Q & A With Ben Wever from mrben

Life’s exciting for the members of Sydney rock outfit mrben. They’ve just finished work on their album Night & Day, and they’re preparing to unleash it at a massive show at the Annandale Hotel next month. Lead singer-songwriter Ben Wever took time out of his busy schedule to tell me more about the band, their live shows, and why we’ll fall in love with their album.

I’ve read that you have a unique style of music and songwriting. How would you describe it? 
mrben’s sound is very modern, all original and would be classed as commercial, melodic rock. A little aggressive, dark at times yet full of colour throughout. Strong lyrics, powerful melodies and interesting timing signatures is our forte.

You’ve played in different bands for the last ten years. What have you found in mrben that was missing in those other outfits?
What was always missing in the other bands that we have all played in is structure, control, focus and leadership. We have all played in bands before just to play music for our selves, or to an audience of some description, but over time we realised that we were not “all” on the same page. Too many chefs can spoil the broth also, with no one really driving the ship we were kind of left to make it up as we went. Now, we have much more drive, passion for the industry and strive to be very successful. With much stronger lyrics, a real genre specific focus that has modern approaches to the songwriting fuelled by old school influences. We are very proud of what has been produced on this album

I hear mrben has been doing some gigs around Sydney lately. What do you think of the local scene?
The Sydney scene as we know it, and have known it for many years has gone through the major shrinking phases to now more of an independent scene and has put us in the right place right now. We very much understand how hard it is to stand out and be noticed, we all can sometimes predict the outcome of a gig weeks before it happens due to knowing the venue, accepting that the booking agent and or promoter is not doing much for us and if you don’t bring your own crowd “every time” then your chances of getting another gig with these people, venues etc is very slim. Without having airplay behind you and or some serious marketing dollars, it’s very hard to have great gigs time after time. In summary, the scene is still strong, the support is getting weaker.

What’s your favorite venue to play and why?
Let’s face it: bad restaurant, no customers, bad location, same result, middle of winter on a School night, even worse, so, we love the Annandale Hotel, The Bridge Hotel for example. Why? Because they are established venues that attract people to it due their reputation and location, not too mention the fact that if it’s a known venue than people assume straight away that you must be a good band to get a gig there. Having said that, if the room is full of the right people and if the band is performing well with a decent P.A system, then the smaller venues can be just as effective or even sometimes a much better intimate vibe for all.

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Natalie Imbruglia Readies New Release

It’s been some time since we’ve heard any new music from Natalie Imbruglia. Sure, there were a couple of bonus tracks on her greatest hits album in 2007, but I’m talking about a brand new release. Thankfully, one is on the horizon.

A lot has happened since the Aussie expat released Counting Down the Days. Nat’s split with her husband Daniel Johns, and she says she’s even mellowed a bit in her old age. It should make this album an interesting listen!

“This record I wanted to be more light-hearted,” Natalie wrote on her website.

“It reflects how I’m feeling now. I’ve chilled out a lot. Maybe it’s just my age. I don’t take it all as seriously as I used to and I don’t feel I have to prove myself anymore.”

Another drawcard for the yet to be titled release is Natalie’s work with Dave A. Stewart. She’s collaborated with the Eurythmics singer-songwriter on several tracks, and I can’t wait to hear them!

Natalie Imbruglia’s fourth album will be released in the UK next March, with the rest of the world to follow.

Image source: Barry Peele/Wikimedia Commons

The Galvatrons Tour Crazy!

No one can accuse the lads from The Galvatrons of being lazy. They’ve just returned from Europe where they toured the festival circuit, and they’re set to take off again supporting Def Leppard and Cheap Trick around Oz. But that’s not all. They’re also embarking on their own headline tour at the same time!

The Robots are Cool tour will take in capital cities and regional centres along the East Coast throughout October and November. Some nights they’re doing shows in completely different cities – you’ve got to admire that kind of dedication!

Get out and show your support at the following shows!

23 October 2008 – NUSA Rocks @ Bar on the Hill, Newcastle University
24 October 2008 – Roi Bar, Albury
25 October 2008 – The Commercial Hotel, Benalla
1 November 2008 – Mojo’s, Perth
7 November 2008 – The Annandale Hotel, Sydney
8 November 2008 – Djerriwarrh Festival, Melton
13 November 2008 – Wollongong University
20 November 2008 – The Globe Theatre, Brisbane
21 November 2008 – The Hard Rock Café, Gold Coast
22 November 2008 – The Sands Tavern, Sunshine Coast
23 November 2008 – The Great Northern Hotel, Byron Bay
27 November 2008 – Adelaide Uni Bar on the Hill
28 November 2008 – The Gershwin Room, Melbourne
29 November 2008 – Foreshore Festival, Canberra

Image source: Newscom

Sophie Paterson Leaves Australian Idol

The Idol journey has come to an end for Sophie Paterson.

The folk singer gave a solid performance of “Papa Was a Rolling Stone,” but it wasn’t enough to keep her out of the bottom three. She was in good company though, with Teale Jakubenko and Mark Spano by her side. But ultimately luck wasn’t on Sophie’s side. I’m not exactly sure why she failed to connect with the public, but her frequent appearances in the bottom three lead me to believe that’s why her number came up tonight.

It’s a real shame. Sophie captivated me from the start, and I’ll miss her performances. I would have loved to see what she could bring to next week’s Rolling Stones theme. If Channel Ten can get Mick and the boys to fly in to be guest mentors I’ll be really impressed.

Gabriella Cilmi Sweeps the ARIA Awards

Teen sensation Gabriella Cilmi capped off a meteoric rise to the top at last night’s ARIA Awards, taking home all six of the awards she was nominated for.

The 17-year-old Melbournian was named best female artist, and breakthrough artist for her single “Sweet About Me” and breakthrough artist – album for Lessons to be Learned. Gabriella’s debut single was also judged the year’s highest selling single, and single of the year. The album Lessons to be Learned was named best pop release.

Gabriella looked stunning in metallic gold and bronze dresses, and she performed brilliantly, but I don’t think she’ll win any awards for public speaking.

“It’s actually really cool to be here in a room full of people who kind of inspire me and make music too, so you know, yeah,” Gabriella jabbered in one of her excruciating acceptance speeches.

“I’d like to say thank you again to my mum and my dad who kind of let me travel across the other side of the world to make a record, and um, yeah, cool, thank you!”

International pop star Pink was billed as the night’s showstopper, but honestly I thought her performance of “So What” was pretty average. She might have run around a lot and projected a lot of energy, but it was at the sacrifice of the vocals.

For me Pink was outshone by Geoffrey Gurrumul Yunupingu, who delivered an exquisite song from his award-winning album Gurrumul. The album took home the titles of best world music album and best independent album, and quite rightly so. His music transcends language, forcing you to focus on the melody and passion of his words. This simplicity and sheer beauty was a welcome antidote to Pink’s posturing.

Sydney electro duo The Presets bagged a hat-trick. They were named best group, while their album Apocalypso was named best dance release and album of the year.

Nick Cave was a surprise winner, named as best male artist. Less surprising was the fact that he didn’t show up to collect the gong.

Delta Goodrem was another no-show, although she did record a message thanking us for making her self-titled third record the highest-selling album of the year.

Two folks were thrilled to be there were Kasey Chambers and Shane Nicholson. The husband and wife team couldn’t be happier for their collaboration Rattlin’ Bones to be named best country release.

The Living End, The Panics, The Audreys, Silverchair and Powderfinger, and comedian Shaun Micallef also took home awards on the Australian music industry’s night of nights.

Image source: Newscom

Australian Idols Do Motown

This week the Australian Idols had the perfect platform to shine. It was Motown week: a theme that gave everyone the chance to wrap their vocals around some of the world’s greatest songs. And with Guy Sebastian sitting in as special guest judge and mentor they couldn’t go wrong! Or could they? So who rose to the challenge? Read on to find out!

Mark Spano was up first with “You Keep Me Hangin’ On.” I was a bit nervous about this, predominantly because I hate the song. It doesn’t matter who does it: The Supremes, Kim Wilde, Human Nature … I’ve hated every version I’ve heard. But I didn’t completely hate this. While he looked a little awkward doing the Motown dance moves, I was thrilled Mark embraced the theme and gave it his everything. It could have done with a little more life, but it was a solid start.

Sophie Paterson was up next with “Papa Was a Rolling Stone.” Again, this isn’t one of my favourite songs, but I really admired the attitude she gave it. It allowed us to see that sassy side which has been dormant for a little while, and I found that really enjoyable.

Luke Dickens channeled all the energy he felt from the birth of his new son into his performance of “My Girl.” Now I’m convinced I must be hormonal, because this gave me tears. It wasn’t the best performance. There were definitely pitchy moments. But the emotion behind it tipped me over the edge. It was awesome to see Luke trying something new and exploring his sensitive side.

Teale Jakubenko took on “Ain’t No Mountain High Enough” this week. Vocally, he nailed it. But for me it was total cheese. I felt like I was watching something from a cruise ship. I was surprised no one called him on it, because for me it was cringeworthy. I was waiting for him to wink knowingly at the camera. I still like him a whole lot, but this just didn’t work for me unless I closed my eyes.

Chrislyn Hamilton told us all to “Get Ready” with the Temptations classic. It even scored a touchdown from Guy! I absolutely loved this. It was the first star performance of the night. It had so much energy and attitude, and we were all happy to go along with her for the ride. This was just so much fun.

Initially I felt Wes Carr copped out by choosing “If I Were a Carpenter.” Yes The Four Tops recorded it, but so many others had and I just knew Wes wouldn’t take the Motown route with it. But then he sang, and I just didn’t care. It was just so good, so sincere, so heartfelt. So what if he didn’t bring us Motown? He brought us a damn good rendition of a wonderful song.

I was so excited when I heard Roshani Priddis was singing “Reflections.” But sometimes hearing the spoilers can be a bad thing. Sometimes I think it can make you expect too much. I absolutely love that song, but it just didn’t work for me. There were flashes of brilliance, but I’m used to a whole song of brilliance from Ms Priddis.

It’s getting harder and harder to pick who’s going home, but I think either Teale or Sophie’s run might have come to an end. They’re serial offenders in the bottom three, and you just have to wonder how long they can keep on hanging in there.

Image source: Sunrise.seven @ Flickr

"Imaginary Things" – Delamare

Some music is so raw with emotion, it seems to bleed from your speakers. Some music is politically charged and written to change the world, or at least the thinking of one listener. And some music is just pure unadulterated fun.

Imaginary Things, the debut EP from Adelaide quintet Delamare, falls into the latter category. It’s not particularly deep or important, but it’s just so joyful you can’t help but smile when you hear it.

This makes the music of Delamare somewhat of a guilty pleasure, like lollies. I tend to expect my music to be a little meatier and more satisfying than this, yet for some reason I keep on listening. In a world where indie pop outfits like Good Charlotte, Fall Out Boy, and Simple Plan dominate the charts, there’s nothing revolutionary about this music. The lyrics are basic at best and cringeworthy at worst. The third track, “Camera Shy Girl” made me laugh out loud with its cheesy lines.

Yet funnily enough, somehow it all works. The vocal harmonies are brilliant and the melodies are addictive. Those North American punk-popsters I mentioned grate on me when I hear them on the radio, yet I happily listened to all five Delamare songs. I even went back for second and third helpings.

Yes Imaginary Things has flaws, but so what? I loved it. If I were a teenage girl watching these five good-looking lads belting out these songs, I imagine I’d fall even harder! This recording isn’t going to change the world, or even your outlook. But it might just brighten your day!

Image source: Delamare MySpace

A Sneak Peek at Katie Noonan's "Blackbird" Album

I can’t wait to hear Blackbird, Katie Noonan’s new album featuring the songs of John Lennon and McCartney. All the right ingredients are there: superb songs, amazing musicians (including the likes of John Scofield and Joe Lovano), and Katie’s sublime voice.

We’ll have to sit tight until November 1 to get our hands on a copy, but in the meantime you can hear Katie’s versions of “Yesterday,” “Across The Universe,” and “Blackbird” on her MySpace page. Her stunning reinterpretation of “Blackbird” is also featured in this behind-the-scenes video. I love the jazzy makeover Katie’s given these songs, and I’m really looking forward to hearing more!

Missing Hours Release Debut Album

Geelong’s Missing Hours are a local success story, but now they’re set to share their music with the rest of the country. The brother-sister duo will release their self-titled debut album on November 1, and later that month they’ll take their brand new tracks on the road.

Emma and Ant Hewitt have been playing and writing their own music for the last decade. Last year they decided to join forces, creating a unique sound inspired by the likes of Garbage, Evanescence, and Fiona Apple.

“I’d been playing guitar for a couple of years, and was at that point of becoming bored with playing other peoples’ songs, and having that feeling you wanted to say or express something,” Ant explained.

This album certainly achieves that! You can give it a listen when it’s released on November 1, ahead of Missing Hours’ national tour with special guests Avalon Drive. Tickets are on sale now for all shows through Moshtix.

20 November 2008 – Sol Bar, Sunshine Coast
21 November 2008 – The Zoo, Brisbane
22 November 2008 – Coolangatta Hotel, Gold Coast
26 November 2008 – Hoey Moey, Coffs Harbour
27 November 2008 – Spectrum, Sydney
28 November 2008 – Cooneys, Wollongong
29 November 2008 – Caringbah Bizzos
3 December 2008 – Transit Bar, Canberra
4 December 2008 – Ha’Penny Bridge, Geelong
5 December 2008 – Evelyn Hotel, Melbourne
6 December 2008 – Enigma Bar, Adelaide

Image used with permission from Sony BMG Australia

Revenge is Sweeter for The Veronicas

After months abroad The Veronicas are coming home for some local shows. The Veronicas will visit capital cities and regional centres around the country in February for their Revenge is Sweeter tour.

“We’re so excited about coming home to tour for our fans in February!” gushed Jess Origliasso. “We’ve played some amazing shows across America over the last six months, but with all the surprises in store for our Revenge Is Sweeter tour, we think these shows are going to be our best yet. We can’t wait to see everyone again and share the show with you!””

The Brisbane twins will be joined by American sensations Metro Station and up-and-coming local outfit Short Stack.
With three courses of pop rock goodness, these shows are sure to be popular. Make sure you get yours early when they go on sale on Tuesday 28 October! Here are all the dates!

13 February 2009 – Newcastle Entertainment Centre
14 February 2009 – Brisbane Entertainment Centre
16 February 2009 – Enmore Theatre, Sydney
20 February 2009 – WIN Entertainment Centre, Wollongong
21 February 2009 – Royal Theatre, Canberra
24 February 2009 – The Palais Theatre, Melbourne
26 February 2009 – Thebarton Theatre, Adelaide
28 February 2009 – Challenge Stadium, Perth

Image used with permission from Warner Music Australia