Category: Reviews

Posted on by Lauren Katulka

“City West” – Davey Craddock

Just a few days ago I was raving about Davey Craddock’s single “Peaceful Bay.” I really enjoyed this mellow folk-tinged number, and couldn’t wait to learn more about him on the album’s release. On hearing City West, I’m hooked.

When you hear a single, you’re given just a glimpse of what an artist can do. I knew Davey was an impressive songwriter and that he knew he had a beautiful soft side, but I didn’t really get a picture of who he was. I certainly didn’t expect the attitude and grit of this record, reminiscent of the stuff Ryan Adams produced in his heyday with its easy blend of country and folk influences. And then there’s the joy of discovering tunes featuring some of my favourite instruments, like harmonicas and slide guitars.

Often when I hear an album it becomes clear why the lead single is the single. It usually stands above the other tracks, separating itself with its heart or catchy melodies. But that’s not the case here. In fact, I found myself more captivated by other numbers, like the raucous “Three Sprays” and the plaintive “Number 9.” My favourite track is undoubtedly the gospel-tinged “There Will Be Light,” with its depiction of suburbia and its trappings. “Ayers Rock” is another delight, a gentle and poignant closer.

I liked Davey Craddock’s single, but on hearing his album I discovered there was so much more to him than I’d first realised. You’ll struggle to find better songs than the ones he’s composed here and the passion with which he delivers them is compelling. It might be only January, but I’ll be surprised if an album speaks to me more this year.

City West is released on 5 February. He’ll support its release with the following shows.

26 February 2016 – Major Toms, Kyneton
27 February 2016 – Junkyard, Maitland (FREE)
28 February 2016 – Django Bar, Sydney
5-6 March 2016 – Nannup Festival
12 March 2016 – RADA Studios, Perth
15-17 April 2016 – Fairbridge Festival, Fairbridge Village
29 April – 1 May 2016 – Mount Beauty Festival, Mount Beauty

Image used with permission from Thrillhill Music

Posted on by Lauren Katulka

Reece Mastin @ Ettalong Diggers, Ettalong Beach – 10 January 2016

When Lizotte’s Kincumber closed its doors last year, I worried that it may spell the end of great live music on the Central Coast. Thankfully a couple of other venues have taken up the mantle. One of them is Ettalong Diggers, an RSL club conveniently located just down the road from me. Sure, the deep-friend lamb cutlets and chips weren’t a patch on anything Lizotte’s ever served, and the raffle for Dyson fans that accompanied it didn’t great quite the same ambience as the chilled-sounds piped through the Lizotte’s PA. But any venue that can attract big name acts like Reece Mastin has my vote.

I’ve been keen to see Reece live since he released Change Colours, one of my favourite albums of 2015. The allure of his acoustic Down to Earth shows proved difficult to resist, especially when located so close to home.

Reece was ably supported by Alys Ffion, a gorgeous young thing my husband described as a cross between Taylor Swift and Lisa Loeb. I can definitely see where he’s coming from. Her songwriting has that diary-confessional feel of early T-Swift material, but her voice has a little more earthiness and quirk, just like Lisa Loeb. It takes a lot for a solo support act to command a room with just an acoustic guitar by her side, but the crowd seemed to be hanging on her every word. I know we were. She treated us to a generous set of original songs, yet it was so good that it felt over far too soon. Thankfully she was back after the break, providing backup vocals and guitar parts during Reece’s set.

While I couldn’t take my eyes off Alys during her earlier performance, the charismatic Mr Mastin stole focus during his set. He has such a strong voice that reminds me a little of Jimmy Barnes; clearly the time they spent recording this album has been a good influence. There’s also something special about watching an artist who believes so strongly in the music they’re making. He gave it his all, and that passion he has shone through. He was so giving both in his performance and the moments between songs, when he shared tales of time in the studio and the stories behind the songs.

It was telling that despite releasing four top 20 singles from his first two albums, Reece played just two songs from these early days, “Shut Up and Kiss Me” and “Rock Star.” Instead he focused on the new album Change Colours, which suited me just fine. His performances of “For You,” “Stand Up Be Proud,” “Heartache Blues, and the raucous closer “You Gotta Go” were especially strong. Reece also hinted at what’s to come. I wish I recalled the name of a new song he played; it was stunning. He also covered “Muddy Water,” telling us that the music of the original artist Paul Rodgers and his band Free reflects the kind of music he wants to make. As a fan of Free (the only one in the audience apparently!), I was so excited to hear the cover and what an influence this sort of music is for him.

Reece Mastin might have started his career as a fairly lightweight pop act, but his music today has so much more weight. This Ettalong Beach show might have been my first Reece Mastin show, but given what I saw on Sunday night it certainly won’t be my last.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Adam Brand and the Outlaws” – Adam Brand and the Outlaws

Star-studded country act Adam Brand and The Outlaws deliver a covers album that’s several cuts above the average with their self-titled debut. Adam Brand’s posse includes multiple Golden Guitar winner Drew McAlister, Travis Collins, whose album Wired reached number one on the local country charts, former Baby Animal Matt Cornell, and renowned songwriter Mike Carr. Their collective experience shows on this release.
“Good Year For The Outlaw” is such a great introduction not just to this album, but the band. It’s got country written all over it, and stellar performances across the board, from Adam Brand’s gritty vocals to those gorgeous fiddles. When the band joined their voices and implored me to “Turn it up” I couldn’t help but oblige.

I never imagined I’d hear a country version of Poison’s “Nothing But a Good Time” but it works. It feels like the sort of thing you might hear in a dive bar somewhere in the middle of nowhere, where the drinks flow freely and the crowd is amped. “Fat Bottomed Girls” may be even more fun than it was when Queen released it. Their take on “Bad Case of Loving You” is another absolutely corker.

“Mama Don’t Let Your Babies” is one of the more predictable choices on the album, but it lets the band show their tender side. They might love to party, but there’s a bit more depth here. The poignant “Good Riddance (Time of Your Life)” is a lovely way to close out an album so full of energy and unbridled enthusiasm, a moment of quiet reflection after the party’s over.

Adam Brand and the Outlaws have such strong musical instincts. So many of these song choices didn’t make sense to me on paper, but hearing them I realised I’d judged too quickly. Their debut is damned good fun, a collection of familiar songs reinterpreted in such interesting ways. They’re not dramatically different enough to alienate fans of the originals, but the band’s definitely breathed new life into these classics from the worlds of country and rock music.

Adam Brand and the Outlaws self-titled debut hits stores today. They’re celebrating its release with the following shows all around the country over the coming months.

22 January 2016 – Blazes at West Tamworth Leagues Club, Tamworth
25 January 2016 – Dargo River Inn, Dargo
27 January 2016 – Flying Horse Bar & Brewery, Warrnambool
28 January 2016 – Hallam Hotel, Hallam
29 January 2016 – Gateway Hotel, Geelong
30 January 2016 – Kinross Woolshed Hotel, Thurgoona (FREE)
31 January 2016 – Capital Theatre, Bendigo
3 February 2016 – Muswellbrook RSL Club, Muswellbrook
4 February 2016 – Ettalong Diggers Club, Ettalong Beach
5 February 2016 – Waves Towradgi, Towradgi Beach
6 February 2016 – Toronto Workers Club, Toronto
7 February 2016 – Goulburn Workers Club, Goulburn
11 February 2016 – Caloundra Power Boat Club, Caloundra
12 February 2016 – Kedron Wavell Services Club, Chermside
13 February 2016 – Twin Towns Services Club, Tweed Heads
14 February 2016 – Blue Mountains Hotel, Toowoomba
19 February 2016 – Country Club, Launceston
20 February 2016 – Wrestpoint Entertainment Centre, Hobart
25 February 2016 – Inverell RSM, Inverell
26 February 2016 – Laurieton United Services, Laurieton
27 February 2016 – Moonee Beach Tavern, Moonee Beach
28 February 2016 – Club Forster, Forster
3 March 2016 – Norwood Hotel, Norwood
4 March 2016 – Old Mill Hotel, Hahndorf
5 March 2016 – Mundarring Weir Hotel, Mundarring Weir
6 March 2016 – Ravenswood Hotel, Ravenswood
17 March 2016 – Dubbo RSL, Dubbo
18 March 2016 – Club Mudgee, Mudgee
19 March 2016 – Rooty Hill RSL, Rooty Hill

Posted on by Lauren Katulka

“Jess & Matt” – Jess & Matt

While I’m an avid viewer of The X Factor, I don’t think I’ve ever bothered to listen to any of the winner’s albums. They typically have little more than the performances on the show recut, and while I’ve enjoyed those at the time, I’ve rarely been in a hurry to hear them again. But this year we had Jess & Matt, an act that is so special that when I was sent a streaming copy of their self-titled debut album, I couldn’t wait to hit play.

Yes, this largely follows the same formula of other post-X Factor releases. We get the act in a studio to recreate what they did in the show just in time for a Christmas release. But the creativity of Matt & Jess, and mentor Guy Sebastian, makes this a little more than just an album of covers. Anyone who’s seen the show will know how under Guy’s guidance, the duo put their stamp on classic songs like “Dancing in the Dark,” “Heart of Glass,” and “You’re the One That I Want,” as well as newer tracks like “Lay Me Down” and “Do You Remember.”

The visuals were significant component of those performances, whether it was watching elaborate staging from Square Division or simply the couple gazing into one another’s eyes. That’s gone when you listen to the album, but nothing can take away the way these two voices harmonise so beautifully. Separately they’re already exceptional, but together, sublime. When we first heard the single “Nothing Matters” my husband and I felt Jess & Matt deserved a better song, and it still stands out as the weakest track on this album. But to sweeten the deal there’s also exceptional covers of two songs not performed on the show “I’d Really Love to See You Tonight” and “Sister Golden Hair.”

Given that this is the post-X Factor release, it’s probably only going to reach the ears of those who only admired Jess & Matt on the show. But it deserves to be heard much more widely than that. I imagine everyone from the cool kids who listen to acoustic covers on Spotify to my parents really digging what Jess & Matt do. I urge you to take a chance on this album, because it’s much more than simply a snapshot of time spent on a reality TV show.

Posted on by Lauren Katulka

“December” – Reigan

I always thought Reigan Derry was one of the more interesting acts on X Factor, but I felt she got pushed into a pop diva direction. While she pulled it off, it was in her quieter performances that I was really moved. It’s wonderful to hear her in that sort of introspective mode here with her new EP, December.

This isn’t the Christmas EP that you put on if you want a big family singalong. It’s delicate and introspective. It’s for the quiet moments of reflection that often come at this time of year, as we face saying goodbye to one year and hello to the possibilities of the next.

Reigan’s taken the bare bones of Christmas carols and traditional songs of worship and reinterpreted them beautifully, giving them new names and changing a word here or there to make them more modern. Her intimate take on “Amazing Grace,” simply called “Grace” is truly stunning. “We Three Kings” becomes “Star of Wonder,” a haunting, ethereal number. I must admit, I’m not familiar with the Lutheran carol “O Come O Come Emmanuel,” but the Middle Eastern vibe of her version, called “Rejoice,” is so musically interesting and moving. “Holly,” a version of “Deck the Halls,” is December’s lightest moment. It brings the celebratory feel that most of us associate with Christmas to the EP. With her strumming her acoustic guitar and friends lending their vocals to the chorus, it feels like a family jam at Reigan’s house.

December isn’t your traditional Christmas recording, but I think that’s a good thing. There are so many Christmas recordings delivered schmaltz and sentimentality if that’s what you want. This is a recording that showcases a real artist delivering so much more than predictable Christmas covers.

Posted on by Lauren Katulka

“Return to the Lower Fourth Dimension” – Them Sharks

We’re only a couple of weeks into summer, but I might have already found my favourite album for this season. The unique blend of reggae, punk, and hip hop showcased by Them Sharks in their new album Return to the Lower Fourth Dimension is the ideal soundtrack for steamy summer days enjoyed with a beer in hand. It grabbed me from the first high energetic track “5am Fuzz” and didn’t let go.

You might remember me writing about the single “Tsoukalos” a few weeks ago. It’s sounding just as fresh now, and remains one of the album’s standouts. I also love the positive vibe of “All I Want.” It’s another of those tracks I keep coming back to because it just feels so good.

I might be missing the point, but I couldn’t see what “Democracy Manifest” and its penis talk really add to the album. It all felt a little puerile, and sandwiched in the middle of the album it breaks up its flow. Thankfully with the next track “Danger Zone” we were back on track.

“Haleiwa” transports the listener to a beautiful beach, taking us out of our everyday and putting us in a more relaxed frame of mind. Its big chorus makes sure the song never feels sleepy though. This is reggae with bite, something Them Sharks do oh so well.

I imagine the closing track “Hive Mind” would go off in the live arena, with its frenetic drums and raucous singalong chorus. It’s certainly the most intense track of the album, and it really sends Return to the Lower Fourth Dimension out with a bang. The recording does a pretty good job of capturing its energy, but it does hint at another level of excitement.

Return to the Lower Fourth Dimension is a really funky release from Them Sharks. It’s officially released on December 18, when they’ll launch it with a show for hometown fans at Perth’s Amplifier Bar.

Posted on by Lauren Katulka

“The Christmas Album Deluxe Edition” – Human Nature

As a teen, I was completely besotted with Human Nature. They were my boy band of choice; I covered my wardrobe doors with their posters and spent many hours waiting at venues just so I could secure my place in the front row. But as with so many teenage love affairs, my enthusiasm for Human Nature fizzled. They’ll always have a soft spot in my heart, but I can barely remember the last CD I bought or show I saw. In fact, while their Christmas album came out in 2013, I hadn’t heard it until they rereleased it this year with a few bonus tracks.

It makes a lot of sense for Human Nature to release a Christmas album. They’ve played more carols shows than I can count and their reworkings of the seasonal classics always please the crowds. However, I wasn’t so pleased with every track on this album. Human Nature’s always been a little cheesy, and Christmas is definitely a time when you shouldn’t take yourself too seriously, but some of the songs, including their covers of “Rudolph the Red Nose Reindeer” and “Let it Snow,” a collaboration with Delta Goodrem, felt too corny for my tastes.

But there’s no denying that these guys have some of the best voices in the business. Individually, they’re so strong, but when they harmonise it’s magic. One Direction wish they could sing like these guys can. While some of the Motown-esque arrangements feel a little stale, I absolutely loved the mash-up of “Silent Night” and “O Holy Night” and their take on Donnie Hathaway’s “This Christmas.” I also appreciated hearing them really let loose on the rocking “Run Run Rudolph.” “Amazing Grace,” with the Prague Philharmonic Orchestra, is truly breathtaking. The purity of “Mary’s Boy Child,” delivered completely acapella, is also really special.

Human Nature have built their recent success on recording and performing covers, and that’s because they do it so well. With such voices, it’s unsurprising that their reinterpretations are always solid. Sometimes they’re even outstanding. But I can’t help thinking that if they were still writing and recording their own original music they might have delivered a Christmas album that feels a bit more current. However, if there’s ever a time for a nostalgic sound, I suppose it’s the festive season.

The Christmas Album Deluxe Edition by Human Nature is in stores now.

Image used with permission from Sony Music Australia

Posted on by Lauren Katulka

Peter Cetera @ State Theatre, Sydney – 11 December 2015

It’s a big call to name someone “the voice of a generation.” It’s the sort of thing you typically read on marketing posters, knowing it’s about selling tickets more than the truth. But if there is an artist that’s earned that mantle, I think it’s Peter Cetera. My dad, the source of almost all of my early music knowledge, didn’t own one of his albums, yet the distinctive sound of his voice is one that’s synonymous with my childhood. I was reminded of that as the Sydney Symphony Orchestra took the seated crowd at the State Theatre on Friday night through a medley of his hits before the man himself came out. Whether with Chicago or out on his own, Peter Cetera truly was a musical force in the ‘80s. He still occupies a very special place in my heart today.

When Peter stepped out, my excitement was at fever pitch, even though I didn’t know the song “Restless Heart” that he started with. It gave me a little time to calm down before he brought out the big gun, “Glory of Love.” I could scarcely believe three songs in I was going to hear that song, the song that my husband and I danced our “first dance” to at our wedding, but there it was. When your discography is as loaded as Peter Cetera’s, you don’t need to wait for an encore to play the hits. And they kept on coming, all with the expert backing of the Sydney Symphony making these special songs even richer.

It’d be remiss of me to suggest this was the perfect concert. At 71 years of age, Peter’s voice is starting to show some limitations. He can still hit the high notes he’s famous for, but he can’t sustain them as he once could. When he’s in his comfort zone, he sounds just as good as he ever did though. He also cleverly surrounds himself with talented young musicians who can now do what he once did. Whether he’s singing a duet like “After All” with his gorgeous young backup singer Tania Hancheroff or sharing vocals on a song like “Hard Habit to Break” with his guitarist Chris Rodriguez, he knows when he needs reinforcements to make the songs sound as they should.

Peter Cetera’s passion also impressed me. He’s probably sung these songs more times than he can remember, yet he seems to genuinely enjoy sharing them with an audience. He sang with such enthusiasm, truly giving us everything he had. He also took the time to share fascinating facts about the songs and himself with us. Did you know “Glory of Love” was originally written for Rocky 4? Or that he wrote “You’re the Inspiration” for Kenny Rogers, who lost a serious hit when he passed on the track? Neither did I, and as a music trivia buff I loved discovering this stuff.

With a back catalogue as rich as Peter Cetera’s, it may seem impossible to hear every song you want, but I did. Even songs that I hadn’t remembered he did, like “After All” with Cher, and “No Explanation” from Pretty Woman. As he took his final bow after two encores, I clapped until my hands were sore.

Image source: Wikimedia Commons

Posted on by Lauren Katulka

“Harvey’s Bar … The Backyard Sessions” – Adam Harvey

In this PC world we live in, we don’t hear a lot of drinking songs. But Adam Harvey has bucked the trend with his brand new album Harvey’s Bar … The Backyard Sessions. This album celebrates everything that’s great about getting together with friends and family members and knocking back a few cold ones.

Original songs like “Harvey’s Backyard Bay,” “Alcoholaday,” and “Yeah I Like Beer” are real party starters. His take on “The Nips Are Getting Bigger” was a little sleepy for my tastes, but it suited the relaxed feel of this recording. It’s not all fun and games though. Moving numbers like “Misery and Gin” and “Bartender Blues,” a duet with Lyn Bowtell, remind us of the potential dangers of the bottle.

There’s a real energy about this recording, no doubt because Adam recorded it in his backyard in Bateau Bay, on the Central Coast, a world away from those big city studios. As a fellow Coastie I know how time in this part of the country affects your mind set, putting you at ease and making you feel more relaxed. Add alcohol and it’s always going to be a good time. I really enjoyed listening to Adam banter with his mates in between the recordings; it makes hearing the album feel like you’ve got an invite to an awesome party.

I’ve never been much of a country music fan, but Adam Harvey’s won me over with his rich baritone and sense of celebration here. It might not be your typical Christmas album, but I reckon Harvey’s Bar … The Backyard Sessions is the perfect soundtrack for those parties coming up.

Harvey’s Bar … The Backyard Sessions is out now. Adam will support the album’s release with the following shows.

16 & 22 January 2016 – West Tamworth Leagues Club, Tamworth
3 March 2016 – Hallam Hotel, Hallam
4 March 2016 – York on Lilydale, Mt Evelyn
5 March 2016 – The Gateway Hotel, Corio
11 March 2016 – Windsor RSL Club, Windsor
13 March 2016 – The Oaks Hotel, Albion Park
17 March 2016 – Bairnsdale RSL Club, Bairnsdale
18 March 2016 – Italian Australian Sports Club, Morwell
19 March 2016 – Terang Country Music Festival, Terang
20 March 2016 – Wonthaggi Workmen’s Club, Wonthaggi
29 April 2016 – Lizotte’s, Newcastle
30 April 2016 – Panorama Lounge, Gosford
12 May 2016 – Bathurst RSL, Bathurst
13 May 2016 – Forbes Services Memorial Club, Forbes
14 May 2016 – Dubbo RSL, Dubbo
26 May 2016 – Inverell RSM Club, Inverell
27 May 2016 – City Golf Club, Toowoomba
28 May 2016 – Kedron Wavell Services Club, Chermside
17 June 2016 – Revesby Workers Club, Revesby
18 June 2016 – Halekulani Bowling Club, Budgewoi
23 June 2016 – The Woombye Pub, Woombye
24 June 2016 – Maryborough Sports Club, Maryborough
25 June 2016 – Brothers Sports Club, Bundaberg
26 June 2016 – The Lionleigh, Rockhampton
1 July 2016 – Dalrymple Hotel, Garbutt
2 July 2016 – Mareeba RSL, Mareeba
3 July 2016 – Herbert River RSL, Herbert River
5 July 2016 – Big Red Bash, Birdsville
15 July 2016 – South West Rocks Country Club, South West Rocks
16 July 2016 – South Grafton Ex Servicemen’s Club, South Grafton

Image used with permission from Sony Music Australia

Posted on by Lauren Katulka

“XIII” – Cloves

At just 19 years of age, Melbourne singer-songwriter Cloves has created one of the most impressive debut EPs I’ve heard all year. The title XIII gives nothing away, so I wasn’t quite sure what to expect when I pressed play. However, what I received was some of the most intimate and beautiful songs I’ve heard in some time.

Cloves drew me in instantly with her heartfelt songs about love and loss, all-too fleeting romance and the heartache that lingers. The subject matter isn’t new, but in these songs she brings some freshness to familiar terrain. I love the simplicity of these songs. With just a little acoustic guitar here, the gentle strains of a piano there, Cloves’ beautiful, rich voice and poignant lyrics are at the fore. The single “Frail Love” drew me in instantly, but every song on this four-track EP is superb. It’s seem mean to single any out, because each one is just so special.

Apparently XIII was written with the aid of Lana Del Ray, regular Sia collaborator Justin Parker, and Rich Cooper, who’s worked with Tom Odell and Mumford and Sons, just to name a few. Their influences are apparent; I can hear a lot of similarities between Cloves and Lana Del Ray’s work, yet I feel the songs are a little more accessible than those of the British chanteuse.

XIII is out now. Cloves will support its release with shows supporting British songbird Soak in January.

6 January 2016 – Northcote Social Club, Melbourne
8 January 2016 – Newtown Social Club, Sydney

Image used with permission from Positive Feedback