Category: Album Reviews

Posted on by Lauren Katulka

“Friends for Christmas” – John Farnham & Olivia Newton-John

It’s officially the silly season, a time when we can unashamedly enjoy a little schmaltz and sweetness. We get both in abundance in Friends for Christmas, a new holiday release from good pals and Aussie legends John Farnham and Olivia Newton-John.

This is the ideal album to slip on while you’re trimming your tree or entertaining the family on Christmas Day. It’s merry, joyful, and full of cheer. Old favourites like “It’s Beginning to Look a Lot Like Christmas” and “Santa Claus is Coming to Town” are delivered with childlike enthusiasm. But for me the real standouts are the songs that allow these two incredible voices to soar. You can’t help but be captivated by more traditional choices like “The Little Drummer Boy” and the closing number, “Hark the Herald Angels Sing.” “Have Yourself a Merry Little Christmas” hits all the right notes; it’s tender and so exquisitely executed.

There’s no disputing the talent of these artists. Separately they’re amazing, but listening to them harmonise and feed off one another’s energy takes things to another level. When they get together, magic happens. And isn’t that what Christmas is all about?

Friends for Christmas is in stores now.

Posted on by Lauren Katulka

“Better Hold On” – Tullara

Tullara shows she’s an artist that’s impossible to pigeonhole with her debut EP Better Hold On.

I thought I had her pegged with the opening track “Too Many.” It’s a jaunty folk song, complete with a fiddle, an acoustic guitar, and a banjo. I imagined she was something like the second-coming of Jewel, but with a richer, huskier voice that reminded me a little of Dido.

But when I heard “Jailbreak” I knew I was wrong. It’s a wild, bluesy ride, with a funky bass line and killer vocals from Tullara. It’s as far from folk as you can get, the kind of rock star turn you’d expect a tough chick to deliver in a dark, sweaty pub with sticky floors.

That frenetic performance took my breath away, yet I wondered whether it was all a dream as I listened to the delicate “No Time.” It’s a calm folk song, delivered with the resignation of someone self-aware enough to understand a relationship is just not working.

“Five Weeks” sees Tullara shifting gears again. It’s entirely instrumental, with a real international flavour. It transported me to the bazaars of India in minutes.

The final track “Six Months” might be my favourite. It’s also perhaps the most intimate and stripped back we hear Tullara. The lyrics are vulnerable and given space to breathe with just an acoustic guitar to keep time. It’s a heartbreaking exploration of lost love that most of us will find so painfully familiar.

Tullara shows that she’s an artist with so much in her back pocket. She goes where the music takes her, and hopes her listeners will come along for the ride. I’m only too happy to follow.

Better Hold On is currently available from digital outlets. Tullara is touring the country to support its release. Here are her remaining dates.

8 December 2016 – The Milk Factory, Brisbane
9 December 2016 – Leche Café, Yamba
10 December 2016 – 63 First Ave, Sawtell
11 December 2016 – Stag & Hunter, Newcastle
26 December 2016 – 1 January 2017 – Woodford Folk Festival, Woodford

Image used with permission from the A&R Department

Posted on by Lauren Katulka

“Two Degrees” – Illy

I consider myself open to most musical genres, but I haven’t really listened to a lot of rap since the 90s. I had fun with acts like Salt-N-Pepa and The Fugees, but then the genre evolved, as most do, and I felt left behind. It seemed rap was either about the struggle of people from the “wrong side of the tracks” or about the excess of those living it large. Neither type of rap resonated with me, so I found myself listening to the genre less and less. And then came Illy.

It’s hard to believe, considering how Illy seems to have burst onto the scene a relatively short time ago, but his newie Two Degrees is actually his fifth studio album. It’s a highly anticipated release considering the way Australia’s responded to singles like “Papercuts” and “Catch 22.” It’s the strength of those singles that have taken it to number one on debut. But it’s the strength of the other songs that’s going to get people talking and keep it on the charts for many weeks to come.

My favourite songs are the ones where Illy collaborates with other artists. I think he does some of his best work when he has someone to bounce off. The chemistry he has with the artists he’s handpicked here elevates these tracks. “Hazard to Myself,” a collaboration with Sir the Baptist, is so playful and irreverent. “Oh My,” with Jenna McDougall, feels like a summer anthem. “Extra Extra,” featuring Mike Waters, is pure feelgood joy.

While these songs make me smile, some of the album’s most poignant moments come when Illy’s working alone. “Truce” feels very personal, with powerful lyrics that pack a serious emotional punch. The closing track “Highway” is such a perfect way to finish the album. This song closes this chapter in the Illy story by looking forward to the future.

Illy is a rapper, but his music is so much more than that. He effortlessly fuses his rhymes with pop, dance, and electronic sounds to broaden its appeal and make it accessible to people like myself who don’t spend a lot of time listening to rap. If like me you’ve moved away from rap music, Two Degrees encourages you to dip your toe back in to the genre. You won’t be disappointed.

Image used with permission from Warner Music Australia

Posted on by Lauren Katulka

“The Housefox Sessions” – Pepperhead

Some of the best rock outfits have been featured groups of guys with a woman out front. Perhaps it’s that these women are forging a path in a male dominated genre, but they seem to have an extra bit of grit and fire about them. Pepperhead frontwoman Louisa Thomas picks up where the likes of Suze de Marchi and Sarah McLeod left off.

She owns every track on The Housefox Sessions EP, a collection of songs recorded at Housefox Studios on Sydney’s Northern Beaches. When I think of the Northern Beaches, I think of privilege and a little pretension, but there’s none of that artifice about this recording.

Opening track “Angels & Demons” is a straight-up rock gem, all heart and soul. It’s followed up by the single “See Through You,” a track which adds a little more punk and rebellion to Pepperhead’s rock sound. If you’re not punching the air by the end, I’m a poor judge. “Superhero” sees Pepperhead shifting gears slightly, with gentle verses contrasting with its explosive chorus. The closer, “Unresolved,” is a frenetic piece of power-punk clocking in at just a little more than two minutes. It’s the kind of song that takes your breath away, before making you feel like you want to experience it all again.

The Housefox Sessions might have been recorded in a professional studio, but it feels more like something cut in a garage or live at a gig in a sweaty pub. There’s an irresistible energy about the way Pepperhead plays, with Louisa a commanding presence well supported by this tight unit of players. In just four tracks, Pepperhead shows enough to suggest it could be the next big thing.

Image used with permission from The A & R Department

Posted on by Lauren Katulka

“Silver Birch” – Little Wise

After falling for Little Wise’s single “Don’t Hurry Back,” I couldn’t wait to wrap my ears around her album Silver Birch. My expectations were high, but this beautiful collection of folky acoustic songs certainly met them.

The album opens with “Sometimes,” a summery folk-pop number about leaving the negative forces behind and moving forward. The lyrics of “Grab a Hold,” which contain so much wisdom, really resonated with me. The title track “Silver Birch” is an absolute standout. The lyrics which reveal the loss of a father touch on the sadness but also celebrate the strength and wisdom gained from tragedy. “Favourite Song,” featuring guest vocals from Sal Kimber, has such a great groove that reminded me a little of something Rickie Lee Jones might write. The final track “Stairs” is the perfect way to end. This isn’t one of those albums that has big production, but it’s still refreshing to hear what is there stripped away until we’re just left with the gentle strumming of an acoustic guitar and Little Wise’s angelic vocals singing an honest, moving lyric. This is music at its most pure, and it’s a beautiful thing to witness.

Little Wise has a gorgeous voice with such an earthy, authentic quality. I believe her as she tells stories of the people she’s known. Each track is a beautiful snapshot of moments that are personal, yet touch on themes we can all relate to. While this gentle album would make the perfect music for those quiet nights chatting with friends over glasses of red wine, the listening experience becomes so much richer when you tap into the lyrics and really listen to what each song has to say.

Silver Birch is out now. You’ll find it on iTunes, Spotify, and Bandcamp, which has both digital and physical versions. Little Wise is currently touring the country to support its release.

15 November 2016 – House Concert, Nambucca Heads
17 November 2016 – Petersham Bowling Club, Sydney (with Rosie Burgess)
18 November 2016 – Smith’s Alternative, Canberra (with Rosie Burgess)
19 November 2016 – Commonground Festival, Seymour
24 November 2016 – The Bella Union, Melbourne (with Rosie Burgess)
25 November 2016 – Martians Café, Deans Marsh (with Rosie Burgess)
27 November 2016 – The Wheatsheaf, Adelaide (4pm – with Rosie Burgess)
9 December 2016 – Basement Discs, Melbourne (FREE @ 12:45pm)
10 December 2016 – Brookfield Shed, Margate (with Rosie Burgess)
11 December 2016 – Marakoopa Café, Mayberry (2pm with Rosie Burgess)

Posted on by Lauren Katulka

“Foreign Bodies” – The Iron Eye

With all the confidence and prowess of global names like Queens of the Stone Age and A Perfect Circle comes Brisbane rock act The Iron Eye and its brand new EP Foreign Bodies.

The EP bursts out of the gate from the first track and lead single “Culpa.” I love its driving drums and singalong chorus. “Just Started” continues the fun with its dirty, sexy groove and fuzzy guitars. The title track “Foreign Bodies” is another high-octane rock hit, with big chunky guitars and big vocals from Nick Lythall to match. “Where Do You Go” had me bobbing my head in time with its energetic beat. The closing track “Silence” is perhaps the EP’s most ambitious number. It’s menacing and dark, without the obvious hooks of the songs that came before. This song shows that The Iron Eye is a band that’s not afraid to take some risks. While it wasn’t my favourite song on Foreign Bodies, I appreciate the statement it makes.

The Iron Eye makes music that rocks hard with a great melodic core which endears it to listeners from the first spin. Foreign Bodies gives an exciting snapshot of a rock act that deserves to make a splash on the local music scene.

Foreign Bodies drops on November 18.

Image used with permission from Collision Course

Posted on by Lauren Katulka

“The Blues Arcadia” EP – The Blues Arcadia

Ordinarily I find myself dragging my feet on a Monday, lamenting how quickly the last two days have whizzed by and the deadlines I have looming. However, this week I’ve got a spring in my step thanks to Blues Arcadia’s new self-titled debut EP.

I instantly connected with the music from this soul act from Brisbane. While it’s a debut, these guys, including past members of The Bella Reunion, are no strangers to the music scene. Listening to the seven tracks that make up this EP, you feel you’re in good hands. The numbers were recorded live to tape at The Barn Studios, giving them an energy and emotional intensity other studio recordings often lack.

I love the melancholy of “Corner Girls.” I can imagine hearing it in a smoky jazz club late at night after one too many glasses of scotch. After the raw ache of that song, the easy, playful groove of “Take the Money” gives the heart some respite. “Miss Lonely” is pure joy, the kind of track that gets everyone in a club up on their feet and dancing. “Here Comes the Rain” sees Blues Arcadia in performers its most sombre mode. It’s heartbreaking, with crying guitars adding pathos to Alan Boyle’s stunning vocals. The upbeat “Operator Please” brings the mood up before “Time and Again” reminds listeners just how good this band is at crafting a song about loss. It’s a powerhouse, with a rollicking piano, driving drums, and those meaty vocals. The upbeat “Rockin’ Chair” closes the EP with a bang. It’s got a great political message, but with its beefy sax line and danceable beat that message goes down easy.

I don’t ordinarily write about every song on a recording, but there are no filler tracks here. Blues Arcadia has such a great sound, with all the players pulling their weight. Big brass sounds meld beautifully with more delicate instruments like the guitars and piano. Everything works. And with Alan Boyle’s soulfully raw vocals on top, it’s heaven. I’m so glad this is a longer-than-average EP, because I didn’t want it to end. Excuse me while I hit play again.

Blues Arcadia’s self-titled EP drops on November 14. They’re playing the following shows around Queensland in the coming months. Hopefully they won’t leave the rest of Australia waiting too long, because I need to hear these guys live!

12 November 2016 – Lefty’s Old Time Music Hall, Brisbane (FREE)
13 November 2016 – Secret Show – email thebluesarcadia@gmail.com for details
18 November 2016 – The Walrus Club, Toowong (FREE)
19 November 2016 – BASEQ 21st Birthday Bash @ Lefty’s Old Time Music Hall, Brisbane (FREE for BASEQ members)
26 November 2016 – Sonny’s House of Blues, Brisbane (FREE)
2 December 2016 – Sonny’s House of Blues, Brisbane (FREE)
3 December 2016 – The Walrus Club, Toowong (FREE)
10 December 2016 – Lefty’s Old Time Music Hall, Brisbane (FREE)
31 December 2016 – The Royal Mail Hotel, Goodna
14 January 2017 – Lefty’s Old Time Music Hall, Brisbane (FREE)
21 January 2017 – Wolvi Heads Shed, Wolvi
27 January 2017 – Queen Street Mall, Brisbane (FREE)
28 January 2017 – Sonny’s House Of Blues, Brisbane (FREE)
17 February 2017 – Lefty’s Old Time Music Hall, Brisbane (FREE)
25 February 2017 – Sonny’s House Of Blues, Brisbane (FREE)
10 March 2017 – Sonny’s House Of Blues, Brisbane (FREE)
11 March 2017 – Palmwoods Hotel, Palmwoods

Image source: Blues Arcadia Facebook page

Posted on by Lauren Katulka

“Eyes Still Fixed” – Amarillo

This is the first day this week I haven’t had somewhere to be, some thing that takes me away from my desk and my writing. It’s the perfect day to be at home, a little chilly with rain hitting the tin of the patio roof just outside my window. On days like this you want music that feels easy and comfortable, mellow and acoustic-driven. I found that in Amarillo’s new album Eyes Still Fixed.

I’ve actually had this album sitting at the top of my inbox for a while. I call it new, but the Melbourne alt-country duo released it almost a month old now. While I would have liked to get to this review in a more timely fashion, I also think I found this album at the right time for me personally. This is what I needed to explore right now.

Eyes Still Fixed was written mostly on the road, in the remote hotel rooms of the Northern Territory and Western Australia. That laidback feel of escaping the hustle and bustle of the city comes through these tracks beautifully. The steel guitars are languorous and the vocals have a distinct Australian twang to them.

The opening track “All I Can See” is breathtaking for its sparseness. I love a song that gives the music and lyrics space to breathe. The nostalgic wistfulness of “Lemonade” is so charming. The simplicity of the title track is haunting. The summery “Look At You Baby” put an instant smile on my face.

Eyes Still Fixed is a beautiful collection of songs without the frills. With their honesty and organic charm, Amarillo has created an album that’s simply a joy to listen to.

Image used with permission from Annie Johnsson Publicity

Posted on by Lauren Katulka

“Meteorite” – Owls of the Swamp

I prefer my Fridays leisurely, gentle introductions to weekends where I’m free to do exactly what I want. However, this one is nothing like that. I’ve got so much work on my plate that I know I’ll be chained to my desk for most of the weekend. When I’m under the pump like this, I look to music like Owls From the Swamp’s new EP Meteorite.

This recording is like a little oasis in a busy day. There’s a dreamlike quality to the music, which brings a modern electric edge to the folk genre.

“Starting All Over,” the single I was already familiar with, lulled me into the recording, instantly putting me at ease. The following track “Stepping Stones” took me back to my childhood, with its reference to throwing stones in the water and watching them ripple and warm, nurturing atmosphere. The title track “Meteorite” may be the dreamiest number of all. I almost get a sense of floating as I listen to it. It’s fitting then that the next song is “How Long Have I Been Sleeping?” It doesn’t quite rouse the listener from their dreamlike state, but rather ease them back into the land of the living. I love the acoustic guitar picking that anchors this song, which may be my favourite on the EP. “I Found You” is such a romantic way to end this beautiful EP. It’s such an honest declaration of love, heart-warming and so endearing.

I love the lush instrumentation of this release. It all sounds so pretty. There’s a lot of layering in the sounds, yet Owls of the Swamp never pushes things too far. This is another stellar release from the Aussie expat.

Meteorite is released on November 4.

Image used with permission from Pete Uhlenbruch

Posted on by Lauren Katulka

“Small Town Romance” – Small Town Romance

Melbourne country duo Small Town Romance is ready to unleash its debut self-titled album, a collection of songs Jim Arneman and Flora Smith call a love letter to country music.

I really love that description, because this album is one that celebrates the traditions of country music like few do today. Its songs have a great Western feel, with slide guitars and harmonicas used to awesome effect.

Jim and Flora have been making music together since 2013, and that experience shows. They’re equally capable taking on a beautiful ballad like “Halfway Up the Hume” as they are a honky-tonky number like “Old Letter.” “New Things,” which gives a playful but earnest take on encouraging a love interest to move on, is another highlight for me.

Individually both Jim and Flora’s voices shine, but when they harmonise, wow. The combination of their tones is really special, ensuring a song like “Rookie” is another album stand-out. It reminds me of what we used to hear in country music, from the likes of Johnny Cash and June Carter, or Conway Twitty and Loretta Lynn.

When so much country music is being watered down, fused with rock or pop to help it cross over to a more mainstream audience, it’s refreshing to hear Small Town Romance’s music which faithfully pays tribute to the roots of the genre. Their debut album is a stellar collection of songs which shows this duo has a big future ahead.

Small Town Romance’s self-titled debut album hits stores on October 14. The duo will launch it with a gig for hometown fans at Bella Union in Carlton on October 21.

Image used with permission from Shows in Space