Category: Album Reviews

Posted on by Lauren Katulka

“Cover My Eyes” – Little Quirks

In a world where heavily produced music created by computers seems to dominate the charts, the back-to-basics tunes from the Central Coast’s Little Quirks are a revelation. There is no studio trickery here on their EP Cover My Eyes. It’s simple music, organically created, and that’s what makes it so special.

In five tracks the Little Quirks will make you fall in love with them. In fact, if you listened to the single and opening track “Life Wouldn’t Be” before, you’d know it takes just one. But what comes later isn’t just making up the numbers. Neither is it more of the same. The essential ingredients are there: those sublime familial harmonies, the strums of acoustic guitars and mandolin giving the music a country-folk flair. But the tracks help give us a complete picture of this exciting new band and their capabilities. “Cover My Eyes” really brings those harmonies to the fore, with a slightly more delicate touch than the single. There’s a cool bluesiness to “Where We Hide.” “Bury Our Bones” is eerily brooding, with a quiet intensity that draws listeners in. “Devil’s Ivy” is a real charmer, the kind of song you might imagine the sisters singing around a burning campfire. There’s an innocence about it which is so appealing.

Cover My Eyes is like a breath of fresh air, a reminder of the beauty of quality music stripped back to basics. It’s also a reminder that these Central Coast teens have massive futures ahead of them. The trio will celebrate the EP’s recent release with the following shows along the East Coast in the coming months.

8 February 2020 – Love Lanes Festival, Wyong
14 February 2020 – Courtyard Sessions, Sydney
28 February 2020 – The Bridge Hotel, Castlemaine
29 February 2020 – Grace Darling Hotel, Melbourne
14 March 2020 – The Rhythm Hut, Gosford
15 March 2020 – Cambridge Hotel, Newcastle
27 March 2020 – Oxford Art Factory, Sydney
9-13 April 2020 – National Folk Festival, Canberra
19 April 2020 – Scotts Head Festival, Scotts Head

Images used with permission from Ditto Music; feature image credit Adam Toole

Posted on by Lauren Katulka

“Through The Walls” – The Vanns

I’ve been procrastinating in writing this review. Not because I don’t want to tell you how good The Vanns’ debut album Through the Walls is, but because it’s not the kind of album that should be dissected and reviewed in a traditional sense. Instead it’s the kind of album that should be experienced, turned up loud and felt.

At its core, Through the Walls is an album about romantic love. It takes us through the highs and the lows, the heady moments and the ones where it aches. The fun and the frustration is all encapsulated in this collection of songs. “Red Eye Flight” is the perfect introduction, a rocking take on a traditional love song. The lyrics are so sweet, but those chunky guitars give it a little edge that prevents it feeling saccharine. That song and the ones to come are all about passion. It can be explosive, bubbling over in moments like the chorus of “Deranged” or more subtle in beautiful ballads like “Chelsea” and “Jasmine.” Anthemic tracks like “Call” and “You And I” encourage you to sing along. I can just imagine how they’d come to life in a sweaty bar with a sticky floor.

The Vanns have been recording music for six years, delivering quality release after quality release. Doing that when you’re releasing singles and EPs is one thing. Sustaining it on an LP is something different, but with this release The Vanns show they’re more than up to the challenge. This country has a tradition of churning out quality rock acts, and The Vanns may just be one of the best.

Through the Walls is out now. The Vanns has one final show left on their Aussie tour. Sydneysiders can catch them at The Metro on December 7.

Image used with permission from Beehive PR

Posted on by Lauren Katulka

“Roar Like The Ocean” – Esimorp

Being a music blogger than bring a kind of exquisite torture sometimes. When I hear music I love, I want to share it with the world. Sometimes I can do that straight away, but on other occasions I have to sit on it, zipping my lips and biting my tongue until it’s time to chat about it publicly. Esimorp reached out to me in August with their debut album Roar Like The Ocean. I can scarcely remember what else I was doing in August, but I know I played that album a lot. I shared the stellar single “The Minutes” with you, but I couldn’t really tell you just how good the rest of the songs were, until now.

Roar Like The Ocean draws you in from the opening guitar strains of “As Long as the World Spins.” The track starts small and atmospheric before building to the kind of stadium rock that characterises this album. Just like attending one of the best rock gigs, listening to Roar Like The Ocean is a thrilling experience from start to finish. It’s one of those rare albums where I don’t feel tempted to skip over songs, even after multiple listens. There are no filler tracks, but I do have a soft spot for “Paris,” which swept me up in its relentless driving rhythm. The romance and optimism of “Nothing More” also makes me smile widely. It’s so impressive the way Esimorp can switch gears from a sweet song like that to something more atmospheric and brooding like the latest single “Ghost Town.” Many of their tracks could inspire a whole stadium to get on their feet, but they show they also understand the power of the understated through a track like “My Wreckage.” Roar Like The Ocean has so many twists and turns, but it never veers so far left that it loses the listener. Instead I found myself hanging on white-knuckled and enjoying the ride, so engaged and excited by everything that came next.

I’ve gone back to this album so many times over the last few months. Every time I did, I found myself thinking of acts like Coldplay and U2. Many of Esimorp’s songs have a similar confidence and anthemic nature about them, but while those big bands have gotten a little bland over the years, Esimorp has all the excitement and enthusiasm that comes with being relative newcomers. You can hear the passion for these lyrics and love for their craft in what they do, and that makes their music so easy to connect to.

Roar Like The Ocean finally drops on November 15. Find it on all your favorite digital platforms and stream the hell out of it. Actually, go nuts and buy yourself a copy. Esimorp are based in Hong Kong, but with an Aussie in their band hopefully we see them on our shores sooner rather than later.

Image used with permission from Esimorp

Posted on by Lauren Katulka

“Free Time” – Ruel

They say you have a whole lifetime to create your first release. The second is much harder, because it typically comes with the pressure of time. Leave it too long and no one will remember you. Rush it though, and the quality may suffer. If Ruel experienced any angst in creating his sophomore EP Free Time, it doesn’t show. At 16 years old, he’s releasing music with more confidence and swagger than many musicians twice his age.

Three of the seven tracks from Free Time were released as singles, so I wondered whether I’d have much to say by the time the EP dropped. But there’s plenty more to fall in love with here. Speaking of love, it’s the dominant theme here, but it’s explored with a maturity beyond Ruel’s tender years. That makes his music so relatable, whether you’re discovering love for the first time as Ruel might be or you’ve got a wealth of experience behind you.

You might assume that Ruel released his strongest songs as singles, leaving lesser tracks behind. But every song on this EP has such quality. There’s real variety too, from the joyous soul-pop stylings of “Painkiller” to the poignant piano ballad “Hard Sometimes.” No matter the tone, Ruel’s distinctive, emotive voice is front and centre. It’s easy to get lost in it, but make sure you tune into the lyrics, which Ruel says are his most personal to date.

Free Time is a stunning EP which celebrates the evolution of this promising Australian talent, and hints at even better things to come. Ruel has a few more headlining shows at home and in New Zealand before heading to the United States and Europe. Somewhere in there he also finds time to come back home and support Shawn Mendes! Here are all the dates you need!

22 September 2019 – Thebarton Theatre, Adelaide
24 September 2019 – Festival Hall, Melbourne
28 September 2019 – Shed 10, Auckland
1 October 2019 – Odeon, Hobart
4 October 2019 – Hordern Pavilion, Sydney
5-6 October 2019 – Yours & Owls Festival, Wollongong
8 October 2019 – Great American Music Hall, San Francisco
10 October 2019 – Columbia City Theater, Seattle
12 October 2019 – Holocene, Portland
14 October 2019 – The Biltmore Ballroom, Vancouver
19 October 2019 – Subterranean, Chicago
21 October 2019 – Velvet Underground, Toronto
22 October 2019 – The Foundry at the Fillmore, Philadelphia
25 October 2019 – Songbyrd Vinyl Lounge, Washington, DC
28 October 2019 – The Bowery Ballroom, New York
29 October 2019 – The Loft, Atlanta
31 October 2019 – The Studio at Warehouse Live, Houston
1 November 2019 – Cambridge Room @ House of Blues, Dallas
3 November 2019 – Fonda Theatre, Hollywood
6 November 2019 – Brisbane Entertainment Centre, Brisbane (supporting Shawn Mendes)
9 November 2019 – Spark Arena, Auckland (supporting Shawn Mendes)
14 November 2019 – Vulkan, Oslo
15 November 2019 – Vasateatern, Stockholm
17 November 2019 – DR Koncerthuset @ Studie 2, Copenhagen
19 November 2019 – Huxleys Neue Welt, Berlin
21 November 2019 – La Gaîté Lyrique, Paris
23 November 2019 – Manchester Academy 2, Manchester
25 November 2019 – Electric Brixton, London
26 November 2019 – O2 Institute 2, Birmingham
27 November 2019 – Saint Luke’s Glagsow, Glasgow
30 November 2019 – The Academy, Dublin
2 December 2019 – Die Kantine, Cologne, Germany
4 December 2019 – Melkweg Max, Amsterdam, Netherlands

Image used with permission from Sony Music Australia

Posted on by Lauren Katulka

“Building Blocks” – THIA.

THIA. lays her heart bare with her new EP Building Blocks. This collection explores heartbreak and loss, the moving on and the difficulties that come with doing so. The opening track, “Intro,” introduces us to her angelic voice, but there’s so much more to this talented singer-songwriter.

“Breathe” is a heartbreaking look at the aftermath of a relationship, those moments when you feel like you have lost not just the object of your affection but every single part of yourself. Its lyrics are devastatingly raw and so compelling. “Holding Your Hand” explores similar territory but with a different attitude. Rather than the desperation and devastation, there’s a steely resolve here. THIA. understands her worth and refuses to accept less than she deserves. There’s a cool confidence here, despite the chaos. “Higher Ground” is a natural progression and the most joyful track on the EP. There’s an acknowledgement of loss but also acceptance and an optimism that something better is just around the corner. I love its vibrant trumpets and cool groove.

The EP closes with the stunning “Stuck,” an eloquent exploration of that limbo so many of us find ourselves in when a relationship is failing, yet we’re not quite ready to say goodbye. Here THIA. gives her most emotional and vulnerable performance on the EP. It’s utterly affecting, and leaves a lasting impression long after the final guitar chord.

Building Blocks is available on all major streaming services now. THIA. will play The Workers Club in Melbourne on October 3.

Posted on by Lauren Katulka

“Three Oh Three” – Oly Sherman

Oly Sherman captured my heart with the release of his single “Bones” in May. Now with the release of his debut EP Three Oh Three, I’ve fallen even harder for the music of this Sydney-based singer-songwriter. Take a listen and I’m sure you will too.

It might not be love at first note though, but some of the best relationships take time to develop. “Reykjavik” is an interesting choice for an opening track. It’s a beautiful, atmospheric instrumental, but it doesn’t have the melodic hooks to really draw the listener in. Persevere with this release though, because Three Oh Three really kicks in with the next track, “Noir (No Love Any More),” a gorgeous melancholy piece of pop rock that wears its heart on its sleeve.

Oly isn’t an artist who’s afraid to bear his soul. There’s such longing in “House on the Hill,” which only amplifies with every plaintive expression of the song’s title. “Pain-Free Melody” captures the loss and defiance that so often comes with a break-up so beautifully. I love its jazzy feel. It might just be my favourite on this EP.

After so much sadness, “Bones,” is such sweet relief, an upbeat optimistic pop-rock number that sweeps you up and takes you to a much more positive place. Title track “Three Oh Three” continues the good vibes, ensuring we finish with a smile on our faces. These two final songs really feel like companion pieces, the kind of tracks you’d turn up on the stereo if you were setting out on a road trip and leaving the real world behind for a while.

Oly will play a string of shows around his hometown to celebrate Three Oh Three’s release. Sydneysiders, check him out at one of the following events.

6 September 2019 – The Lansdowne, Sydney (Supporting Slum Sociable)
7 September 2019 – Golden Age Cinema, Sydney (Supporting Liquid Time)
12 September 2019 – Lord Gladstone, Sydney
27 September 2019 – Coogee Bay, Coogee
5 October 2019 – Yulli’s Brews, Alexandria
16 October 2019 – Lazybones, Sydney
26 October 2019 – Low 302, Sydney
6 November 2019 – Museum of Contemporary Art, Sydney

Image used with permission from Beehive PR

Posted on by Lauren Katulka

“Long Way From Hill Street” – Mercury Sun

Mercury Sun burst onto the music scene in 2013. After releasing a pair of celebrated EPs, the Brisbane indie rock act are finally ready to drop their first full-length album, Long Way From Hill Street, and after giving it a listen I know fans will think it’s worth the wait. This is a good honest rock record that wears its heart on its sleeve. All the right ingredients are here, from powerful vocals to hooky guitar riffs.

The title gives you an inkling what you are in for. This is such a nostalgic album, both lyrically and sonically. It’s no coincidence the band opens the album with “Come of Age,” a song which addresses the transition from angsty teen to adult in control. There are similar themes of looking back and moving forward on the next track, “Just Like Hollywood.” The line “Day by day my youth is growing old on me” really resonates. In “Stumbling,” Mercury Sun looks at revisiting a relationship, in the next track “All My Friends” the band recalls their visions for the future through the lens of youth.

Most songs from Long Way From Hill Street don’t just cover similar thematic ground. They have a similar anthemic rock quality feel to them. Perhaps a more critical listener might call them samey, but I think Mercury Sun has simply found its voice. It does make the gentle closer, aptly titled “Hill Street,” seem a little place, even if looks back fondly on the past like so many of this album’s tracks do. However, this song also hints at a band that might just have a little more range than this album suggests.

For now though, I’m pretty happy to relive my youth and rock out with this one. Brisbane locals can do it in person when Mercury Sun launch Long Way From Hill Street at Tomcat on its release date, September 6. The band will also play Toowoomba’s Carnival of Flowers on September 21.

Posted on by Lauren Katulka

“Drinking Alone” – Jack Runaway

If Kings of Leon and Paulo Nutini had a lovechild, he might sound something like Jack Runaway. Drinking Alone is the Western Australian act’s debut EP, but it’s delivered with all the confidence of seasoned pros.

At just five tracks, the band makes sure there are no fillers here. We already got a taste of Jack Runaway with the singles “Ready to Know You” and “Never Know,” and they’ve wasted no time releasing another single, “Dijonnaise” in tandem with this EP. Any one of the songs on Drinking Alone could be a single though. Each one has a cool, sexy self-assuredness about it, a real rockstar vibe that simmers just below the surface.

I don’t think it’s any coincidence “Ready to Know You” is the EP’s opener. It’s the song that made me fall for Jack Runaway. Hearing it again reminds me just how much I dig the band and primes me for what will come next. “Moonblocks” is such a natural second track, with the easy groove of its verses and the anthemic chorus. There’s a freedom to it that makes me want to pack up my car and drive somewhere, anywhere. “Never Know” and “Dijonnaise” are straight-up rock tracks, with fuzzy guitars and unbridled choruses. The title track has a real pathos about it, so it’s a curious choice for a closer. However, Jack Runaway aren’t an act that likes to play by the rules. Perhaps ending on a downer was a strategic decision though, as it compels the listener to hit play once again.

Like the best EPs, Drinking Alone is a collection of songs that leaves us wanting more. It’s out now. See Jack Runaway play Clancy’s Fish Pub in Fremantle on August 31.

Image used with permission from Firestarter Music

Posted on by Lauren Katulka

“Ten Steps to Cynical Thinking” – The Barren Spinsters

When you slip on an album by a Canberra band called The Barren Spinsters with a name like Ten Steps to Cynical Thinking, you have an inkling you’re in for a good time. But I didn’t quite expect the bluesy collection of songs set to delight my senses this week. I’ve been immersing myself in this album but the last week, and I’m not quite ready to come up for air.

These guys have such a great retro sound. I love the soulful backing vocals and driving drums in the explosive lead track “Hey Ruth,” a song which fondly remembers a former employee who dated TISM’s manager. The single “West of the Happiness” escaped my attention on its release but it’s so much fun with witty lyrics and a cool country-blues-rock flavour. “Step Down” feels like a classic cowboy ditty, but its words give it a subversive modern bent that’s irresistible. “Just the Way You Are” also flips our expectations in the best, bluesiest way possible.

Speaking of lyrics, these guys have a way with words. With a biting sense of humour and a strong sense of rebellion, make sure you play the album a few times to catch every turn of phrase. It’s so easy to get caught up in cool guitar licks and harmonicas, but those lyrics are undeniably clever.

Ten Steps to Cynical Thinking caught my attention early but didn’t let up, with standout songs right throughout. It’s the sort of album I’d play my dad to convince him people are still making good music. It’s got such an accessible sound underpinned by classic influences, from swamp rock to country to good old-fashioned blues. But it’s no mere carbon copy of what’s come before. There’s a delicious edge to their sound that makes The Barren Spinsters much more than a retro throwback.

Ten Steps to Cynical Thinking is out now. The Barren Spinsters are currently touring the album all around the country. Catch them at the following venues.

24 August 2019 – Capital Brewing Co., Canberra
8 September 2019 – Jamison Oval, Reclink Club, Canberra
4-6 October 2019 – Caloundra Music Festival, Caloundra
5 October 2019 – The Imperial Hotel, Eumundi
18-20 October 2019 – Kangaroo Valley Folk Festival, Kangaroo Valley
16 November 2019 – Healsville Music Festival, Healsville
22-24 November 2019 – Queenscliff Music Festival, Queenscliffe

Image used with permission from The Right Profile

Posted on by Lauren Katulka

“Find a Way” – Dana Gehrman

Brisbane’s Dana Gehrman creates the sort of music we don’t hear enough of these days. She has a cool bluesy sound that veers into rock, country, soul, and Americana. It’s perfectly punctuated with Hammond organs and slide and pedal steel guitars. And then there is that voice, so commanding with a sultry ease you instantly warm to. I hadn’t heard of her before listening to her debut album Find a Way, which is out today, but I’m an instant fan.

The album’s opener “Hands Tied” is the perfect introduction to her sound. It goes down so easily, but there’s a definite edge to the message. “24 Karat Rocker” could easily have come from Tom Petty’s catalogue. It’s perfect road trip music, with a vintage 70s sound that evokes rich nostalgia.
The album is mostly a party full of solid blues-rock numbers, but Dana shows her sensitive side in the title track “Find a Way.” It’s the album’s most poignant moment, a romantic track that shows she’s not all sass and strength. It’s not too long before she shakes off that vulnerability and is back grooving with us again though. Deep swampy cuts like “Howling Wolves” and “Grasshopper Creek” will please blues purists. A reprise of “Remedy” seems a little tacked on, especially after the powerful “Rogue Train (Rattle on By),” but it’s a good reminder than Dana’s music is really all about having fun.

Dana Gehrman feels like Australia’s answer to Sheryl Crow, an immense talent with an ability to effortlessly cross genres. Find a Way is an impressive debut from this superb Queenslander. She’ll bring its songs to music lovers at the following shows.

Image used with permission from This Much Talent

26-28 July 2019 – Echuca Blues Festival, Echuca
10 August 2019 – Phase 4 Records instore, Brisbane
17 August 2019 – Imperial Hotel, Eumundi
6 September 2019 – The Milk Factory, Brisbane