Category: Reviews

Posted on by Lauren Katulka

“In Rico Glaciers” – Sons of Rico

The sophomore effort from Perth’s Sons of Rico was always guaranteed to put fun first. The band’s moniker was inspired by cult comedy classic Napoleon Dynamite, and their latest record playfully pays tribute to a cheesy Latin crooner. The good vibes are in abundance, but by the end I was left scratching my head.

Perhaps that confusion isn’t a bad thing. I admire Sons of Rico’s ambition. The album opener “Against the Grain” is a big bold start, and while the second track “I’m Not Thinking About You” gets a bit shouty at times, it makes its point. “In My Eyes” was a real highlight for me, with angelic harmonies combining with raw rock riffs.

And then the album takes a sharp left turn, abandoning its modern rock feel for something much more retro. “Just My Type” and “Adjustable Value” call to mind Electric Light Orchestra and Supertramp. Referencing such classic rock pioneers isn’t a bad thing at all. It just doesn’t gel with what came before.

I’m still not sure whether that’s a problem though. Sons of Rico might be a band still trying to work out what they want to be, or they could be an outfit that enjoys making music genre constraints. In any case what they do is damn good fun, with a bubbling energy that’s infectious. Perhaps that’s what matters most.

In Rico Glaciers hits stores on March 29. Sons of Rico will launch it at the following shows:

5 April 2013 – Amplifier Bar, Perth
6 April 2013 – Settler’s Tavern, Margaret River
11 April 2013 – Sol Bar, Maroochydore
12 April 2013 – Great Northern Hotel, Byron Bay
13 April 2013 – Alhambra, Brisbane
26 April 2013 – Revolution, Geelong
27 April 2013 – The Workers Club, Melbourne
2 May 2013 – Good God, Sydney
3 May 2013 – Hoey Moey, Coffs Harbour
4 May 2013 – Great Northern Hotel, Newcastle

Image source: JB Hi Fi

Posted on by Lauren Katulka

“Lake” – The Evening Cast

The Evening Cast might be a fledgling act, but their stellar debut EP Lake proves the Victorian band is a force to be reckoned.

This is a lush recording, with exquisite layered harmonies and rich orchestration. It takes some talent to ensure a big sound doesn’t become a mess of noise, but The Evening Cast are up to the challenge. No doubt they’ve been guided well by the production team of Joe Laporta (Bjork, Foo Fighters) and Marty Brown (Clare Bowditch, Art of Fighting). The skills of these supporting players make this disc seem more polished than most debuts.

I love the poetic lyrics and quirky romantic of the EP opener “Knots and Bows”. The poppy “Surprise” and “Heartbeat” are pure joy. Not that it’s all sweetness and light though. “No Stopping” shows a darker determination with its pounding pianos and earnest vocals. I really felt this one.

At seven tracks, Lake is much longer than most EPs. It feels more like a mini album than an EP. It’s a bit risky for a new act to take on such an ambitious release, but The Evening Cast are up to the challenge. There are no filler tracks here. Lake is an excellent debut that shows the promise of this exciting Aussie act.

Posted on by Lauren Katulka

Carole King @ Entertainment Centre, Sydney – 14 February 2013

Over more than five decades in the business Carole King has penned more love songs that most. So it seemed fitting to spend Valentine’s Day in her company at the Sydney Entertainment Centre last week.

Shane Howard opened the show with an acoustic set of songs from his Goanna days and solo years. I shamefully admit that I wasn’t familiar with anything other than “Solid Rock,” but that didn’t diminish my enjoyment of his intimate performance. In stripped back mode I could hear every word he sang and really immerse myself in the stories he told. I appreciated the way he introduced each and every song, telling us about the experiences he’s had and the moments that inspired these personal numbers. It was so refreshing to witness such an accomplished singer-songwriter performing with nothing more than an acoustic guitar. I loved the lack of bells and whistles.

The good honest music continued when Carole took to the stage. This was the third time that I’ve seen her perform live, and again I marvelled at the way that she seems to defy aging. Her distinctively raspy voice is every bit as powerful as it was the first time that I saw her. She takes it easy at the piano most of the time, but she seems to enjoy stepping out and shaking her booty with her talented back-up singers. Frankly, she seems to enjoy everything about being on stage. She must have performed many of these songs countless times over the years, but she shows none of the fatigue I’ve seen in some classic artists. Her smile is wide, warm, and genuine as she interacts with her band and hears the crowd singing along to old favourites.

My dad remarked that it’s a true testimony to Carole’s discography that whenever we see her live she pulls out a song we weren’t aware she’d written. Like Dad, I was more familiar with “Hey Girl” as a Michael McDonald track, so it was great to hear Carole’s spin on it. I also really enjoyed “City Streets.” The song passed me by in the 80s, but with Carole the lone performer on stage, at the piano and illuminated by a single spotlight, I was wowed. I love that I can see Carole tour after tour and hear different songs each and every time. However my favourites, like many others judging by the rapturous applause, were those songs from Tapestry. “So Far Away” made me misty, as it always reminds me of the time my husband and I spent living in different countries, and “I Feel The Earth Move” had us all dancing in our seats.

At around an hour and a half the set was a bit shorter than those I’m used to, but I can cut the 71-year-old Carole some slack. She might need to head to bed earlier than modern rockers, but she makes the most of every moment that she’s on stage. And that’s what keeps me coming back.

Image source: Stephen Katulka

Posted on by Lauren Katulka

The Magician’s Daughter – Mama Kin

I’ve sat down to write this review a few times. However the problem is, every time I slip The Magician’s Daughter into my stereo, I forget to make any notes. Not because there’s nothing noteworthy about Mama Kin’s sophomore effort, but because the music tends to take over.

My analytical brain is rendered defenseless against her haunting voice and uncanny knack for crafting a song. It seems wrong to dissect the album note by note or tune by tune. It’s much easier to just listen and appreciate it. And so I do, until next time that I intend to write the review and realise that I never did get around to taking those notes.

I really love this eclectic collection of songs. Mama seems to rail against being placed in any box. She serves up retro soul, gentle country, sultry blues, and more with ease, borrowing from whatever musical styles she deems best to tell her stories. The term “warrior songs” came to mind on one of the many occasions I’ve listened to The Magician’s Daughter, and I can’t seem to get rid of it. There’s a lot of feminine strength here, the strength of loving someone, of being a mother, of feeling loss and living through it. I was so struck by the tender intimacy in tracks like “Bosom of Our Bed” and “The River as She Runs,” the stoic pain of “Cherokee Boy,” and the explosive power of “The Fire.”

Mama Kin proves she’s a real musical force with her exquisite second album The Magician’s Daughter. It’s released across Australia on February 22.

Image source: Liveguide

Posted on by Lauren Katulka

Darren Percival @ Lizotte’s, Kincumber – 2 February 2013

I was blown away when I caught Darren Percival at Lizotte’s last September. This intimate Central Coast venue was perfect for showcasing the talents of this incredible performer with a knack for connecting for people. The impact he made on our television screens in The Voice was amplified ten-fold in the small surroundings of the “Cubby House.” So when he announced a return visit, we snapped up more tickets without hesitation.

Darren had a bit more material to play with this time around thanks to the recent release of A Tribute to Ray Charles. The audience embraced those classics tunes just as they did the covers Darren delivered on The Voice. I was particularly impressed by his takes on The Beatles’ “Blackbird” and Ray’s “Georgia on my Mind.” I’ve heard so many people put their stamp on the latter, but his soulful version stands out as one of the best I’ve heard. In hindsight perhaps encouraging people who’ve enjoyed too many of the house wines to take over the vocals on “Shower the People” wasn’t a good idea, but the singalong was certainly lots of fun. Familiar tunes made up the bulk of Darren’s two-part set, but he treated us to a few choice originals, including the stunning “Damage Down” heard on The Voice.

There was no support act; instead Darren played for close to three hours. We couldn’t believe it when we left and realised we’d enjoyed Lizotte’s hospitality for almost six hours that evening. But time flies in this place where good food and wine are in abundance, the service is always warm, and some of the world’s best performers entertain you from mere meters away.

As we were enjoying those delicious meals a Lizotte’s spokesperson came to our table and informed us Darren had announced more shows at the venue this April. Again, we didn’t hesitate to buy a few more tickets. The combination of Darren Percival and this wonderful venue is just impossible to resist.

Image source: Stephen Katulka

Posted on by Lauren Katulka

Keith Urban @ Allphones Arena, Sydney – 30 January 2013

I’ve enjoyed the music of Keith Urban for years. My husband and I cut our wedding cake to “You’re My Better Half” and we consider “Without You” one of ‘our songs’. But it took Keith’s turn on The Voice and the release of a greatest hits album to convince us we needed to make the leap from casual fan to concert goer. And we’re so glad we did.

I’ve got to admit, we missed the Madden brothers’ supporting set. Starting a midweek show way out in Homebush at an early 7:30 is just madness in our books. Pairing country-singing Keith with these pop-punksters also seemed a strange decision, despite their association on The Voice. And so we opted for a leisurely dinner instead. Not being a fan of the Madden music, I don’t think we missed too much.

We were there in the thick of it once Keith took the stage. Our fifth row seats were incredible, but I must admit to feeling a little out of place. Keith fans seem lovely, but boy are they passionate. I bobbed my head in time to songs I was enjoying while they danced and sang with gusto to every tune.

The thing is though, you don’t need to know every song to appreciate Keith’s easy stage presence and incredible guitar skills. You don’t even need to have those seats near the front of the arena; Keith delivered several songs from another stage near the back of the auditorium. The interaction with the fans continued when Keith encouraged three devotees to sing off during “Kiss a Girl.” None of the punters could hold a candle to Keith’s voice, but you had to admire their enthusiasm! All good fun.

Keith and his stellar band were more than enough to keep us entertained, but the appearance of a few choice special guests took the energy in the room up a few notches. Benji and Joel Madden returned to the stage to join Keith for a cover of Oasis’ “Wonderwall.” Keith’s The Voice charge Darren Percival made a not so unexpected appearance later on. But when Jimmy Barnes joined Keith Urban for “Flame Trees” I lost my mind. What a special concert moment it was.

Keith’s Sydney show was pure entertainment. He gave us the right mix of upbeat numbers and heartfelt ballads. He chatted easily to the crowd and seemed genuinely humbled by their support. And he looked pretty damn good while he was doing it. Who could ask for anything more?

Image source: Stephen Katulka

Posted on by Lauren Katulka

Gofer Land – Mark Boulle and the Haba Dudes

After releasing a solo album a couple of years ago, Queensland’s Mark Boulle is back with his band mates for Haba Dudes album number five. On Gofer Land the outfit is billed as Mark Boulle and the Haba Dudes but make no mistake; this recording is still very much a band effort.

Mark Boulle’s ruggedly raw voice stands out front and centre, but the instruments really elevate it, whether they’re the swell of strings, a classic piano, or some simple hand claps. These elements help bring the songs Mark penned to life. They add gravity to the words, and realise Mark’s vision.

When you slip a Haba Dudes record on, you know you’ll be entertained. At 15 tracks Gofer Land is an ambitious album, but its diversity ensures that it doesn’t drag. The band seems to delight in delivering the unexpected.

The album starts with the laidback “Lovin in Your Mind,” a track which is as much fun to listen to as it seems like it was to perform. “Hurt U Again” is another of those numbers that feels like we’re listening to a jam session. I was thrilled to be taken along for the ride. More highlights come with the ultra-catchy “Take Me Slowly” and sultry “Animal Kingdom.” I was beginning to almost feel like I knew what to expect from the Haba Dudes, some gypsy music here, a little folk there, when they threw me for a loop with “Gypsy Man.” This track shows real fire with its rocking, reverby guitars.

I guess you never really know what to expect from the Haba Dudes. And that’s just why I like them, and their latest release Gofer Land.

Image source: Mark Boulle and the Haba Dudes Bandcamp page

Posted on by Lauren Katulka

The Trouble with Templeton @ Lizotte’s, Kincumber – 23 December 2012

Amongst the pre-Christmas baking, wrapping, and general craziness it was a pleasure to sit down and relax at my favourite musical haunt, Lizotte’s. It doesn’t matter who I’m going to see, or who’s keeping me company, the evening is always stellar. And it was no exception when I stepped out to see The Trouble with Templeton.

Before the Brisbane band took the stage we were treated to a performance from Sydney duo, The Falls. I loved their debut single “Home” and was thrilled to hear more of their pitch perfect harmonies and gentle folk melodies. Melinda Kirwan is an especially compelling performer who draws you in with her conviction. Their set was sublime, and over all too soon.

Then it was time for The Trouble with Templeton, an outfit that’s grown from solo act to ensemble in recent years. I became a fan in those early days when Thomas Calder adopted his moniker and released his impressive debut Bleeders. He seems at ease with his band, a bunch of talented performers in their own right, but I’m not sure they really fit a venue like Lizotte’s. And I’m not just referring to The Cubby House’s small stage! The sound was turned way up to eleven, a jarring contrast to The Falls’ more delicate set. There’s nothing wrong with being brash and bold, but sometimes less is more. Something tells me I’d have been better able to appreciate their songs if I could catch all the lyrics. It was also disappointing to see “Bleeders” so poorly represented. The cries for “I Wrote a Novel” fell on deaf ears; it would have made the perfect encore if they’d felt like giving us one. Encores are almost mandatory these days, so I was surprised the band didn’t return to the stage.

Any night at Lizotte’s is a good night, and The Trouble With Templeton are clearly a talented band. They just need to pare things a back a bit of they hope to make the impression of their stellar support act.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“King of the Sun” – Jamie Hay

With the year drawing to a close, I expected I had heard all of the albums destined to make an impression on me in 2012. And then I started up King of the Sun by Jamie Hay.

It’s an album of pure heart, a collection of songs that’s raw and organic and poignantly stripped bare. With little more than an acoustic or slide guitar, sometimes a banjo, to keep time, Jamie’s vocals take center stage. There’s so much passion and soul in his roughened voice, it grabs you and forces you to listen until the last note.

King of the Sun is quintessentially Australian in many respects. Jamie’s songs reference local towns and use the word “mate” casually. They take place in pubs, not bars. But your average Aussie bloke wouldn’t share as much of himself as Jamie does here.

It’s hard to name standout tracks, because every one is so bloody good. I was still moved by “Rabbit Hole,” the single I heard months before. “The Gift of Years” also compels, an a capella track that is so striking and brave. It’s fitting though for an album that dares to be exposed.

I feel like I can’t say enough good things about King of the Sun, so perhaps I should just say this. I haven’t gone through my recent reviews and decided what album is my favourite of the year, but I’m not sure I need to. I’m pretty sure this is it.

Image source: Hobblehoy Bandcamp

Posted on by Lauren Katulka

“Red” – TV Snow

Perth pop-rock act TV Snow have overcome adversity to release their debut album Red.

The album was recorded at a time of great excitement for the band. They were travelling around the country and keen to build on the promise they’d shown on their debut EP. But just a day after recording wrapped, tragedy struck when their bassist Ben Linden was fatally attacked by a shark off Wedge Island.

It’s a harrowing story which makes listening to the album all the more poignant. A lesser band might never have released it, but I’m glad they did. The tracks show us a group that’s so cohesive, with tight vocal harmonies and a true understanding of how their instruments work together.

I’d be lying if I said it was perfect. The songs are fun to listen to, but they’re not really as dynamic as they might have been. Few cut through as the kind of tracks you want to hear again and again. I did love the optimism of “Boy Wonder,” and I appreciate the way the strings make “I Will Dance” come alive. However I’d be hard pressed to recall the melodies of most of the other songs. Rather than being a truly impressive collection of songs, Red is the kind of album you could slip on at your next barbeque without complaints.

It’s not perfect, but Red is a fun listen. It has none of the sadness that defines TV Snow’s career right now, and it’s a fitting celebration of Ben’s contribution to the band.

Red is available digitally now and in stores from January 4.

Image source: TV Snow website