Category: Album Reviews

Posted on by Lauren Katulka

“All These Walls” – Gretta Ziller

When Gretta Ziller released her sophomore album Judas Tree, she declared “I don’t want to do the same thing twice.” She stays true to her resolve with the release of her third album All These Walls, an eclectic collection of songs that challenge our perceptions of the alt-country genre.

Gretta might have been nominated for a Golden Guitar, but she’s so different from so many of the artists who make their names at Tamworth. As with her last album she plays with genre, dabbling in pop, soul, blues, and roots. She lays her feelings bare with stunning country ballads like “Dear Damascus” and “Golden Days, encourages us to dance along with bops like “Ain’t Even Your Lover” and “St Louis”, and makes us pause to take in every note of poignant soul-stirrers like “Here I Am” and “Who Knows.” While the album takes us on a sonic journey, Gretta’s beautiful warm voice and knack for storytelling are ever-present forces that unite the material. You always feel like you’re in good hands as you listen, no matter the twists and turns.

I’ve been listening to All These Walls for the last week or so, and honestly, I enjoy it more with every listen. Every song stands up in its own right, but together they beautifully reflect an artist exploring her space in the world, her relationships with others and herself. All These Walls is out today. Gretta Ziller is currently touring, playing mostly acoustic solo shows that really allow her to connect with her audience and the audience to connect with these songs. You can still catch her at the following gigs:

25 August 2023 – The Noojee Hotel, Wurundjeri Country/Noojee
26 August 2023 – George Lane, Euro Yuroke/St Kilda
27 August 2023 – Bayview Country Arts Club, Bunurong Country/Bittern
19-23 September 2023 – Americana Fest, Nashville
29 September 2023 – Deni Ute Muster, Barababaraba Country/Deniliquin
16 November 2023 – Qirks, Wanaruah Country/Kurri Kurri
17 November 2023 – Wingham House, Birrbay Country/Wingham
19 November 2023 – Can You Keep a Secret, Meeanjin/Brisbane
1 December 2023 – The Palais, Dja Dja Wurrung Country/Hepburn Springs
26 January 2024 – Moonshiners, Kamilaroi/Tamworth

Images used with permission from On the Map PR; main image credit: Noah Sole

Posted on by Lauren Katulka

“Rivers Run Dry” – Ian Moss

Rivers Run Dry is Ian Moss’ eighth studio album, but he shows no signs of slowing down. In fact, he might be making the best music of his career.

I’ve already celebrated the singles “Nullarbor Plain” and “Rivers Run Dry,” but this album has so much more to offer. The information on Mossy’s website states “The song selection for Ian Moss’ new album, Rivers Run Dry, was simple. No matter the style or genre, just finding good songs was the goal.” That’s what he delivers here. 12 good songs. No, scratch that, 12 great songs. And yes, as those online comments suggest, there are some unexpected ones among them. “Open Your Eyes” is a funk-forward track that wouldn’t sound out of place in a hot ‘70s disco. “Bury Me,” a duet with Kasey Chambers, is earthy and rootsy. The heavenly voices of a gospel choir make listening to “What Can I Do” a spiritual experience. And I definitely didn’t expect him to close out this album of incredible originals with a Stevie Wonder cover.

River Runs Dry is an album that keeps you guessing, but it’s also one that proves Mossy really can do it all. His voice is maturing like a fine wine and his guitar licks are always on point. He’s an absolute pro who’s made me excited about his music all over again with this album.

Ian Moss will wrap up his full-band shows tonight, but if you missed out don’t worry. He’ll be back in a couple of months with some acoustic gigs. Here are all the dates you need:

18 August 2023 – The Regal Theatre, Boorloo/Perth
23-28 August 2023 – Stranded in the Whitsundays, Ngaro Country/Whitsundays
21 October 2023 – Glasshouse Theatre, Guruk/Port Macquarie
27 October 2023 – Lighthouse Theatre, Gunditjmara Country/Warrnambool
28 October 2023 – Hamilton Performing Arts Centre, Gunditjmara, Tjapwurong, and Bunganditj Country/Hamilton
3 November 2023 – Albury Entertainment Centre, Bungambrawatha Country/Albury
4 November 2023 – The Capital Theatre, Dja Dja Wurrung and Taungurung Country/Bendigo
10 November 2023 – Airlie Beach Festival of Music, Ngaro Country/Airlie Beach
18 November 2023 – This is Livin Fest, Kabi Country/Rainbow Beach
25 November 2023 – Queenscliff Music Festival, Wadawarrung Country/Queenscliff
8 December 2023 – Wangaratta Performing Arts Centre, Bpangerang Country/Wangaratta
9 December 2023 – Swan Hill Town Hall, Matakupaat/Swan Hill
15 December 2023 – The Wedge, Wayput/Sale
16 December 2023 – Gippsland Performing Arts Centre, Gunaikurnai Country/Traralgon
25 January 2024 – Longyard Hotel, Kamilaroi Country/Tamworth


Images used with permission from Ferris Davies PRM; main image credit: Robert Hambling

Posted on by Lauren Katulka

“Tales of the Yeti” – South Summit

South Summit are one of the most consistent and criminally underappreciated bands in the country at the moment. If this Western Australian act isn’t on your radar yet, their latest EP Tales of the Yeti is bound to make you sit up and take notice.

This EP shows a real evolution for the band as they play with different genres and sounds. They’ve always had a cool surf sound, but I’ve never heard them leaning into reggae as much as they do in the opening track “I Feel It.” The good vibes continue with “Sidelines,” a straight up indie-rock charmer that I can imagine blasting on my next road trip, and “Just Like You” a sunshine-infused gem that will have you singing along with its infectious chorus. I can imagine tracks like “Tuned In” and “Dreaming” going off at the live shows. They’re a little more anthemic and epic, with big chords and defiant lyrics. “Fallen Friend” is such a strong closer, with powerful, poignant lyrics that speak straight to the heart.

What a journey Tales of the Yeti takes listeners on. With six songs, it’s a little longer than most EPs, but I still find myself wanting more. Like when you have a really amazing main meal, and although it’s totally satisfying you can’t resist peeking at the dessert menu to see how good that’ll be. If you’re digging this EP too, make sure you get to one of South Summit’s headlining shows in Australia or New Zealand this November. They’re also playing the Odyssea – Headland Music & Arts Journey festival this weekend.

19 August 2023 – Odyssea – Hedland Music & Arts Journey, Marapikurrinya/Port Headland
2 November 2023 – La La La’s, Woolyungah/Wollongong
3 November 2023 – The Lansdowne, Eora/Sydney
4 November 2023 – Howler, Naarm/Melbourne
10 November 2023 – The Brightside, Meeanjin/Brisbane
11 November 2023 – The Northern, Cavanbah/Byron Bay
17 November 2023 – Whammy Bar, Auckland
18 November 2023 – The Loons, Christchurch
19 November 2023 – Meow, Wellington
24 November 2023 – The Rosemount, Boorloo/Perth


Images used with permission from beehive; main image credit: Mark Francesca

Posted on by Lauren Katulka

“Duets” – Kevin Borich

I had pretty high expectations for Kevin Borich’s new album Duets the moment I looked over the track listing. It should come as no surprise that his Aussie guitar icon had no problem recruiting some top talent for this release. But you might still be surprised how good this album is.

Kevin is one of the nation’s best singer-songwriters, so I expected the original songs would be top-notch. He’s also one of our best guitarists, so I knew the tracks would sound good. He’s not the best vocalist in a classic sense, but his voice is full of character. And he’s partnered up with some excellent vocalists, including Baby Animals frontwoman Suze Demarchi, who has one of the best rock voices in the business, and Angela Fabian, who made such an impression on me a few years ago on The Voice Australia.

What I didn’t quite expect was the energy that leaps from this album. You can almost hear how much fun Kevin and his pals are having in the studio. It’s also so diverse that you’re never going to get bored. “Wrapped in Rock,” with Suze Demarchi and the politically charged “Soapbox Bitchin’” with Angry Anderson rock hard. “I’m Together,” with Ella Hooper, is a sweet love song that sounds like it could have come from a Cole Porter musical. “There is a Road,” with another Party Boys bandmate Swanee, takes us straight to church. As someone who grew up on the Eagles, I have such a soft spot for “The Fires,” featuring Kevin’s old Party Boys bandmate and Eagles guitarist Joe Walsh. “Straight From My Heart,” with fellow guitar legend Ian Moss, is another standout. And that’s to say nothing of the fantastic tunes recorded with Joe Camilleri, Tim Rogers, and Leo Sayer.

With such an impressive list of guest artists on its side, most Aussie music fans will want to give Kevin Borich’s Duets at least one listen. But don’t be surprised if, like me, you find yourself pressing play time and time again.

Images used with permission from SGC Media

Posted on by Lauren Katulka

“Sad King Billy” – Sad King Billy

After honing his craft with Western Australian bands like Old Blood and the Southern River Band, Julian Peet is striking out on his own. Recording under the moniker Sad King Billy, he’s just dropped his self-titled debut. This diverse collection of songs serves as the perfect introduction, or perhaps reintroduction, to this talented artist.

The opening track “Bad Man” drew me in with its chilled guitar groove and poetic lyrics. I’m such a sucker for a great turn of phrase. But this is just the start of the journey. Sad King Billy doesn’t like to keep us in the same place too long. He plays with genres, keeping us guessing with every track. “Lately” starts like a simmering rock song but explodes with a psychedelic guitar crescendo. “Every Part of Us” is one of the most exquisite acoustic guitar ballads you’re likely to hear. I found myself on the edge of my seat, wondering what Sad King Billy would serve up next. “Don’t Come Back” has the cool country-inspired rock feel of a Tom Petty track. “Runneth” has a dark, bluesy feel that is so compelling. The album’s closing numbers, “The People Forgotten” and “Ode to a Dying Race”, are every bit as epic as their titles suggest. They’re the kind of experimental numbers you used to hear on classic albums from bands like Pink Floyd and Yes. It’s the sort of music you don’t hear these days. It’s too long for radio play and too polarising for audiences. I admire the bravery of leaving the listener with these final impressions.

Sad King Billy’s debut is an eclectic album, but that’s a great part of its charm. His compelling vocals and stellar songwriting stamp are ever present, ensuring that no matter what genre he plays with, it feels right. With so many twists and turns, you might not like it all, but I guarantee something will resonate with you. Take a listen.

Main image credit: Emelia Peet

Posted on by Lauren Katulka

“Lavender Marriage” – William Street Strikers

Never one to rest on their laurels, Tarntanya/Adelaide rockers William Street Strikers have released Lavender Marriage, the follow-up to their 2022 album Baltimore Train. With just six tracks, it’s all killer, no filler.

This is the seventh release from William Street Strikers. At this point, they’re a well-oiled machine, confident in their sound and their connections. The band strikes the right balance between being tight and just loose enough for real rock and roll. Their harmonies are always on point. Listening to the way their voices naturally come together reminded me just how few rock bands harmonise these days.

Those harmonies aren’t the only element of William Street Strikers’ sound that is delightfully old school. The straight-up rock of the opening track “Candles” wouldn’t have sounded out of place on a record by The Kinks or The Easybeats. “Hands of My Paper” reminded me a little of The Rolling Stones in their heyday. Don’t mistake this band for imitators though. While their sound celebrates nostalgia, none of those classic bands could pull off the cheeky lyrics of tracks like “Tammy” and “I’ll Be Okay.” After bringing solid rock vibes through most of Lavender Marriage, the final track “Pieces” is a real left turn. A gentle piano ballad with strings, it’s not what you expect from William Street Strikers. But this isn’t a band that ever wants to become predictable. By keeping things fresh, they ensure we’re always interested in what comes next, whatever that may be.

Lavender Marriage is available to stream now from the William Street Strikers website. Alternatively you can buy the album on CD for $15 plus postage by emailing the band at thewilliamstreetstrikers@yahoo.com.

Images used with permission from William Street Strikers

Posted on by Lauren Katulka

“Something Rare and Beautiful” – Nathan Seeckts

I love hearing voices that draw me in instantly. I’m with them from the first note, hanging on their every word, relishing their unique tone. Nathan Seeckts has one of those voices. I fell for that voice when he released his single “The Wildest One” a few months ago, and I’m thrilled to hear more of what it can do with the release of Something Rare and Beautiful.

Listening to the album, I discovered that Nathan really can do it all. “The Wildest One” was a love song, but it soon becomes apparent that Nathan isn’t just another country crooner. Anyone that’s encountered a dickhead on a night out will relate to the scathing “King of the Room.” “Cassette in the Tapedeck,” featuring guest vocals from Gretta Ziller, is a nostalgic ballad celebrating his dad’s LC Torana. And that’s just the first three songs. In truth, I could wax lyrical about every one, but I’d rather you discover them for yourself. Every song tells a story so vividly you feel like you were there. Nathan is a master at bringing characters and moments to life.

The title of Nathan Seeckts second album couldn’t be more appropriate. His voice is so unique and so compelling. His songwriting is worldclass. And when you put them together, the music is indeed something rare and beautiful. Nathan will showcase his incredible music at these upcoming shows:

7 July 2023 – Pot Belly Bar, Ngunnawal Country/Canberra
8 July 2023 – The Curious Rabbit, Wiradjuri Country/Wagga Wagga
15 July 2023 – Bird Rock, Wadawurrung Country/Jan Juc
16 July 2023 – The Eastern, Ballaarat/Ballarat

Images used with permission from Chris Familton Publicity

Posted on by Lauren Katulka

“Public Fun Part 1” – Raging Hormones

I’m having a ball rocking out to Public Fun Part 1, the debut EP from new Naarm/Melbourne band Raging Hormones. If you love your rock music raw and gritty, these guys will be right up your alley.

The frenetic pace, rebellious lyrics, and scorching guitar solo of the opening track “Power Hour” set the tone. I must admit, this one rocked a little hard for me at first, but the more I listen the more I love it. I found the remaining tracks instantly accessible though. They’re a little more melodic without losing that all-important rock edge. “Going Out in Style,” released as a single in May, is the sort of track you can imagine igniting a room with its driving drums and singalong chorus. Raging Hormones keep the foot on the throttle for “Shake It Up” and “Everything Opens Up”. The closing track “Sunglasses” is perhaps Raging Hormones most radio-friendly. It’s a love song at its heart, with pop-rock elements that make it perhaps the band’s accessible song. This isn’t an EP with a lot of light and shade though, but it doesn’t need to be. If you want ballads, there are plenty of other bands that will give it to you. If you want to rock, Public Fun Part 1 is your EP.

The only thing that excites me more than this EP is that it’s named Part 1. Does this mean there’s more Public Fun on the way? We can only hope so! Until then, they’ll play for hometown fans at Stay Gold’s Beers for Bands event on July 14 to raise money for Support Act.

Images used with permission from Little Giant Agency

Posted on by Lauren Katulka

“I Don’t Hear You Anymore” – The Money War

The Money War have come of age with the release of their gorgeous new EP I Don’t Hear You Anymore. Over the years they’ve created delicate folk music which was beautiful, but at times became a little sleepy. However, they’ve got the balance right with this collection of songs, creating a collection of songs that get under your skin without fading into the background.

A coming of age is only natural as Dylan Ollivierre and Carmen Pepper mature as a musical outfit and real-life couple. They’re raising three young children together now, trying to carve out time for their family, their relationship, themselves, and their music. Dylan is also a full-time producer, who says his commitment to other people’s music leaves limited time for The Money War. Being pushed and pulled in so many directions, quality becomes so much more important than quantity.

“Every now and then, I have this insatiable desire to create something that embodies my own vision and expresses Carmen and me as The Money War. In the past, we often had numerous songs to choose from, but nowadays, with three young kids, our time has significantly decreased. Therefore, a song only progresses beyond the ‘idea’ stage if it strongly demands to be realised,” he explained.

What we’re left with is four incredible tracks. The title track eases us in. It’s laidback and a bit of a slow burner, but it’s truly magical. “Was It Ever Really Anything?”, featuring FEELDS, is a gentle Americana-inspired track with a gorgeous slide guitar solo. I love the interplay between Dylan and Carmen’s vocals in the romantic “Ride.” The closing track “Somebody Loves You” is an uplifting love song without the schmaltz.

I Don’t Hear You Anymore is the EP I always knew The Money War had in them. It’s their strongest release to date, and a real sign of exciting things to come for this Boorloo/Perth band.

Images used with permission from Kick Push PR

Posted on by Lauren Katulka

“Hearticulate” – Melita

Proving you don’t need the backing or budget of a big record label, Melita has really impressed me with her debut EP Hearticulate. The Eora/Sydney-based chanteuse recorded this EP with her brother Alex Ertler in their home studio. But listening to this slick, neo-soul affair, you wouldn’t guess at its humble origins.

Melita effortlessly blends fresh neo-soul sounds with classic funk, disco, and yacht rock influences. The ethereal “Greeting” is the ideal introduction, putting Melita’s voice front and centre before we settle into the easy groove of the title track. It flows naturally into “Delusional,” which has some of the most relatable lyrics on the EP. Melita amps up the energy with “Crystal Logic,” a funky floor-filling homage to the disco era before easing us back into a gentler groove with “Behind My Smile” and “Saturn Blues.” In some ways “Hold On to My Mind” is a subtle closer, but while it’s got a mellow groove it’s also probably the most musically complex track on this EP. I could hear the influence of artists like Steely Dan and Boz Scaggs come through, but Melita’s interpreted their sounds in such an exciting new way.

Hearticulate doesn’t have a lot of bells and whistles, but it doesn’t need them. Melita’s stunning voice is an anchor, impressing on each and every track. This EP is a great introduction to a fantastic new talent.

Images used with permission from beehive; main image credit: James Tarbotton