’80s Mania @ Enmore Theatre, Sydney – 11 November 2017

I’ve been meaning to write this review all week but time seemed to slip away from me. Now with another concert looming, I figured it was time I carved out a moment to get my thoughts down because free time just wasn’t going to present itself. I consider myself a bit of an ‘80s pop tragic. It was the music of my youth, the songs I’d hear on early morning clip shows or the radio, at least until Dad came along and changed the channel. So even though I’d seen many of the acts before, I couldn’t resist a trip to Sydney for 80s Mania.

Cutting Crew kicked off proceedings with a tight set of pop-rock favourites. Lead singer Nick van Eade was on guitar this time, unlike last tour, and I think it restricted his performance a little. Last time I remember him falling to his knees overcome with emotion, as over-the-top as it was entertaining. I couldn’t fault the set, but it didn’t have that extra something. Although of course, “(I Just) Died in Your Arms Tonight” got a massive reaction.

Paul Young was trotted out next. Honestly, I’m not sure why he continues to earn a place at these kinds of events. While he’s written some of the best songs of the decade, they can’t make up for his vocal failings. Neither can his charisma, although he’s got that in spades too. We’re used to hearing these songs with such a pure voice and incredible vocal range, but he just doesn’t cut it. Thankfully his set was mercifully short. However, that did make his second song choice curious. I don’t claim to be his biggest fan, but I didn’t know it. Much bigger hits like “Love of the Common People” and “Senza Una Donna” were cut to make way for it. Why?

Wang Chung was the first act I hadn’t seen before, and the first time I felt like I hadn’t seen it all before. Strengthened by Cutting Crew’s Gareth Moulton, Nick Feldman took us through the band’s monster hits, “Let’s Go,” “Dance Hall Days,” “Everybody Have Fun Tonight.” As a Breakfast Club fan, I was a little disappointed “Fire in the Twilight” didn’t get a run, but I couldn’t be too critical. The set was one of the most fun of the night.

After a short intermission we were back with the always outstanding Go West. I still can’t understand why they insist on playing “Black and Gold” and “Sex on Fire,” but when delivering their original material there’s nothing to fault. The sound, the energy, the charm, and of course those songs. If you don’t get excited seeing these guys play “King of Wishful Thinking,” something is wrong.

I couldn’t help but be wowed by Taylor Dayne as she burst onto the stage, the final act on our nostalgic evening. At 55, she’s got the energy and body of a woman less than half her age. She didn’t seem to break sweat dancing around to her iconic cover of Barry White’s “Can’t Get Enough Of Your Love.” And that voice was still as powerful as either. This lady can belt along with the best of them. High-energy hit after high-energy hit came and I lapped it all up. I found myself getting a little teary when she slowed things down for a cover of “Nothing Compares 2 U,” a dedication to Prince and the other musicians we’ve lost before their time. It was a beautiful sentiment, but I found myself wishing Taylor showed a little more restraint and control. The same sadly went for “Love Will Lead You Back,” one of my favorite songs of the era. Taylor has an incredibly strong voice, but I found myself wishing for more tenderness. I’m not sure whether she doesn’t have the control any more or whether she’s just trying to keep up with the divas of the modern world.

It’s impossible to have a bad time at one of these shows. They’re a carefully curated slice of music nostalgia, with musicians we remember fondly delivering their biggest hits and a few surprises. However, I couldn’t help feeling like I’d seen it all before. With the exception of Wang Chung and Taylor Dayne, all the other acts were on last year’s ‘80s Mania bill. I couldn’t help comparing it to I Love the ‘90s, who put on such a fun night earlier this year and will return in 2018 with a totally different lineup that promises to be every bit as fun. The ‘80s were so rich in musical talent and so many of the acts are still playing shows today across the world. Tiffany, Debbie Gibson, The Time, Billy Ocean, Belinda Carlisle, and Roland Gift all immediately spring to mind. Don’t tell me some of them wouldn’t jump at the chance to visit Australia for the next ‘80s Mania. I can only hope organisers realise that while we love nostalgia, we get a bit bored of the same old thing.

Image source: Stephen Katulka

Press Club Releases Killer New Single “My Body’s Changing”

Strap yourself in for “My Body’s Changing,” the energetic new single from Melbourne’s indie darlings Press Club.

This track packs such a punch, with its frenetic sound and emotional, raw vocals. You’ve got no choice but to just hang on and enjoy the ride.

Press Club’s latest single release caps off a bumper 2017 for the band, who has racked up more than 40 shows since playing their first only in February. They included support slots for the likes of WAAX, Slowly Slowly, Tired Lion, and Japandroids as well as slots at Bigsound and Kings St Crawl festivals. You can catch Press Club at a slew of upcoming events including Fairgrounds, Festival of the Sun, Falls at Marion Bay, and NYE on the Hill.

Image used with permission from Little Giant

German Twins Amistat Making Beautiful Music in Australia

Something so special happens when talented siblings make music together. They seem to understand one another, coming together with rich musicality and on point harmonies. That synchronicity can only be amped up when we’re talking about twins. So I’m thrilled German twin brothers Jan and Josef Prasil, known as Amistat, decided to leave their homeland and settle in Australia.

The pair were born and raised in Germany, but decided to leave the country for Australia, the land of their father’s birth, in 2012 after hearing so many stories about the place.

“When we arrived we were struggling to find work so we picked up some musical instruments and started busking to survive!” Josef said. “Jan really took to the guitar while I sung along. We realised pretty quickly that we had a unique sound and people wanted to listen to us back home and that is how Amistat was formed.”

Amistat’s new single “The Coward” is one of the best folk tracks I’ve heard in some time, an understated yet powerful song about living your most authentic life.
“The Coward is about knowing who you are deep inside but not being able to let it out,” Josef explained. “People are very fast with making assumptions and judging you based on what you look like but little do they know about what’s inside of the person.”

Amistat have just sold out a string of shows in Europe and they’re ready to impress music fans here along the East Coast. See them before they get massive at the following shows.

2 December 2017 – Chapel off Chapel, Melbourne
6 December 2017 – Lass O’Gowrie, Newcastle
7 December 2017 – Front Gallery, Canberra
9 December 2017 – Record Crate, Sydney
14 December 2017 – Beach Hotel, Byron Bay
15 December 2017 – Milk Factory, Brisbane
27 December 2017 – 1 January 2018 – Woodford Folk Festival, Woodford

Image used with permission from On the Map PR

Shelley Segal Releases Moving New Single “Somebody Like You”

I associate Shelley Segal with quirky, upbeat folky ditties. But she’s showcasing a much darker, more layered sound on her latest single “Somebody Like You.” It’s a real departure for this Melbourne songstress, but I like it!

“Somebody Like You” charts Shelley’s struggles as an 18-year-old forming a relationship with a man outside her Jewish faith. Shelley fought for the relationship and ultimately moved out of home after the tension with her family got so great. While she’s not religious now, she says “I know that many people still experience this tension between their families, traditions and the person they love for various reasons, religion, race, gender, orientation. The truth is, you cannot help or control who you love.”

Shelley is currently based in Los Angeles, but she’ll be back on home soil to play some single launch shows in her home state over the summer.

29 December 2017 – Yard Bird, Bendigo (FREE)
4 January 2018 – Cally Hotel, Warrnambool (FREE)
12 January 2018 – Paynesville Wine Bar, Paynesville

Image used with permission from On the Map PR

Ruva Wants to Make You “S.W.E.A.T.”

Fridays are fun days, with the weekend so close you can smell it and the workday just a little more laidback than those in the rest of your working week. Add that extra spring to your step with “S.W.E.A.T,” the new party anthem by Melbourne singer-songwriter Ruva.

This is such a fun uptempo track with an African flavour that undoubtedly comes from Ruva’s Zimbabwean heritage. It also shows a different side to Ruva, who has been making a splash as part of the national casts of leading musicals like The Lion King, We Will Rock You, and currently, Beautiful.

“S.W.E.A.T is a call out to all people around the world!” Ruva said. “I see this song as an anthem for people from all walks of life coming together and celebrating what it means to be human. Differences aside; especially the way the world is going these days we need bit more unity in our lives.”

With real talent and plenty of swagger, we’re sure to see a lot more from Ruva.

No Case of “Burnout” With New The Phase Single

Thursdays can be so tough. The weekend is approaching, but it still feels too far away. What you need is some music to put a spring in your step and a smile on your dial. Hit play and take a little time out to listen to “Burnout,” the latest single from Sydney alternative pop-rock act The Phase.

This is such an endearing song with a great summery vibe sure to get your toes tapping. It reminds you to stop sweating the small stuff and start enjoying what really matters, a lesson we probably all need to remember during our working weeks!

The band’s founder Luke Mangraviti says “This song is for all the people working hard to make money but are always too burnt out after working so hard to ever enjoy it.”

Catch The Phase supporting Gaspar Sanz at The Vic on the Park in Enmore on November 30.

Image used with permission from the A&R Department

National Live Music Awards Hits Venues Around the Country Next Month

The Australian music industry was built on live music, on the bands that slogged it out in pubs with sticky floors night after night. Today too many live music venues seem to close their doors, yet the cream of Australian talent continues to find stages and bring their music to the people. The efforts of these tireless musicians and the venues, events, and industry members who support them will be recognised with National Live Music Awards events throughout the country next month.

The nominees are in, with Gang of Youths leading the charge with six nods across national and state categories including Live Act of the Year and Live Voice of the Year (for frontman David Le’aupepe). Julia Jacklin, Camp Cope, and Amy Shark are nipping at their heels with five nominations a piece, while All Our Exes Live in Texas, Stella Donnelly, and St Jerome’s Laneway Festival have all garnered four nominations.

“Over the last couple of months, our group of almost 100 judges have been tasked with crafting a list of nominees who are as diverse as they are eclectic,” National Live Music Awards director Larry Heath declared. “While I’m sure some will debate the absent nominees who were just as deserving, I don’t think the judges could have done a better job at creating a more exciting, nor a more deserving and representative list of nominees. These are the artists, venues, events and industry professionals who make Australia one of the live music capitals of the world.”

Unlike so many awards, the National Live Music Awards aren’t about the critics. They’re about the ordinary Aussies who support our live scene every weekend when they walk through the doors of venues throughout the country. So it’s only fitting that the award ceremonies are, by and large, open to the public. With the exception of the invite-only gala in Melbourne, National Live Music Awards events are free for music fans to attend. Also unlike so many “national events,” no state or territory is forgotten. National Live Music Awards events will happen at the following venues on December 7.

Melbourne, VIC: Grace Darling
Sydney, NSW: Leadbelly
Brisbane, QLD: Lefty’s
Fremantle, WA: Mojos
Adelaide, SA: Grace Emily
Launceston, TAS: Club 54
Alice Springs, NT: Epilogue Rooftop
Canberra, ACT: Smith’s Alternative

You can RSVP to the event via National Live Music Awards’ official ticketing partner Oztix. Entertainment for each venue is under wraps, but considering the calibre of artists nominated you can expect some top talent at all these events. If you miss out on the Oztix allocation, don’t worry. A limited number of tickets will be available on the night in exchange for a $5 donation to Support Act, a charity supporting the mental health of Australian musicians. $5 from the sale of every ticket to the Melbourne gala will also go to Support Act. A great night for a great cause; what’s not to love?

Image source: Krists Luhaers @ Flickr

Andrew Samuel Releases Fantastic New Single “Luck Feels Good”

To me, the very best music is the stuff that moves you. I don’t care how well you can sing or how proficient you are on an instrument. If you’re not making me feel something, I don’t want to know. That’s why I’m really excited about Sydney singer-songwriter Andrew Samuel and his new single “Luck Feels Good.”

The track recounts a night so many of us can relate to, where an unexpected blossoming romance manages to turn a terrible house party around. There’s an optimism to it, but also a sense of melancholy, almost as if the good mood could turn at any moment.

“Luck Feels Good” comes from Andrew’s forthcoming EP Enmore Road. Sydneysiders can hear more from it when Andrew launches the single at Lazybones in Marrickville on November 8.

Image used with permission from Maths and Magic

Rick Price & Jack Jones Announce “California Dreaming” Tour

California Dreaming is one of my favourite albums of the year. Bringing together two of the country’s most superb voices, Rick Price and Jack Jones, for some of the best songs ever written was pure genius. So I was thrilled to hear they’ll bring the album to venues around the country next year. Sure I’ve already bought tickets to eight 2018 gigs already, but why not?

“We have been blown away by the reaction to the album and how these songs and our take on them, have resonated with the public,” Rick said. “It’s an amazing opportunity to showcase them on a big stage, with a phenomenal band, in such a vast spread of locations.”

“Rick and I have been talking about doing something for close to two decades,” Jack added. “It was a great opportunity to work together and celebrate great artists, some great songs and a certain time and genre. That period in music will never be repeated again. And now we get to play them live!”

Tickets go on sale at midday on Friday, November 10.

3 May 2018 – The Concert Hall, Brisbane
10 May 2018 – Anita’s Theatre, Wollongong
11 May 2018 – Tamworth Entertainment Centre, Tamworth
12 May 2018 – Narrabri Crossing Theatre, Narrabri
17 May 2018 – AEC Theatre, Adelaide
18 May 2018 – Geelong Arena, Geelong
19 May 2018 – Hamer Hall, Melbourne
24 May 2018 – Enmore Theatre, Sydney
25 May 2018 – Star Theatre, Gold Coast
26 May 2018 – Royal Theatre, Canberra
27 May 2018 – Civic Theatre, Newcastle

Image used with permission from Revolutions Per Minute PR

Jordan Rakei Releases Live Spotify EP Ahead of Aussie Tour

Brisbane’s Jordan Rakei isn’t yet a household name, but his exciting neo-soul sound is gaining some serious attention here and abroad. If you’ve never seen him live, his recently released Spotify Live session, recorded at Shepherd’s Bush Empire in London, lets you experience the magic of his music.

The four-track streaming EP features Jordan’s pal, the equally talented Alfa Mist, for a sublime cover of Frank Ocean’s “Lost.” If you’re impressed by what you hear, make sure you see Jordan when he returns to our shores to support his recently released album Wallflower next year. Since he’s living in London at the moment, we don’t get so many opportunities to see him live. Tickets are on sale now for all these shows.

29 December 2017 – Here’s To Now @ Coriole Vineyards, McLaren Vale
1 January 2018 – Freedom Time Melbourne @ Coburg Velodrome, Melbourne
5 January 2018 – Rosemount Hotel, Perth
11 January 2018 – The Triffid, Brisbane
12 January 2018 – Metro Theatre, Sydney
13 January 2018 – The Corner Hotel, Melbourne