Altiyan Childs Has The X Factor

Altiyan Childs has won the hearts of the nation, and the title of X Factor winner. After Andrew Lawson was ousted early on, it was down to Altiyan and Sally Chatfield.

SYDNEY, AUSTRALIA - JULY 30: (L-R) The cast of 'The X Factor' Natalie Imbruglia, Ronan Keating, Kyle Sandilands and Guy Sebastian pose during a media call on July 30, 2010 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)


Honestly at that point I didn’t much care who won, although Altiyan was my sentimental favourite. Everyone loves an underdog, don’t they? Something tells me Sally’s going to enjoy a career without taking home the gong.

Log on to bandit.fm from 10 pm tonight if you’re itching to own Altiyan’s single “Somewhere in the World.” Personally I’m happy to wait until we’re saturated by it on radio.

Well done to Altiyan though, and to Ronan for seeing what most of us couldn’t in those early days of forgotten lyrics. I’m feeling pretty thrilled for both of them right now!

Altiyan, Andrew, and Sally Battle It Out on “The X Factor”

We’re finally at the pointy end of The X Factor with Sally Chatfield, Andrew Lawson, and Altiyan Childs all vying for the title.

Sally Chatfield kicked us off by reprising her version of Queen’s “Don’t Stop Me Now.” I’m not generally a fan of redoing what you’ve already done, but I think this topped her last performance of it. It’s almost as if the lack of judging tonight freed her. She seemed so confident and at ease, and that gave a beautiful quality to her performance.

Andrew Lawson was up next with his duet with James Blunt on “You’re Beautiful.” I was really enthusiastic at the start, thinking the song was a great fit for Andrew, but then the chorus kicked in and I cringed. His falsetto just isn’t there, and it really showed his vocal flaws. Thank goodness for James Blunt’s appearance to cover those bum notes!

Altiyan Childs gave us our first taste of the winner’s single “Somewhere in the World,” and I must say that I liked it. Ordinarily these songs are cookie cutter inspirational tracks, but I wouldn’t mind hearing this on the radio. It’ll be interesting to see what the other contestants bring to the song, but Altiyan’s take gets my seal of approval.

Continue reading “Altiyan, Andrew, and Sally Battle It Out on “The X Factor”” →

Mahogany Out of X Factor Race

After sitting through another excruciating X Factor elimination show I’m starting to rejoice that the season is winding down. This time around I didn’t even have the contestants singing for their lives to keep me entertained, just a couple of performances from guest artists that I didn’t really care about. Clearly the nation disagrees with me as Ke$ha charts like crazy, but I felt bored.

I was surprised to see Andrew Lawson named as the first person through to the grand final, but he’s been the Teflon kid all year so I probably shouldn’t have been. Altiyan’s reprieve was expected and well deserved, but sadly it left Sally and Mahogany awaiting the axe.

I had a feeling that Mahogany would get the boot after so many bottom two finishes, and sadly I was right. It’s hard to see anyone go at this point, but I really felt they were the stand-out last night, and on so many nights before. Hopefully we see these girls doing something outside this reality TV machine; they’re far too talented for us to never hear from them again!

SYDNEY, AUSTRALIA - JULY 30: (L-R) The cast of 'The X Factor' Guy Sebastian, Natalie Imbruglia, Ronan Keating and Kyle Sandilands pose during a media call on July 30, 2010 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)

The X Factor Contestants Take on Chart Topppers

Tonight The X Factor finalists looked set to show some star quality with the theme of “chart toppers.” I must admit, I was a little nervous about this theme as so often my favourite tunes never win any popularity polls. However with Robin Gibb acting as guest mentor I hoped our final four could pull something worth watching out of the bag.

Andrew Lawson made all of my fears come true with his rendition of “Uptown Girl.” I love the Billy Joel version, but this felt more like that lacklustre Westlife take, with an added dose of awkward. It was totally cheesy and there was a real lack of dynamics or connection. You just can’t count on the dancers to win it for you.

I was pretty thrilled to see Mahogany was taking on one of my favourite guilty pleasures, Bryan Adam’s “Heaven.” Throw in a key change, those magnificent harmonies, and a stripped back performance free of those distracting dancers and pyrotechnics and you’ve got something magical. This is a classic example of the old adage “less is more.”

Sally Chatfield gave another strong performance this week with Pink’s “Just Like a Pill.” Vocally I can’t fault her but I’m starting to feel a gloss that undermines the connection to the songs. I couldn’t help casting my mind back to Nathan from Australian Idol a few years ago, the way he delivered it with such rawness and intensity. While she was high fiving the audience and fist pumping that message, that truth about the song was just a bit lost.

After lamenting the lack of connection shown by other acts, Altiyan Childs delivered what I was after. “The Living Years” is one of those songs I have a deep personal connection to. I was released just after my grandfather’s death, and it really painted the picture of the relationship he had with my own dad. I wasn’t sure he could do it justice considering all of the meaning I have invested in it, but he did. Altiyan is starting to become the heart of the show, and honestly I think that’s more important than a pretty voice.
Continue reading “The X Factor Contestants Take on Chart Topppers” →

Ruby Noir Funk and Soul Nights at Ruby’s Lounge

You don’t need to head to New Orleans to experience big brass sounds and the best soulful funk around. Ruby’s Lounge is bringing these feel-good sounds to Melbourne with their monthly big band nights.

Known as Ruby Noir, the evenings look to transport patrons back to the prohibition era with its underground speak-easies, all with a fun modern twist. It kicks off on November 20 with the 10-piece Lowdown Street Orchestra. DJ Paper will also spin vintage tunes in between the sets.

It sounds like a lot of fun, so don your best glad rags and check out the action!

Image source: Thilini Mahaliyana @ Flickr

British India’s New Single and Website

British India may be swanning about the UK, but that doesn’t mean they’ve forgotten their local fans. They’ve just released a brand new single, which ups Paul Simon’s efforts and offers “90 Ways to Leave Your Lover,” and launched a brand new website to boot.

In conjunction with the website launch you can receive a free demo of a new song “It Happens All The Time” when you sign up to the new British India mailing list. The tune gives us a sneak peek at the band’s forthcoming album, which will hit stores in 2011.

Head to www.britishindia.com.au to check out everything else that’s brand spanking new, including the upcoming United Kingdom and New Zealand tour dates!

Luke and Joel Booted from The X Factor

I said that after a fairly uneven night of X Factor, I wasn’t really sure where the axe was going to fall. But I didn’t expect to see Luke and Joel and Mahogany in the firing line.

It must have been a hard night for Guy Sebastian, who forced the judging to a public vote rather than eliminate one of his own. As it turns out it wouldn’t have mattered; Luke and Joel were gone whichever way we cut it.

I’m sorry to see these two go. I was incredibly skeptical when they made it to the finals, but they’ve won me over with their sunny personalities, exceptional ability to interpret a song, and real musical flair. I hope we see a lot more of these boys on the outside.

SYDNEY, AUSTRALIA - JULY 30: (L-R) The cast of 'The X Factor' Natalie Imbruglia, Ronan Keating, Kyle Sandilands and Guy Sebastian pose during a media call on July 30, 2010 in Sydney, Australia. (Photo by Mike Flokis/Getty Images)

Great ARIA Awards, Shame About the Ceremony

The ARIA Awards are intended to celebrate the year that was, and on paper they did just that. Angus and Julia Stone deservingly took home the lion’s share of the pointy statues. Their sophomore effort Down The Way was named album of the year, best adult alternative album, and best cover art, its second single “Big Jet Plane” single of the year, and the duo was named producers of the year.

I was also thrilled to see Washington bag a double for female artist of the year and breakthrough artist, and outgoing act Powderfinger recognized by the new popular awards for album and artist.

What a shame that the ceremony itself wasn’t fitting of the artists it recognised. I use the word ceremony loosely, because really there wasn’t anything ceremonial about it. I’m not suggesting the ARIAs need a great deal of pomp, but this thing was so relaxed that it got messy.

I cringed watching presenters wading through crowds to hand out the gongs, and seeing speeches given amongst the throng. The concept of making the awards accessible to the public looks good on paper; this music is for the people after all. But the execution was lacking last night. I’m not sure whether it made any more sense at the event, but at home watching on the TV it appeared shambolic.

The performances helped to save it, of course. We can always rely on our musicians to turn out quality acts, and they did. I loved Washington’s saucy delivery of “Sunday Best,” and Dan Sultan stepping in for INXS. If they’re looking for a replacement for JD Fortune any time soon, he’d do a great job.

While those musical numbers helped make the event watchable, they couldn’t save it completely. I only hope that next year our musicians get the ceremony they deserve.

The X Factor Celebrates Oz

With ARIAs fever in the air, our X Factor finalists took on Aussie hits.

Luke and Joel kicked things off with The Living End’s “White Noise.” It was a smart choice as The Living End have always been more about the energy than the technical skills. This is where these boys excel. They didn’t blow me away as they did last week, but that landed them in the bottom two; maybe it’s better to be solid at this point.

When I heard Sally Chatfield was taking on The Veronicas, I’d hoped she’d do “Everything I’m Not.” But I don’t know; there were some really nice moments but it just didn’t quite jump off the page for me. I loved the way she asserted herself, and that lovely spontaneous moment with the guitarist, but I’m just not sure she gave us all of herself. They seemed to lap it up in the studio, but I just wasn’t feeling it at home.

Andrew Lawson dished up a bit of Sam Sparro’s “Black and Gold.” This was so theatrical and over the top. The song choice was lovely and his vocals were brilliant, but for me it was just too glossy to take seriously. I think if it was stripped back this would have been much more convincing. I’ve often felt that The X Factor goes overboard on the production, and this is a prime example.

I never would have thought of picking a bit of Daryl Braithwaite for Mahogany, but I thought their version of “The Horses” was brilliant. Well done to Guy for remembering that Australian music didn’t start with the naughties. This was the most believable performance of the night. I can’t imagine Mahogany being in the bottom two after this.

Altiyan Childs closed the night with a really lovely version of “Never Tear Us Apart.” It was all those things I’ve been banging on about, being believable and authentic and stripping it all back to the root of the song. He’s definitely coming into his own, and it’s a beautiful thing to see.

After a fairly uneven night it’s hard to say who will go. I know who my favourites were, but we’ve all got to factor in that sympathy element. We’ll find out tomorrow night where the axe will fall.

Have the ARIA Awards Sold Out? You Bet Barnesy

Jimmy Barnes made some telling comments in the media today, slamming the ARIAs and the way they’ve become more about television ratings than the music. I’ve got to admit, I tend to agree.

Years ago I remember attending several ARIA Awards. I cheered on the world music artists I’d chatted to earlier in the night as well as bands who were already my favourites, and celebrated the beautiful landscape of Australian music.

But that sense of community seems to have been taken away this year as awards were presented at ARIA Genre Awards concerts rather than the main event. These genre awards saw gongs go to some big names: jazz man James Morrison, children’s entertainers The Wiggles, country sister act The McClymonts, and the soulful Dan Sultan amongst them.

These artists might not be flogged to death on commercial radio as the acts that will take home Sunday night’s awards are, but isn’t that kind of the point? Why do international guests with no connection to music like Carmen Electra and Eric Stonestreet find a place at Sunday’s awards when the performers that make the Australian music landscape so rich don’t? I love Modern Family as much as the next person, but it makes no sense to me. I’d much rather celebrate the melting pot that is the Aussie music industry than only the performers that already bask in the limelight.

I was happy to see the ARIAs move back to Ten after the awkwardness of last year’s ceremony, but now I’m just not sure.

Image used with permission from Javelin Australia