I’ve watched the career of Reece Mastin with some interest since he burst onto the music scene through The X Factor in 2011. I always regarded him as one of our more interesting winners, a kid who seemed more at home taking on the classic rock of Aerosmith or subverting modern pop gems like “I Kissed a Girl” than making music for the masses. Yet when he took out the title he started to release the musical equivalent of McDonalds. It sold well – you can’t deny the appeal of his number one singles – but it was ultimately unsatisfying. I couldn’t help but wonder whether Reece was making the music he wanted to make or what the record company wanted him to do to appeal to tweens and teens.
2015 seems to be the dawn of a new age for Reece Mastin. He split with Sony and signed a deal with independent label Social Family Records. He enlisted soulful singer Mahalia Barnes as his manager and began hanging out with her dad and Aussie music royalty Jimmy Barnes. And he recorded Change Colours, which is the album I always knew he had in him.
The opening track “Lockdown” announces the new direction beautifully. The music hits hard; it’s an epic, emotional rock number with an old-school soul twist. Jimmy’s influence is obvious in songs like this, “Right Out of Me,” and “You Gotta Go,” which features Mr Barnes doing “backup vocals” as only Barnesy can. Songs like “You Could Be Wild” and “I Don’t Love You Anymore” show Reece still has a snack for creating a hit, but his heartfelt delivery gives them more emotional punch than his other commercial hits. You can tell he really believes in these songs. The sexy blues influenced “Caged Paradise” is another highlight. “Even Angels Cry” shows Reece at his most stripped back, and it’s wonderful. It’s already become a fan favourite, after being voted the next single by Reece’s Twitter fans. The final number and title track “Change Colours” is one of the album’s darkest songs and one of its quietest, but perhaps its most powerful.
Change Colours isn’t like the other Reece Mastin albums, and that’s exactly why it’s so special. It showcases the work of a young artist that is releasing music he believes in, perhaps for the first time. If you’ve dismissed him as just another reality show winner, it’s probably time to rethink your stance.
Change Colours hits stores on October 9. Reece will support its release with the following instores all around the country.
9 October 2015 – World Square, Sydney (5 pm)
10 October 2015 – Stockland Wetherill Park, Sydney (11 am)
11 October 2015 – The Pines, Doncaster East, Melbourne (10:30 am)
11 October 2015 – Stockland Wendouree, Ballarat (2 pm)
13 October 2015 – Brookfield Place, Perth (4 pm)
14 October 2015 – St Mary’s Sound, St Mary’s (4 pm)
15 October 2015 – Stockland Shellharbour, Wollongong (6 pm)
17 October 2015 – Stockland Burleigh Heads, Gold Coast (10:30 am)
17 October 2015 – Brookside Centre, Brisbane (2 pm)
18 October 2015 – Sanity Hinkler Central, Bundaberg (2:30 pm)
After being so impressed with “When You Leave” last week, I couldn’t wait to hear the rest of 
Cutting Crew kicked off the night with an explosive set. Nick Van Eede is a proper ‘80s star, with vintage moves like the one where you go down to your knees when you’re overcome with emotion and the one where you point out to the audience, convincing the girls that you’re singing right to them. It was as cheesy as it sounded, but it was so easy to get swept up in it. I don’t remember people waxing lyrical about guitarist Gareth Moulton in the ‘80s, but he blew me away. A song called “Till the Money Run$ Out” from a brand new album let us all know that Cutting Crew are more than just a nostalgia act. “(I Just) Died in Your Arms Tonight” was the song we all came to hear, and it delivered. A cover of REM’s “The One I Love” was an unexpected but incredible closer.
Paul Young followed, and after seeing him 
For the final portion of the night Nik Kershaw joined forces with Go West. A cover of “Everybody Wants to Rule the World” opened a set which was a real mixed bag. They tended to play a cover together, then one act would go off to rest while the other treated us to their originals, before teaming up for another joint number. I was only born in 1980 so I didn’t know all of the songs, but they were performed so well that it didn’t matter. I’d actually seen Go West a few years back (also with Tony Hadley, because where he goes I follow), and they were every bit as good as I remember. The big hits “We Close Our Eyes” and “King of Wishful Thinking” were so much fun, but anything sounds good when Peter Cox is singing it. Nik Kershaw surprised me in the best possible way. I’d forgotten how much I love “The Riddle,” and “Wouldn’t It Be Good” took me right back to my childhood. “Sex On Fire” was an unlikely closer for these two ‘80s acts, but it was so much fun I don’t think anyone minded that it was a few decades after the shows themes.
I hear an awful lot of music in my line of work, so when something different hits my inbox my ears prick up. That’s why I’m really responding to 
Richard’s always been one of my favourite performers, so I couldn’t resist checking his Lonesome Voyager tour. It was billed as an opportunity to see Richard up close and personal, to hear the songs that made him a legend and the stories behind them. Honestly on that score I was a little disappointed. It seems Richard’s heyday passed in a heady blur, so he’s a little vague on the details of many of the songs’ origins. However, there was probably drugs or alcohol or both involved in their inception. The stories he recounted were cheeky and hilarious, but I didn’t quite get the insight into the music I was looking for.
But Joshua Radin was the man we all came to see. Despite being here to promote his album Onward and Sideways, his set took on a journey through his entire catalogue. In fact if anything it was heaviest on his debut album, after fans at the soundcheck told him they’d love to hear the early material. I sat in raptures, hanging onto his every word as he explained the circumstances behind the songs and listening to them with new understanding. After a backing band that felt too big for his songs last tour, it was refreshing to see him playing with just two other musicians. They gave the music the right amount of intimacy. My favourite Joshua Radin song “You’ve Got Growing Up To Do” was a real highlight, but “Winter,” “Only You,” and the jubilant” Belong” was also really special. Hell, the whole concert was special. His cover of “Don’t Think Twice It’s Alright,” the first song he learned to play on a guitar, capped things off beautifully.
I rarely hear music coming out of the Northern Territory. I’m not sure whether that’s because there aren’t enough musicians up there, or because they just don’t filter down to us here in the southern states. But either way, I’m really glad I have been able to listen to one of the few bands bucking the trend, At the Dakota. This Northern Territory outfit have just released their debut EP Stories, and it’s one of the coolest recordings I’ve heard in some time.
I’ve always enjoyed the singles I’ve heard from