Category: Album Reviews

Posted on by Lauren Katulka

“Lost in Time” – Vivien Aisi

I’m not quite sure where I was when Cairns-based soul singer Vivien Aisi released her three singles this year, but I’m glad I’ve caught up with her debut EP Lost in Time. If like me this talent had passed you by, this five-track EP is the perfect introduction.

Vivien Aisi has a voice that can seemingly do anything. It sits beautifully in the fresh laid-back beat of the opening track “Kiss the Stars,” but sounds equally at home on an old-school soul track like “Yesterday.” I can imagine a classic diva like Dionne Warwick or Gladys Knight busting out this soulful ballad. A lesser artist might pale in comparison to these legends, but this was the track that reinforced to me just how good Vivien’s voice is.

As if her talents needed further reinforcing, Vivien turns her hand to jazz with “Nine to Five.” The mellow horns and that honey voice give this track such a cool vibe. So many EPs peter out, but not Lost in Time. It gains emotional traction with its poignant penultimate number “Just Leave.” Vivien’s voice is clear and composed, but there’s an undercurrent of pain in the lyrics there which is so compelling. If you’ve ever put on a brave face when a relationship falls apart, this is your song. The final number “Lost in Time” feels like a sister track to “Just Leave.” There’s a similar sadness to the lyrics, which is balanced beautifully with a funky electronic groove.

Lost in Time is such a solid debut which leaves me wanting more. It took me a little while to discover Vivian Aisi’s music, but I am so glad that I did. If you love what she does, catch her at the following venues.

16 December 2020 – Elixir Music Bar, Cairns
19 December 2020 – MusicView TV Showcase @ AJ Hackett, Cairns
31 December 2020 – White Party NYE @ Noori Beach Bar & Restaurant, Mission Beach

Images used with permission from Footstomp Music

Posted on by Lauren Katulka

“Revisions 2020” – Josh Pyke

When Josh Pyke released his album Rome a few months ago, I said it felt like the “musical equivalent of a big hug.” In such a tumultuous year, that was just what I needed. After keeping us waiting five years for a new studio album, I didn’t imagine we’d see a new recording quite so soon. Yet last month he dropped another nugget of goodness, his Revisions 2020 EP, and again we’re all better for it.

As the title suggests, Revisions 2020 isn’t quite new music. Instead, they’re B-sides from Rome which see him (mostly) reimagining his biggest hits. That might seem like a superfluous exercise on paper, but listening to it, it all makes perfect sense. There’s a certain ease in these recordings that comes because Josh knows these songs so well. Because he understands them so well, he instinctively knows how they can be improved or enhanced.

The orchestral swell of a choir adds gravitas to the powerful lyrics of “Middle of the Hill.” Slowing the song down lets us linger on each of those words a little longer, ensuring we grasp the story we might have missed on the cheery sounding folk version. The addition of Elana Stone on three of the five tracks is inspired. Her vocals are flawless, and you can sense the chemistry between them. Her inclusion gives Josh someone to play off. I can almost hear the smiles as they bring new magic to “Memories & Dust.” I’ve always felt a loneliness in “The Summer,” but with another voice in the mix it feels less so. Instead, this wistful song captures shared memories and a sense of togetherness. Elana sticks around for Josh’s take on The Jezabels’ “Endless Summer.” I love what they’ve done here. It’s a very different treatment as you might expect, but its soft sweetness is so beautiful. If you haven’t checked out Rome yet (and you really should) Josh reminds you why with his final track, a new take on its single “Doubting Thomas.”

This is all lovely stuff, the kind of EP sure to make you fall for Josh and these songs all over again. 2020 has been a hard year, but Josh Pyke’s music certainly eases the angst. If Rome left you wanting more, your prayers have been answered.

Images used with permission from Sony Music Australia

Posted on by Lauren Katulka

“Epiphonetics” – Shayne Cook

I’ve meant to write about Shayne Cook’s Epiphonetics for a while, but something always stopped me. I wrote at length how much the singles, “The Stawell Gift” and “Matters of the Heart” impressed me, so I wondered whether there was anything left to say. Yet something kept drawing me back to this album. The more I felt the pull, the more I realised I needed to tell you all what an amazing release this is.

“The Stawell Gift” and “Matters of the Heart” hinted at the eclectic sounds we might find on this album. The first is the album’s opener, a haunting track with a rock edge that instantly captivates you and makes you ache to hear more. “Matters of the Heart” is lighter and folkier. It comes much later, a sunny spot in the darkness which gives the listener a chance to catch their breath.

Listening to this album isn’t just about listening to a string of singles. Every song makes sense in its context. They’re personal tracks, exploring the life of Shayne Cook’s father, but you don’t need to know him to appreciate this music. With so many different sounds here, from the emotionally urgent, rock-tinged “Blood” to the tender “Restless Lovers,” there should be something for everyone to latch on to. While this album plays with different genres, Shayne’s voice is a compelling constant. It reminds me a little of Jeff Buckley’s, with its seemingly effortless ability to travel anywhere and touch the heart.

In the digital age, the way so many people listen to music has changed. They download the singles and discard the rest, they shuffle and skip and rarely sit with the album as a whole. Epiphonetics takes me back to a time before all that, a time when you’d press play or lower the stylus and immerse yourself in every song to come. I encourage you to press play on Epiphonetics and just let it be, experience each and every song in the order Shayne Cook intended. I know you won’t be disappointed.

Images used with permission from Annie Johnsson Publicity

Posted on by Lauren Katulka

“Home” – Ben Witkowski

2020 might have put us through the emotional wringer, but it’s been an incredible year for art. We might not have been able to see our favourite performers in the flesh, but the lockdown has forced many musicians to slow down and get introspective. That is a recipe for songwriting gold. “Home,” the debut EP from Melbourne singer-songwriter Ben Witkowski, is the latest lockdown-inspired release to capture my heart.

The EP’s name has two meanings for Ben. Of course, there is the physical place, the four walls that made us feel safe, yet imprisoned when the pandemic struck. But home is much more than that, as he explained.

“In 2020 I was feeling very lost with myself and my identity. I thought about the places where I felt most comfortable, relaxed, and the truest version of myself. These feelings didn’t necessarily come from when I thought about the house that I lived in. They were more from a whole range of experiences in my life. Experiences like when I was travelling and exploring through my incredible home country of Australia; when I was with my family, friends, and intimate relationships; and when I was discovering things about my identity by taking chances and embracing the adventure of life. With so many people taking 2020 to reassess what makes them truly feel at ‘home,’ everything just felt right to release these tracks together under that name.”

These folk songs are powerfully understated. The power comes not from big belty vocals or dramatic instrumental sounds, but from incredible, honest songwriting. Ben’s vocals are raw and heartfelt. His phrasing is deliberate, ensuring we don’t miss a word. His lyrics take center stage, cradled by beautiful piano melodies on “Who I Am” and “Rosemary,” by the delicate strains of an acoustic guitar on “Don’t Look Down.”

There’s no filler here. Every song on this five-track collection feels so cathartic. It gives voice to the experiences so many of us have had this year. It also showcases what a special talent Ben Witkowski is.

“Home” is available on all major digital platforms now.

Images used with permission from Ben Witkowski

Posted on by Lauren Katulka

“Icehouse Plays Flowers Live” – Icehouse

Icehouse released their debut album the year I was born, so it seems like they’ve always been a part of my life. I’m sure the tracks seeped into my subconscious as they blared from my parents’ radio. We didn’t own an Icehouse album though. While I liked them well enough, I didn’t consider myself a fan until I saw them support Hall & Oates in 2012. They blew the roof off the Sydney Entertainment Centre, outshining the headliners and making me appreciate them in a way I never had before. That’s how good this band is live, even now so many years past their heyday. So I was pretty excited to see Iva and the lads release a new live album to brighten up the horror that is 2020. Celebrating 40 years since the band released their debut album, Icehouse Plays Flowers Live delivers what it says on the tin, and then some.

It’s amazing to think this album was recorded at the St Kilda Music Festival on 9th February 2020. It doesn’t seem like so long ago, but listening to the rapturous crowd captured on this recording made me wistful. The band is so tight and Iva’s voice strong as they deliver those songs that made their first album one of the best debuts in history. Not just the big singles including “We Can Get Together,” “Walls,” and the iconic closer, “Great Southern Land,” but those album tracks that really deserve a spot on live sets. I wasn’t exaggerating when I told you there’s a little more to this live album though. Choice covers of David Bowie’s “The Jean Genie,” T. Rex’s “Get It On,” and Sex Pistols’ “Pretty Vacant,” three songs they used to play as an up-and-coming band, are an absolute joy.

If you’ve experienced Icehouse live, you know what a gift this album is. If you’re yet to have the pleasure, you’ll want to wrap your ears around this to understand what you’ve been missing all these years. Either way, let this album tide you over until gigs of this calibre return.

Images used with permission from Ferris Davies PRM

Posted on by Lauren Katulka

“Songs for a Long Walk” – Jack Davies & The Bush Chooks

I expected Jack Davies & The Bush Chooks to be a novelty act. The Western Australian band’s EP Songs for a Long Walk features tracks like “Loving You’s Like a Mouldy Cup of Tea” and “Half Frozen Beer.” However, I quickly learned this act shouldn’t be underestimated.

As those song titles suggest, there’s certainly humour in these tracks. The lyrics are infused with a uniquely Australian voice, that blokey one that speaks to the heart but uses laughs to make sure things never get too heavy. The walls come down completely on tracks like “Broken Glass” and the closer “Michael,” two powerful songs played straight for maximum impact.

These guys also sound like a serious band. This was my introduction to their music, but their folky sound felt instantly familiar to me. In a world where so much music is overproduced, there’s something so refreshing about a band that simply sounds like they’re jamming. There’s a warmth about the way the harmonica, piano, acoustic guitar, and other instruments come together. It’s so natural, so organic and comforting.

“Each time Jack brings the band a song, it’s like greeting an old friend you haven’t seen in a very long time; joyous, surprising, exciting and feels so right. Like a piece of you you didn’t realise you were missing,” explained one of the Bush Chooks, Elise Hiatt. “They’re raw, jangly and full of love. It’s our cup of tea made just the way we like it, mould and all. We hope it’s yours too.”

It most certainly is. Songs For A Long Walk is out now.

Image used with permission from Beehive PR

Posted on by Lauren Katulka

“Stevie & The Sleepers” – Stevie & The Sleepers

Stevie & The Sleepers’ debut album has been a long time coming. The band released their debut EP Shake It Up back in 2013. Their recent 12-month hiatus might have made some fans doubt this album would ever see the light of day. But it’s here now, and it’s glorious.

The opening guitar notes of “In the Delta,” transport us back in time. This classic blues number sets the scene, ensuring we know this is music steeped in tradition. The addition of wailing electric guitars adds some modern flavour, but like the most timeless music these songs shine without heavy production. They’re anchored by this tight band of musicians and Stevie Joy’s compelling voice.

If you enjoyed the band’s recent single “Favourite Song,” you’ll love this album. The high-energy party numbers combining soul and blues influences come thick and fast. Along with the single, “Jimmy” and “Shouldn’t Of” are standouts. There is so much energy and attitude in Stevie & The Sleepers music, but the band gives us a chance to catch our breath every now and again. The gospel-infused “Young Again” and tender “Save You” reveal a softer side. These soulful ballads really make an impression among the more upbeat numbers.

Few debut albums are as polished or self-assured as Stevie & The Sleepers self-titled work. This is a band that knows exactly who they are and delivers their own brand of music with so much confidence. Was it worth the wait? Hell yes.

Image used with permission from Stevie & The Sleepers

Posted on by Lauren Katulka

“Chutney” – Chutney

The influence of early 2000s British indie-rock acts like the Arctic Monkeys, the Kooks, and the Wombats can be heard clearly throughout Chutney’s self-titled EP. The roughened vocals and guitar-driven melodies are dripping in nostalgia. But when it sounds this good, it’s hard to get too critical.

With just five songs, Chutney keep things short and snappy. Opening track “Consolation Prize” is a mid-tempo charmer that eases us into the recording. It gives us a great taste of what Chutney are all about before they pick up the pace with “Genie’s Lamp.” It might sing about a relationship that’s “far away from love,” but I found the relaxed earnest pleas of “Sleep With Me” irresistible. “Outcast” is a bold floor-filler that makes me crave live gigs even more. I can just imagine how this would go off in some sweaty pub. Chutney hails from the Gold Coast, but the EP ends with an ode to South Australia’s capital. “Adelaide” is a fairly gentle outro, the sort of track that might play as the party winds down.

Chutney might not be able to leave the Sunshine State, but they’re organising some local gigs until those borders open up. Home state fans can catch them with Selfish Sons at Vinnie’s Dive on September 26.

Image used with permission from the A&R Department

Posted on by Lauren Katulka

“Everything” – CAMP 8

New Zealand-born, Melbourne-based artist CAMP 8 has set the bar high with his beautiful debut EP, Everything. This five-song collection is haunting, hypnotic, and just what your soul needs right now.

This EP had me from the title track’s gentle opening strains. There’s a real quiet strength about this music. It’s subtle, but so moving. CAMP 8 creates lush, atmospheric soundscapes that sit so perfectly with his poignant vocals. As each song builds, the emotions behind it are palpable. I can’t remember feeling so moved by a collection of songs in a while. It’s life-affirming listening to something so stirring.

Perhaps it’s not surprising that these songs hit so hard right now, against the backdrop of the pandemic, because CAMP 8 wrote them when he was also struggling through a difficult time.

“I wrote all the songs in the couple the months before, during and after I found out that my ex-partner was cheating on me with my sister’s boyfriend at the time,” he revealed. “We all lived in a house together which all went to shit in a very chaotic 24 hours. Two months later I met my now fiancé.”

Listening to the songs, you can hear when those emotions shift. There a dark melancholy about the opening songs, but by the time “Happier” rolls around things get a little lighter. There’s still lingering sadness, but there’s an optimism about this song too. While it was inspired by very different circumstances, the hope that springs from it really resonates right now as I contemplate what the future might look like. By the time “Shudder” rolled around, I felt lighter, healed.

Listening to Everything is such a cathartic experience. It demands shutting the world out and just sitting with it for a while. How fortunate we are that CAMP 8 has released these special songs right now, when it’s just that little bit easier to do just that.

Images used with permission from Habit Music Co.

Posted on by Lauren Katulka

“Rome” – Josh Pyke

Josh Pyke has kept us waiting five years for a new studio album, but I can’t imagine a better time for his latest collection of songs to enter the world. Rome is a welcome return for this acclaimed Australian singer-songwriter.

There’s a great nostalgia in these songs and a whole lot of love. Tracks like “Still We Carry On” and “You’re My Colour” conjure memories and speak of moments with family and friends. However, they also remind us that nothing lasts forever. Moments pass quickly, and while we hang onto the memories for a time, even they will fade as we do. That might seem bleak, but Josh suggests it can also encourage us to make the most of the time we have. Josh celebrates the passing of time in “Doubting Thomas,” encouraged that “Something good will come around again.” “Where Goes the Girl” is a tale of love lost that constantly reminds us that “It’s all over now,” yet the song still refuses to dwell. The sweet guitar melody and fond lyrics recall with tenderness that at least it happened.

Most Josh Pyke tracks are slow burners, but “I Thought We Were a River” has hit written all over it. Listening to this number, and singing along to those cheery “oo-ahh-oohs,” is an absolute joy. A brassy fanfare makes “Don’t Let It Wait” another song that’s bigger than many fans might expect. However, its message is so crucial, I appreciate the Beatles-esque symphony of sound driving it home. This album has more sonic flourishes than many of his earlier works, but the sound is considered. Everything is exactly where it’s meant to be, enhancing Josh’s message.

Josh’s unmistakable tone, introspective, wise lyrics, and warm, organic tunes feel like the musical equivalent of a big hug right now. They’re comforting, calming, and just what the world needs.

Rome will be released this Friday, August 28. At this stage, Josh still plans play his Fans First shows in October. All shows are for punters 18+:

1 October 2020 – Black Bear Lodge, Brisbane (SOLD OUT)
2 October 2020 – Old Museum, Brisbane (SOLD OUT)
8 October 2020 – The Toff, Melbourne
9 October 2020 – Volta, Ballarat
10 October 2020 – The Toff, Melbourne (SOLD OUT)
11 October 2020 – The Toff, Melbourne
15 October 2020 – Mojos, Fremantle
16 October 2020 – Mojos, Fremantle
17 October 2020 – Lion Arts Factory (Front Deck), Adelaide
28 October 2020 – Lansdowne Hotel, Sydney (SOLD OUT)
29 October 2020 – Lansdowne Hotel, Sydney
30 October 2020 – Lansdowne Hotel, Sydney (SOLD OUT)

Images used with permission from On the Map PR