Coerce Prepare for Hiatus After Album Launch

Music’s a labour of love for post-hardcore band Coerce. For the last five years, the lads from Adelaide have worked tirelessly and poured their hard earned savings into it. They even moved to Aussie music hub Melbourne. The result is their album Genome, a project they’re immensely proud of.

But operating as an independent act has sadly taken its toll, prompting Coerce to call it a day, at least for now.

“Independent rock and roll is hanging by the decayed skin of all of our teeth, local shows are getting less and less support,” Coerce admitted.

But they won’t go out without launching Genome. In front of their adopted hometown, Coerce will have what may be their very last gig at The Gasometer on January 11.

“Please support this local show, buy a record, a shirt, a beer and maybe some day we may deliver a new record and possibly afford to play in other towns once more,” Coerce urge fans. How could you say no?

Image used with permission from Coerce

Soundwave Photographer Releases Festival Book

Official Soundwave photographer Kane Hibberd (or Kanye Lens as he’s sometimes called) is bringing his festival snaps to the masses with the release of his first photography book Kanye Lens Vs Soundwave Volume 1.

Kane has worked as Soundwave’s official photographer since the festival went national way back in 2008. This book showcases more than 600 of his best Soundwave photos. These capture the most exciting moments on stage and behind the scenes. Clearly the book was a labour of love for Kane who has self-funded and independently published this tome.

“From the moment I was asked to jump on board the Soundwave machine, my goal was to, one day, produce a coffee table style photography book,” Kane explained. “ I grew up watching Tony Mott create a legacy with the Big Day Out and now this is hopefully the start of my own legacy. I’ve tried to create book full of imagery that can escape the shadow of its famous inhabitants and stand alone as beautiful pieces of artwork. Hopefully the book will appeal to not only music fans, but also fans of photography.”

Kanye Lens Vs Soundwave Volume 1 will hit stores in February, but it’s worth pre-ordering a copy from his website as Kane will individually number the first 2000 copies.

Image used with permission from Riot House Publicity

Pnau Ushers in New Year at Sydney Harbour

If you’re still contemplating your New Year’s Eve plans, a night on Sydney Harbour may be just what you’re looking for. Pnau will headline the festivities at Cargo Bar which also features appearances from Ajax, Yesyou, Elizabeth Rose, and more.

Final release tickets cost $115, or you could party in style with a VIP ticket for $170. That includes a red carpet pre-cocktail party, which will see you securing tickets near the stage before the rest of the crowds show, as well as complimentary canapés and drinks for three hours.

Get yours from the Cargo NYE website now!

Image used with permission from Positive Feedback

Fans Help Eskimo Joe Make New Album

Eskimo Joe have enjoyed the support of major labels in recent years, but they’ve decided to do things a little differently for album number six. Rather than working with a record company, the Perth band decided to let fans fund the new record through Pozible.

Fans have been quick to embrace the initiative, pledging $54, 600 at last count, far exceeding the $40, 000 Eskimo Joe hoped to raise. With the fundraising drive running until February, they might even end up doubling their target.

Contributors will have the warm fuzzy feeling that comes with helping to support local talent, as well as a few extra perks. Depending on how much they give, people who pledge can earn bonuses like advance copies of the new single and even a barbeque with the band members.

If you’re feeling skint you can still join in on the fun. Eskimo Joe will engage with their fans through social media during the writing and recording process.

“We feel that involving all our supporters like this brings a real responsibility to us to make a fucking awesome record and to also make them feel a real part of it,” the band said in an official statement. “This feels like a new creative beginning for us.”

I must admit to feeling Eskimo Joe’s album was a little lacklustre. I really hope this new direction brings them the inspiration they need to create another Aussie classic!

Guy Sebastian’s “Armageddon” Number One Again

Guy Sebastian is once again sitting pretty at the top of the ARIA Albums Charts. His latest smash Armageddon returns to the number one spot this week. He’s the lone Aussie in the top 10, but things are a little brighter for local talent on the singles chart.

Again we see Guy; his latest single “Get Along” is holding steady at number five. He’s keeping company with recent X Factor graduates Samantha Jade and The Collective. Sammy has slid back a little this week, but her single “What You’ve Done To Me” is still performing well. It sits at number two. The Collective are also making their presence felt with “Surrender.” It was just pipped by Guy’s number this week, but a number six debut is nothing to sneeze at.

Click below to see this week’s ARIA top tens.

Continue reading “Guy Sebastian’s “Armageddon” Number One Again” →

Gotye Dominates 2012 ARIA Awards

Gotye showed he’s the current king of Australian music after taking home four of the silver pointy things at last night’s ARIA Awards.

The Melbourne singer-songwriter was recognised as the best male artist and best Australian live act. His album Making Mirrors was also named the year’s best album and the best pop release. He took the opportunity to pay tribute to the album format, which so many naysayers insist is dying, as well as the work of local musicians.

The other awards were spread out amongst the talented crowd. Gotye’s mate Kimbra won her second consecutive female artist of the year while The Temper Trap were named the best band and their self-titled album dubbed the best rock album. Matt Corby’s “Brother” was deservedly given the song of the year title.

The ceremony had its fair share of international talent, but the musical highlight arguably came from new hall of fame inductees Yothu Yindi. They were joined by Jessica Mauboy, Dan Sultan, Paul Kelly, and Andrew Farris for a rousing rendition of their smash hit “Treaty.”

And in case you missed the telecast, here are all the winners!

Album of the Year: Gotye – Making Mirrors
Best Male Artist: Gotye – Making Mirrors
Best Female Artist: Kimbra – Vows
Best Group: The Temper Trap – The Temper Trap
Breakthrough Artist: 360 – Falling & Flying
Best Independent Release: The Jezabels – Prisoner
Best Adult Contemporary Album: Missy Higgins – The Ol’ Razzle Dazzle
Best Blues & Roots Album: Jeff Lang – Carried In Mind
Best Hard Rock/Heavy Metal Album: DZ Deathrays – Bloodstreams
Best Pop Release: Gotye – Making Mirrors
Best Rock Album: The Temper Trap – The Temper Trap
Best Urban Album: Hilltop Hoods – Drinking From The Sun
Best Children’s Album: The Wiggles – Surfer Jeff
Best Comedy Release: Buddy Goode – Unappropriate
Best Country Album: The McClymonts – Two Worlds Collide
Best Dance Release: Ivan Gough & Feenixpawl feat. Georgi Kay – In My Mind
ARIA Song of the Year: Matt Corby – “Brother”
Best International Artist: One Direction
Best Australian Live Act: Gotye
Best Video: Natasha Pincus- Missy Higgins – “Everyone’s Waiting”
Best Classical Album: William Barton – Kalkadungu
Best Jazz Album: Sarah McKenzie – Close Your Eyes
Best Original Soundtrack/Cast/Show Album: triple j – Straight To You: triple j’s Tribute To Nick Cave
Best World Music Album: Joseph Tawadros – Concerts of the Greater Sea
Best Cover Art: Frank De Backer (Artwork & Handwriting) & Wally De Backer– Making Mirrors
Producer of the Year: Styalz Fuego – 360, Falling & Flying

Samantha Jade Tops ARIA Singles Charts

X Factor winner Samantha Jade has soared into the ARIA countdown to claim the top spot on the singles charts. Samantha Jade’s debut song “What You’ve Done to Me” achieved gold status in just two days, and wasn’t challenged for the number one.

She’s keeping company in the singles chart with her X Factor mentor Guy Sebastian. His latest release “Get Along” zoomed from number 34 all the way up to number five this week. Talk about a big mover!

Guy’s also the best performing Aussie on the albums charts. Armageddon’s jumped up one place this week to sit at number four.

Click below to read this week’s top tens.
Continue reading “Samantha Jade Tops ARIA Singles Charts” →

Samantha Jade Wins X Factor

After months of knockout rounds, Samantha Jade was the last person standing on last night’s X Factor final. The Western Australian pop princess took the title from second-place getter Jason Owen and boy band The Collective.

This has been a funny season for me to watch. I switched allegiances time and time again as my favourite acts were eliminated: first Fourtunate, then Nathaniel Willemse, then Bella, and finally The Collective at the final hurdle.

I also watched Sammi grow from the girl most likely to get the boot to the last woman standing. Her confidence seemed to soar, and as she did her performances grew stronger and her voice more self-assured. Her brand of music isn’t the sort of thing I’d rush out and buy, but she’s easily as talented as other similar chart toppers like Rihanna and Beyonce.

Many spoke of Jason’s journey through the competition, but even at the end I thought he was little more than a mediocre RSL act. He seemed like a nice guy with a fairly interesting story, but I failed to see that X Factor we’ve often spoken about. I’ll be surprised if he has a career that outlasts the show’s 15 minutes of fame.

The Collective are another matter though. They’re five very good looking boys with exceptional voices. Their moves are a bit naff, but they’re the same ones Human Nature performed that made me weak at the knees as a teen. Something tells me that kind of thing doesn’t have a use by date. Look out One Direction; these guys could easily steal your fans.

The competition unearthed plenty of other great talents too. I really hope to see Fourtunate and Bella capitalising on the exposure. Angel and Nathaniel also have that special something. Once again, we’ve seen the depth of talent Australia has to offer. Congratulations to all involved!

Tim Rogers, Bill Chambers, & Co. are The Hillbilly Killers

The Hillbilly Killers are a country supergroup the likes of which Australia has never seen, and they’re making their live debut at the 2013 Tamworth Country Music Festival.

The Hillbilly Killers’ impressive lineup features Bill Chambers, Tim Rogers, Catherine Britt, Shane O’Mara, James Gillard, and Michael Muchow. The motley crew came about over late night conversations about Hank Williams and other musical passions. Apparently the result is “musical perversity at its best.”

If you’re as intrigued as I am, make sure you get to Tamworth Services Club on January 23 for The Hillbilly Killers’ first show. Tickets are on sale now from Oztix.

Image used with permission from Premier Artists

INXS Call It a Day

After 35 years together, INXS have called it quits.

Jon Farriss announced the news at the band’s final concert with Matchbox Twenty in Perth on Sunday night, seemingly taking the rest of the band by surprise. Kirk Pengilly even reportedly texted Central Coast radio station 2GO with the words “It’s not true.” However with an official statement hitting press today, it seems the journey of this legendary Aussie act has indeed come to an end.

“We have been performing as a band for 35 years, it’s time to step away from the touring arena,” the band said. “Our music will of course live on and we will always be a part of that. We would like to express our heartfelt thanks to all the friends and family that have supported us throughout our extensive career. Our lives have been enriched by having you all as a part of the journey.”

I admit that I wasn’t all that kind to INXS after seeing them supporting Matchbox Twenty in Sydney, but I’m still saddened by the news. While I felt Ciarin Gribbin wasn’t the right fit for this iconic outfit, I hadn’t lost hope that they’d find someone to fill the gaping hole Michael Hutchence left. I also wonder why now. I remember reading an interview last year where the band seemed excited about recording new music. Their statement says they wanted to go out on a high, but surely taking one last victory lap as headliners, with fans knowing these shows would be the last, would have been much more satisfying than being someone’s opening act.

Perhaps INXS weren’t as confident as I was that they could ever recapture their glory days. Perhaps they’re just happy to bask in their legacy and let the royalties roll in. Either way I’m glad that I could see them one last time, even if it wasn’t with a perfect set.

Image source: own photo