Album Reviews – Page 3

Posted on 15/05/202515/05/2025 by Lauren Katulka

“Julie’s House” – Ama

After wowing me with her relatable pop songs for nearly a year, Ama has released her debut EP. Julie’s House is a gorgeous collection of coming-of-age songs that has really struck a chord with me.

It’s been a long time since I was caught in the throes of infatuation, but I don’t think those feelings ever leave you. Listening to Ama’s music brings back all the insecurities and heightened emotions we all experience as we’re trying to figure things out. Ama articulates them so beautifully, with songwriting that’s achingly honest. She’s also got an incredible knack for melody. These are some of the catchiest songs I’ve heard. I also love her voice, warm, pure, and emotive. She makes listening such a joy.

Julie’s House features some of Ama’s best singles including “Metro Girl” and “Bite.” They sit perfectly alongside undiscovered gems like the wistful closer “If i dated a guy” and the epic title track. This EP was inspired by Ama’s feelings for the same girl she met online, and it’s fascinating to learn about that relationship through this collection of songs.

Julie’s House is a fantastic EP from one of Australia’s best emerging pop acts. It’s out now on Spotify and all your favourite streaming services.

Image source: Ama’s website

Posted on 05/05/202506/05/2025 by Lauren Katulka

“To All The Ones That I Love” – Press Club

Naarm/Melbourne band Press Club maintain the rage with the release of their fourth album To All The Ones That I Love.

I’ve been listening all weekend and I must admit, I’m reluctant to switch gears from experiencing the music to writing my views down. Because this isn’t really music that needs intellectual analysis. They’re songs that you feel deep in those primal parts of yourself. This album appeals to my inner angsty teen, my frustrated artist, my introverted loner.

I’m not going to pretend that every song clicked with me, but that’s art, right? If the music pleases everyone, the band probably isn’t pushing enough boundaries. And when it does resonate, it can make you feel entirely seen.

Press Club recorded To All The Ones That I Love at their own studio in Western Naarm/Melbourne after writing the songs collaboratively over a few months. Guitarist Greg Rietwyk handled production and mixing duties before Kris Crummett (Closure in Moscow, Dune Rats, Currents) mastered it. That means that except for some final polishing, this is truly Press Club’s baby. The band said making this record was an incredibly fun, creative, and liberating experience, and you can hear all that in these songs. They’re defiant but jubilant, energetic and emotional. Calling out any one track feels unfair, because they all contribute to this fantastic body of work. Yes, even the ones that haven’t quite struck a chord with me.

To All The Ones That I Love is out now. Press Club will play one more local show before heading to the UK and Europe for their sixth tour. Don’t stress though Aussies; they’ll be home for more gigs from July which go on general sale tomorrow. You just know these songs will be even better experienced in a sweaty pit, so make sure you don’t miss Press Club wherever they are near you.

23 May 2025 – The Sound Doctor @ Anglesea Memorial Hall, Wathaurong Country/Anglesea
14 June 2025 – VERA, Groningen
15 June 2025 – Not Sorry Festival @ Cruise Recordstore, Hamburg
18 June 2025 – Neue Zukunft, Berlin
19 June 2025 – Bei Chez Heinz, Hannover
20 June 2025 – Luxor, Cologne
21 June 2025 – Molotow, Hamburg
22 June 2025 – Farewell Youth Fest @ Groovestation, Dresden
24 June 2025 – INmusic Festival @ Lake Jarun, Zagreb
26 June 2025 – TRIX, Antwerp
27 June 2025 – Jera on Air @ Zeilbergseweg, Ysselsteyn
28 June 2025 – Gleis 22, Munster
30 June 2025 – Im Wizeman, Stuttgart
1 July 2025 – Strom, Munich
3 July 2025 – Muk, Giessen
4 July 2025 – Rotown, Rotterdam
5 July 2025 – Fallig Open Air, Enkirch
8 July 2025 – Esquires, Bradford
9 July 2025 – Pink Room @ YES, Manchester
10 July 2025 – New Cross Inn, London
18 July 2025 – The Crown & Anchor, Tarntanya/Adelaide
19 July 2025 – Indian Ocean Hotel, Noongar Country/Scarborough
20 July 2025 – Mojo’s Bar, Walyalup/North Fremantle
25 July 2025 – Crowbar, Meeanjin/Brisbane
26 July 2025 – Vinnie’s Dive, Kombumerri Country/Southport
27 July 2025 – Bangalow Bowlo, Bangalla/Bangalow
31 July 2025 – La La La’s, Woolyungah/Wollongong
1 August 2025 – King Street Bandroom, Mulubinba/Newcastle
2 August 2025 – The Loft on Broadway, Eora/Sydney
8 August 2025 – Corner Hotel, Naarm/Melbourne

Album art: Matt Cochran
Main photo credit: Nick Manuell

Posted on 29/04/202530/04/2025 by Lauren Katulka

“Forever is a Long Time” – Littlefair

Littlefair captured my heart with the release of “Happy” a couple of months ago. Now they’ve given us a little more enjoy with the release of their fabulous EP, Forever is a Long Time.

This release delivers everything I knew I loved about this band, and then some. Jessica Depiazzi is an irresistible frontwoman, but when I hear her harmonising with her sisters Kira (violin, percussion) and Mary (keys, guitar), and bandmate Jaik Rushan (bass, guitar), I get goosebumps. I am so glad their voices blend in every song. I loved the energy of “Happy” and found more of those clap-along melodies with “Jacket” and “Take Me Down,” which sees the band shaking things up and putting Jaik out front.

Forever is a Long Time shows that there’s more to this act than feelgood fun though. “Something to Miss” is a gentle, romantic ballad. And the final song, “Prescription,” which explores the complexities of watching someone you care about trapped in a toxic relationship, is so raw it bleeds. It makes a strong statement about this Western Australian band and the depth of their artistry.

Whatever music they’re making, the chemistry between the members of Littlefair is palpable. It makes listening to their music such a joy. Discover their EP Forever is a Long Time on your favourite streaming platform now. And if you’re local, catch them at their EP launch at Lyrics Underground in Wu-rut/Maylands on May 18.

Images used with permission from Blue Grey Pink

Posted on 29/03/202529/03/2025 by Lauren Katulka

“Survival” – Harry Cleverdon

It feels like Harry Cleverdon’s album, Survival, has been a long time coming. He released an experimental psychedelic album under the moniker SonofHarry in 2023, but Survival is the first released under his own name. It’s also the first featuring the sweet country-folk-pop sound I’ve enjoyed from Harry since 2022. But you know what they say about good things coming to those who wait.

Now that it’s out in the world, I appreciate that Harry took his time. He’s still a young artist, but the experience and wisdom he’s gained through the last few years I’ve spent following his career shows. Songs like the incredibly catchy album opener “House of Cards” and the stirring title track, which you can listen to below, are among the best he’s released. I love the cheekiness of “Empty Bottles,” but I’m also glad Harry balances it with more vulnerable numbers like “Nothing For Myself” and “Superman (Late Night Trance).” He shows more of his heart with “The Best That I Can,” an earnest love song that’s sure to leave most listeners swooning.

There’s also an ease about Harry’s music that only comes with growing comfortable in your own skin. When so many new releases rely on heavy production, Survival comes as a breath of fresh air. Harry’s not afraid to buck the trends and get back to basics with his music. With acoustic, organic instrumentation in support, his sweet vocals are never overpowered. We can hear every lyric, which is such a blessing when the songs are so well-crafted. Listening to these tunes you get the sense that they’d sound the same live as they do on the recording. There’s no tricks or wizardry here, and the music is better for it.

Survival is the perfect showcase for Harry’s talents as a singer and songwriter. The songs are instantly accessible, but spend a little more time with them and know you’ll fall as deeply in love as I have. Stream it on your favourite platform now. You can also hear Harry and other fantastic Aussie country acts on my Spotify playlist, Sounds of Oz Loves Country.

Images used with permission from Lambing Flat Records

Posted on 16/03/202517/03/2025 by Lauren Katulka

“New Love” – Ziggy Alberts

Ziggy Alberts has crammed an awful lot into his 14 years in the music industry. He’s won APRA Awards, racked up more than a billion streams, and played shows all over the world. While others may be daunted through their journey, it seems like nothing phases Ziggy. His signature chill shines through his recently released seventh album, New Love.

I’ve always appreciated Ziggy’s music, but this collection of songs is the first I’ve really taken into my heart. I think it’s the focus on relationships and romance that resonates most. Easy love songs make up the bulk of the music here, and they’re beautiful. It’s refreshing to hear songs about love that’s uncomplicated and without drama. As a 40-something who’s spent decades with the one man, songs like “I’m With You” and “Confessions”. And even if your personal life looks different, hearing the heartfelt lyrics delivered with such emotional sincerity brings comfort.

Ziggy punctuates his beautiful music with philosophical insights that might sound naff coming from someone else. But coming from this Kabi Kabi and Jinibara Country/Sunshine Coast-raised talent, it just makes sense.

New Love is such an enjoyable listen. Its songs are mellow and gentle, without sharp edges. Ziggy’s voice and the strum of his acoustic guitar will soothe you. Great art doesn’t always need to challenge the listener or the status quo. Sometimes, as is the case with this album, simply making listeners feel good is enough.

New Love is out now. Ziggy is playing plenty of shows around Australia and beyond to support its release but tickets are selling out fast, so get yours while you can.

Main photo credit: Janneke Storm

Posted on 14/03/202514/03/2025 by Lauren Katulka

“memory lane” – Sienna Tenn

Sienna Tenn casts a spell with her beautiful debut EP, memory lane. This seven-song collection provides a glimpse into the talents of this Meeanjin/Brisbane talent who isn’t afraid to do it all.

On memory lane, we see Sienna taking full control of her artistry. She’s the singer, songwriter, multi-instrumentalist, and producer. Everything you hear is a realisation of her vision. She seems to trust it completely, taking sonic risks that other artists may not attempt in their first outing. I appreciate that Sienna doesn’t play it safe.

I knew I was listening to something unique from the dreamy opening track, “reverie.” This gentle pop lullaby beautifully showcases her voice and gift for creating lush soundscapes. The ambient vibes continue in the title track “memory lane.” I think it’s the EP’s strongest song, with compelling lyrics that encourage listeners to take a trip back to the past with Sienna. The next tracks “it’s always you,” “should’ve been mine,” and “attached” take a similarly nostalgic tone with wistful lyrics that reveal yearning for a relationship long gone. “lilac love” is a beautiful goodbye to the past. Again I was struck by the lyrics which draw an intimate picture of the relationship even as Sienna wishes her former flame well. It naturally brings us to the present for the closing track, “these are the moments.” Sienna and her listeners aren’t spending time in the past any more. The yearning is gone, replaced with an acceptance. The loss still lingers, but that’s okay. It’s a beautiful place to end the story.

memory lane is an impressive debut EP from Sienna Tenn. It’s not as polished as many pop recordings, but I appreciate listening to music without the veneer. Slick production can sound pleasing to the ear, but we should experience music with much more than that. Press play and engage your heart instead.

Images used with permission from Sienna Tenn

Posted on 14/03/202514/03/2025 by Lauren Katulka

“Ruin & Repair” – The Audreys

It’s been 11 long years since The Audreys’ released their fourth album ‘Til My Tears Roll Away. After the death of founding member and guitarist Tristan Goodall in 2022, many wondered whether that album would be their last. But now the patience of fans has been rewarded with a beautiful new album, Ruin & Repair.

This release builds on the promise of two stellar singles, “Second Hand Boots” and “Beatles V Stones.” Both songs tell the story of love stories that are as flawed as they are important, destined to end but life-changing while they last. There are many more songs of imperfect love here. “Subterranean,” with its evocative lyrics painting the picture of an all-consuming relationship, drew me in. “Sober” is also stunning, a heartbreaking ballad that charts how an overreliance on alcohol can undermine a connection. Songs like “Beyond Compare” and “Norfolk Island Pine” bring some balance with their stories of love that feels healthier and steadier, at least for a while.

The Audreys excel at creating delicate folk songs, but this album sees them taking a few risks too. “To Want To Be Loved” shows an irresistible rock edge that reminds me of The Cranberries or Cowboy Junkies. “Seen The Last of You” is a simmering, sultry blues number bound to get underneath your skin.

No matter the genre, Taasha Coates voice anchors this music. It’s so warm and compelling, the perfect foil for the uber-talented musicians she surrounds herself with.

The release of Ruin & Repair marks the start of a new chapter for The Audreys. While this band will be forever changed by the loss of Tristan, this album shows they’re still a creative force capable of releasing some beautiful music. Take the time to get to know it this weekend, then make sure you get your tickets for one of their upcoming shows.

28 March 2025 – Lyrics Underground, Boorloo/Perth (18+)
29 March 2025 – Mojos, Walyalup/Fremantle (18+)
4 April 2025 – Imperial Hotel, Ngumundi/Eumundi (18+)
5 April 2025 – Old Museum (Studio), Meeanjin/Brisbane (18+)
6 April 2025 – Wallaby Hotel, Yugambeh Country/Gold Coast (18+)
10 April 2025 – Camelot Lounge, Eora/Sydney (18+)
11 April 2025 – Street Theatre, Ngambri/Canberra (18+)
12 April 2025 – Milton Theatre, Yuin Country/Milton (18+)
13 April 2025 – Avoca Theatre, Darkinjung Country/Avoca Beach (ALL AGES)
24 April 2025 – Sooki Lounge, Wurundjeri Country/Belgrave (18+)
25 April 2025 – Brunswick Ballroom, Bulleke-bek /Brunswick (18+)
26 April 2025 – Memo Music Hall, Euro Yuroke/St Kilda (18+)
16 May 2025 – Quirkz, Wonnarua Country/Abermain (18+)
17 May 2025 – Brass Monkey, Kurranulla/Cronulla (18+)
18 May 2025 – Heritage Hotel, Wodi Wodi Country/Bulli (18+)
22 May 2025 – The Royal Oak, Letteremairrener Country/Launceston (18+)
23 May 2025 – Mount Gnomon Farm, Larapuna/Penguin (ALL AGES)
24 May 2025 – Craigie Knowe Vineyard, Palawa Country/Cranbrook (18+)
25 May 2025 – Republic Bar, Nipaluna/Hobart (18+)
7 June 2025 – The Gov, Tarntanya/Adelaide (18+)
29 August 2025 – Gympie Muster, Gimpi-Gimpi/Gympie (ALL AGES)
26 October 2025 – Nimbin Roots Festival, Bundjalung/Nimbin (ALL AGES)

Images used with permission from On the Map PR

Posted on 21/02/202528/02/2025 by Lauren Katulka

“Hote’ Hote'” – Charles Maimarosia

Proving that music really is the universal language, Charles Maimarosia has captured my heart with his sophomore album Hote’ Hote’. Born in the Solomon Islands and now based in Naarm/Melbourne, Charles celebrates his Are’ Are’ roots with this special collection of songs.

From the bold native drums of album opener “Parani O’o,” this album makes one thing clear: this isn’t like anything else you’ll hear 2025. That might be a bold statement to make in February, but I can make it confidently knowing that it’s such a rare gem.

As a word nerd, I tend to listen to albums listening for lyrics I can connect with. I couldn’t do that here, as Hote’ Hote’ is recorded entirely Are’ Are’. That approach forced me to listen to the music in a different way than I’m used to. Are’ Are’ is such a beautiful Melanesian language, it becomes almost like another instrument on these recordings. They combine with guitars and traditional Melanesian panpipes to tell stories that you might not understand, but you certainly feel. The stirring “Nanaratana Hu’ A Kurmauri” uplifted me. Laidback “Na A’ Ma Si’ O” transported me to the beaches of Charles’ original island home. “Roropau,” a traditional Are’ Are’ lullaby, soothed me. Individually these songs are beautiful, but listen to the way they weave together and you get a sense of the culture that Charles honours so beautifully.

“The album explores themes of voyaging, family, love, and cultural preservation,” he explained. “It celebrates the beauty of the Pacific, the strength of community, and the stories of my ancestors. It’s also a call for unity and respect across all cultures and generations. And also my own journey from small Pi Pi Su village in Malatia Solomon Islands to Australia and touring the world following and sharing My culture and music from the age of 17.”

Hote’ Hote’ probably isn’t like anything you’ve heard before, but that’s a good thing. Open your ears and heart and let yourself be transported away by this release. Hote’ Hote’ is out now. Charles will bring this music to the masses at the following shows:

21 February 2025 – Wauchope Arts Hall, Birrpai Country/Wauchope
22 February 2025 – Red Rattler, Bulanaming/Marrickville
23 February 2025 – Smith’s Alternative, Ngambri/Canberra
3 May 2025 – Theatre Royal, Dja Dja Wurrung Country/Castlemaine (supporting Ruth Moody)

Images used with permission from On the Map PR

Posted on 14/02/202511/02/2025 by Lauren Katulka

“Lessons in Love” – Thndo

It’s no coincidence that Thndo’s released her new album Lessons in Love this Valentine’s Day. While the day might be a Hallmark holiday, it’s also the perfect time to discover this diverse collection of “love songs.”

I put the term in quotes because most songs aren’t love songs in the traditional sense. While they all touch on relationships, they’re not formulaic or overly saccharine. Thndo bares her heart here, exploring the emotions that come when you open yourself up to someone. There’s excitement over infatuation, but also trepidation over being vulnerable. Love comes in all forms, so it’s only fitting that Thndo touches on motherhood with songs like “Another Day” and the incredible closer, “Purpose.” The struggles in relationships are celebrated as part of the story rather than sugar-coated. While Thndo’s not afraid to show the scars, this is ultimately an uplifting collection of songs that offers hope that love can conquer all.

These are songs of real substance, so I wanted to celebrate that first before I mention Thndo’s voice. It’s important to stress that her talent goes much deeper than her vocal chops. But of course, I also have to mention Thndo’s voice. It’s simply one of the best in the country. It can truly do anything, from the upbeat grooves of “Along the Way” and “Bedroom Eyes” to the cinematic ballad “Holding On.” But I love it best in pared back numbers like “Another Day” and “Given Time.” When you strip the music back, there’s nowhere to hide. If there were any imperfections, we’d hear them. There are none. Thndo’s rich, soulful voice is simply incredible.

I liked Lessons in Love from the first spin, but after a few listens I feel deeply in love with it. Press play and let it find its way into your heart this Valentine’s Day. You can see Thndo performing selected songs from Lessons in Love at the following venues:

14 February 2025 – A Valentine’s Affair @ Jazz Lab, Bulleke-bek/Brunswick
22 February 2025 – Under the Stars @ Packer Park, Bunurong and Wurundjeri Country/Carnegie (FREE)
16 April 2025 – Northcote Theatre, Naarm/Melbourne (supporting BJ the Chicago Kid)
27 June 2025 – Karralyka Theatre, Wurundjeri Country/Ringwood

Main photo credit: She is Aphrodite

Posted on 07/02/202507/02/2025 by Lauren Katulka

“Stay With the Horses” – Alexander Biggs

Fiercely independent, Alexander Biggs is an artist who plays by his own rules. His music doesn’t sound like anything on the radio. He takes his time releasing it, waiting five years after hitting my radar before unleashing his debut album Hit or Miss and another four years before following it up. But today, we get the opportunity to hear his sophomore effort Stay With the Horses.

Of course, when you’re self-recording, self-producing, and independently releasing your music as Alexander does, you have time. To experience life and find inspiration, to experiment with lyrics and sounds, to get it just right. I hear the benefit of time in these songs. They embody the elements that drew me to Alexander’s music years ago. The hushed vocals have such a quiet power, drawing in the listener and creating intimacy. The lyrics are beautiful, poetic, and authentic. The melodies are simple, allowing us to hear the words that Alexander almost whispers.

But don’t think Alexander’s simply delivered more of the same here. This is everything I love about his music, but better. The melodies seem more approachable and a little catchier. You’re still not going to belt out these songs at karaoke, but you might find yourself humming them unexpectedly. His songwriting has evolved too. I found myself marvelling at his way with words, admiring phrases that hit my ears and heart. Alexander has elevated his music without alienating his fans here. That can be a delicate balance, but he achieves it with these songs.

Stay With the Horses is a really special album. It’s music that matters from an artist that isn’t afraid to buck trends or reveal their heart. Listen to it on your favourite streaming services now or purchase a limited edition vinyl copy here.

Images used with permission from Maths and Magic