The Northern Folk Play Festivals For “Cold”

I was sure I must have written about “Cold,” the latest single from Melbourne 10-piece The Northern Folk, before. It’s such a cool song, a little brooding with stellar vocals and one of the best sax breaks you’ll hear. It’s so good that they sold out Northcote Social Club when they launched it. Yet I searched my archives and nothing. So I apologise for the oversight.

Now with the release of the clip’s music video, it seems a perfect time to correct my mistake. It was created by celebrated director and producer Mark Day in close collaboration with The Northern Folk. The band star alongside Michael Nikou and Tanya Alers is the clip which represents human consciousness in all its dark, flawed beauty.

“’Cold’ is about the insecurities that tie us down for fear of the unknown, and the emotional distance they create. Shot in the sparse Riverina landscape, a couple find themselves confronted by the manifestations of their insecurities, and must make the choice to be led by them, or to reject them and take control of what they want to be,” the band explains.

Fresh from Woodford and in fine form, The Northern Folk will play a swag of great festivals over the coming months. Here are all the places you can catch them.

25 – 28 January 2019 – Newstead Live Music Festival, Newstead
10 February 2019 – St Kilda Festival, St Kilda
15 – 17 March 2019 – Blue Mountains Music Festival, Katoomba
29 – 31 March 2019 – The Hills Are Alive Festival, South Gippsland

Image used with permission from This Much Talent

Nautical Mile Announce Single Shows for “Regicide” Release

Perth punksters Nautical Mile are taking their music to fans around the country next month, following the release of their latest track “Regicide.”

“The title ‘Regicide’ comes from the act of killing a monarch; the betrayer is wanting to be someone’s queen and putting themselves on a pedestal, when in reality they’re just as likely to stab you in the back. The title can either be interpreted as this betrayal of the “king” or the act of killing the relationship (and thus the “queen”) and moving on,” explained frontman Brodi Owen. “The lyrics describe the almost cyclical nature of relationships like this, the back and forth of constantly trying to please someone only to be disappointed, and the process of coming to terms with this and breaking free of the toxic environment.”

Nautical Mile are going back into the studio after this tour, so it’ll be your last chance to see them for a while. Take advantage of the opportunity at the following shows.

1 February 2019 – Amplifier Bar, Perth
8 February 2019 – Enigma Bar, Adelaide
10 February 2019 – Bar Open, Melbourne
15 February 2019 – Rack Em Up, Lilydale
16 February 2019 – Whole Lotta Love, Melbourne
17 February 2019 – Hideaway Bar, Sydney
19 February 2019 – Club Azzurri, Newcastle
21 February 2019 – The Brightside, Brisbane

Image used with permission from Collision Course

Asha Jefferies Releases Live Track Ahead of EP Release & Tour

I’ve admired Asha Jefferies music for so long that I was surprised to read she’s yet to release an EP. That will all change next month when her debut EP, Hold Yourself Together, drops. She’ll give us all an opportunity to learn the words to those new songs before hitting the road a week later.

If you’ve never seen Asha live, listening to her new live version of “Everybody Talks,” recorded at The Tivoli, might convince you to change all that. This stripped back version takes this song to the next level, encouraging you to hone in on those lyrics and the song’s meaning.

Hold Yourself Together drops on February 1. She’ll play the following EP launch show to celebrate its long-awaited release.

8 February 2019 – Black Bear Lodge, Brisbane
9 February 2019 – Byron Bay Brewery, Byron Bay
14 February 2019 – Golden Age Cinema, Sydney
15 February 2019 – Retreat Hotel, Melbourne
16 February 2019 – The Espy, Melbourne
1 February 2019 – Nannup Music Festival, Perth

Shorelines Get Acoustic With New Single “How I Feel”

Brisbane’s Shorelines are showcasing a softer sound with their latest single “How I Feel.” It’s not just the bare-it-all emotion of this song that sets it apart. The gentle strumming acoustic guitar makes this a very different offering from one of the nation’s favourite punk rock bands.

Expect Shorelines to play “How I Feel” and all the hits at their shows around the country next month. All gigs are open to all ages and on sale now.

2 February 2019 – Fusebox, Sydney
3 February 2019 – Wrangler Studios, Melbourne
9 February 2019 – Nexus Arts Centre, Adelaide
16 February 2019 – East Brisbane Bowls Club, Brisbane

Listening to Cap Carter, a Real “Thrill”

Western Sydney’s Cap Carter is bouncing back from hard times with a vengeance. In just 12 months his band broke up, he lost a friend, and he battled mental health problems. It could have broken him, but he used his struggles to fuel some powerful music. The result is “Thrill,” a powerful track recorded in the United Kingdom with Macklemore’s producer iSaintJames. Cap met the influential producer via Instagram and they bonded immediately over their mental health battles, grief, and passion for music. The song deals with many of these hard-hitting issues, but it’s also tinged with an optimism that things will get better.

“I was by myself for a long time that year. Locked myself up internally and tried to figure out what the hell was going on with life,” Cap explained. “I was angry, frustrated and tired about getting nowhere as a musician and as a person. So I did what anyone else would do, I wrote. Lost count of the bottles and I screamed every word ‘til I felt like my soul was healing. That is what my music is – a soul cleanse. A plea for some sort of tourniquet to stop the bleeding.”

“Thrill” is such an emotional song, and one that hints Cap Carter may be our next big thing. I can’t wait to hear more from this exciting local musician.

Image used with permission from The A&R Department

Nat Smithson & Nights on Mayfair Join Forces for “What Life Wants For Me”

Soulful singer-songwriter Nat Smithson has joined forces with Motown-loving Nights on Mayfair for the feelgood gem, “What Life Wants For Me.” While it was released late last year, it perfect encapsulates the New Year ethos of moving forward on our intended paths.

While the lyrics hit a home run, take a moment to appreciate its spontaneous, energetic sound. The new supergroup used vintage valve and tape equipment to capture a live spirit in the studio. The studio doors were thrown open when laying down the piano. If you listen closely you can hear the sounds of the city streets and local birds on the track.

Nat Smithson and Nights on Mayfair are a match made in heaven. Hopefully this is the first of many collaborations for these guys.

Young Robin Releases Perfect Summer Soundtrack, “Spaces”

Perth band Young Robin are spreading good vibes with their upbeat new single “Spaces.” It’s a real ear-pleaser with smooth vocals from Jed Begho and Ben Teune and hooks to spare. It cruises along with the perfect summer groove.

“Spaces” comes from Young Robin’s EP Transitions. They’ll help you shake off the New Year Hangover” at Last Night tonight before playing Peel Estate Winery’s Summer Series show on February 10.

Image used with permission from Firestarter Music

Kezra Strikes an Emotional Chord With “Missing You”

Kezra bowled me over with her debut single “Better Place” last year. She proves she’s no one-trick pony with the release of her latest song “Missing You,” a track that’s every bit as compelling as the first.

Kezra is such a special artist. Her voice is so angelic and pure, her lyrics so intimate and exposed. I love the way this track builds to such an emotional crescendo. The song explores the lingering grief we have when we lose loved ones, especially when we’re enjoying success and moments we wish they could share.

“This would have to be one of my most personal and vulnerable songs I have released and I’m so happy to share a little bit of my heart and soul with you,” Kezra said in a statement.

Kezra will launch “Missing You” at The Grace Darling in Melbourne on January 18.

Image used with permission from Beehive PR

Ruby Tuesdays Get Raw With New Single

Wollongong outfit Ruby Tuesdays wear their heart and influences on their sleeve with their epic new rock single, “Why You Always Gotta Fight Me.”

It’s such an emotional track, with blues and soul influences driving it along to its searing crescendo. I love the way this one builds with crashing percussion, wailing guitars, and those ever-more urgent vocals from Mate Jones.

The film clip is a creative departure for Ruby Tuesdays, which works beautifully, as guitarist Shaun Snider explained.

“For the ‘Why You Always Gotta Fight Me’ video, we thought we’d do something different to our other clips, which are basically just us miming to the songs …Somehow we were lucky enough to trick former Miss Earth, Lyndell Kean, to get on board. We shot a story that gives you snapshots into the dissolution of a relationship. We also wanted to capture and relay the energy from our live shows. Once we mixed footage from the two to make what I think is our best clip yet.”

Ruby Tuesdays will play shows early next year, although right now the single launch is the only one locked in. Catch Ruby Tuesdays at the Heritage Hotel, Bulli Bulli, on February 23.

Image used with permission from Beehive PR

Broads Stun With “I Fed the Horse”

I urge you to take a few minutes out of your day to listen to “I Fed the Horse,” the latest track from Melbourne indie darlings Broads. This isn’t one of those songs that should serve as the background to your housework or holiday socialising. It’s the kind of single that should really be listened to, with complete and utter attention.

Crooning vocals are one of Broads’ trademarks, but the sublime harmonies on this track are some of the best I’ve heard. They wring every inch of emotion from this song. They anchor the song, drawing you in so that by the powerful climax, you’re totally invested.

“I started writing ‘I Fed The Horse’ with just a feeling in mind. Or a lack of feeling – an emptiness, a detachment from everyone around me. For a while I was worried something inside was incurably broken. Of course, I’ve come to realise this was not the case. But such a feeling can be drawn out of you by its own strong will, and the song seemed to just grow into itself.”

“I Fed the Horse” is the second single lifted from Broads’ sophomore album, which will be released early next year.

Image used with permission from Heapsaflash