Category: Album Reviews

Posted on by Lauren Katulka

“I’M FUN!” – Ben Lee

The release of I’M FUN! comes nearly 30 years after Ben Lee hit the music scene with his punk-rock act Noise Addict. Those of us old enough to be there have watched him grow up in front of our eyes, evolving as an artist and a human. In his 14th solo release, Ben celebrates his status as an adult, husband, and father as only he can. His sound has mellowed along with the themes, taking cues from folk and Americana. However, as Ben shows, there’s nothing wrong with slowing down.

Ben’s never going to be the sort of artist who gets boring in his old age though. He might be happily coupled up, but with “My Adventure” he reminds us that union isn’t about “settling down.” He revels in his unconventional growth in “Crooked Tree” and reflects on how far he’s come in “Arsehole.” “Parents Get High” and “The Good Stuff” also see Ben reminiscing about the past. As someone who refuses to pigeonhole my musical tastes, “Like This or Like That” struck a real chord. Each song is a beautiful snapshot of Ben’s life, exquisitely written and delivered with plenty of charm.

This isn’t quite the album Ben wanted to make. He hoped to record it with a live band, but when the pandemic took hold, like so many of us, he pivoted and started collaborating remotely with long-time friends like Jon Brion and Money Mark and emerging artists like Shamir and Georgia Maq, “who are young and lit up with creative adrenalin.” Megan Washington, Zooey Deschanel, and Eric D Johnson also make appearances. Despite the star power behind it, this album remains intimate and personal. His superstar friends are simply part of the tapestry of Ben’s remarkable life which he honours here.

Listening to I’M FUN! feels like catching up with an old friend. You hear a few stories that help you get to know them better and you have a sensational time doing it. I’M FUN! is out now.

Images used with permission from Warner Music Australia

Posted on by Lauren Katulka

“Overrun” – Highline

Just a year on from releasing their EP Off Track, Eora/Sydney act Highline have followed it up with a brand new collection of music. Their latest offering Overrun shows a band that’s more mature, more confident, and more exciting.

Don’t get me wrong; I’ve been a fan since I heard “Staying Sane” last February. But it’s so thrilling to see how this band’s evolving. We got a taste when they dropped the single “Enough For You and Me” earlier this year, but it’s so exciting to see how it all comes together. The title track and EP opener “Overrun” really won me over. It had me from the gentle acoustic guitar opening, but it refuses to sit in that mellow space. It builds beautifully, morphing into an epic rock number complete with a guitar solo. Highline are equally comfortable delivering big rock numbers like “Enough For You and Me” and laidback tracks like “Here Now.” The EP showcases the breadth of their artistry and their impressive gift for songwriting. At just five songs it’s over all too quickly, but you can always hit the play button again.

Overrun is out now. Highline will kick off their first-ever run of interstate shows this weekend. Check them out at the following venues:

30 July 2022 – Cherry Bar, Naarm/Melbourne
12 August 2022 – Vinnie’s Dive, Kombumerri Country/Gold Coast
13 August 2022 – O’Skulligans, Meeanjin/Brisbane
20 August 2022 – LaLaLa’s, Woolyungah/Wollongong
26 August 2022 – Cambridge Side Bar, Mulubinba/Newcastle

Images used with permission from Peach & Sons

Posted on by Lauren Katulka

“How to Grow a Sunflower Underwater” – Alex the Astronaut

Alex the Astronaut is one of the more unique voices in the Australian music industry. Queer, neurodivergent, the holder of degrees in maths and physics. Hers is the kind of voice we don’t often hear releasing music. That’s just one of the many reasons you should pay attention to her new album, How to Grow a Sunflower Underwater.

I think one of the best ways to learn about experiences different from our own is to hear people share their stories. This is such a personal album. “Octopus” explores her recent autism spectrum diagnosis. Songs like “Haunted” and “Airport” give snapshots of interactions with her parents, blind dates, and love interests. “Sick” is a deeply intimate exploration of the loss and grief process that often begins when the ones we love are clinging to life. “South London” is a nostalgic look at a childhood so removed from many Aussie upbringings. The closing song “Haircut” is about more than a typical trip to the salon; it’s a celebration of gender expression and authenticity.

Listening to these songs you start to understand that we have more similarities than differences. We may not have loved someone of the same gender, but we’ve loved so we understand those feelings of vulnerability and comfort. We might not be neurodivergent, but we’ve felt unsure of ourselves, like an outsider, so those songs make sense for us too. We might not know the people that mean so much to Alex the Astronaut, but we’ve got our own connections that these songs remind us of.

There’s also such a beautiful joy to this music. These songs tackle some really big, important, heavy themes, but they’re delivered with such heart and humour. This album is a celebration of life in all its messy, beautiful weirdness. Listening to it simply makes you feel good. And maybe that’s the biggest reason why you should give How to Grow a Sunflower Underwater a listen.

How to Grow a Sunflower Underwater is out today. Alex the Astronaut will embark on an Aussie tour, kicking off with an appearance at Splendour this weekend.

24 July 2022 – Splendour in the Grass, Bundjalung Nation/Byron Bay
11 August 2022 – Freo Social, Noongar/Perth
13 August 2022 – Darwin Festival, Garramilla/Darwin
18 August 2022 – Kambri at ANU, Ngunnawal Country/Canberra
19 August 2022 – City Recital Hall, Eora/Sydney
20 August 2022 – The Cambridge, Mulubinba/Newcastle
21 August 2022 – River Sounds, Gumbaynggirr Nation/Bellingen
27 August 2022 – The Triffid, Meeanjin/Brisbane
2 September 2022 – Tanks Arts Centre, Gimuy/Cairns
4 September 2022 – Springtime Festival, Kombumerri Country/Gold Coast
8 September 2022 – Corner Hotel, Naarm/Melbourne
9 September 2022 – Altar, Nipaluna/Hobart
10 September 2022 – Uni Bar, Kaurna Land/Adelaide

Images used with permission from Warner Music Australia; album cover: Giulia McGauran; main image: @jessgleeson

Posted on by Lauren Katulka

“Talk Talk” – The Faim

I wasn’t sure that I’d write a review for The Faim’s sophomore album Talk Talk. I’ve already raved about four singles, so how much more could I say? As I listened to this superb album, again and again, I realised I couldn’t let its release pass without saying something. It’s just that good.

I’ve mentioned it before but it bears repeating: The Faim are creating some of the best pop-rock anthems you’re going to hear. They’re somehow polished but full of heart, the kind of tracks that make you want to punch your fists in the air and sing along to those catchy choruses. After releasing so many fabulous songs, you might wonder what The Faim have left in the tank. But the other tracks are anything but filler. I discovered new favourites like “You (And My Addiction)” and the epic closer “ERA” which are every bit as good as those singles that came before. I remembered just how good those singles are too. I’ve heard tracks like “The Hills” and “Me Because of You” so many times since their release, but they’re showing no signs of fatigue.

If you already know how good The Faim are, Talk Talk is everything you hoped it would be. And if you’re yet to jump on the bandwagon, this album is the perfect introduction. Press play, turn up the volume, and enjoy it. Just don’t be surprised if you hit the play button a few more times before the day is through.

Talk Talk is out now. After delighting crowds in the United Kingdom and Europe, The Faim are about to set off on an Aussie tour with fellow Whadjuck/Perth act Bad Weather and Naarm/Melbourne band Terra.

15 July 2022 – Vision Studios, Boorloo/Perth (ALL AGES)
16 July 2022 – Jack Rabbit Slims, Boorloo/Perth
21 July 2022 – The Brightside, Meeanjin/Brisbane
22 July 2022 – Newcastle Hotel, Mulubimba/Newcastle
23 July 2022 – The Lansdowne Hotel, Eora/Sydney
24 July 2022 – La La La’s, Woolyungah/Wollongong
29 July 2022 – Transit Bar, Ngambri/Canberra
30 July 2022 – Evelyn Hotel, Naarm/Melbourne
31 July 2022 – Enigma Bar, Kaurna/Adelaide

Images used with permission from Good Intent; feature photo credit: Jake Crawford

Posted on by Lauren Katulka

“Generational” – Rya Park

Rya Park speaks to the heart of the millennial experience with her debut EP Generational. It’s a powerful collection of songs documenting the highs and lows of your 20s.

My 20s are far behind me, but I still connected to this material. It opens with the title track “Generational.” References to cigarettes, shit house parties, and drinking all night evoke a time of excess, being “way too young” to worry about what comes next. The next track “call it a year xo” starts by stripping away the beats. The opening verse leaves us with gentle piano chords and Rya’s voice, moments of quiet after the storm, moments to hear the darker voices that get drowned out in the crowds. “LONDON” may be my favourite song on the EP, a touching track about the power of friendship and the pain of keeping it alive when you’re separated by distance. With separation from lockdowns still fresh in all our minds, this song really resonates.

Most songs on this EP are tinged with sadness. However, “Everything We Want” is pure joy, a celebration of the love that Rya’s found with Kill Bell guitarist and photographer Nick Tam. Rya wrote “Silver Lining” several years ago, but it’s found the right home here. Generational is an EP that shines a light on life’s highs and lows. This song embodies that message, revealing Rya’s struggles with mental illness and her hope that there may be a silver lining to it all. It makes such a strong statement that it might have been the EP’s final track, but that honour was reserved for “I’ve Tried it ALL,” a powerful song co-written with Alex Lahey and Gordi. While it was a collaborative effort, it’s an incredibly personal song about Rya’s mental health journey.

“When I wrote this song I was barely sleeping and didn’t have the energy for the life I wanted to live,” she admitted. “I was embarrassed and ashamed to present a version of myself that deep down I didn’t recognise or resonate with. I remember saying in this session that I know what I want my music to really be about – the true parts of my life, the good the bad, the ugly, and the beautiful.”

Generational is a moving EP that puts Rya’s vocals and lyrics front and centre. She’s careful to avoid overproduction. The gentle beats ensure it feels contemporary, but they never steal focus. Every song is so strong in its own right. Together they capture a moment in time and an artist on the verge of greatness. Whether you’re living through your 20s right now or like me they’re a distant memory, I’m sure this EP will resonate with you.

Images used with permission from Hunger Digital

Posted on by Lauren Katulka

“Into the Black” – Karise Eden

While the country is captivated by the search for the next Voice superstar, Australia’s original winner Karise Eden has dropped a brand new EP, Into the Black. Its release doesn’t have the same fanfare as tonight’s winner’s announcement inevitably will, but it’s a timely reminder that it’s worth looking back at some of the talents who’ve come through the competition rather than simply seeking out the next big thing.

Into the Black is officially called an EP, but at seven tracks it feels more like a mini-album. And just like an album, this is a collection of songs with something to say. It starts strong, with rock-blues numbers “Beast” and “Black Crow”. They’re unflinching, uncompromising, the perfect vehicles for her trademark gravelly vocals. Karise reveals a more tender side with singles “My Old Friend” and “Gone”. No matter what type of song she’s singing, it’s all heart. This is a longer EP than most, but when the final note of “So Far” faded away I wasn’t ready to say goodbye. That’s a testament to the quality of every song included here.

Into the Black is Karise’s first collection of songs since 2018’s incredible Born to Fight album. Like a fine wine, she’s becoming even more compelling as time goes on. This is a brilliant collection of songs that reminds listeners of her unparalleled vocal talents and stellar songwriting ability.

Karise will play River Heads Rocks 2022 on June 25 and The Gathering of the Goddesses festivals in Victoria and Tasmania next year, but that’s not all. Expect a national tour announcement really soon.

Images used with permission from Revolutions per Minute

Posted on by Lauren Katulka

“20 and Bored” – Nick Keogh

I’m not sure there’s any feeling greater than falling in love with new music. You know the feeling, that head over heels sensation that makes you want to stand on a street corner and tell everyone they need to listen to it. That’s the way I feel about Nick Keogh’s debut EP, 20 and Bored.

I’m not always so quick to impress. Sometimes it takes me a few listens to really gel with new music. But when I hear something this good, it’s like a bolt from the blue. I was hooked from the folky acoustic guitar intro of “Sweater Weather.” It’s such a beautiful song, but there’s more where that came from. As I continued listening, I fell just a little more in love.

This kind of folk-pop music is right up my alley. It’s introspective, with lyrics that are powerful in their relatable simplicity. The acoustic melodies are so gorgeous. Nick’s voice is warm and welcoming. It stands up on its own, but I also love hearing it contrast with the sweet, feminine tones of his special guest vocalists. Nancie Shipper joins him for “Red Flags,” an uplifting track that looks back on mistakes made in past relationships. Another stunning duet, “Let Me Let You Down” with Stella Who follows. Nick has a knack for creating these songs that sound so optimistic sonically, but the lyrics reveal darker truths. There’s heartache, regret, shame, the whole messy human experience.

“Baby Blue” continues the trend. The first part sounds like the sort of song you might sing along to with your drinking parties on a fun night out, but the cutting lyrics swipe at an old love. Part two is softer, the other half of the story, more reflective, the sort of song that might come out when the friends have gone home and the booze is wearing off. The simple, unadorned acoustic guitar melody and heart-on-sleeve powerful vocals of the final track “Outliers” is everything I love about Nick’s music.

Naming your EP 20 and Bored hardly raises expectations. But this music is anything but boring. This special collection of songs has quickly made Nick Keogh one of my favourite Aussie artists. If you’re near Albury, click through for tickets to his show tomorrow night in Birddog.

Image credit: Mike Ridley

Posted on by Lauren Katulka

“Now and Then” – Eliza & The Delusionals

It feels like I’ve been waiting forever for Eliza & The Delusionals to release an album. I started writing about the band way back in 2018 and singles from this album like “You” and “Save Me” have been out in the world since 2021. However, as the old saying goes, good things come to those who wait. My expectations were high, but Now and Then exceeds them.

It’s hardly the band’s fault that this music has taken so long to reach us though. There was that little matter of the pandemic which made moving forward on so many projects challenging. It was made during the pandemic, but don’t mistake it for a “pandemic album”. It’s far more upbeat than that, focusing on the personal strength and resilience gained during the period than pervading doom and gloom.

Sitting with so many of these songs for so long makes the album feel instantly familiar. We’ve already fallen in love with Eliza’s powerful vocals and the way the band combines rock edge with catchy pop vibes. If you’ve somehow missed all those singles, it won’t take you too long to come up to speed. This music is so accessible, with nods to acts like Michelle Branch, The Cranberries, and even Taylor Swift. Album tracks that are brand new to me like “Lonely” and “All The Time” have become firm favourites.

Now and Then might have taken some time to reach us, but its shimmering optimism is the ideal antidote for the gloomy winter weather setting in. Before the season leaves us, they’ll be spreading their good vibes with capital city shows around the country. Catch them at the following venues:

6 August 2022 – Lansdowne Hotel, Sydney
11 August 2022 – Crown and Anchor, Adelaide
12 August 2022 – Mojos Bar Fremantle, Perth
26 August 2022 – The Zoo, Brisbane
3 September 2022 – Northcote Social Club, Melbourne

Image used with permission from Beehive PR; credit: Luke Henery

Posted on by Lauren Katulka

“What Did You Expect?” – Lemaire

Lemaire really impressed me a few months ago with his relatable single “Ford Laser”. He’s dishing out more rhymes with an Aussie flavour in his new EP What Did You Expect?

In truth, if you’ve listened to “Ford Laser”, you know exactly what to expect from this EP. And it’s fabulous. The rap scene is full of posers, up-and-comers who believe in faking it until they make it and established artists keen to flaunt their wealth. But you’ll never catch Lemaire being anything other than authentic. He celebrates his “shitbox” Ford Laser. “Shiraz” tells us he’d rather sip on an Aussie red than Cristal. There’s no coincidence that “Be Myself”, a collaboration with BOY SODA, sits square in the middle of this EP, anchoring it with its theme of self-acceptance. Lemaire knows where he came from. Rather than avoiding Australianisms that might not translate to a global audience, he’s happy to namecheck everything from that iconic car to Queensland’s premier. These are songs written with tongue planted firmly in cheek. International music fans might not quite catch or understand the humour, but as an Aussie listener, I had a blast with these songs.

What Did You Expect? didn’t just meet my expectations, but exceeded them. This collection of songs is so much fun. Lemaire represents the new breed of Aussie rappers well. Like Illy and Baker Boy, he’s creating music that’s so positive and proudly rooted in our culture. With his first EP, Lemaire shows us who he is and that he’s got a bright future ahead.

Images used with permission from GYRO PR

Posted on by Lauren Katulka

“Everybody Knows I’m Here” – Various Artists

As every new single dropped, I got a little more excited about Everybody Knows I’m Here. Albums of cover versions are a dime a dozen. Usually they’re designed simply to sell. Gather up some popular artists, get them to record some popular songs, and you’ve got a recipe for success. Now that it’s finally dropped I can confidently say, this album doesn’t play it so safe. It’s so much better for it.

Of course, the music from Chess Records is enduringly popular. Songs like “Johnny B. Goode”, “Mannish Boy”, and “Susie Q” are pop culture staples. But the versions on this album aren’t karaoke covers. Each one is thoughtful and considered. The diverse artists featured use these songs from the great American songbook as a platform to say something about their own experiences. They’re First Nations people, immigrants, gender-diverse acts, people who know what it’s like to walk outside privilege. I’d wager their names aren’t familiar to many Australians, but their insightful interpretations and new rap sections breathe new life into these songs.

If you don’t know your history, Chess Records was established in Chicago in 1950. For two and a half decades it gave black American artists a voice. It launched as a blues label but the stable grew to celebrate soul, gospel, jazz, and early rock and roll. Today this album celebrates its legacy and gives our marginalised artists their chance to speak up. These songs were recorded in a different time and place, but listening to these songs you understand a lot hasn’t changed. Themes of struggle, independence, identity, pride, and love still resonate.

Everybody Knows I’m Here is an exciting and important piece of work. It pays loving tribute to the legacy of Chess Records and reinterprets the music to make powerful statements about life for Australian black, Indigenous, and people of colour today. Make sure you take a listen.


Images used with permission from Chester Records