Neighbour Announces House Show for “Confidence” Release

Tomorrow Brisbane singer-songwriter Neighbour officially unveils his first single of the year, the dreamy “Confidence.” It’s a gorgeous folky track that starts small but builds to a powerful, drum-driven crescendo. The lyrics insightfully explore relationships and the way they impact our sense of self.

Neighbour will celebrate the release of “Confidence” with a house show at 28 Westbourne Street, Highgate Hill. It’s sure to be an amazing night, with Asha Jefferies and Hazlett also playing some tunes. Visit the Facebook event page to learn more!

Ocean Alley Drops Sexy New Single Ahead of New Album Release

I’ve been impressed with Sydney’s Ocean Alley since the release of their sophomore EP In Purple way back in 2015. But the strength of their new single “Confidence” makes me wonder whether their new album Chiaroscuro may be their most accomplished to date.

There’s a, dare I say it, confidence in this track. The groove is laidback but the band so tight. The song’s lyrics won’t change the world, but the vocals are utterly sexy. I’m also a sucker for any clip that involves roller skating.

Chiaroscuro drops on March 9. Ocean Alley will tour the album around the country with appearances at Groovin the Moo and some headlining dates.

14 April 2018 – The Tivoli, Brisbane
21 April 2018 – The Enmore, Sydney
27 April 2018 – Groovin The Moo, Wayville
28 April 2018 – Groovin The Moo, Maitland
29 April 2018 – Groovin The Moo, Canberra
5 May 2018 – Groovin The Moo, Bendigo
6 May 2018 – Groovin The Moo, Townsville
11 May 2018 – Metropolis, Fremantle
12 May 2018 – Groovin The Moo, Bunbury
19 May 2018 – The Forum, Melbourne

Image used with permission from Bianca Blancato

Get Ready to Fall For “Love” by The Avenue

The Avenue have me punching my fist in the air with the release of their awesome new synth-rock anthem “Love.”

This song is seriously catchy, with killer vocals from Sam Thomas and lyrics about desire that are so relatable.

“’Love’ is by far our heaviest and most punk/grunge song,” Sam explained. “It’s about the feeling of your body screaming out for a person but your mind detesting the thought of them.”

“Love” is the first track lifted from The Avenue’s sophomore EP, Names. They’re currently on the road celebrating its release. You can catch The Avenue at Ric’s Bar in Brisbane on March 3 before the big EP launch at the Evelyn Hotel in Melbourne on March 10.

Image used with permission from Beehive PR

Reichelt Releases “Seduced By the Light Side”

Monday might have kicked my arse, but Tuesday has me feeling back in my groove. While it can’t be held entirely responsible, I do think discovering “Seduced by the Light Side,” the title track from Queensland multi-instrumentalist Reichelt’s new album has something to do with the spring in my step.

This is such a joyful retro track guaranteed to put a smile on your dial. It explores themes of reluctantly doing what’s right with its mellow verses and epic singalong chorus. The scenery in the video is also stunning. What do you think of it?

Image used with permission from the A&R Department

Red Hot Summer @ Mt Penang Parklands (Central Coast) & Cockatoo Island (Sydney) – 24 & 25 February 2018

In my teenage years, it wasn’t unusual for me to see several shows back-to-back. Now in my late 30s, after two days at the Red Hot Summer shows, I’m feeling every one of my years. I’m tired. My feet hurt. My lower back is achy. I’m thankful that I gave myself a little time to recover before going back to work, because I need it. Was it all worth it though? Absolutely!

I decided to write a combined review of both shows because while the weather varied, this was essentially the same concert. It makes sense really, with each act crafting a set full of the right songs to delight the fans.

But as I mentioned, the weather. It really went from one extreme to the other, and neither was ideal. This is the risk with staging an outdoor concert. The gods might smile down and gift you the perfect sunny day, not too hot or too cold. Or you might get the sort of heatwave conditions I experienced at Mt Penang Parklands on the Central Coast. The kind that make you feel so lightheaded you wonder whether you’ll make it to the first band. Or you might get the kind of gloomy cold day with torrential rain that soaked us to the skin at Cockatoo Island in Sydney. Neither is ideal for a live show, but if you get right the things you can control, the crowds won’t mind too much.

The organisers of Red Hot Summer must be commended for that. The line-up was exceptional, perhaps even better than the one I saw in 2017. There was a diverse array of food vendors serving quality eats fast. There were plenty of toilets. We weren’t left waiting too long between acts; the MC’s giveaways helped keep us all interested until we were ready to rock again.


I also appreciate that Red Hot Summer is more than a nostalgia fest. Every year I look forward to discovering new talent. In 2018, Red Hot Summer delivered with Taylor Sheridan, an up-and-coming singer-songwriter from country Victoria. It’s always easy for an entertainer with pop-rock leanings playing an acoustic guitar to pique my interest. But to hold it takes something special. While his cover of “Billie Jean” was inspired, I was impressed with his excellent originals which rewarded anyone willing to listen to the lyrics. “Beauty of the Plan” and new single “Friends Like Me” were standouts. Finishing with a cover of “April Sun in Cuba” was the perfect way to win over anyone who wasn’t already on his side.


1927 are one of my favourite childhood bands, and as I discovered last year they’ve lost nothing. The band are tight and Eric Weideman’s voice is still so powerful. I wish I was feeling better for the Mt Penang show, as I felt I didn’t get to enjoy their set quite as much as I should have. I made up for lost time in Sydney though, jumping around and pumping my fists in the air during “You’ll Never Know.” “Compulsory Hero” gave me chills both shows. And those massive singles, “That’s When I Think Of You” and “If I Could,” has us all singing along.


The Black Sorrows were one of the standouts of last year’s Good Times tour, and they stamped their authority on the Red Hot Summer stages too. Joe Camilleri might be one of Australia’s most charming front men. I could watch him sing, wail on his saxophone, and dance around with wild abandon all day. Add in the divine voices of Vika and Linda Bull and you’re always going to have a good time. It was another superb set, with hit singles and some lesser known cuts represented. I loved watching the chemistry between Linda and Joe during “Baby It’s a Crime” and seeing Vika totally owning “Never Let Me Go.”


The Baby Animals were the only one of the big acts I’d never seen live before. Now that I have, I wonder why I left things so long. Suze DeMarchi oozes cool, even if she’s battling the heatstroke that plagued so many of us at Mt Penang. She’s definitely one of the most charismatic people I’ve ever seen performing. The way she moves, her commanding voice, her look, it’s all so impressive. The big hits like “Early Warning” and “Painless” sounded every bit as good as they did on the records, but had that extra special something that can only come from a live show. New single “Tonight” proved this is a band still in its prime, not one that needs to simply trade on nostalgia.


Daryl Braithwaite is such hot property right now. I’m not quite sure when it happened, but somewhere along the way he became really cool again. Millennials fell in love with “The Horses,” and there were plenty of them at the show, waving inflatable hobby horses and wearing rubber horse heads as they clapped along. But Daryl is much more than “The Horses.” While that song was the natural closer, it came after Dazza reminded us of his stellar career with Sherbet and solo smashes. Songs like “Summer Love” and “One Summer” are made for festivals like this.


The roar that came from the crowd suggested it wasn’t just the women with custom-made John Farnham shirts hanging out for Farnsy. There’s a certain air of excitement when he takes the stage, an indescribable feeling that magic will happen. Ably supported by his band of recognisable faces, musicians and vocalists who have been with him for decades, John belted out hit after hit. His was the sort of set you can sing along to, no matter whether you’ve ever bought a Farnsy album. These songs are in our DNA, from tender ballads like “Burn For You” to the show stoppers like “The Voice.” In between John chatted happily to the crowd, cracking jokes easily, then speaking with sincerity of the gratitude he has for those of us who stood in the heat or rain to hear his music. When the sets of most artists didn’t change, John made each show unique for his fans. The Central Coast was treated to “Don’t You Know It’s Magic” and the much maligned “Sadie the Cleaning Lady.” For Sydney it could be nothing other than “Raindrops Keep Falling on My Head.” They did, but with John to keep us company it was easier to grin and bear it.

The two Red Hot Summer shows in New South Wales didn’t happen under ideal circumstances, but by getting the essentials right the organisers ensured the crowds had the best time they could have hoped for. Bring on 2019, hopefully with better weather than this year brought!

Image source: Stephen Katulka

Hellions Back With New Single “X (Mwah)”

Hellions haven’t released any new music since 2016’s ARIA-nominated Opera Oblivia, but the Sydney hard-core punk act is back with a bang. New single “X (Mwah)” is just what the doctor ordered.

“X (Mwah)” is a defeatist ode to recklessness which premiered to rapturous applause at UNIFY 18. Fans in the band’s hometown have a chance to see Hellions do it live again when they official launch the single at the Lansdowne Hotel on March 9. Apparently a few surprises are in store, including some appearances by special guests, so you probably don’t want to miss this one!

Image used with permission from We Are Unified

Iluka Releases New Video and Announces Tour

I adored Iluka’s single “Sympathy” when I first heard it in December, but I’ve fallen in love with it all over again with the release of the music video.

It’s the perfect foil for her girl power anthem, with a 1960s housewife abandoning domestic drudgery upon seeing Iluka.

“The whole premise of the song is about radical self expression in an all too often repressive society. The video serves as an expressive response, through art, through colour, through movement, and through community. My vision was to bring together a bunch of beautiful, creative people – dancers, painters, sculptors, circus performers, photographers, musicians – in a wild, dreamlike world and simply give them the freedom to be themselves,” Iluka explained. Joining forces with award winning writer and director Kate Haplin, the video seeks to inspire. Their period piece reminding viewers things weren’t so different 50 years ago and Iluka is leading the charge to fight the good fight.

“Sympathy” comes from Iluka’s forthcoming EP Ritual, which drops on April 6. Wasting no time, Iluka will start her EP tour the same day. Tickets are on sale now.

6 April 2018 – Mo’s Clubhouse, Gold Coast
7 April 2018 – Bloodhound Bar, Brisbane
12 April 2018 – Transit Bar, Canberra (FREE)
14 April 2018 – Grace Darling, Melbourne
20 April 2018 – Rad Bar, Wollongong
21 April 2018 – Waywards, Sydney

Hazlett Wows Me With “First World Problems”

Brisbane talent Hazlett recently made a pilgrimage to Sweden. He locked himself in a Stockholm studio where he poured his heart out for three months. “First World Problems” is one of the products of that intense recording session.

Once a touring musician and ghostwriter for hire, “First World Problems” makes the sort of strong musical statement that should see Hazlett stepping into the spotlight. I love everything about this powerful indie folk track.

Hazlett says “First World Problems” is about disconnection, tolerance and human behaviour.

“I was on the train and realised everyone just sits there, looks at their phone and doesn’t communicate. They get nervous around or put off by other people. We get scared of what we don’t understand, and it wouldn’t happen if we talked to each other more,” he explained. “It was a very small snapshot of a bigger problem.”

This track sets the bar so high. I can’t wait to hear what Hazlett releases next.

Tom Lee-Richards Charms Me With Amazing New Single “Out of the Oddness”

Aussies have a habit of claiming any talented Kiwi as our own. And when they base themselves here and they’re as amazing as Tom Lee-Richards, I think it’s totally justified. I’ve raved about his previous releases “Madness” and “What Could Otherwise,” and I’m every bit as enamoured with his latest effort, “Out of the Oddness.”

I love Tom’s uniqueness. He has such an original, haunting sound. “Out of the Oddness” is a mesmerising song. I’m well and truly under its spell.

This is the title track from Tom’s first mini LP, which drops on February 23. He’ll kick off an Australian tour on the same day before heading to New Zealand and Europe.

23 February 2018 – Flow Bar, Old Bar
1 March 2018 – Sol Bar, Sunshine Coast
3 March 2018 – Sheoak Shack, Fingal Head
4 March 2018 – Milk Factory, Brisbane
10 March 2018 – Smiths alt, Canberra
11 March 2018 – Birdhouse, Wagga Wagga
16 March 2018 – The Exeter, Adelaide
21 March 2018 – The Gasometer, Melbourne

Busby Marou Inspires Island Envy With “Got Your Back” Clip

After being back on dry land for more than a month now, I’m already itching to go on my next holiday. Watching the beautiful new video for Busby Marou’s single “Got Your Back,” I think Great Keppel Island would be the ideal destination. Knowing this talented twosome live in this island paradise has got me jealous!

Busby Marou will leave behind their island home next month to tour the wineries with James Blunt and Pete Murray. What a hard life they lead! Catch their A Day on the Green show at the following vineyards.

10 March – Bimbagden Estate, Pokolbin
11 March – Sirromet Wines, Mount Cotton
17 March – All Saints Estate, Wahgunyah
20 March – Kings Park, Perth