneham
27 May 2022 – Tumut River Brewing Co, Tumut
28 May 2022 –Bowral Bowling Club, Bowral
29 May 2022 – Joyce Wheatley Community Centre, Kiama
17 June 2022 – The Beer Shed Brewing Co, Leumeah
18 June 2022 – Muswellbrook RSL Club, Muswellbrook
19 June 2022 – Armidale City Bowling Club, Armidale
22 July 2022 – The Press, Tamworth
23 July 2022 – Glen Aplin Hall, Glen Aplin
24 July 2022 – Dalby Events Centre, Dalby
27 & 28 July 2022 – Oodies Café, Bundaberg North
29 July 2022 – Maleny Community Hall, Maleny
30 July 2022 – GTM Music Studios, Beaudesert
31 July 2022 – Cabarlah Hall, Cabarlah
4 September 2022 – Mantra, Yarraville
9 September 2022 – The Wesley Anne, Northcote
10 September 2022 – The Palais, Hepburn Springs
11 September 2022 – The Old Church On The Hill, Quarry Hill
15 September 2022 – Murray Delta Juke Joint, Goolwa
16 September 2022 – The Wheatsheaf, Thebarton
17 September 2022 – The Barn, Wombat Flat
14 October 2022 – Nethercote Hall, Nethercote
15 October 2022 – Murrah Hall, Murrah

Image used with permission from The Country Journo

Dani Teveluwe Drops Cool New Single “Waiting Wasting Time”

As you cruise towards the weekend, take a listen to Dani Teveluwe’s laidback new single “Waiting Wasting Time”. It’s a cool pop number with a jazz influence that reminds me a little of Norah Jones or Corinne Bailey-Rae. While the track has a relaxed feel, the lyrics encourage listeners to quit procrastinating and go out and get whatever it is they’ve been wanting.

“’Waiting Wasting Time’ first came to me when I was walking my gorgeous Golden Huey around Miami. The chorus melody soothed my soul and I loved it from the get-go”, Dani explained. “It’s funny because building the courage to make a change can sometimes take years, but in reality, the moment we decide to change is quite fleeting. Around that time, I had been thinking a lot about the motivation behind change. That moment when change is no longer a choice and when it becomes a necessity. What is that thing that gets us to finally book that overseas trip we’ve always wanted to go on? What makes us overcome the fear of rejection to ask someone out, or perhaps ending a relationship that isn’t right? How do you describe the desire to leave a perfectly stable job to pursue your passion? The more I dwelled on it, the more I realised that I had created my own discontentment in the past by not going for it. By taking the safe option instead of the scarier path, living in my head not my heart. I decided I was done with waiting and wasting time.”

Dani also isn’t wasting any time taking this song to the people. You can catch her playing free at the Beach Hotel in Byron Bay tonight or tomorrow night at Solbar on the Sunshine Coast.

Image used with permission from Dani Teveluwe