“Restless Dream” – Bob Weatherall, Halfway, and William Barton

As a white Australian, I freely admit that I don’t know enough about our Indigenous people, their stories, and the issues they face. Like so many of us, I said I needed to learn more when the Black Lives Matter movement hit the headlines last year, and then life got busy and the media died down and I didn’t do enough. Music can make these stories so accessible though. If, like me, you want to learn more about our Indigenous people, I encourage you to listen to Restless Dream, the new album from Kamileroi elder Bob Weatherall and Brisbane band Halfway, with William Barton.

Six years ago, Halfway and Bob began working together on these songs which tell the story of the Repatriation of Aboriginal Ancestral Remains. As Bob reminds us in the opening number, “Water Horse,” our white ancestors are buried in plots we’ve planned, farewelled in ceremonies of our choosing, and there’s comfort in that. We know where they are. It’s one of those white privileges most of us aren’t even aware of. The remains of our Indigenous people are scattered across the globe, in museums at home and overseas. That’s a confronting thought, but even more so when you understand that Aboriginal religious law dictates that there will be no spiritual peace until the dead are returned to their birthplace and received their traditional last rites.

The painful reality of this situation is realised so poignantly in “The Dawn.” Lines like “We take our ancestors out of the boxes and cradle them in our arms” are gut-wrenchingly poetic. But there’s peace here too, as the album takes us home. The closing number “Bloodlines No. 2” is an uplifting release, full of hope and beauty as the ancestors find peace.

Restless Dream is a concept album like I’ve never heard before. Bob Weatherall’s spoken word is so powerful and William Barton is one of the best didge players in the country. They represent the traditions, while Halfway’s vocals and electric guitars bring these stories into the 21st century. This story starts in the past, but it’s unfolding right now.

Restless Dream is out right now. Bob Weatherall, Halfway, and William Barton will perform the album in its entirety at The Tivoli on September 19 as part of the Brisbane Festival.

Image used with permission from Revolutions per Minute

“Do You Remember That?” – Mila Nile

Sweden is a fertile breeding ground for cool electro-pop acts. The Scandinavian nation gave us Robyn, The Knife, Lykke Li, and Mila Nile. Mila might not be a household name, yet, but this Swedish-born, now Sydney-based talent is one to watch. Her debut EP Do You Remember That? dropped today, and you’re going to want to take a listen.

The EP is a deeply personal collection of songs with introspective lyrics wrapped up in catchy melodies that are guaranteed to get stuck in your hand. You’ll be tapping your toes along from the first notes of the opening track “Break My Heart to the Beat.” There’s more sassiness in the nostalgic single “Old School Calling” and the defiant closer, “Don’t Need Your Love.” Mila’s not afraid to show her vulnerability though. The penultimate track “Daughter” is a powerful ballad about what it’s like to be separated from loved ones during this pandemic.

With Do You Remember? Mila Nile shows she’s a pop force to be reckoned with, and so much more. This EP has some sombre moments, but its bops and bangers are just what you need to get through this pandemic. It’s out now on all your favourite digital platforms. Mila hopes will launch her EP at the Oxford Art Factory Gallery in Sydney on October 1. Get your tickets here.

Images used with permission from Mila Nile

“people just do good things sometimes” – Pinkish Blu

In the darkest times, music can lift us up. Today was supposed to be the last day of the Greater Sydney lockdown, but as that date approached I think most of us knew we were headed for more of the same. For me, knowing that Adelaide band Pinkish Blu were dropping their sophomore EP people just do good things sometimes, was the silver lining. I’ve been listening to an advance copy for the last couple of weeks and I’m thrilled that now everyone gets the opportunity, perhaps when they need it most.

I raved about the singles “Backward” and “Start a Band” on their release, so I’m thrilled to wrap my ears around more of Pinkish Blu’s music. Opening track “Old Blue” starts like a modern lullaby, gently drawing us in until the beat drops. It’s such a clever song, with its contrasting movements taking us on enough twists and turns to remind us that Pinkish Blu are no ordinary indie-pop band. Their synth-heavy sound reminds me of international bands like LANY, The 1975, and The Band CAMINO, but there’s a special something that sets them apart.

The remaining songs go down easy. I was reminded just how much I love the singles, yet impressed that the unreleased tracks are every bit as strong. The twists and turns continue as we move from the upbeat banger, “Backward” to the more intimate ballad “Over Me.” Initially “Cop Cars” seemed like a strange choice a closing track, but the more I listened to this subtle ballad, the more it won my heart. And besides, more often than not I find myself hitting play and starting this EP all over again.

Pinkish Blu make the kind of happy-sad songs that I want to hear right now. Their lyrics explore some tough themes but they’re wrapped up in these perfect pop sounds that balance the darkness with light. people just do good things sometimes is out now. The band will play the following shows this October to support its release.

1 October 2021 – The Leadbeater, Melbourne
2 October 2021 – Oxford Art Factory, Sydney
9 October 2021 – The Lab, Adelaide

Image used with permission from Beehive PR: feature image credit Noah Sutherland

“Blessings” – Hollow Coves

It’s easy for the pace of modern life to get to us at times. I know I personally work too late, miss far too many weekends, and burn the candle at both ends trying to fit everything in. Sometimes you just need a moment to yourself to reset, recharge, and get moving again. Listening to Blessings, the new EP from Brisbane act Hollow Coves is the perfect soundtrack for those moments.

From the moment I hit play, the rest of the world seemed to melt away. All the right ingredients are here, beautiful harmonies, folky acoustic melodies, and chilled vibes. Listening to these songs transported me away from my desk and to an isolated beach, away from the crowds and the noise, the hustle and bustle for just a little while.

Ordinarily, when I listen to EPs or albums, I pick out favourite tracks. I can’t do that here. The songs support each other. I can appreciate them on their own merits, but it’s what they do together that’s really magical. So rather than giving any particular track a shoutout, I’m just going to encourage you to listen to them all.

In a world where so much music is overproduced, oversung, and overexposed, the beautiful simplicity of the songs on Blessings shines through. It’s out today. Take a listen and I’m sure you’ll fall in love with these songs just as I have. Hollow Coves are currently touring Australia and will visit Europe and the UK next year. Here are all the dates you need:

11 June 2021 – The Triffid Brisbane (Early show – SOLD OUT)
11 June 2021 – The Triffid Brisbane (Late show)
12 June 2021 – Miami Marketta Gold Coast (Early show)
12 June 2021 – Miami Marketta Gold Coast (Late show – SOLD OUT)
19 June 2021 – The Factory Theatre Sydney (Early show) SOLD OUT
19 June 2021 – The Factory Theatre Sydney (Late show)
26 June 2021 – Corner Hotel Melbourne (Early show – SOLD OUT)
26 June 2021 – Corner Hotel Melbourne (Late show)
12 May 2022 – Alte Feuerwache Manheim, Germany
15 May 2022 – Kulturfabrik Kofmehl Solothurn, Switzerland
16 May 2022 – Konzerthaus Schüür Luzern, Switzerland
20 May 2022 – Grelle Forelle Vienna, Austria
21 May 2022 – Kulturák Klub Bratislava, Slovakia
24 May 2022 – Alter Schlachthof Dresden, Germany
26 May 2022 – Hydrozagadka Warsaw, Poland
31 May 2022 – TivoliVredenburg Utrecht, Netherland
2 June 2022 – Skaters Palace Münster, Germany
6 June 2022 – Ancienne Belgique, AB Box Brussels, Belgium
7 June 2022 – La Maroquinerie Paris, France
9 June 2022 – Electric Brixton London, UK

Images used with permission from Beehive PR; feature image credit: Leniflashes

“Grace” – Grace Farriss

You might not know the music of Grace Farriss yet, but her musical pedigree is sure to raise expectations. The daughter of INXS legend Andrew Farriss has stepped into the spotlight with the release of her debut album, Grace.

The album opens with the lead single “All the People,” a poppy delight with a little vintage flair. As the next floor filler “Dancing How I Feel” started up, I started to feel like I had a handle on who Grace Farriss is. With her pleasant voice and pop leanings, I started to imagine she could be the next Kylie Minogue.

The retro vibes kept coming with “Studio 54” and “Star,” but these tracks were turning points for me. I started to realise Grace is much more than simply a pop princess who’s listened to a few old records. “Studio 54” adds a little funk and psychedelia to her sound. “Star” is an unashamed homage to David Bowie which showcases Grace’s rock edge. There’s so much more depth here than I’d anticipated.

“I Love You” shows Grace’s softer side. With simple strings and piano accompanying her, this stripped-back ballad really showcases Grace’s voice and vulnerability. “Opieland” and “Women of the World” are natural follow-ups, dreamy numbers with folky sensibilities that make Grace seem far less mainstream than I first thought.

“Water Under A Bridge” may be my favourite song on the album. After so many delicate numbers, this rocking track seems even ballsier. I’d love to hear Grace playing in this bold, bluesy space more.

By the trippy closer “Interstellar Love,” I knew there was much more than Grace Farriss than I first thought. She’s capable of producing some very catchy pop music, but her understanding and passion for all genres makes her music much more interesting than the tunes from most radio darlings. Grace sees her experimenting with so many different sounds and proving she can confidently play with them all. I’m not sure whether she’s still finding her niche or she refuses to be pigeonholed. Either way, the music she’s making shows she’s a real talent in her own right.

Grace is out now.

Images used with permission from Grace Farriss

“Reality Is” – Chris Tamwoy

The best albums are deeply personal. They don’t reflect current trends or follow a formula designed to move units. Instead, they provide an insight into the artist who created them. Chris Tamwoy’s debut album Reality Is sounds very different from the music that charts today, but its intimate nature provides a listening experience that’s so much richer.

The opening track “Damien and Sarah” gives us our first hint that this is something we haven’t heard before. It’s a gentle instrumental acoustic guitar piece, beautiful but not the kind of catchy opener we’re used to. It’s the first of several instrumental tracks on this album. These striking numbers give us space for reflection while showcasing Chris’ signature virtuosic guitar-tap style.

Other tracks give us insight into the driving forces in Chris’ life: his family and his culture. He delivers them in a mix of Eastern and Western Torres Strait Islander language, Creole, and English, celebrating all parts of his identity. I was struck by the single “Kulba Yaday,” featuring Christine Anu, on its release last year. There are so many more gems here, including “Yesu Kara Ople” and “Monkey & Tortol,” inspired by an indigenous children’s folk story. Even when you don’t understand the language, you can connect to the feelings behind them.

Other songs like “Dear Pop” and “Karissa (Don’t Cry)” pay tribute to the special people in Chris’ life. The English lyrics are straightforward and from the heart, ensuring we can all connect to these musical love letters.

“My whole album is based on the reality of life,” he explained in the press release. “It’s about me and who I am: it’s me as an individual covering every inch, every aspect of who I am as a Torres Strait Islander. I wanted to bring in my identity and the clans I originate from in the Torres Strait.”

For many people, Reality Is will be their introduction to Chris Tamwoy’s music. I can’t imagine creating a collection that more perfectly showcases who he is as an artist and a person. These songs are simple and honest, anchored by his guitar prowess, warm, welcoming voice, and gift for songwriting. Reality Is is available today via ABC Music.

Images used with permission from Revolutions per Minute

“Get Lost” – Mardi Wilson

Mardi Wilson came on my radar last April, with the release of “Runaway.” I’ve covered numerous singles since then, so I was thrilled to dive deep into her album, Get Lost. What I found was a collection of songs that were personal, yet so relatable from one of the country’s most promising singer-songwriters.

The songs capture moments in time, relationships that might have been fleeting, but they leave an impression nonetheless. We feel the dedication in the opening track “Give You My Time,” the poignant sadness in “Missing Me.” The upbeat groove of “Don’t Stop” helps balance the darkness of “Don’t Stop,” which so eloquently speaks of watching a loved one navigate addiction. In “Blinded By You,” Mardi captures the hazy, heady moments when attraction sparks. We see it develop into something more substantial in “Runaway,” which almost feels like a companion piece for the track that came before. “Nice Ones” is another of those happy-sad tracks, with biting lyrics paired with a rousing clap-along chorus. “Part Time Lover” is equally scathing. Mardi might sound like a sweet folk artist, but her words can wound when she wants them to.

While songs about relationships dominate this album, Mardi’s own voice shines through every track. So it’s only fitting that the final song and title track, “Get Lost” focuses on the self. It’s got a quiet strength, with Mardi’s gorgeous vocals joining acoustic guitar strums and percussion. What a powerful final statement this song provides.

Whether she’s singing about love, lust, or owning her own power, the thread of honesty runs through these songs. That starts with the lyrics, which are brave and raw, but there’s also an earthy, organic quality about these tracks that is so appealing. There doesn’t seem to be a lot of studio trickery here. Instead, you get the sense that the recordings capture jam sessions.

I’ve had Get Lost on repeat since it hit my inbox in mid-April and I think I fall a little more in love with each listen. Mardi’s voice has a warmth that draws you in, but stay with these songs a little longer and you’ll fall in love with the stories she tells and the characters in them. You’ll also find yourself humming those catchy melodies. Get Lost is available now.


Images used with permission from Footstomp Music

“The Neverending Glory” – Vaudeville Smash

I must admit, I haven’t known quite what to make of Melbourne’s Vaudeville Smash when their singles hit my inbox. I appreciated their funky grooves and catchy melodies, but their off-the-wall lyrics left me scratching my head. However, after spending time with their new album The Neverending Glory I’m firmly on board the Vaudeville Smash train.

Looking at the album cover tells you a lot about Vaudeville Smash. They’re certainly not a band that takes themselves too seriously. They’re also incredibly nostalgic. When you take their songs in isolation it might seem like they’re poking fun at their influences, but their tongue is always planted firmly in their collective cheek.

The band delights in playing with genre, taking us on a wild journey through their musical influences. The opening track “Clothes Off” is as bold as its title suggests, a delightful disco-pop number that subverts the typically gendered relationship roles. “Sweet Pyromania” is every bit as sexy, with more soulful undertones. It makes you think you know where this album is going, but then Vaudeville Smash hits you with the delightfully unhinged “Banana Man.” With a soul-rock sound reminiscent of Huey Lewis or Bob Seger, it’s as wacky as it sounds.

As the album unfolds, Vaudeville Smash delivers authentic yacht rock, dirty funk, and even Italo disco. “Cuccinated” and “Nonna” celebrate the culture of the nation’s European immigrants. “I Like Video Games” is pure nerd pop. I could wax lyrical about other standouts, but I want you to discover them for yourself.

What I can say is that The Neverending Glory is like nothing that you’ll hear this year. My advice is to hold on tight and enjoy the ride. Vaudeville Smash will play the following shows in the coming weeks:

17 April 2021 – Verrierdale Hall, Verrierdale
30 April 2021 – The Night Cat, Fitzroy
1 May 2021 – The Night Cat, Fitzroy

Images used with permission from Play MPE

“Habits of Honesty” – Talitha

Great music has no age limit. Simply looking at the promo pictures of Gold Coast artist Talitha, with her glittery eye makeup and rainbow-coloured hair, told me she wasn’t making music targeted at women in their 40s. And yet I can’t stop listening to her latest EP Habits of Honesty.

Right now my life is in a very different point to Talitha’s. It’s been a long time since I’ve wanted to lash out at former fling as she does in the opening track “Embarrassed to know ya.” Yet the brutal sassiness is so much fun that this number hooked me instantly. While this song reveals Talitha’s darker side the rest of the EP is frothy and fun. “The good ones” is such a beautiful ode to those thick-and-thin friendships. The belief in bonds that stand the test of time continues in “I choose you.” While this sweet love song celebrates the no, it also looks to the future, a time when Talitha and her love won’t be “trainwrecks.” “New Year’s” is the ideal way to end this joyous EP. It paints such a vivid scene of the best kind of party, surrounded by great company, with drinks in hand and a crowded dancefloor. My memories of those kinds of nights are fast fading, but this song brings it all back in glorious technicolour.

I can imagine Habits of Honesty striking a real chord with teens and twentysomethings. This album is clearly written for them, and they’ll lap up those synthy sounds, cool beats, and relatable lyrics. It might not resonate in the same way for the older crowd, but it’s still ridiculously catchy pop music. And you’re never too old for that. Habits of Honesty is the first release in a three-part album written, performed, and co-produced by Talitha. I love how this journey’s started and can’t wait to hear what comes next.

Images used with permission from the A&R Department

“into the great unknown” – Pierce Brothers

I’ve followed the career of Pierce Brothers since Jack and Patrick Pierce hit the scene in 2014. The brothers take a slow and steady approach to creating music; it took four years for them to release their debut album Atlas Shoulders, and they’ve only just released the follow-up, into the great unknown. That thoughtful, considered approach is an anomaly in an industry where it seems everyone is looking out for the next big thing. But as a music fan, I appreciate the time the duo takes. It ensures when those albums do drop, they’re special from start to finish.

You won’t find any filler tracks here. So many albums seem to exist simply as a way to bundle singles together, but that’s not the case here. The singles “dentist,” “brother,” and “kanko” sound fabulous of course, but there’s much more to dive into. Releasing several tracks prior to the album’s release ensures this music feels familiar from the first listen, but I didn’t find myself waiting for those songs. I was having too much fun discovering the rest of these tunes.

Pierce Brothers recorded this album in regional Victoria, between the state’s two lockdown periods. Travel was clearly on their mind; songs such as “white caps,” “la montagne,” and “lights of London take us on a journey. We might not visit Europe or the UK or marvel at snow-capped mountains in a foreign land any time soon, but through this music we can experience some of the romance and sense of adventure international travel provides. Most of the material is joyous, the kind of fun folky stuff that inspires you to clap along and stomp your feet. But the brothers show us a darker underbelly through tracks including the instrumental “reflecteur,” “trouble,” and the cutting “trouble.”

into the great unknown is a natural evolution for Pierce Brothers. It showcases a bigger sound, with female backing vocalists and string arrangements complementing their sublime sibling harmonies and acoustic guitar melodies. However, the duo hasn’t strayed too far from what drew me to their music back in 2014. This album is entirely self-funded and released 100% independently, ensuring the duo’s collective voice remains strong. into the great unknown took some time, but it proves the old adage that good things come to those who wait.

into the great unknown is out now. Catch Pierce Brothers at their upcoming shows:

20 March 2021 – The Old Coal Mine “The Shed,” Wonthaggi (SOLD OUT)
21 March 2021 – Halls Gap Hotel, Halls Gap
27 March 2021 – Chapel Off Chapel, Prahran
1-4 April 2021 – Bluesfest, Byron Bay
9 April 2021 – Volta Arts & Culture, Ballarat
10 April 2021 – Pier Bandroom, Frankston
17 April 2021 – Birregurra Mechanics Hall, Birregurra
22 April 2021 – Barwon Club, South Geelong
23 April 2021 – Hotel Esplanade, St Kilda
30 April 2021 – Corner Hotel, Richmond
2 May 2021 – Live @ Lamberts, Seabreeze Hotel, Mackay
7 May 2021 – Sooki Lounge, Belgrave
21 May 2021 – Sandy Point Music Club, Sandy Point
22 May 2021 – Westernport Hotel, San Remo

Images used with permission from On the Map PR