Roshani Priddis‘ run on Australian Idol has come to an end.
After stellar performances early in the competition, fans could no longer forgive Roshani for some questionable song choices. She found herself in the bottom three with Teale Jakubenko and Luke Dickens, but ultimately her time was up. Personally I thought Roshani did great last night, but I guess the judges knew what they were talking about. And someone had to go!
The greatest tragedy is that we won’t get to hear this pint-sized soul diva take on the songs of Michael Jackson next week. But I can’t wait to see how the other Idols go with this awesome theme!
AC/DC’sBlack Ice is sitting pretty at number one on the ARIA charts. It wasn’t just the biggest selling album of the week. It’s actually the biggest selling album of the year! In fact, it could have gone number one based on New South Wales sales alone! Who said people aren’t buying CDs anymore?
The boys from Acca Dacca led the charge in a week dominated by Aussie album sales. It’s almost as if the recent ARIA Awards reminded local music fans just how good Australian artists are! Geoffrey Gurrumul Yunupingu’s album Gurrumul shot from number 27 all the way up to number three this week! Also scoring a massive jump, The Presets went from number 19 to number four with their album of the year, Apocalypso.
Six-time ARIA-award winner Gabriella Cilmi was back up at number seven with Lessons to Be Learned, just edging out a stellar debut from Kate Miller-Heidke. Her newie Curiouser is sitting at number eight.
It was a different story on the singles charts though, with Jessica Mauboy the lone Aussie cracking the top 10. When you’re only bested by Kings of Leon and Pink, it’s a fair effort! Jessica’s platinum selling single “Running Back” is sitting at number three.
This week our Australian Idols took on songs from British rock gods The Rolling Stones. We knew the tunes would be killer, but could our talent show hopefuls rise to the challenge? Read on to find out!
Wes Carr opened the show with a blistering performance of “Jumpin Jack Flash.” It was flawless, from the raspy rock vocals to the Mick Jagger strut. He is such a consistent performer, yet he’s never plateaued. What a great way to start the show!
Roshani Priddis was up next with “Wild Horses.” The comments from the judges weren’t exactly glowing, but I was mesmerised. There’s a sincerity and a vulnerability about Roshani that just draws you in. I loved this simple arrangement and her emotive, yet restrained, delivery. The chorus could have done with a little more desperate emotion in fitting with the lyrics, but I still really enjoyed this.
Luke Dickens was right in the pocket with his take on “Honky Tonk Women.” This bluesy Stones classic was the perfect choice for Luke’s rough and ready voice. He’s performing more confidently week after week, and it’s a joy to see this rough diamond developing. Guys like Luke are what Australian Idol is all about.
This week Teale Jakubenko was back to his best with “You Can’t Always Get What You Want.” He stripped it bare and this really allowed his vocal skills and musical talent to shine through. I’m a sucker for a good guitar boy, so this was right up my alley.
I was a bit nervous when Chrislyn Hamilton admitted that she didn’t know much about the Rolling Stones, but I didn’t need to be. Chrislyn shines when she inhabits a sassy space, so “Get Off My Cloud” was the perfect choice. I remember seasons past where people tripped up over the themes they were unfamiliar with, but this current crop handle it like pros!
It might be the high of just watching it, but I think Mark Spano’s version of “Angie” could be the performance of the season. I was excited about seeing him play the acoustic guitar. I was excited about seeing him sing my favourite Stones song of all time. And it all came together with such raw masculine intensity. Brilliant stuff!
What a fantastic show! It only gets harder to pick the bottom three, let alone the person who’s going to go! I usually put forward my thoughts, but I just don’t know! What do you think?
It’s been some time since we’ve heard any new music from Natalie Imbruglia. Sure, there were a couple of bonus tracks on her greatest hits album in 2007, but I’m talking about a brand new release. Thankfully, one is on the horizon.
A lot has happened since the Aussie expat released Counting Down the Days. Nat’s split with her husband Daniel Johns, and she says she’s even mellowed a bit in her old age. It should make this album an interesting listen!
“This record I wanted to be more light-hearted,” Natalie wrote on her website.
“It reflects how I’m feeling now. I’ve chilled out a lot. Maybe it’s just my age. I don’t take it all as seriously as I used to and I don’t feel I have to prove myself anymore.”
Another drawcard for the yet to be titled release is Natalie’s work with Dave A. Stewart. She’s collaborated with the Eurythmics singer-songwriter on several tracks, and I can’t wait to hear them!
Natalie Imbruglia’s fourth album will be released in the UK next March, with the rest of the world to follow.
The Idol journey has come to an end for Sophie Paterson.
The folk singer gave a solid performance of “Papa Was a Rolling Stone,” but it wasn’t enough to keep her out of the bottom three. She was in good company though, with Teale Jakubenko and Mark Spano by her side. But ultimately luck wasn’t on Sophie’s side. I’m not exactly sure why she failed to connect with the public, but her frequent appearances in the bottom three lead me to believe that’s why her number came up tonight.
It’s a real shame. Sophie captivated me from the start, and I’ll miss her performances. I would have loved to see what she could bring to next week’s Rolling Stones theme. If Channel Ten can get Mick and the boys to fly in to be guest mentors I’ll be really impressed.
Teen sensation Gabriella Cilmi capped off a meteoric rise to the top at last night’s ARIA Awards, taking home all six of the awards she was nominated for.
The 17-year-old Melbournian was named best female artist, and breakthrough artist for her single “Sweet About Me” and breakthrough artist – album for Lessons to be Learned. Gabriella’s debut single was also judged the year’s highest selling single, and single of the year. The album Lessons to be Learned was named best pop release.
Gabriella looked stunning in metallic gold and bronze dresses, and she performed brilliantly, but I don’t think she’ll win any awards for public speaking.
“It’s actually really cool to be here in a room full of people who kind of inspire me and make music too, so you know, yeah,” Gabriella jabbered in one of her excruciating acceptance speeches.
“I’d like to say thank you again to my mum and my dad who kind of let me travel across the other side of the world to make a record, and um, yeah, cool, thank you!”
International pop star Pink was billed as the night’s showstopper, but honestly I thought her performance of “So What” was pretty average. She might have run around a lot and projected a lot of energy, but it was at the sacrifice of the vocals.
For me Pink was outshone by Geoffrey Gurrumul Yunupingu, who delivered an exquisite song from his award-winning album Gurrumul. The album took home the titles of best world music album and best independent album, and quite rightly so. His music transcends language, forcing you to focus on the melody and passion of his words. This simplicity and sheer beauty was a welcome antidote to Pink’s posturing.
Sydney electro duo The Presets bagged a hat-trick. They were named best group, while their album Apocalypso was named best dance release and album of the year.
Nick Cave was a surprise winner, named as best male artist. Less surprising was the fact that he didn’t show up to collect the gong.
Delta Goodrem was another no-show, although she did record a message thanking us for making her self-titled third record the highest-selling album of the year.
Two folks were thrilled to be there were Kasey Chambers and Shane Nicholson. The husband and wife team couldn’t be happier for their collaboration Rattlin’ Bones to be named best country release.
The Living End, The Panics, The Audreys, Silverchair and Powderfinger, and comedian Shaun Micallef also took home awards on the Australian music industry’s night of nights.
This week the Australian Idols had the perfect platform to shine. It was Motown week: a theme that gave everyone the chance to wrap their vocals around some of the world’s greatest songs. And with Guy Sebastian sitting in as special guest judge and mentor they couldn’t go wrong! Or could they? So who rose to the challenge? Read on to find out!
Mark Spano was up first with “You Keep Me Hangin’ On.” I was a bit nervous about this, predominantly because I hate the song. It doesn’t matter who does it: The Supremes, Kim Wilde, Human Nature … I’ve hated every version I’ve heard. But I didn’t completely hate this. While he looked a little awkward doing the Motown dance moves, I was thrilled Mark embraced the theme and gave it his everything. It could have done with a little more life, but it was a solid start.
Sophie Paterson was up next with “Papa Was a Rolling Stone.” Again, this isn’t one of my favourite songs, but I really admired the attitude she gave it. It allowed us to see that sassy side which has been dormant for a little while, and I found that really enjoyable.
Luke Dickens channeled all the energy he felt from the birth of his new son into his performance of “My Girl.” Now I’m convinced I must be hormonal, because this gave me tears. It wasn’t the best performance. There were definitely pitchy moments. But the emotion behind it tipped me over the edge. It was awesome to see Luke trying something new and exploring his sensitive side.
Teale Jakubenko took on “Ain’t No Mountain High Enough” this week. Vocally, he nailed it. But for me it was total cheese. I felt like I was watching something from a cruise ship. I was surprised no one called him on it, because for me it was cringeworthy. I was waiting for him to wink knowingly at the camera. I still like him a whole lot, but this just didn’t work for me unless I closed my eyes.
Chrislyn Hamilton told us all to “Get Ready” with the Temptations classic. It even scored a touchdown from Guy! I absolutely loved this. It was the first star performance of the night. It had so much energy and attitude, and we were all happy to go along with her for the ride. This was just so much fun.
Initially I felt Wes Carr copped out by choosing “If I Were a Carpenter.” Yes The Four Tops recorded it, but so many others had and I just knew Wes wouldn’t take the Motown route with it. But then he sang, and I just didn’t care. It was just so good, so sincere, so heartfelt. So what if he didn’t bring us Motown? He brought us a damn good rendition of a wonderful song.
I was so excited when I heard Roshani Priddis was singing “Reflections.” But sometimes hearing the spoilers can be a bad thing. Sometimes I think it can make you expect too much. I absolutely love that song, but it just didn’t work for me. There were flashes of brilliance, but I’m used to a whole song of brilliance from Ms Priddis.
It’s getting harder and harder to pick who’s going home, but I think either Teale or Sophie’s run might have come to an end. They’re serial offenders in the bottom three, and you just have to wonder how long they can keep on hanging in there.
I can’t wait to hear Blackbird, Katie Noonan’s new album featuring the songs of John Lennon and McCartney. All the right ingredients are there: superb songs, amazing musicians (including the likes of John Scofield and Joe Lovano), and Katie’s sublime voice.
We’ll have to sit tight until November 1 to get our hands on a copy, but in the meantime you can hear Katie’s versions of “Yesterday,” “Across The Universe,” and “Blackbird” on her MySpace page. Her stunning reinterpretation of “Blackbird” is also featured in this behind-the-scenes video. I love the jazzy makeover Katie’s given these songs, and I’m really looking forward to hearing more!
Geelong’s Missing Hours are a local success story, but now they’re set to share their music with the rest of the country. The brother-sister duo will release their self-titled debut album on November 1, and later that month they’ll take their brand new tracks on the road.
Emma and Ant Hewitt have been playing and writing their own music for the last decade. Last year they decided to join forces, creating a unique sound inspired by the likes of Garbage, Evanescence, and Fiona Apple.
“I’d been playing guitar for a couple of years, and was at that point of becoming bored with playing other peoples’ songs, and having that feeling you wanted to say or express something,” Ant explained.
This album certainly achieves that! You can give it a listen when it’s released on November 1, ahead of Missing Hours’ national tour with special guests Avalon Drive. Tickets are on sale now for all shows through Moshtix.
20 November 2008 – Sol Bar, Sunshine Coast
21 November 2008 – The Zoo, Brisbane
22 November 2008 – Coolangatta Hotel, Gold Coast
26 November 2008 – Hoey Moey, Coffs Harbour
27 November 2008 – Spectrum, Sydney
28 November 2008 – Cooneys, Wollongong
29 November 2008 – Caringbah Bizzos
3 December 2008 – Transit Bar, Canberra
4 December 2008 – Ha’Penny Bridge, Geelong
5 December 2008 – Evelyn Hotel, Melbourne
6 December 2008 – Enigma Bar, Adelaide
Image used with permission from Sony BMG Australia
It’ll be all work and no play forYves Klein Blue when they head to the United States next month. The Brisbane punk band is on a strict schedule for recording their debut album. They’ll work every day but Sundays, when they’ll probably need some sleep!
“It’s a very nerve-wracking adventure. I feel a lot of pressure,” lead singer Michael Tomlinson admitted to The Sunday Telegraph.
“EPs are well and good, but an album is like a grand statement – and none more so than your first album. It’s like a manifesto, so there’s a lot of pressure.”
It’s always interesting to hear what comes from such an intense situation, so I’m looking forward to see what YKB come up with in the US of A!
