I haven’t heard anything from The Demon Parade since they released their debut EPGod Said It’s Legal last year. But now they’re back on my radar with their new single “All The Cool Kids.”
The Melbourne lads are sticking to what works here, serving up more of the Brit-pop influence psychedelia that first turned my head. It might have been nice to see a little more growth, but this is clearly a band that knows its sound.
Sydney’s acclaimed jazz trio The Necks are releasing their big 16th studio album today. Mindset marks a bit of a milestone for the band, as it’s their first album to be released in both CD and vinyl formats.
The disc features just two sprawling and starkly different numbers, the throbbing “Rum Jungle” and dreamy “Daylights.”
“Mindset shares some elements in common with our previous album Silverwater, mostly in some mixing approaches and rhythmic devices; a reflection of our ongoing fascination with polymetric material and varying simultaneous pulses,” explained The Necks’ drummer and percussionist Tony Buck, “but it’s a whole other thing again, and what’s more, the two tracks are very different from each other – ‘Rum Jungle’ displays the live approach of the trio of piano, bass, and drums a lot more; ‘Daylights’ features a bed of electronics and little sounds that slowly converge and coalesce into a multi-layered, multi-tempo, swirling soundscape.”
Melbourne alt-country singer Ben Wright Smith will play a hometown show at Red Bennies tonight to support the release of his debut album Autumn Safari.
The disc shows the way Ben has grown since releasing his EP Benny and the Kid. While it was straight down the line acoustic folk the album shows more character, with haunting numbers paired with more upbeat, bass driven tunes.
I’ve fallen hard for the romantic single “Been Thinkin’ About You.” It’s simple, but that only proves that often the best things aren’t overcomplicated. If you like it too you can download it for free from Ben Wright Smith’s Triple J Unearthed profile page.
Made in Japan are going from strength to strength since they were signed up to General Pants Co’s Major Label last April. They’re preparing to release their debut album Sights & Sounds next February, but are already giving fans a taste with the title track.
I love the tracks cruisy retro feel, which has me anticipating more. If it makes you feel that way too you can check out a few other songs at Made in Japan’s Bandcamp page.
It’s been 13 long years since Dig, or Directions in Groove as the uninitiated call them, have released a studio album. Back then I was a teenager more interested in good looking boy bands than acid jazz. I knew of the Sydney band, but their new album Clearlight is the first time I think I’ve listened to them properly.
It’s all a bit different this time around. The addition of Laura Stitt on vocals, a replacement for original singer Scott Saunders, brings a new energy to the group. That female voice gives a haunting, ethereal quality to the tunes she fronts. I particularly like her work on the laidback groove, “Blind.” That difference also makes Dig feel very modern. As much as I loved the 90s, we can’t be stuck there after all.
I feel that the songs with Laura’s vocals are the album’s strongest. Her voice seems to provide an anchor which ensures the tunes don’t get too aimless. Instrumental tunes like the Latin flavoured “New Sense” start out so strong, but they tend to drag a bit towards the end.
While some tunes petered out, I found Clearlight really easy to listen to. For the most part it didn’t grab me around the throat, although the epic drum-driven “Reality” was a notable exception. However it was great background music to get me through my working week. It’s the kind of disc I’d slip on as a party was starting to wear down, or perhaps to nurse the hangover the next day.
Clearlight’s not a perfect album, but it makes me glad Dig are back on the local music scene, especially now I’m old enough to appreciate them.
Dig kicks off their Clearlight tour in Brisbane tonight. Here are all the places you can catch them.
17 November 2011 – The Old Museum, Brisbane
18 November 2011 – The Sound Lounge, Gold Coast
19 November 2011 – Tanks Arts Centre, Cairns
26 November 2011 – The Governor Hindmarsh, Adelaide
3 December 2011 – The Studio @ Sydney Opera House, Sydney
10 December 2011 – Corner Hotel, Melbourne
Humpdays are always hard to handle, but they’re made a little easier with some sweet soul music. Saskwatch deliver just that with their new double A-side 7-incher “Don’t Wanna Try/Pushin’ Me Away.”
Saskwatch knows that not everyone has the old technology to play a 7-inch album, so you can listen to it digitally here. I love the way the single captures the duality of the band. “Don’t Wanna Try” is sweet and tender, while “Pushin’ Me Away” shows real spunk.
Saskwatch will celebrate the single’s release with two big shows at Fitzroy’s Workers Club on November 24 and 25. Presale tickets are just $10 and come with a complimentary CD, so make sure you get in early to score some free soul music!
It seems like Georgia Fair have been impressing me forever with their laidback folky acoustic guitar driven tunes, so I’m pretty excited to hear they’ve finally got an album on record store shelves. To celebrate the recent release of All Through Winter the band will play a launch show at The Toff in Melbourne this Wednesday, November 16.
All Through Winter was recorded in North Carolina with Bill Reynolds from Band of Horses overseeing proceedings.
“It’s once in a blue moon that I come across a group with such great harmonies and great songs. I knew I had to find a way to work with them,” he explained. That’s some endorsement!
The album showcases the low-key harmonies and sophisticated songwriting that Georgia Fair is known for. It also features the band’s gorgeous new single “Where You Been.”
Look for All Through Winter in stores now, and get yourself along to The Toff this Wednesday if you know what’s good for you!
New Zealand’s favourite sons The Checks are celebrating the recent release of their new album Deadly Summer Sway with a very special Sydney show next month.
The album was recorded at Neil Finn’s Roundhead Studios with the help of Grammy award winning producer Bassy Bob Brockman (TLC, The Fugees, Mary J Blige). It features The Checks’ new single “Candyman Shimmer,” which shows off a much more chilled side of the band than I’ve heard before. I wouldn’t call it sleepy, but this cruisy tune is perfect for a lazy summer day. If you like it you can grab a free download from The Checks website.
The Checks will play an intimate set at Goodgod Small Club on December 15. They’re in fine form at the moment, having just wrapped up a 13-date tour of their homeland. I know we’re all strapped for cash with the holidays approaching, but the tickets cost just $8 pre-ordered and $10 at the door.
Sydney’s The Sweet Apes are impressing all the right people, and they’re not even out of high school.
The band’s new single “Police Cops” is on high rotation on Triple J, and its video has received more than 13, 000 views. It scored two thousand of those in its first week of release.
It always seems a bit condescending to bring up the age of a band, but I’m completely impressed that these kids sound this good at 16. Ray has got one of the gutsiest voices I’ve heard in some time, and the instrumentalists backing her create a sound that’s so powerful. This isn’t about being good for their age. It’s about being good. Their potential is downright scary.
“Police Cops” comes from The Sweet Apes debut EP, which will hit stores on February 2012. Sydneysiders can catch them in the flesh at The Metro Theatre’s Lair on November 27.
I’m pretty excited at the coming together of one of my favourite Australian singers and my favourite musical decade. After tackling the standards more than once, show tunes, and the sounds of the swinging sixties, David Campbell is setting his sights on the 80s.
Next week David will release Let’s Go, an album featuring covers of tunes by Wham, Dexy’s Midnight Runners, and The Style Council. Oh and there’s this version of Soft Cell’s “Tainted Love.” Not to mention a version of my favourite song ever, “True.” Needless to say, I’m beyond excited.
Let’s Go hits stores on November 18, which is not so coincidentally the day that tickets go on sale for his next Aussie tour. David never does these things by halves; I’m sure you’ll be able to catch him busting out the retro numbers somewhere near you!
16 February 2012 – Belmont 16ft Sailing Club, Belmont
17 February 2012 – State Theatre, Sydney
25 February 2012 – Festival Theatre, Adelaide
10 March 2012 – QPAC Concert Hall, Brisbane
16 & 17 March 2012 – Palms @ Crown, Melbourne
12 & 13 April 2012 – Wagga Wagga Civic Theatre
14 April 2012 – Civic Theatre, Orange
19 April 2012 – Manning Entertainment Centre, Taree
20 April 2012 – Glasshouse Theatre, Port Macquarie
21 April 2012 – Civic Theatre, Newcastle
27 April 2012 – Llewellyn Theatre, Canberra
28 April 2012 – Regional Entertainment Centre, Bathurst
3 & 4 May 2012 – Performing Arts Centre, Wangarratta
5 May 2012 – Entertainment Centre, Albury
10 & 11 May 2012 – Regional Theatre & Convention Centre, Dubbo
12 May 2012 – West Tamworth Leagues Club, Tamworth
16 May 2012 – Performing Arts Centre, Mandurah
17 May 2012 – Queens Park Theatre, Geraldton
18 May 2012 – Perth Concert Hall
19 May 2012 – Regional Entertainment Centre, Bunbury
31 May 2012 – Performing Arts Centre, Colac
1 June 2012 – Warnambook Entertainment Centre, Warnambook
2 June 2012 – Sir Robert Helpmann Theatre, Mt Gambier
7 & 8 June 2012 – Capital Theatre, Bendigo
9 June 2012 – Eastbank Centre, Shepparton
14 June 2012 – Performing Arts Centre, Frankston
15 June 2012 – Her Majesty’s Theatre, Ballarat
16 June 2012 – GPAC Playhouse Theatre, Geelong