Category: Reviews

Posted on by Lauren Katulka

Kav Temperley @ Lizotte’s, Newcastle – 20 October 2018

A night at Lizotte’s always feels like coming home. I don’t get to visit as often as I’d liked, since the Central Coast arm folded, but it’s a venue worth making the trip up the Pacific Highway for. The musicians are always first-class, but many venues can claim that. Add in delicious food, friendly and attentive waitstaff, and quality beverages though, and you’ll start understanding why Lizotte’s has a special atmosphere that’s all its own. Music fans love being here, and musicians love playing here. If you’ve ever caught one of the live streaming videos the venue posts on Facebook, you’d understand that all those good vibes help magic happen at Lizotte’s. So not even the thunderstorms could dampen my enthusiasm for a road trip to Newie for Kav Temperley’s Lizotte’s show on Saturday night.

Kruger James played violin on Kav’s new solo record, All Your Devotion, but he got the chance to step into the spotlight in his support slot. I’m sure his blend of rapping and electric violin wasn’t to everyone’s tastes, but I was transfixed. His tracks were soulful, with clever rhymes and positive vibes. I would have loved to hear him with a band rather than a backing track, but I understand support acts have budget constraints. His own electric violin really elevated his work. A freestyle rap referencing the desserts people were enjoying near the stage, the fantastic venue, and his music got everyone on side. Even if rap isn’t your genre of choice, it’s impossible to be unimpressed by such clever spontaneous rhymes.

Kav was the man we all came to see, and he appeared every bit the star as he stepped on stage in his leather jacket, with an acoustic guitar strapped on. He might have been on tour to promote his new album All Your Devotion, but he wasn’t going to ignore the fans who’d been with him throughout his musical journey. Opening tracks “From the Sea” and “Older Than You” made me wonder why I’d left it so long to catch him live. The stripped-back performances helped me appreciate these radio-friendly hits just a little more.

After a little trip down memory lane, it was time to celebrate Kav’s new solo record. I absolutely love this album. While I always enjoyed Eskimo Joe music, this album has converted me from casual listener to real fan. So I was thrilled to hear those songs and the stories behind them. Since he played on the record, it was only fitting that Kruger joined Kav for a few numbers, including one of the night’s standouts, “Queen of My Heart.” I’d questioned the inclusion of “Christmas Lights,” feeling a festive song was a little out of place on this album of songs about love lost and found. However, being involved in the call-and-response chorus of this modern Christmas song, it made total sense. Even in October. What great fun.

Stepping out solo when you’re part of such a well-loved Australian band must be daunting. There’s no one else to hide behind, and since you’re the only one making the music, it often comes from a more intimate, personal place. But if there were any nerves, Kav Temperley didn’t show them. His set at Lizotte’s was wonderful, a celebration of this fantastic new collection of songs he’s created which didn’t forget the music that thrust him into the spotlight. There are just a few dates left on the All Your Devotion tour. If you’re near one of these Western Australian venues, trust me: get yourself a ticket. Just like the album they’re promoting, these shows are sure to be something special.

27 October 2018 – Mojos, Fremantle
2 November 2018 – River Hotel, Margaret River
3 November 2018 – Prince of Wales, Bunbury

Image source: Stephen Katulka

Posted on by Lauren Katulka

Rick Price @ Laycock Street Theatre, Gosford – 12 October 2018

Rick Price’s Heaven Knows album is one of the first I remember buying with my own money. I was only getting a few dollars a week for chores around the house, so it took months for 12-year-old me to get my hands on it. When I did, I made it count, blasting those radio-friendly pop-rock tunes until my parents were tired of them. So when I heard Rick Price was revisiting that beloved album, in an intimate venue on the Central Coast no less, I snapped up tickets.

Laycock Street Theatre in Gosford is a small venue at the best of times, but its Don Craig room takes intimate to a new level. It holds no more than 100 seats, and its stage is tiny. They don’t allow photos during the performance, but it’s nice to just be in the moment and drink it all in. Give me this over a big arena any day.

Rick promised to play Heaven Knows cover-to-cover, but he made us wait for it. The first half was a kind of musical catch-up session, celebrating highlights of his career after that breakthrough records. Songs like “River of Love” from Tamborine Mountain were charting singles while others, like gospel tracks from his 2015 album Tennessee Sky were less familiar to most people I imagine. But there’s something about seeing an artist in a setting like this, with just an acoustic guitar and an incredible voice, that engages you regardless of whether they’re playing the hits of lesser-known numbers.

After a brief intermission we were back for the major drawcard, the Heaven Knows album cover to cover. I’ve seen Rick play countless times over the years, but what a treat it was to hear many of the songs from that album that don’t make his usual sets, especially in this stripped acoustic mode. They sounded so good on the album, but hearing them without all the studio production was a revelation. Rick peppered the songs with stories about that exciting time in his career, the experiences he had, the inspiration for the music that meant so much not just to him but so many Australians.

It was a special night for Rick, and not just because he was sharing special songs in a venue he clearly loves. His son and granddaughter were there, so it was only fitting that he left us with a song from Tamborine Mountain he wrote for his boy, now a man with a family of his own, “You’re Never Alone.” It’s such a beautiful song, and Rick always does a wonderful rendition, but there was extra emotion behind it, knowing who was in the room this time.

Rick Price is taking his Heaven Knows tour all around the country. If like me, you ever cranked up his songs on the radio, you won’t want to miss this.

20 October 2018 – The Cabaret Club, Ballarat
23 October 2018 – Beerwah Hotel, Sunshine Coast
24 October 2018 – Palmwoods Hotel, Sunshine Coast
25 October 2018 – Brisbane Jazz Club, Brisbane
26 October 2018 – Southport RSL Club, Gold Coast
27 October 2018 – The Exchange Hotel Kilcoy, Kilcoy
28 October 2018 – Westower Tavern, West Ballina
2 November 2018 – The Agrestic Grocer, Orange
3 November 2018 – Smith’s Alternative, Canberra
4 November 2018 – Cronulla Golf, Cronulla
9 November 2018 – Burnie Arts Centre, Burnie
10 November 2018 – Hotel Crown, Victor Harbor

Image source: own photo

Posted on by Lauren Katulka

Cher @ Newcastle Entertainment Centre, Newcastle – 26 September 2018

This week has flown by in a whirlwind of deadlines and footy fun. I’ve scarcely had a moment to stop and absorb seeing Cher last week. I see a lot of concerts, so I don’t often have those shows where I’m bouncing around in anticipation. This one though, this was a bucket list event. The chance to see a true icon, at my old stomping ground of the Newcastle Entertainment Centre no less!

I must admit, I was surprised to hear there was a support act. How on earth do you support Cher? Andrew McClelland pulled it off in his own sensational style. He was billed as a DJ, but really he was so much more than that. Watching him dance with such joy and abandon to hits from Dolly Parton, Whitney Houston, and other retro-fabulous acts was everything. I wish I had a photo that properly showed you what he was all about, but he was moving so fast his performance was impossible to capture.

I was having so much fun I almost forgot what I was there for, until one name was beamed up on the back of the stage and the screens. Cher. When you’re an icon, you only need one name to identify you. Watching a montage of footage and photos from her history, my excitement was fever pitch. And there she was, suspended above the stage on some regal kind of platform, with a flaming red wig and disco ball sparkly outfit. I wish I could have shown you, but all those sparkles were dazzling my camera. You’ll just have to believe me: she looked fierce. Feminist anthems “Woman’s World” and “Strong Enough” were the perfect openers.

I must admit, my enthusiasm waned a little as Cher launched into a rambling anecdote about aging, David Letterman, and her enthusiasm for acting. I love moments when artists share part of themselves with us, but her story went on so long and doubled back on itself so many times she started to lose us. No mean feat for such a commanding presence. It was the only real misstep though, and soon enough she was perched on an elephant wearing robes and delivering “Gayatri Mantra” like some kind of Indian queen. Because of course she was.

It might have taken a little while to settle in, but once she did Cher was everything I hoped she’d be. The anecdotes were tight and impactful. Her vocals were note perfect. Her costumes were breathtaking, and with dancers, aerialists, and acrobats keeping us entertained we barely noticed her slip away, only to return in something more fabulous.

These shows were billed as Cher’s farewell to Australia. If this is the last time we see her on our shores, I can’t imagine too many people will be disappointed. She played for us all, from the baby boomers who watched Sonny and Cher to the young things who hadn’t heard of her before recent starring turns in Burlesque and Mamma Mia 2. I was especially moved to hear she hasn’t performed “I Got You Babe” in many years. Seeing her sing it “with” Sonny again, thanks to the magic of technology, was so special. I shared my mum’s excitement when Cher played her favourite song, “Half Breed,” and had my own moments of bliss when she sang “After All,” from the movie Chances Are. I’ve never really been an ABBA fan, but I couldn’t help but be swept up in the fun of her covers of “Waterloo,” “SOS,” and “Fernando.” By the time she launched into “If I Could Turn Back Time” and the closer “Believe,” we were all on our feet, singing and dancing our hearts out.

The words icon and legend get bandied around a little too freely for my liking. They should be reserved for the true creative forces of this world, people like Cher. I had such high expectations of this show, but she exceeded them. At 72, no less. What a privilege to bask in her aura for just a little while.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Break, Rattle, and Roll” – Matt Joe Gow

In 2016, Matt Joe Gow released Seven Years, the long-awaited follow-up to his debut solo work The Messenger. It was one of my favourite releases for the year, a fantastic slice of classic Americana that I’ve found myself listening to time and time again. That record was seven years in the making. Thankfully it’s taken just two for Matt to bring us another album, Break, Rattle, and Roll. Another blessing, it’s every bit as good as the collection of songs that came before it.

Break, Rattle, and Roll starts so strong, with “Bridge Over Concrete.” It’s the perfect opener for this album, such a feelgood slice of Americana, all jangly guitars and honky-tonk piano. The single “Ride On” continues the up-tempo alt-country vibe.

Matt Joe Gow is so good at making those feel-good road trip songs, but there’s so much more to the music he makes than that. Break, Rattle, and Roll gives us glimpses of his softer side in vulnerable tracks like “Details,” the stripped back “Old Hotel Room,” and the exquisite closing song, “We Got Lost.” These beautiful tracks provide the balance, stirring our heart while helping us enjoy those singalong moments a little more.

The press releases categorise Matt Joe Gow’s music as Americana, but he plays free and loose with the genre. There’s a great old school soul feel about “Ransom.” A reprise of an earlier single “House That Burnt Down” takes blues back to its gospel roots. I went back to the original 2010 release and was so impressed by how much more complex and intricate the new recording is. It feels like one of those great spontaneous jams.

I’ve been listening to Break, Rattle, and Roll for a couple of months now, falling a little more in love with it each time. It’s wonderful to get the jump on other music lovers and listen to something fabulous first, but I’ve also been anticipating its release, the moment I can insist my friends hear it too. It’s that sort of album, the kind of recording that makes you want to sit down with people and share how special it is.

Break, Rattle, and Roll is released on October 5. Matt Joe Gow will play the following shows here and in New Zealand celebrating its release.

4 October 2018 – Skylark Room, Belgrave
6 October 2018 – The Mane Event Festival, Geelong (Midday)
6 October 2018 – Curtin Hotel, Melbourne
7 October 2018 – The Westernport Hotel, San Remo
12 October 2018 – Basement Discs, Melbourne (FREE)
18 October 2018 – The Triffid, Brisbane (FREE)
20 October 2018 – Dog With Tails, Dunedin
21 October 2018 – Starfish Cafe, Dunedin (FREE)
25 October 2018 – Albert’s Post, Auckland
27 October 2018 – Clarence Town River Country Hoedown, Clarence Town
28 October 2018 – Songwriters In The Round, Wenty Leagues, Wentworthville (FREE)
4 November 2018 – Public House, Albury

Posted on by Lauren Katulka

“All Your Devotion” – Kav Temperley

If Kav Temperley felt any nerves going solo, they don’t show. His first album without Eskimo Joe, All Your Devotion, is an accomplished work that hits all the right musical and emotional notes.

Kav hasn’t been afraid to take risks here. It’s definitely not a soundalike album that could have come from the Eskimo Joe catalogue. It’s gentler, more delicate, with folkier influences and greater pop leanings. Keeping the instrumentation small really lets us hone in on those lyrics which are so very good. Perhaps it’s the act of creating a solo album that’s let Kav craft songs that come from a very personal place, that don’t need to speak for the band. Perhaps it’s simply the circumstances. An album that comes following the breakdown of a marriage, and even the separation from a band, should be raw and revealing. And it is.

While Kav takes a different direction with All Your Devotion, this may be one of his most accessible works to date. The single, “Pollyanna” is such a strong song that deserves serious airplay. But really I could see most of these songs sitting comfortably on indie and commercial playlists. There are no filler tracks here. Opening track “Queen of My Heart” is a proper love song, delivered with real heart and without a hint of schmaltz. “Surrender” speaks so eloquently about giving yourself over completely to a new relationship. “Please Distract Me,” a plaintive plea to a new lover, might be my favourite song from the album. Although, it has stiff competition from “What Is It Worth,” a beautiful ballad that delivers an emotional sucker punch. The festive “Christmas Lights” seems a little out of place on a September release, but it’s a sweet song nonetheless.

All Your Devotion felt good the moment I listened to it, but with every subsequent spin I think I fall a little more in love with it. I catch a lyric or a melody that I missed, and my appreciation deepens. Make sure you take a listen when it gets a digital and vinyl release today. Hear it live at the following shows.

5 October 2018 – The Milk Factory, Brisbane
6 October 2018 – Villa Noosa Hotel, Sunshine Coast
7 October 2018 – Public Bar @ Coolangatta Hotel, Gold Coast (FREE)
11 October 2018 – Grace Emily, Adelaide
12 October 2018 – Sooki Lounge, Belgrave
13 October 2018 – The Toff in Town, Melbourne
19 October 2018 – Leadbelly, Sydney
20 October 2018 – Lizotte’s, Newcastle
27 October 2018 – Mojos, Fremantle
2 November 2018 – River Hotel, Margaret River
3 November 2018 – Prince of Wales, Bunbury

Image used with permission from On the Map PR

Posted on by Lauren Katulka

“On The Corner Where You Live” – The Paper Kites

The Paper Kites may be one of the most prolific acts in the country. Mere months after the release of On the Train Ride Home, the Melbourne band have dropped a brand new album, On the Corner Where You Live. The band explains this is a sort of companion piece, yet both albums are so different. The first was more delicate and laidback folk, while this collection of midtempo indie-pop gems has a real fire in its belly.

It’s a concept album of sorts, conceived as a series of vignettes telling the stories of people living in a New York City apartment that faced the band’s hotel.

“You could see all these windows lighting up and people getting home from their nights out,” recounted Paper Kites frontman Sam Bentley. “We just sat there and watched them. It was fascinating. It was living art.”

It’s easy to forget the concept though and imagine the band is sharing its own stories, because they’re delivered with such sincerity. But every now and then there’s a track like “Midtown Waitress,” with lyrics addressing such specific circumstances, that reminds you of this album’s inspiration.

On the Corner Where You Live’s opening instrumental’s jazzy saxophone and piano recall film noir, but that gives way to a more ‘80s retro feel with “Give Me Your Fire, Give Me Your Rain.” It’s one of the album’s strongest tracks, a powerful track, full of emotion and yearning. It’s a natural predecessor to the single “Deeper Burn,” a song which is similarly passionate and longing.

Christina Lacy takes lead vocals on “Mess We Made,” making me wonder why she hasn’t grabbed the microphone sooner. Perhaps it’s only fitting here though, where we’re meant to hear songs from different perspectives. What a beautiful voice she has, with such nuance to it. The poignant song takes the album to a different place, reminding us of the real struggles of relationships.

“Flashes” is perhaps the closest to a song that could have appeared on On the Train Ride Home. It’s subtle, with little more than an acoustic guitar keeping time and gentle vocals. Sitting almost in the middle of the album, it gives us a moment to catch our breath, the calm eye of an emotional storm.

The back-end of On The Corner Where You Live is a little more subdued than the front. Perhaps we’re winding down after a wild night in the Big Apple. The title track feels like a retro classic, with its reassuring, romantic lyrics and hooks. I can just imagine cranking this one up and hitting the highway. “When It Hurts You” is another stellar song, a dreamy exploration of empathy during the hard times that contrasts so beautifully with the simple, stripped-back piano musings of “Does It Every Cross Your Mind.”

While I’d slip On the Train Ride Home on as background music, On the Corner Where You Live has the sort of songs that have me singing along, tapping my feet, bobbing my head, really engaging. It’s full of hooks and lyrics that cut to the heart. Its tracks might tell stories of other people, but I found a real connection in them.

On the Corner Where You Live is out now.

Image used with permission from On the Map PR

Posted on by Lauren Katulka

“Hold Yourself Down” – Dear Willow

Sunshine Coast artist Dear Willow creates music with a folky core and rock edge. In just four tracks, her EP Hold Yourself Down makes a big impression.

Her stunning lyrics are what made the biggest impression on me. They’re laced with emotion, confessional and clever. The songs feel a little like diary entries come to life. Opening track “Hold” is a show of strength, of gaining control of a relationship that’s veering off the rails. Current single “I Was Young” is a powerful rumination on personal growth and the power of coming into your own. “The City” is a delicate observation about the anonymity of urban life. “North of Winter” might be my favourite song on the album, a poetic reflection on a lost love.

As I listened to Dear Willow’s songs, I found myself thinking of singer-songwriters I loved growing up like Jann Arden and Lisa Loeb. Just like those women who captured my heart in those difficult teenage years, what Dear Willow does isn’t flashy or particularly complex. But there’s nothing wrong with music that’s straightforward in delivery when it moves your soul. Nothing wrong with it at all.

Hold Yourself Down is out now. Dear Willow will play a series of shows in her home state to support its release.

20 September 2018 – Tomcat, Brisbane
5 October 2018 – Solbar, Sunshine Coast
6 October 2018 – The Spring Soirée, Samford
19 October 2018 – Solbar, Sunshine Coast

Image used with permission from Firestarter Music

Posted on by Lauren Katulka

“Death & Taxes” – Gareth Leach

Gareth Leach hails from Echuca, but you wouldn’t know it listening to his new album Death & Taxes. His music feels like it comes from America’s Wild West. It’s country that veers to the left of centre, with a darkness that permeates every track.

The title track, “Death & Taxes,” sets the scene, with his lyrics about rubbing shoulders with the devil and spending time in a bottle. This is outlaw music, gritty, bluesy, deliciously rough and raw. The single “Turn Back Jimmy Creek” is a rollicking ode to the life of a travelling musician.

While the first two songs feel almost like Gareth is playing a role, “Better or Worse?” feels like it comes from a really personal place. Its emotional delivery leaves a big impression. It marks an emotional turning point for the album, with the following tracks like “Drink You Goodnight” and the unsettlingly nostalgic “Wayward Son” strip away the bravado. On the final track, “Raise Up Our Guns,” so much is stripped away that we’re left with just the bare bones, Gareth’s voice and an acoustic guitar. It’s simple but so effective. I enjoyed the album’s early tracks, but the back end is where stuff really gets interesting.

While Gareth’s voice and incredible songs are front and centre, I’d be remiss if I didn’t mention the extraordinary talents featured on this album. From the fantastic Gretta Ziller on backing vocals to Anthony McCormack on banjo and Shane Reilly on the pedal steel guitar, they help create the distinctive sound that sets this album apart.

At just eight tracks and a run-time of not even half an hour, my only complaint would be that Death & Taxes feels too short. But it’s a case of quality over quantity here folks. There’s something to be said for an artist that leaves you wanting more.

Death & Taxes is out now.

Posted on by Lauren Katulka

“Coming Home” – James Van Cooper

Sydney seems an unlikely breeding ground for Australia’s next alt-country star. In fact, James Van Cooper spent his formative years obsessing over hard rocking hairbands like Motley Crue and LA Guns. However, once he discovered his country-rock leanings, there was no looking back. He made a pilgrimage to Tamworth, where he connected with Aussie country royalty Bill Chambers, before heading for Nashville. His debut album Coming Home shows he’s soaked up some valuable lessons about country and its associated genres while developing a sound all his own.

The single “Passing Through” is the perfect opener for this album, an upbeat slice of country-rock that’s guaranteed to put a smile on your face. I’m a sucker for a country duet, and “Come Home” with Jaime Wyatt hits all the right notes for me. His roughened voice and her purer one contrast and complement one another so beautifully. The playful “Midnight Love” captures a moment in time so perfectly. “Goodbye My Friends” is rollicking good fun. “Lights Don’t Shine” has such a simple melody elevated by some of the album’s best lyrics. “Kew EQ” is probably the album’s simplest track. It’s very stripped back, with just an acoustic guitar accompanying James’ voice. But there’s something lovely about leaving us with that impression, of an artist simply standing on his own, letting his raw talent speak for itself.

Coming Home showcases the gifts of this talented young Aussie. James Van Cooper builds his tunes on a solid foundation of quality songwriting, real guitar prowess, and earthy vocals. He wears his influences on his sleeve, with tracks that play around with bluegrass, Americana, and traditional country. However, he’s bringing something fresh to the table. This album has the kind of crossover appeal you’ll find in works by Phillip Phillips, Jason Isbell, and Ryan Adams.

Coming Home drops today. James Van Cooper will celebrate its release with the following shows, supported by Axle Whitehead.

14 September 2018 – SLYFOX, Enmore (Album Launch)
15 September 2018 – Heritage Hotel, Bulli
22 September 2018 – Tamworth Hotel, Tamworth
5 October 2018 – Spotted Mallard, Brunswick
19 October 2018 – The Brass Monkey, Cronulla
27 October 2018 – The Stag & Hunter Hotel, Mayfield

Image used with permission from Rock This Country

Posted on by Lauren Katulka

“Sundown” – DIET.

DIET. might be one of our own, but there’s a decidedly British feel to their sophomore EP Sundown. It seems the Victorian five-piece, which formed in a ramshackle share house at the end of the Northern line of London’s Tube, hasn’t totally shaken off the influence of the Mother Country. That’s a very good thing.

There’s a confidence in the way the British bands play that imbues every track on Sundown. DIET. might play the pub circuit, but they’re got a great stadium rock sound. Surely graduating to those big venues is only a matter of time.

This EP had me punching my fist in the air in time with the drum beat from the opening track “Don’t Need It.” DIET. doesn’t take its foot off the accelerator for “Game Plan.” In fact, it keeps its foot firmly planted to the floor as we’re introduced to one stellar track after another.

The shimmery synths have a nostalgic feel that calls to mind The Cure and Tears for Fears. The electric guitars provide the rock edge. The powerful vocals from Ben O’Loughlin are so compelling.
They might not book stadiums yet, but if DIET. continues creating such accomplished music it’s only a matter of time. Until then, catch them at the following venues celebrating Sundown’s recent release.

4 September 2018 – Woolly Mammoth, Fortitude Valley (Official BIGSOUND Showcase)
5 September 2018 – GYROstream’s Hump Day Happy Hour @ The Valley Drive In, Fortitude Valley (BIGSOUND)
6 September 2018 – The Brightside, Fortitude Valley (Official BIGSOUND Showcase)
27 September 2018 – Evelyn Hotel, Melbourne
28 September 2018 – ‘Hills City’ at Corner Hotel Carpark, Melbourne
30 December 2018 – 1 January 2019 – NYE on the Hill, Gippsland