Leila Soars With “Butterfly”

After a draining day dealing with social media hackers, I turned to my inbox in the hopes of finding a little musical solace. I discovered exactly what I was looking for with “Butterfly,” the beautiful new single from Ngambri/Canberra artist Leila.

The press release describes Leila as a country-pop act, but I’m also hearing some soul influences in this beauty. Her unique voice sits beautifully amongst the piano melody and lush string section.

Leila has supported some of Australia’s best acts including Ella Hooper and The Eurogliders, but she’s ready to become the headliner. Catch her at the following shows supporting the release of “Butterfly.”

6 November 2025 – Society City, Woolyungah/Wollongong
21 November 2025 – The Polo, Ngambri/Canberra
28 November 2025 – Wesley Anne, Naarm/Melbourne

Image used with permission from Evergreen Artists

Prepare to Get Hooked on Reckless Coast’s “Addictions”

After wowing me with their debut EP Naked & Famous last year, Meeanjin/Brisbane trio Reckless Coast are back with the killer new single “Addictions.” They’re making the sort of straight-up rock music we don’t hear enough of these days. There’s no bullshit. The vocals from Jaeden Ogston soar and the band is tight without being buttoned-up.

“Addictions” explores the psychological toll of romantic dependency from the perspective of a protagonist feeling jaded by mislead relationships. Jaeden explained “Some people can’t stand the thought of being alone, rushing from one relationship to the next without healing or self reflection, which fuels an almost self fulfilling prophecy. I wrote ‘Addictions’ after a three year relationship ended, and I caught myself looking for something new at a time when I wasn’t emotionally ready.”

Reckless Coast have a couple of local gigs to close out the year. Catch them at the following venues:

7 November 2025 – Blute’s Bar, Meeanjin/Fortitude Valley (supporting VERUM)
4 December 2025 – The Brightside, Meeanjin/Fortitude Valley (supporting Dellacoma)

Image used with permission from Reckless Coast

Ruby Gilbert Drops Dramatic New Noir Country Single, “Goddamn Fool”

I had to check the date before posting about “Goddamn Fool,” the latest single by Ruby Gilbert. It sounds like it could score a classic Sergio Leone spaghetti western, but I assure you it’s a fresh 2025 release.

When asked about “Goddamn Fool,” Ruby explained “It’s about karmic justice; being outplayed, knowing you had it coming, and accepting the fall without asking for forgiveness or redemption.”

I just love how this one sounds. You’ve got country staples like the banjo and acoustic guitar, but also a Mariachi-style brass section in the mix. It’s so lush and layered, with Ruby’s unique voice the cherry on top. If you like your country music dark, feast your ears on “Goddamn Fool.”

Photo credit: Will Johnstone

Stella Dunai Makes Stunning Debut With “Can’t Sleep”

The last few days have been pretty rough, so I’ve been all about music to soothe my mood. I’ve got my latest serotonin hit from “Can’t Sleep,” the debut single from Stella Dunai. While this is Stella’s first solo single, you might know her as part of Naarm/Melbourne R&B collective Empress. This song’s a lot folkier with dreamy vocals that will get right under your skin.

Stella wrote “Can’t Sleep” while battling insomnia as she travelled through Italy. It’s a little ironic that it sounds like a beautiful lullaby, but I’m digging it.

“I was in the mid-summer heat in Florence with an old wonky nylon string guitar I bought for €20 in France and carried with me on trains and buses,” Stella recalled. “I went on to work at a vineyard in the Dolomites and the owner insisted I play a song for her. So the first people to hear ‘Can’t Sleep’ were Anna, the vineyard owner, and her two Italian friends who spoke very little English – under the stars up on a vineyard in the mountains.”

With her debut EP Nothing to Be Scared Of slated for a November release, we’ll hear a lot more from Stella soon.

Photo credit: Bridgette Winten

“The Significance of Time” – Tanya Ransom

From the moment I heard Tanya Ransom’s vocals open her new album The Significance of Time, I knew I was in good hands. This is her third full-length studio album and one that’s likely to fly under the radar. You won’t find it on the major streaming services, and its songs are unlikely to gain airplay on mainstream radio. But it’s so good that it’s worth the investment.

It seems fitting that Tanya has kept The Significance of Time away from the streaming services, because listening to it feels like a throwback. I was never tempted to skip or shuffle tracks, preferring instead to hear them in the order Tanya intended. I’ve heard this album countless times over the last week, with the sort of focus I used to feel when I’d purchase music as a teenager. There was no streaming then, so I’d listen to one album on repeat until I could afford the next. There’s no heavy-handed production either, just good songs presented without bells or whistles. I was reminded of classic acts like Fleetwood Mac and Tom Petty as I listened. Tanya has a similar lack of pretence, a way of making music that seems so organic and honest.

Every song on The Significance of Time is a standout. Tanya has refined her signature sound, a blend of folk, alt-country, and Americana that serves as the perfect vehicle for her stellar songwriting. “Winter Song,” “Traffic Lights,” and the fitting closer, “The Light at the End” hit me hard, but ask me for my favourites next week and I may have different answers. It’s that kind of album.

The Significance of Time is available via Tanya’s Bandcamp page as a digital download, CD, or vinyl. She’s currently on tour to support its release. Catch her at one of the following venues around the country.

23 October 2025 – Wesley Anne, Wurunjeri-willam/Northcote (with Adele Oliver and Misty Harlowe)
24 October 2025 – Shedshaker Brewing, Djandak/Castlemaine (FREE- with Adele Oliver)
31 October 2025 – Hybrid Warehouse, Walyalup/Fremantle (Trio show with Adele Oliver)
7-9 November 2025 – Blues At Bridgetown, Geegelup/Bridgetown
29 November 2025 – Good Day Sunshine Festival @ Gloucester Park, Wooditjup/Margaret River
5 December 2025 – Denmark Arts House, Kwoorabup/Denmark (with Tracey Barnett)
6 December 2025 – Wilson Brewing Co, Kinjarling/Albany (FREE – with Tracey Barnett)

Images used with permission from Tanya Ransom Music

“Paper Cuts” – Lyn Bowtell

If the buzz surrounding the Australian premiere of The Golden Bachelor has taught it’s anything, it’s that Aussies want to hear from people who’ve lived a life. The Taylor Swifts and Sabrina Carpenters of the world might dominate the charts, but there’s perhaps a more important place for releases from seasoned talents like Lyn Bowtell. At almost 50, Lyn is sharing some of her most personal stories with the release of Paper Cuts.

The album’s name is so telling. Some say paper cuts are the worst kind. They sting while the rest of the world barely notices. But they heal, and you keep moving forward. In that spirit, Paper Cuts explores themes of pain and resilience.

Lyn eases us into the gritty stuff with the fun single “Cold Shiver” and uplifting blues number “I’m Here.” But by the time her Bella sisters Kate Ballyntyne and Karen O’Shea join her for “I Don’t Want to Stay,” she starts peeling back the layers. Lyn wraps some of the hardest-hitting words in upbeat music. The ukulele in “Small” feels playful, but its lyrics exploring insecurities are so vulnerable and relatable. “Scene of the Crime” has a cool country-rock feel, but it tells a powerful personal story drawn from Lyn’s own experiences of domestic violence, coercive control, and alcoholism. Paper Cuts also has some beautiful quiet moments, including the piano ballad “Ordinary” and the uplifting acoustic “Ride.”

There seems to be so much of Lyn in this album that it’s interesting that the final track, “Paper Cut,” is the only one with a solo songwriting credit. However, when talking about “Scene of the Crime” she explained that the song was too raw and personal to finish alone. I imagine many of the tracks had a similar songwriting journey. Lyn’s collaborators have helped her create an album which shares so much wisdom and makes a profound emotional impact.

Paper Cuts is out now. Lyn is currently on tour to support its release. See her anywhere you can.

24 October 2025 – Mantra Studio Kitchen & Bar, Wurundjeri Country/Yarraville
25 October 2025 – Noojee Hotel, Wurundjeri Country/Noojee
26 October 2025 – The Shed Theatre @ The Pig & Whistle, Bunurong Country/Main Ridge
31 October 2025 – West Side, Bogambilor/Horsham
1 November 2025 – Trinity Sessions, Tarntanya/Clarence Park
2 November 2025 – Walloway Farm, Narungga and Nukunu Country/Walloway
7 November 2025 – Avalon, Kedumba/Katoomba (with Luke O’Shea)
9 November 2025 – The Oaks Hotel, Wodi Wodi Country/Albion Park (with Luke O’Shea)
21 November 2025 – Dayz on the Sand @ Great Keppel Island Hideaway, Woppa/The Keppels
23 November 2025 – Country Music Cruise to NZ, departs Eora/Sydney
22 January 2026 – Tamworth Town Hall, Calala/Tamworth
14 February 2026 – Canberra Irish Club, Ngunnawal Country/Weston
15 February 2026 – Camden Hotel, Benkennie/Camden (with Luke O’Shea)
19 February 2026 – Oodies, Gubbi Gubbi Country/Bundaberg (with Luke O’Shea)
20 February 2026 – Oodies, Gubbi Gubbi Country/Bundaberg (with Luke O’Shea)
21 February 2026 – Maleny RSL, Gubbi Gubbi Country/Maleny (with Luke O’Shea)
22 February 2026 – Cabarlah Hall, Giabal Country/Toowoomba (with Luke O’Shea)
27 February 2026 – Tamworth Services Club, Calala/Tamworth (with Luke O’Shea)
28 February 2026 – Qirkz in the Hunter, Wonnarua Country/Abermain

Images used with permission from Bec Gracie Publicity

Clay Brown Rocks Out With “No Place”

Boorloo/Perth-based singer-songwriter Clay Brown builds on his sound with the release of his second single fronting Clay Brown & The Trouble Round Town, “No Place.” It’s much grittier than their laidback debut “All My Friends (Atrophy),” but if you enjoyed that song I don’t think they’ll lose you with this evolution. As with the first single, Clay Brown hooked me with his superb songwriting, which this time explore grief and the way it can paralyse you.

“I wrote this song when I was going through a difficult time after losing someone very important in my life, and at the same time trying to start a new situationship with someone, but I was finding I just didn’t have myself all together yet for it mentally,” frontman Clay explained.

Can we also take a moment to appreciate Clay’s vocals? When so many artists attempt to disguise their Aussie accent, Clay’s is proudly on show. I also love the way he effortlessly moves from the conversational-style verses to high notes in the chorus.

Clay has been a key part of the Boorloo/Perth music industry for the last decade, playing with diverse acts like shoegaze outfit The Limbs, grunge band Filth Wizard, jazz fusion group King Proteus, and heavy stoner rockers MAGE. But his work fronting Clay Brown & The Trouble Round Town is a little more personal. In 2023, Clay’s mother was diagnosed with cancer. He began writing poetry, then lyrics to process his emotions through her illness and death. This difficult period became the catalyst for his first solo songs, which he plays as an acoustic artist and with Clay Brown & The Trouble Round Town.

Clay has recently returned from London, where he played a string of shows and recorded some music at Soho Sound Studios. Hopefully that means there are many more new tunes on the way. Until then, crank up “No Place.”

Photo credit: Dan Mac Photography

Anna Dine Makes Her Mark With Debut Single, “kind 2 me”

Eora/Sydney-based indie-pop chanteuse Anna Dine shows she’s a real creative force with the release of her dreamy debut single “kind 2 me.” Unlike so many acts in the pop scene, Anna’s taken ownership of her art by writing and producing this song herself.

Anna took out the prestigious Sonora Song Competition in January with this track. That victory helped her record and release it for your listening pleasure.

“‘kind 2 me’ is a song that punches you in the gut,” Anna said. “It’s a song for anyone who has been deprived of the bare minimum, invalidated, and ruthlessly gaslit. The track combines lyrical drama with lush synth production to illuminate the powerlessness of being enmeshed in a relationship with someone who won’t treat you with basic dignity.”

Anna will celebrate the release of “kind 2 me” with a launch show at the Sneaky Possum in Warrane/Chippendale on October 25. She’ll also support Martha Chess Phelps at Moshpit on November 1 before co-headlining a regional tour with Cate Guirguis later this year.

Image used with permission from Anna Dine

Ella & Sienna Impress With “Taxi”

Sibling duo Ella & Sienna take their sound to the next level on their latest pop single, “Taxi.” The song showcases the harmonies that encouraged Rita Ora to turn her chair on season 11 of The Voice Australia, along with some incredibly sophisticated songwriting. It’s super catchy, as all good pop songs should be, but it’s also got real heart.

“Our newest single ‘Taxi’ is a dynamic coming-of-age track about the pains of growing apart from who you used to be and learning to let go,” the sisters explained. “’Taxi’ is a breakup anthem that encapsulates feelings of love, heartbreak, self-worth, and acceptance of moving into a new phase of life.”

“Taxi” is the latest addition to my Spotify playlist, Sounds of Oz Loves Pop. If you do too, make sure you give it a follow!

Image used with permission from Ella & Sienna

Fanny Lumsden Celebrates Career With Retrospective Single “Look At Me Now”

Fanny Lumsden has already had an impressive career that’s taken her from a wool farm in Dhalymbang/Tallimba in central New South Wales all the way to the Glastonbury stage, but she’s not done yet. She reflects on her journey to this point with her fabulous new single “Look At Me Now,” which she recorded while touring Europe.

“This is a love letter to my younger self. The amount of ‘nos’ I experienced in this industry is wild and every single one I am grateful for because they made me the person and artist I am today. Not the wins but all the losses, the struggles and the hard moments,” she said. “I think it’s also a reminder that ‘success’ can be an illusion and really you can find success in every step along the way. It’s a cliche but I’m feeling reflective and grateful that I can still be driving the van, self-managed, doing my own make up in the rear-view mirror and yet doing the biggest shows of my career all at the same time.”

“I wanted this song to feel real and hopeful and authentic to my live band who do all the miles with me and load the van and see the lows as well as the highs. Recording it was a crazy process of fitting in recording sessions whilst on the road. So, we are very grateful to Matt Fell for wielding his magic and helping us make it happen.”

Fanny recently wrapped up an Aussie tour with Paul Kelly, but she’s not one to sit idle for too long. She’ll support Rob Thomas in November and play the country music festival in Calala/Tamworth before headlining a string of shows next February. Here are all the dates you need Fanny fans!

3 November 2025 – Enmore Theatre, Bulanaming/Newtown (SOLD OUT – supporting Rob Thomas)
4 November 2025 – Enmore Theatre, Bulanaming/Newtown (supporting Rob Thomas)
5 November 2025 – Enmore Theatre, Bulanaming/Newtown (supporting Rob Thomas)
24 January 2026 – Tamworth Country Music Festival @ Tamworth Town Hall, Calala/Tamworth
6 February 2026 – Rosemount Hotel, Boorloo/Perth
7 February 2026 – Lion Arts Factory, Tarntanya/Adelaide
13 February 2026 – Thornbury Theatre, Naarm/Melbourne
14 February 2026 – The Triffid, Meeanjin/Brisbane
20 February 2026 – Factory Theatre, Eora/Sydney
21 February 2026 – UC Hub, Ngambri/Canberra

Photo credit: Dara Munnis