Fields Enchants With “Neverland”

Dublin-born, Peth-based chanteuse Fields brings a fresh new flavour to Celtic sounds with her new single “Neverland.”

This is such an interesting track, with gentle stripped back moments giving way to the frenetic, fevered strums of an acoustic guitar. Fields’ enchanting voice anchors it all. It seems that voice can go anywhere, and no matter where it moves it’s just as beautiful and powerful.

Fresh from a European tour, Fields will play shows all over Western Australia over the new few months. Sit tight East Coast; Fields will play gigs in your part of the country next year.

22 September 2018 – Dunsborough Tavern, Dunsborough
10 October 2018 – Indi Bar, Scarborough (single launch)
11 October 2018 – Beaufort St. Songwriters Club, Mt Lawley
2 November 2018 – WAMFest, Belgian Beer Cafe, Perth
29 November 2018 – Folklore, Buffalo Club, Fremantle
13 December 2018 – Settlers Tavern, Margaret River
14 December 2018 – White Star, Albany
16 December 2018 – Taylor St Quarters, Esperance
20 January 2019 – Summer Series, Peel Estate Winery, Karnup
1-4 March 2019 – Nannup Festival, Nannup
23 March 2019 – Toodyay Music Festival, Toodyay

Image used with pemrmission from Firestarter Music

“On The Corner Where You Live” – The Paper Kites

The Paper Kites may be one of the most prolific acts in the country. Mere months after the release of On the Train Ride Home, the Melbourne band have dropped a brand new album, On the Corner Where You Live. The band explains this is a sort of companion piece, yet both albums are so different. The first was more delicate and laidback folk, while this collection of midtempo indie-pop gems has a real fire in its belly.

It’s a concept album of sorts, conceived as a series of vignettes telling the stories of people living in a New York City apartment that faced the band’s hotel.

“You could see all these windows lighting up and people getting home from their nights out,” recounted Paper Kites frontman Sam Bentley. “We just sat there and watched them. It was fascinating. It was living art.”

It’s easy to forget the concept though and imagine the band is sharing its own stories, because they’re delivered with such sincerity. But every now and then there’s a track like “Midtown Waitress,” with lyrics addressing such specific circumstances, that reminds you of this album’s inspiration.

On the Corner Where You Live’s opening instrumental’s jazzy saxophone and piano recall film noir, but that gives way to a more ‘80s retro feel with “Give Me Your Fire, Give Me Your Rain.” It’s one of the album’s strongest tracks, a powerful track, full of emotion and yearning. It’s a natural predecessor to the single “Deeper Burn,” a song which is similarly passionate and longing.

Christina Lacy takes lead vocals on “Mess We Made,” making me wonder why she hasn’t grabbed the microphone sooner. Perhaps it’s only fitting here though, where we’re meant to hear songs from different perspectives. What a beautiful voice she has, with such nuance to it. The poignant song takes the album to a different place, reminding us of the real struggles of relationships.

“Flashes” is perhaps the closest to a song that could have appeared on On the Train Ride Home. It’s subtle, with little more than an acoustic guitar keeping time and gentle vocals. Sitting almost in the middle of the album, it gives us a moment to catch our breath, the calm eye of an emotional storm.

The back-end of On The Corner Where You Live is a little more subdued than the front. Perhaps we’re winding down after a wild night in the Big Apple. The title track feels like a retro classic, with its reassuring, romantic lyrics and hooks. I can just imagine cranking this one up and hitting the highway. “When It Hurts You” is another stellar song, a dreamy exploration of empathy during the hard times that contrasts so beautifully with the simple, stripped-back piano musings of “Does It Every Cross Your Mind.”

While I’d slip On the Train Ride Home on as background music, On the Corner Where You Live has the sort of songs that have me singing along, tapping my feet, bobbing my head, really engaging. It’s full of hooks and lyrics that cut to the heart. Its tracks might tell stories of other people, but I found a real connection in them.

On the Corner Where You Live is out now.

Image used with permission from On the Map PR

Egoism Release Unapologetic New Single “Sorry”

Sydney duo Egoism are bringing an equal mix of sugar and spice into your Friday with their new single “Sorry.” It sounds like a light pop gem, but tap into those lyrics and you’ll hear a scathing critique.

“I wrote this song as a bit of a fuck you to the people who never say sorry for their own mistakes, but then always demand an apology, even if I’m the one who was hurt the most,” explained vocalist and guitarist Scout Eastment. “Easily the most empowering song we’ve ever written ha-ha. We were really going for a The Veronicas meets Slowdive kind of vibe, essentially blending the music of our childhood with the music of our teenage years.”

Egoism will celebrate the single’s release with shows along the East Coast with Sketch Jets and some other special guests.

29 September 2018 – Hamilton Station Hotel, Newcastle (with NTL Landmarks)
6 October 2018 – Waywards, Newtown (with Stream Lea)
11 October 2018 – Rad Bar, Wollongong (with Space Boys, Scab Baby)
12 October 2018 – Transit Bar, Canberra (with Elk Locker, Lost Coast, Hopeless Youth Group)
13 October 2018 – Yarra Hotel, Melbourne (with Endamame, The New Dregs)

Image used with permission from Jared King PR

Liam Gale & The Ponytails Break Out of the Box With “Mountain Man, Lake Lady”

Moody alt-country meets surf rock in Liam Gale & The Ponytails‘ genre-bending new single “Mountain Man, Lake Lady,” the second lifted from the Sydney band’s forthcoming album The Desire Lines.

I must admit, I had to listen to this song a couple of times to truly appreciate it. It’s so out of the box, I didn’t quite know how to process it. Yet, with every subsequent listen I appreciated it a little more. Those female harmonies supporting Liam Gale’s voice are sublime and the surf rock guitar chords so appealing. I also appreciate that it’s so unashamedly bold, refusing to fit inside any neat holes and instead standing proudly on its own.

“You know when you’re too young to know how to end a relationship? All the social anxiety you didn’t know you had; the sexual tension you didn’t understand; the perspectives you weren’t aware of – this song is about that,” Liam explained. “I think what I was communicating was this pressure to be with someone I didn’t necessarily want to be with, but felt that I should be.”
Bands that make music like “Mountain Man, Lake Lady” are notoriously unpredictable, but that just makes seeing them live more fun. You can catch Liam Gale & The Ponytails doing their thing at the following venues.

23 September 2018 – Sydney Fringe Festival, Red Rattler Theatre
26 September 2018 – Royal Exchange Salon Theatre, Newcastle (with Cookie Baker; Liam Gale solo)
3 October 2018 – Cafe Lounge, Surry Hills

Discover Where It All Began With Flow Commotion’s “Come Back Home”

Flow Commotion’s founding members Paddy Jenkins and Tim Russell penned their latest single “Come Back Home” while jamming in the summer of 2016/17, but it’s taken this long to hit your ears. Perhaps we just had to wait long enough for the lads to meet audio engineering student Jak Sherlock at the Australian Institute of Music Sydney. His mixing and mastering put the final polish on this acoustic guitar-driven earworm.

“We love ‘Come Back Home’ because it often reminds us of where we started and the journey it has been in getting to where we are today. We finished writing Come Back Home in Paddy’s living room almost 2 years ago and since then it has set the standard for the quality of music we want to write,” the band affirmed in a press statement. “The lyrics ring true to us as both artists and people and we hope they resonate with our listeners. We always get goose bumps listening to ‘Come Back Home’ because it makes us think of how far we have come – from two 20 year-olds jamming with a single acoustic guitar to the track you are listening to today.”

2018 has been a big year for Flow Commotion, who were the feature artist at RAW’s Envision showcase, an achievement which has come off the back of a steady schedule of innercity Sydney gigs. With quality songs like this in their back pocket, it’s only a matter of time before the rest of Australia pays attention.

Image used with permission from The A&R Department

Barry Bays Gives More That Sound Gardening Advice With “Water Your Plant”

Barry Bays is growing more than plants around his garden shed. The Victorian act has turned his humble shed into a makeshift studio, and what it’s producing is pretty sweet. The latest offering is the appropriately titled “Water Your Plant.”

This song might not grab you right away, but give it a little time until it kicks into the chorus. That’s where the song really blooms into a colourful slice of summer surf-pop.

“Water Your Plant” comes from Barry Bays’ new album with the fitting moniker, Sheds.

“Hold Yourself Down” – Dear Willow

Sunshine Coast artist Dear Willow creates music with a folky core and rock edge. In just four tracks, her EP Hold Yourself Down makes a big impression.

Her stunning lyrics are what made the biggest impression on me. They’re laced with emotion, confessional and clever. The songs feel a little like diary entries come to life. Opening track “Hold” is a show of strength, of gaining control of a relationship that’s veering off the rails. Current single “I Was Young” is a powerful rumination on personal growth and the power of coming into your own. “The City” is a delicate observation about the anonymity of urban life. “North of Winter” might be my favourite song on the album, a poetic reflection on a lost love.

As I listened to Dear Willow’s songs, I found myself thinking of singer-songwriters I loved growing up like Jann Arden and Lisa Loeb. Just like those women who captured my heart in those difficult teenage years, what Dear Willow does isn’t flashy or particularly complex. But there’s nothing wrong with music that’s straightforward in delivery when it moves your soul. Nothing wrong with it at all.

Hold Yourself Down is out now. Dear Willow will play a series of shows in her home state to support its release.

20 September 2018 – Tomcat, Brisbane
5 October 2018 – Solbar, Sunshine Coast
6 October 2018 – The Spring Soirée, Samford
19 October 2018 – Solbar, Sunshine Coast

Image used with permission from Firestarter Music

Bec Sandrige Releases Wild New Single, “Animal”

Bec Sandridge is giving me serious retro vibes in the best possible way with her new single “Animal.” The synth-drenched track has an edgy pop sensibility with stellar vocals that skirt dangerously close to the edge.

Bec describes the track as “the only true(ish) love song I’ve ever written.”

“Occasionally I resort to sort of weaponising my emotions which this song is probably a testament of. I felt out of control in love with an ex (now partner) and I needed to be okay with that and somewhat confess that in this song.”

Bec will play a bunch of shows over the next couple of months to celebrate the release of “Animal.” Catch her at the following gigs.

11 October 2018 – 107 Projects, Sydney
12 October 2018 – UC Refectory, Canberra
19 October 2018 – Schoolhouse Studios, Collingwood
24 November 2018 – Shakafest, Gold Coast

“Death & Taxes” – Gareth Leach

Gareth Leach hails from Echuca, but you wouldn’t know it listening to his new album Death & Taxes. His music feels like it comes from America’s Wild West. It’s country that veers to the left of centre, with a darkness that permeates every track.

The title track, “Death & Taxes,” sets the scene, with his lyrics about rubbing shoulders with the devil and spending time in a bottle. This is outlaw music, gritty, bluesy, deliciously rough and raw. The single “Turn Back Jimmy Creek” is a rollicking ode to the life of a travelling musician.

While the first two songs feel almost like Gareth is playing a role, “Better or Worse?” feels like it comes from a really personal place. Its emotional delivery leaves a big impression. It marks an emotional turning point for the album, with the following tracks like “Drink You Goodnight” and the unsettlingly nostalgic “Wayward Son” strip away the bravado. On the final track, “Raise Up Our Guns,” so much is stripped away that we’re left with just the bare bones, Gareth’s voice and an acoustic guitar. It’s simple but so effective. I enjoyed the album’s early tracks, but the back end is where stuff really gets interesting.

While Gareth’s voice and incredible songs are front and centre, I’d be remiss if I didn’t mention the extraordinary talents featured on this album. From the fantastic Gretta Ziller on backing vocals to Anthony McCormack on banjo and Shane Reilly on the pedal steel guitar, they help create the distinctive sound that sets this album apart.

At just eight tracks and a run-time of not even half an hour, my only complaint would be that Death & Taxes feels too short. But it’s a case of quality over quantity here folks. There’s something to be said for an artist that leaves you wanting more.

Death & Taxes is out now.

John Butler Trio Drops New Single Ahead of Album & Aussie Tour

With just a fortnight until their highly-anticipated new album Home hits stores and with an Aussie tour just announced, it’s the perfect time to introduce you to John Butler Trio’s latest single “Just Call.”

This is the kind of track that reminds you of everything you love about John Butler Trio. It’s super catchy, with its jangly guitar and simple melody, and it’s full of heart. You honestly don’t need any more than that.

“’Just Call’ is an earnest love song I’ve had for 13 years which I was finally able to finish in these sessions,” John explained. “This is the story of how I found my best friend and partner, out in a small town in the middle of nowhere, in a world of 7 billion people.”

John Butler Trio’s forthcoming Aussie tour is bound to be something special, with a host of talented musicians joining John and the lads for these gigs. Think Missy Higgins, Stella Donnelly, The Teskey Brothers, Dan Sultan, The Waifs, and more. Line-ups will vary throughout the tour, just to keep crowds on their toes.

Tickets for the Coming Home Australian Tour shows go on sale at noon on Friday, September 21. Home hits stores on September 28.

25 January 2019 – Wignalls Winery, Albany (with Missy Higgins and Carla Geneve)
27 January 2019 Leeuwin Estate, Margaret River (with Missy Higgins and Carla Geneve)
1 February 2019 – Kings Park and Botanic Garden, Perth (with Stella Donnelly)
7 February 2019 – Sidney Myer Music Bowl, Melbourne (with Missy Higgins and Stella Donnelly)
9 February 2019 – A Day on the Green @ All Saints Estate, Rutherglen (with Missy Higgins, Stella Donnelly, and Dan Sultan)
10 February 2019 – Stage 88, Canberra (with Missy Higgins, Stella Donnelly, and The Waifs)
14 February 2019 – Sydney Opera House Forecourt, Sydney
16 February 2019 – A Day on the Green @ Bimbadgen, Hunter Valley (with Missy Higgins, Stella Donnelly, and Dan Sultan)
17 February 2019 – Park Beach Reserve, Coffs Harbour (with Missy Higgins, Stella Donnelly, and The Teskey Brothers)
20 February 2019 – Moncrieff Theatre, Bundaberg (with Stella Donnelly)
21 February 2019 – The Great Western, Rockhampton (with Stella Donnelly)
22 February 2019 – The Riverstage Brisbane (Guests TBA)
23 February 2019 – Tolosa Park, Hobart (with Missy Higgins, Stella Donnelly, and Baker Boy)

Image used with permission from Roundhouse Entertainment