Q & A With Maf Davis from Switch 3

Local indie outfit Switch 3 have been rocking hard since 2002. Through extensive touring they’ve found a loyal fan base, and they’ve just released their first full-length album Calm Before. The future’s looking bright for this quartet from Canberra. I caught up with lead singer and guitarist Maf Davis for a chat about the new album, life on the road, and why Switch 3 stays independent.

You’ve just released your first full length album Calm Before. What’s the public response been like so far?
The responses we’ve received so far have been fantastic. We couldn’t be happier. It’s funny, you put a lot of time and effort into making an album and during the entire process you can think of nothing more exciting than getting it out there and getting feedback. When it’s all wrapped up that excitement is still there, only it’s mixed with a degree of trepidation –  will people like it as much as we do? Will the songs get stuck in their heads like they do us? Will they ‘get’ what we’re trying to do? From what we’ve heard all of these questions have been answered in the affirmative so we’re very stoked.

You worked with ARIA-award winning producer Anton Hagop (Silverchair, Powderfinger, Missy Higgins) on the album. What was he like to work with?
Anton is always awesome to work with. We did Calm Before with him, as well as our last EP. Not only is he a great producer/engineer he’s also someone that we consider a great friend. Sure, he had to crack the whip at times to make sure we stuck to the schedule and we gave him a near brain meltdown by deciding to drop a track and write a whole new one for the album in a day, but that’s what recording is all about.

I’ve heard your music categorised as everything from rock to punk to metal. How would you describe your sound?
I’d say our music is heavy rock with punk/metal influences. How’s that for dodging the question? Seriously though, we like to think that if what we play is difficult to categorise then we’ve obtained our goal and hopefully we’ve got a sound that is unique enough to set us apart.

You’ve got such a diverse set of influences from Iron Maiden to Queen. How do these eclectic bands shape the music you produce?
Each member of the band listens to completely different music and that definitely shapes what we produce by increasing the ideas we can draw from when it comes to writing. A prime example is our drummer Evan. He listens to and plays a lot of jazz. That influence allows him to throw time signatures and other nuances into the mix that I would never be able to think of, mainly because I’ve never heard them before! The way I see it, the greater the number, and the wider the diversity of the influences, the higher the chance of making something unique which is what we’re striving for.

I believe you’re planning to do some local touring next year. What can fans look forward to when they see you live?
We’ve spent a lot of time crafting our sound for one purpose – to have a massive impact at live shows. That’s where we get our biggest kicks so we want everyone who makes the effort to come down to get a kick out of it as well. From having guitars handcrafted specifically for us to choosing the right kind of wood in the drum kit, we’ve done everything we can to make sure people get that ‘whack in the chest’ feel and walk away with a smile on their face. Our set has something for everyone, with enough rock to get the crowd jumping and ample quiet moments for it to grab a drink before doing it all again.
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New Song Obsession: "Can’t Shake It" by Kate Miller-Heidke

Kate Miller-Heidke has dabbled in dance pop for her comeback single “Can’t Shake It,” and the result is irresistible. As someone whose dance style hasn’t evolved since the 1980s, I could really relate to the song’s sentiment! Just because it’s got a mainstream vibe though, don’t think Kate’s lost any of the quirkiness we fell in love with. The lyrics are playfully naughty and her ethereal voice sounds brilliant.

Kate might not be able to shake it, but you probably will listening to this pop gem! “Can’t Shake It” is the first single from Kate’s new album Curiouser, which hits stores on October 18.

Delamare Deliver Imaginary Things

Adelaide’s Delamare are set to wow Australia with their debut EP Imaginary Things.

The pop-rock quintet only formed early this year, but their passion for music and performing has seen them quickly establish a local fanbase. They recorded Imaginary Things with producer Luke Webb, the man behind the music of Kisschasy, The Angels, and Rose Tattoo. It’s a fresh blend of punchy riffs and sweet harmonies which is sure to strike a chord with local music lovers.

Imaginary Things is slated for release on October 11. To celebrate the band will take their high-energy stage show on the road. You can catch them at the following venues.

11 October 2008 – Fowlers, Adelaide (EP Launch Date)
17 October 2008 – Yarra FReeZa, Healesville (All Ages)
18 October 2008 – Curtin Band Room, Carlton
19 October 2008 – Fist2Face (Instore) Ringwood (All Ages)
25 October 2008 – Loxton Hotel, Riverland
7 November 2008 – Fowlers, Adelaide
8 November 2008 – Old Gaol, Mount Gambier
14 November 2008 – Princess Theatre, Woolloongabba (All Ages)
15 November 2008 – The Power House, Toowoomba
19 November 2008 – Ballina Hotel (All Ages)
20 November 2008 – Boambee East Community Centre, Coffs Harbour (All Ages)
21 November 2008 – Hype Central, Castle Hill (All Ages)
22 November 2008 – The Loft, Newcastle (All Ages)
27 November 2008 – Next @ Colonial Hotel, Melbourne
28 November 2008 – Cardinia FReeZa, Melbourne (All Ages)
29 November 2008 – Fist2Face Instore, Ringwood (All Ages)
29 November 2008 – The National Hotel, Geelong
6 December 2008 – The Underground, Adelaide
17 December 2008 – Final Fate Battle of the Bands, Adelaide
20 December 2008 – Fowlers, Adelaide

Image used with permission from AAA Entertainment

Madam Parker Sent Home from Australian Idol

Madam Parker is the latest Australian Idol contender to get the chop from the reality TV competition. The soul star found herself in a surprising bottom three with Roshani Priddis and Chrislyn Hamilton. All three gave solid performances in the “sing for your life” round, but Madam was ultimately sent home.

I think ultimately her undoing was her lack of versatility. We saw her do soul great, but when we stepped outside that genre she fell into a heap. She’s got bundles of potential though and I do hope she pursues her musical career after this.

Next week our Idols prepare to rock with the help of mentors Kirk Pengilly and Tim Farris of INXS. I can’t wait!

Australian Idol’s Levi Kereama Dead at 27

Former Australian Idol finalist Levi Kereama has tragically died after falling from a hotel balcony in Brisbane on Saturday night.

News reports claimed that the 27-year-old was suffering from depression, however this has been denied by his family. Queensland Police are not treating his death as suspicious.

Tony Tjin left a message on Facebook to thank fans for their support.

“On behalf of Levi’s family, I would like to say thank you for your prayers and kind messages, it’s great to know that he touched so many people’s lives.”

Following his stint on Idol, Levi formed R&B outfit Lethbridge with his brothers. He had played at Brisbane’s Parklife Festival earlier that day.

What a terrible loss. It’s always awful to hear about the passing of talented people, but when they’re taken so young it’s that much more tragic.

Australian Idol Does ABBA

Tonight was ABBA night on Australian Idol, a theme that was sure to bring some fun, and surprising performances. These restrictive theme nights are always so interesting. We see what the Idols can really do when they’re forced to step outside their comfort. So who soared and who slipped up? Read on!

Chrislyn Hamilton stayed fairly true to the original version of “Mamma Mia,” but I didn’t mind at all. It’s a really fun song, and she definitely had fun with this. It wasn’t her best vocal performance but it definitely had its moments. She’s a real entertainer though, and it’s easy to forgive the flaws because she’s just a joy to watch.

I thought it would take a miracle to make ABBA cool. Instead it took Sophie Paterson. Her stripped back mellow version of “Gimme Gimme Gimme” took it out of the disco and into the 21st century. It was incredibly smart because people are going to remember it. Sophie’s really hit her strides in recent weeks, so hopefully we’ll see her out of that dreaded bottom three again.

Thanh Bui showed us exactly what he should be doing in this competition with his rendition of “The Winner Takes it All.” I think maybe sitting at the piano forces him to be still, and that gets rid of the cheese factor we’re used to seeing from him. I hope we see a lot more of this Thanh, as opposed to boy band Thanh, because this Thanh rocks. And it was enough to make Marcia give a touchdown! Is it just me or do they mean more this year because Mark isn’t around to give them out willy nilly?

Roshani Priddis took “Money Money Money” to musical theatre, with her fantastic performance. When I heard the song choices for this week this was the only pairing that automatically made sense to me. I’m glad it lived up to my expectations. Roshani is proving to be Miss Consistency in this competition and I’m looking forward to what she brings every week.

Wes Carr excelled with his interpretation of “Fernando.” Wes is always good, but this time he was great. Maybe it’s because I saw him really step out of his comfort zone, but I appreciated this so much. It was true enough to the original not to alienate the older fans, but it was so much cooler. I also loved seeing him play the acoustic guitar again.

Mark Spano rocked out with “Waterloo,” or at least he tried to. Sort of. This is the thing with taking a risk. Sometimes it works, and sometimes it doesn’t. This to me didn’t really work. There were good moments there, but they were few and far between. I wonder whether he would have done better if he’d picked a less iconic song? I’m getting a little frustrated with Mark. He’s my favourite but he just doesn’t seem to be delivering which makes him awfully hard to support.

Madam Parker gave what should have been a fantastic performance of “Dancing Queen.” I really loved the arrangement, especially the start with the drums. But she was just so self conscious. It’s funny, because she really didn’t need to be. She said ABBA was so far out of her element, but it’s really not. If she’d really let go and enjoyed herself we would have done the same thing. Instead it was just OK.

I was a bit surprised that Teale Jakubenko picked “Thank You for the Music,” but I really enjoyed what he did with it. I loved the arrangement, and while his vocals weren’t as consistently strong all the way through it was really enjoyable. I also loved his positive attitude about the theme! Those good vibes really translated to a great performance, particularly when compared to some of those contestants who were a bit anti-ABBA.

Luke Dickens brought his gravelly rock voice to “Knowing Me Knowing You.” I have to admit, this is the first time I’ve really listened to the lyrics and the meaning behind the song. It’s always just sounded so happy, I’d never seen that darkness before! I did worry about how Luke would handle ABBA week, but he did it like a pro. He took all the cheese out of it and I loved it!

I’m actually surprised no one really slipped up! There were some amazing performances tonight, so it’s going to be tricky to pick who goes? I think Mark’s performance was the worst, but I think he’s got enough fans behind him that Madam might be the one who goes. What do you think?

Image source: Peter Forret @ Flickr

Rolling Stone Founder Loves Powderfinger

Powderfinger are tipped for success in the United States after they impressed Rolling Stone founder Jann Wenner. He was in Sydney last week to relaunch the Australian version of the rock bible, and was wowed by the Brisbane rockers.

“We will be working a little harder on Powderfinger in the US,” he told The Sunday Telegraph. “They sound a little U2-ish, which is a sound I love.”

You couldn’t ask a lot more than the backing of Rolling Stone, could you? Looks like Bernard and the boys could be set for big things!

Image source: Jeaneeem @ Flickr

Katie Noonan Does The Beatles

Katie Noonan has breathed new life into the evergreen tunes of Lennon and McCartney in her new album Blackbird. To celebrate the landmark release, Katie will perform four very special intimate shows.

Highlights of the album include versions of “Across the Universe,” “Eleanor Rigby,” “Michelle” and of course, “Blackbird.” Katie is ably supported on the album and tour by her all-star jazz quartet featuring Joe Lovano, John Scofield, Lewis Nash, and Ron Carter.

These once-in-a-lifetime shows go on sale this Monday, October 6 from the venues.

9 December 2008 – The Studio @ Sydney Opera House
11 December 2008 – Prince of Wales Hotel, Melbourne
19 & 20 December 2008 – QPAC @ Cremorne Theatre, Brisbane

New Song Obsession: "The Show" by Lenka

Like many of you, I was first introduced to Lenka’s brilliant song “The Show” through Channel Seven’s latest lot of ads. This irresistably happy tune makes the network’s self promotion immensely more bearable, but I much prefer listening to it in its entirety. It builds slowly before exploding in a cascade of sunshine. Aussie girls are releasing some fantastic songs at the moment, and this is one of the best.

The official music video has embedding disabled on YouTube so instead I bring you this awesome live performance on an American radio station. It’s so nice to see Aussies doing well abroad, isn’t it?

Moshcam Offers Free Online Concerts

With the cost of concert tickets on the rise, most of us music lovers don’t get to all the live gigs we’d like. So I was pretty excited to discover Moshcam, a new website offering on demand concert footage. Best of all, it’s all free.

So far the Moshcameras have captured around 250 Aussie gigs including shows by local artists Josh Pyke, Sneaky Sound System, Faker, John Butler, and Gyroscope, and international acts like The Wombats, The Frames, and The Brian Jonestown Massacre. And that’s just the start.

“We aim to create the world’s largest collection of on demand live music video,” said John Reddin, the site’s managing director.

“The web has evolved into a key broadcast channel and music video is one of the largest segments of that market. Where we differ from other music video channels is that we broadcast a complete live music experience of an entire gig.”

Head to Moshcam.com and check out all the great shows on offer. It’s the next best thing to being there!

Image source: Moshcam.com