Category: Concert Reviews

Posted on by Lauren Katulka

Thirsty Merc @ Wyong Leagues – 17 August 2007

To say Thirsty Merc’s current touring schedule is tough is an understatement. 22 shows in 24 days, they told the enthusiastic crowd at Wyong Leagues last night. It’s enough to make anyone tired.

If they were fatigued, the group’s support act, The Hampdens, didn’t show it. After scoring high-profile support slots with Rob Thomas, Ray LaMontagne, and John Mayer, it’s a wonder that this fantastic indie group hasn’t made a bigger splash. In some ways it’s also a blessing.

With their intimate, personal songs, The Hampdens seemed more at ease on this smaller stage. Susannah Legge is a captivating frontwoman with a stunning voice, somehow strong but ethereal. The lads in the band are quiet achievers, but no less important for their role in creating a uniquely lush soundscape. While the crowd may not have recognised The Hampdens just yet, they clearly appreciated their stellar set.

While The Hampdens were on top of their game, I wasn’t as convinced by Thirsty Merc. Technically, these guys are very good at what they do. Each and every note is where it should be, as clear as it appeared on the album. Sadly though, this just wasn’t enough. The band bounced around and gave energetic performances, but for the most part it felt like there was a distinct wall between the group and the crowd.

Towards the end of the night they began to talk to the punters and share personal anecdotes, and from this point the performance improved. Yet I couldn’t help but feel it was too little too late. When a band gives little of themselves on stage, I’m left feeling like I should have saved my money and listened to the CD at home.

It wasn’t all bad though. I was particularly impressed when lead singer Rai Thistlethwayte put down his guitar and stepped behind the keyboard. The songs became more pared back, less about a performance than a message. You could have heard a pin drop during “Homesick.” The penultimate track, “The Vision,” spliced with Stevie Wonder’s “Master Blaster,” was also loads of fun. “20 Good Reasons” was a perfect closer, giving the audience a chance to join in with a sing-a-long.

It’s sad that The Merc couldn’t give as much early on as they did towards the end of their set. Perhaps they were simply too tired from their gruelling schedule. The vocal Central Coast seemed satisfied, but it all could have been so much better.

Image source: own photo

Posted on by Lauren Katulka

Kaya @ Lizotte’s, Kincumber – 26 July 2007

Not a lot of good came from Channel Ten’s failed reality talent quest, The X Factor. The series winner’s Random, had two forgettable singles and faded into oblivion. Mark Holden embarrassed himself further. But there was a shining light in the lacklustre affair. It introduced Australia to Kaya.

These unconventional stars, with bare feet, quirky songs, and unmistakable harmonies worked their way into the hearts of the voting public. Their music defied classification, blending jazz, soul, blues, pop, and folk. That was almost two years ago now, and Kaya have stepped away from the spotlight to further develop their craft.

Last night they took to the stage at Lizotte’s. It was my third time seeing Kaya at this wonderful venue, and once again they delivered the kind of show that keeps me coming back.

Kaya’s set showcased their original songs, many of them familiar now that I’ve seen the group so many times, others new to my ears. However, no matter how many times I’ve heard each song, it always feels like the first time. Their harmonies weave effortlessly, with playful improvisations adding to the fun. The quartet also breathed new life into cover versions of “Buffalo Soldier,” “Big Yellow Taxi,” and John Butler Trio’s “Zebra.”

Unlike many modern acts, Kaya are truly a vocal group. The mellow tones of an acoustic guitar, drum brushes, and a spot of beatboxing accompanied a handful of tracks, but their voices are always the center. Many songs are fearlessly performed a capella, with the girls gaining strength from one another.

Individually, the talents of Alexandra Kaye, Juleiaah Boehm, Sally Stevens, and Emma Deans are fantastic. Together, they are truly sensational.

Image source: own photo

Posted on by Lauren Katulka

Ian Moss @ Lizotte’s, Kincumber – 12 July 2007

I admit it; I’ve still got a crush on Ian Moss. It’s been 18 years since he released Matchbook and first set my nine-year-old heart a flutter. He’s older now, with shorter hair and a few more wrinkles, but there’s still a spark about this rock stalwart. It was this spark, and the promise of great food, that drew me to Mossy’s show at Lizotte’s last night.

I was happily tucking into my delicious fillet steak when the support act, Mike McCarthy, graced the stage. I didn’t know him, but was instantly taken in by his beautiful melodies and guitar skills. It’s a tough job to support a music legend. It’s even tougher for an unknown artist to sing originals. Yet Mike took the experience in his stride, playing with a quiet confidence that won over many of us.

Then Mossy took the stage, with acoustic guitar in hand. What followed was magical, and the crowd lapped up. You could heard a pin drop during his understated performance of “Georgia On My Mind,” this hush contrasting with raucous sing-a-longs to Cold Chisel classics. We doo doo doo-ed along with “Saturday Night,” and belted out “Choir Girl.”

Just when we thought he wasn’t going to play them, Ian Moss launched into the anthemic 80s hits, “Tucker’s Daughter” and “Telephone Booth.” When we were sure our voices were too hoarse to continue, he closed with a rollicking version of “Bow River.”

Through decades in the business, Ian Moss has developed a calm confidence in his delivery. He’s a selfless entertainer, aware of what the audience wants to hear and keen to deliver it. He may have risen to prominence for his guitar-playing prowess, but last night’s stripped-back show confirmed Ian Moss is a truly well rounded performer.

If you want to experience Ian Moss’ acoustic skills, check out his latest album, Let’s All Get Together.

Image source: own photo