Thando Makes a Powerful Statement With “Gag Order”

Thando continues her winning run with “Gag Order,” a stunning, soulful piece of social commentary. In this track the Zimbabwe-born and Melbourn-based Thando artist shares her unique perspectives on cultural assimilation and ostracism.

“I come in giving a nod to the current race relations in the media at the moment,” she explained. “It creates a powerful statement about how perceived ‘sameness’ (the result of assimilation) comes undone when it really matters, so what’s the point of doing it [assimilating] anyway?”

Listen out for a special guest appearance from local MC, Francoistunes.

“Gag Order” comes from Thando’s forthcoming EP Life in Colour, which is slated for an October release. That’s some time to wait, but before then we’ll see Thando at several festivals and her own headlining show. Catch her at the following events.

29 March 2019 – By The Meadow, Bambra
12 April 2019 – Sooki Lounge, Belgrave
21-22 April 2019 – Byron Bay Bluesfest, Byron Bay Byron Bay
26-28 April 2019 – Bendigo Autumn Music Festival, Bendigo

Image used with permission from Heapsaflash

Morgan Bain Makes His Mark With “Blood”

Morgan Bain has floored me with his latest single “Blood.” It’s such a powerful, poetic track, a slow-burner with stunning lyrics and complex, powerful instrumentation. Morgan conceived the song when he was making the three-week car trip from his home city of Perth to his new home in Melbourne.

“On that drive I was contemplating a lot of things to do with my childhood, and instead of writing really angry songs, which I’ve done many times, I’m now taking a slightly philosophical approach,” he says.

The clip is a thing of beauty too. Director Annelise Hickey said she worked with Morgan to “create something that contrasted against the heavy lyrics, emotive chords and construct the clip to feel a little unconventional and strange. This video is all about Morgan being used as a lifeless prop to create new shapes and forms by the characters around him (almost like artworks). I wanted to use ordinary locations with interesting color palettes & shapes and try to transform the landscapes into something strange (using camera placement / framing and the movements from the characters).”

With the right sounds and visuals, “Blood” is such an exciting release.

Image used with permission from Sony Music Australia

Ross Henry Pushes the Envelope With New Electro Stunner, “Places People”

British-born, Sydney-based muso Ross Henry pushes the boundaries with his experimental electro-pop single “Places People.” The song certainly takes some risks with melody and sonic expression, but Ross’ haunting voice anchors it beautifully.

“Over time we can begin to solidify, become trapped, incapacitated, stuck in our roles. At the peak of the toughest parts of life it’s helpful to remember how malleable it all is,” Ross explained of the single’s inspiration. “When we wear ourselves loosely, it gives us room to work with the infinite beauty and simultaneous suffering on the journey. It also gives us space to connect with anyone behind it all. Occasionally I need a reminder of this. I’d love to think this track could serve to help others too”.

Ross is currently in residency every Thursday night at Newtown’s 1989 Bar. Catch him on the 21st or 28th to hear more from his forthcoming EP.

Image use with permission from Good Intent

Tixel Take on Ticket Scammers With Ticket Sheriff

Things happen, and sometimes people need to sell the tickets they’ve purchased for a gig on to someone else. However, we all know that many of the people selling tickets aren’t honest. How do you tell the fakes from the genuine ticket sellers? Tixel is making things easier with their new website Ticket Sheriff.

Simply enter the username of the ticket seller you intend purchasing from into Ticket Sheriff to see whether he or she has been busted doing dodgy deals in the past. You can also use Ticket Sheriff to report ticket scammers.

This is a real passion project for the Tixel team, whose founders Zac Leigh and Jason Webb were duped into buying counterfeit Tame Impala tickets back in 2015. When the show sold out, they thought they’d found a fairly honest bloke selling some tickets via Gumtree. Upon arrival, those $400 tickets wouldn’t scan and they realised they’d been scammed. Determined they wanted to protect others from a similar fate, they launched Tixel, a legitimate ticket resale site. In 2018, the site sold zero fake tickets, ensuring no music lovers were left out of pocket. That same year the company partnered with leading events like Beyond the Valley, FOMO, and Rhythm and Vines.

Tixel are a 100% Australian made company doing good for music fans. Now with the launch of Ticket Sheriff, they’re taking even greater steps towards stamping out scammers once and for all. Spread the word!

Alex Lahey Teases New Album With Single Release

There’s just no slowing down Alex Lahey. She’s been touring relentlessly here and abroad, yet she’s somehow found time to record a brand new album. “Don’t Be So Hard On Yourself” is the upbeat first single from her forthcoming LP, The Best of Luck Club.

“I wrote this song for my partner who was on tour and was feeling the fatigue and stresses of the road, as we all do,” she explained. “It doesn’t matter how capable or strong or resilient you may be, we all have bad days, and that’s OK. There’s nothing wrong with feeling tired after a hard day’s work and sometimes I have to remind myself of that too.”

The Best of Luck Club drops on May 17. She’ll take its songs on the road this June.

6 June 2019 – The Governor Hindmarsh, Adelaide
7 June 2019 – Rock Rover, Fremantle
13 June 2019 – The Tivoli, Brisbane
14 June 2019 – The Basement, Canberra
15 June 2019 – Metro Theatre, Sydney
22 June 2019 – Forum, Melbourne

Karise Eden @ Wests Leagues Club, Newcastle – 6 March 2019

Karise Eden enjoyed a meteoric rise to fame when she took home The Voice crown in 2012. She was just 19 then, although I imagine such exposure would be difficult at any age. She released the obligatory winner’s journey album, which went straight to number one, but then she seemed to disappear from the spotlight. There was little fanfare on the release of her first album of originals Things I’ve Done two years later. It peaked at number 65. It’s taken five more years for Karise to release another album. She was in Newcastle last week to promote that release, Born to Fight.

Local singer-songwriter Megan Core warmed up the crowd, gushing to us how she’d admired Karise since she was a teen and was so thrilled to support her. If she had any nerves surrounding the honour, they didn’t show. It’s brave to play so many originals as a newcomer, but Megan seized the opportunity to introduce us to her songs. Personally I loved her folky ditties. With just an acoustic guitar as accompaniment, I found myself really taking in her lyrics. I’ll jump at the chance to see her again. What a talent.

Karise’s set was a similarly low-key affair. Her band was small, just a keyboardist and a guitarist, but she’s not one who needs a lot of support. The stripped back instrumentation put her voice front and centre. And what a voice it is. It’s what got me and so many other Australians excited when Karise was on The Voice. After recent weight loss, Karise thinks its stronger than ever. Having witnessed it myself, I’m not about to argue with her. Countless times I found myself with goosebumps. It’s just that good.

This concert was really a showcase of the work from her new album Born to Fight. I’m such a fan of that release that I was thrilled to hear so many of my favourite new songs. My parents hadn’t heard the new album, but they didn’t feel slighted by her song selections in the least. In fact, Mum has asked me to pick her up a copy next time I’m shopping! When you can not just get people interested in your new material, but make them want to spend money on it, you know you’re on the right track. There was the occasional track from the first album and some choice covers. “Landslide” was just as beautiful as it was on The Voice. She’s long been compared to Amy Winehouse, and her cover of one of the late British singer’s tracks shows she’s every bit as good. Her take on “Hallelujah” was a breathtaking closer.

The songs only tell half the story of any concert experience though. When we first met Karise she seemed uncomfortable with the glare of the spotlight, a nervous teenager. The years have seen Karise blossom into a confident woman. She was relaxed, funny, and open. There was a great natural charm about her that brought the audience on side instantly.

It’s just a shame there wasn’t more of us. My mum remarked that she should have sold out the venue, because she’s every bit as good as singers she’s compared to like Amy Winehouse and Janis Joplin. In fact, mum said she should be playing much bigger venues. I don’t disagree. However, I love an intimate gig. What a thrill to witness a world-class performer in a place so small. If there’s any justice, Australia will remember why they fell in love with Karise and start turning up in their droves to see her. Until then, I’ll enjoy the intimacy that comes with small gigs like this.

There are a couple of dates left on Karise’s Born to Fight tour. If you can, make sure you go see her. She’s incredible.

23 March 2019 – York Theatre @ Seymour Centre, Sydney
24 March 2019 – Canberra Theatre Centre, Canberra
31 March 2019 – The Gov, Adelaide

Image source: Stephen Katulka

MAXO Releases New Pop-Rock Smash, “Light It Up”

Canberra singer-songwriter MAXO should get your heart soaring with his new single “Light It Up.” It’s a uplifting song which MAXO says it “about leaving the 9-5 jobs, chasing my dreams, and bringing everyone along for the ride. To break their shackles. To chase their dreams. To feel ALIVE!”

I’ve written about MAXO a few times and I think he’s going from strength to strength. With one accomplished pop-rock song after the next, I can’t wait to hear his next release.

Lots of Love For Leipzig Lab’s “Unloved”

Taking their cues from Depeche Mode and Nine Inch Nails, Melbourne act Leipzig Lab have released a hard-hitting single “Unloved.”

This is actually the band’s fifth single but their first released in six months. The hiatus seems to have done that good, with the band refining their sound and creating something which is bold and unforgettable.

“We write all of our songs over the internet,” explained one half of the duo, Keiran Bahlmann. “We both have home studios and a shared drive. We take turns with coming up with parts and recordings, these automatically arrive in each other’s studios. It’s the beauty of making music in this age, we can work and rework a song until we know it’s the best it can be before we even get to rehearse it.”

It’s an unconventional approach to the creative process, but when it turns out music this strong, who am I to question it?

Image used with permission from The A&R Department

Meg Mac Releases Stellar Single Ahead of Local Shows

Meg Mac has given us one more reason to get tickets for her upcoming shows, her brand new single “Something Tells Me.” It’s everything you want in a Meg Mac song, strength and vulnerability, killer vocals and those melodic hooks you just can’t get out of your head.

Meg is currently touring Europe, after recent dates in North America, so she’s bound to be in fine form once she finally touches down on home soil. Many Aussie shows are already sold out, so the remaining tickets won’t last long. If you manage to nab one, make sure you arrive early enough for the support act, Fergus James. Meg hand-picked Fergus, a triple j unearthed artist, as she felt the platform was so pivotal to her own career. Catch Meg Mac in Oz or abroad at the following shows.

12 March 2019 – Baumhaus, Berlin
14 March 2019 – Paradiso – Upstairs, Amsterdam
15 March 2019 – Pop Up , Paris
16 March 2019 – Botanique – Witloof Bar, Brussels
18 March 2019 – Omeara, London (SOLD OUT)
6 April 2019 – Enmore Theatre, Sydney
12 April 2019 – Coffs Ex Services Club, Coffs Harbour
13 April 2019 – The Tivoli, Brisbane (SOLD OUT)
14 April 2019 – Miami Marketta, Gold Coast, QLD
3 May 2019 – The Wool Exchange, Geelong (SOLD OUT)
4 May 2019 – Forum Theatre, Melbourne (SOLD OUT)
8 May 2019 – ANU, Canberra (SOLD OUT)
9 May 2019 – Uni Bar, Wollongong
10 May 2019 – Newcastle Uni, Newcastle (SOLD OUT)
16 May 2019 – Tanks, Cairns (SOLD OUT)
23 May 2019 – Hobart Uni, Hobart
13 June 2019 – HQ, Adelaide
14 June 2019 – Astor Theatre, Perth (SOLD OUT)

Mark Moldre Gives Away New Track, “Fever Dreams I”

Central Coast singer-songwriter Mark Moldre has kept fans waiting for “what seems like the longest time,” for new music, but he’s keen to make amends with the release of new track “Fever Dreams I.”

“To make it up to you folks, I will be giving this brand new track away. Free. You can download “Fever Dreams I” free of charge for a very limited time at my Bandcamp page. Get in quick.”

It’s a killer number, bluesy and brooding with a dirty, swampy attitude I really dig. Jamie Hutchings (Bluebottle Kiss, Infinity Broke, The Tall Grass) produced the song before handing creative control over to his brother Scott Hutchings, who made the clip.

Mark assures us “Fever Dreams I” isn’t a single, but “more of an introduction. A taste of what’s to come.”

Image used with permission from Mark Moldre