Category: Reviews

Posted on by Lauren Katulka

Lionel Richie, Marcia Hines, and Mahalia Barnes @ Bimbadgen Estate, Hunter Valley – 8 December 2007

Attending a concert the day before moving house may be insane to some, but that’s exactly what I did last Saturday. I left the chaotic mess of boxes in my apartment for a little music therapy at one of the Hunter Valley’s famous Day on the Green events. This time around I was treated to the musical stylings of Mahalia Barnes, Marcia Hines, and Lionel Richie.

Jimmy Barnes’ little girl Mahalia proved she’s all grown up with a killer set of original soul tunes and some classic covers. She’s got an amazing set of pipes, and injects such passion into her performance that it matters little whether you know the songs or not. Her closer of “Proud Mary” was every inch as good as Tina Turner’s.

Next up was Australian Idol judge and soul diva Marcia Hines. Miss Marcia’s been doing this for around thirty years, and it shows. She had us dancing in the aisles with disco standards like “Shake Your Groove Thing,” “Disco Inferno,” and her own smash hit “You.” We were also treated to some more reflective moments from her new album Life, including brilliant takes on “Everybody Hurts,” “No Ordinary Love” and “Get Here.”

While Marcia and Mahalia wowed us, it was clear that there was just one person the crowd was there to see. That man was Lionel Richie. He’s not the most handsome man in the world, but there’s something about him that had the females from 15 to 50 on their feet.

Continue reading “Lionel Richie, Marcia Hines, and Mahalia Barnes @ Bimbadgen Estate, Hunter Valley – 8 December 2007” →

Posted on by Lauren Katulka

"Rock-Bottom Jackpot" – Dé Jah Groove

Dé Jah Groove’s debut release Rock-Bottom Jackpot may just be the perfect soundtrack for the summer.

The Melbourne outfit has earned a reputation as one of the most explosive bands on the live circuit, and they’ve managed to bring that energy to this album. Their combination of jazz, funk, roots, rock, and hip-hop reminds me of early Cat Empire recordings, which is a good thing.

With six band members, it’s little wonder that Dé Jah Groove has a really big sound. The horns are loud, layered over the percussion of the drums and bass. It’s also refreshing to hear the Australian accent in Harley Stewart’s vocals.

Standouts include the easy grooves of the first single, “Mellow Stages,” the far from lazy opening track “Lazy Sundays,” and the fantastically fun “One Drop High.”

Rock-Bottom Jackpot is in stores now. Dé Jah Groove is currently on the road to support its release. Check their MySpace page for all the dates.

Image source: Dé Jah Groove MySpace

Posted on by Lauren Katulka

Elton John @ Tempus Two Winery, Hunter Valley – 1 December 2007

On Saturday I made the trek to the Hunter Valley’s Tempus Two Winery to see rock music royalty, Sir Elton John.

Young soul singer Eran James kicked off the event with songs from his new album, Ten Songs About Love. It blows my mind that this kid is just 18 years old. He’s got such a strong emotive voice, and the simple acoustic guitar backing let these songs really shine. But this wasn’t the venue for Eran. The punters were a lot more interested in chatting amongst themselves and sampling the winery’s goods than listening to this talented young singer. It’s a shame, because he really was very good.

The most startling thing is that the throng didn’t settle down for the main event. The rowdy drunks behind us loudly sang the wrong songs, or the wrong lyrics. The chain-smoking couple in front of us also put a dampener on my concert experience. I might suggest that I just got bad seats, but looking around I saw so many people getting up and moving around during the show that it staggered me. For the life of me I’ll never understand why people spend good money on a concert if they’re going to be disruptive or get so drunk they won’t remember it.

Again, it’s unfortunate because Elton did everything right. He strikes such a commanding figure at the piano, with his masterful playing and dazzling sequined jacket. Other artists may need a band to provide such a rich sound, but Elton does it effortlessly alone. He took us on a journey through his catalogue, opening with his first hit “Your Song.” The set was peppered with monster hits, and a few more obscure songs from the die-hard fans.

Continue reading “Elton John @ Tempus Two Winery, Hunter Valley – 1 December 2007” →

Posted on by Lauren Katulka

"No Man’s Woman" – Various Artists

Some say the concept album is dead, but don’t tell that to the folks behind No Man’s Woman. The album features some of Australia’s finest male artists covering songs made famous by iconic female figures.

The results are surprising. I would never have expected some of the song choices, like Josh Pyke’s Kate Bush cover, or The Vines’ reinterpretation of The Veronicas. Some of the artists are faithful to the originals, while others opt for dramatic reworkings. Despite these different approaches, all the musicians involved ultimately show a respect for the original artists.

Now I’ve had the disc for a while I find myself repeating Lior’s glorious cover of “Landslide,” Angus Stone’s poignant version of Joni Mitchell’s “River,” and Dan Kelly’s ukelele-driven interpretation of “Nothing Compares 2 U.” But I still can’t warm to Tex Perkins’ menacing “I Am Woman,” or The Vines’ dirge-like “4Ever.” Many of the tracks won’t be to everyone’s tastes, but that’s part of the joy of an album like this. There’s enough diversity here to keep everyone satisfied.

No Man’s Woman is currently available with a limited edition bonus disc, featuring nine of the original songs (or technically eight and Sinead O’Connor’s version of “Nothing Compares 2 U”). It’s a great reference, giving listeners the opportunity to see where these new interpretations came from.

Image source: No Man’s Woman MySpace

Posted on by Lauren Katulka

Bobby Flynn @ Lizotte’s, Kincumber – 1 November 2007

Who’s the most influential artist to come out of Australian Idol? Is it Shannon Noll, whose skills saw him working with some of America’s best songwriters on his new album? What about Anthony Callea, who’s earning rave reviews for his work in musical theatre? Well, if you believe this year’s Australian Idol finalists, the one that’s made the greatest impact is Bobby Flynn.

He may not have set the charts alight or packed out an entertainment centre, but last year’s seventh place-getter inspired more Idols this year than any other.

“I believe he completely changed Aussie Idol,” said Matt Corby. “He changed the rules,” added Jacob Butler.

That Bobby could do so much during his relatively short time in the competition is a testimony to his talent. It’s something I was lucky enough to witness for myself last night at Lizotte’s. This intimate little venue in Kincumber is a world away from the massive Idol stage, but that’s a very good thing.

Bobby was ably supported by Canadian singer/songwriter Brian Campean. I can’t decide whether Brian was a genius or a madman. He could be both. His soaring voice was reminiscent of Jeff Buckley’s, and his guitar skills were incredible. But his unconventional melodies and lyrics struggled to connect with the crowd, who seemed more intent in gossiping amongst themselves. It’s a shame, as there was a lot to enjoy in his unique performance.

The chatter died down once Bobby took the stage. His original songs draw you in, with their ethereal melodies and his haunting vocals. I didn’t know most of these songs, but it allowed me to focus on their beautiful words. He’s not conventionally handsome, but his natural charisma casts a spell on his adoring audience. Watching him is indeed magical.

Songwriting is Bobby’s first love, but he’s not afraid to pepper his set with the cover versions Idol fans voted for. I was delighted to hear his evocative cover of The Church’s “Under the Milky Way” and his show-stopping rendition of “Superfreak.”

I caught up with Bobby after the show and was impressed by his gentle nature and his willingness to spend time with his fans. This was his third sold-out show at Lizotte’s, and he’s already making plans to return. I personally can’t wait.

Image source: Jaymis Loveday @ Flickr

Posted on by Lauren Katulka

“Ripe” – Ben Lee

Ben Lee has released the feel-good album of the year. The appropriately titled Ripe is a mature effort, bursting with happiness and good vibes.

A more cynical critic may argue that this disc is weaker for its lack of angst, but such positivity is refreshing and very easy to listen to. These critics tend to equate negativity with depth, but to dismiss Ben Lee’s newie is to miss the album’s subtleties.

He’s a very clever lyricist, and this prevents the album’s love songs from drowning in a sea of frothiness and fluff. The quirky phrases are modern and intensely believable. The single “Love Me Like the World Is Ending” is a great indication of the original romantic tunes contained on the disc. The 50s-inspired duet with Mandy Moore, “Birds and Bees,” is also really sweet.

But it’s not all about love. Lust gets a run too in the brutally honest “Sex Without Love.” Ben’s ode to an American urban megastar, “What Would Jay-Z Do?” is surprisingly more convincing than it sounds.

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Posted on by Lauren Katulka

Daughtry Showcase @ The Gaelic Theatre, Sydney – 25 September 2007

Sydney was treated to an outstanding rock show last night when American band Daughtry joined Brisbane’s Small Mercies at The Gaelic Theatre. It took me some effort to drag myself to Sydney for the show, as I’d been feeling unwell all day, but I’m so glad I did.

The tiny Surry Hills venue was crowded with hundreds keenly anticipating Daughtry’s first Sydney appearance. The upper level, usually the place to be for a relaxed concert experience, was reserved for VIPs, leaving the average punters packed in like sardines. I really didn’t think I was up to standing all night, but a lovely security guard took pity on my poor health and promptly found me a stool and water. I may not have lasted til the end of the show without him!

Now comfortably sitting and a little more hydrated, I was feeling pretty good when Small Mercies took the stage. I’d never seen these guys before, but they’ve been big in Queensland for years. After seeing their set, I’m glad the rest of the country appears to be catching on. The four-piece showed real diversity in their half-hour slot. Their heavy tracks pleased the rock-loving crowd, who also enjoyed singing along to the new single “Innocent.”

Daughtry were up next, with a blistering set that matched the anticipation in the room. They made it clear they were there to rock, opening with “Crashed.”

Chris Daughtry is such an engaging frontman. He didn’t take his foot from the throttle at any point, delivering each track with maximum intensity. And there’s no denying that he’s sexy as all get out.

But I also appreciated the way he engaged with the audience. Yes, he encouraged the crowd to sing along and clap their hands, but his efforts went beyond that. He’d only been in Australia for a few days, yet he managed to weave some of our more colourful terms into his banter. He called us “mates,” asked how all the “sheilas” were, and even admitted that he was a “bogan.”

The concert was billed as an album showcase, so it was little surprise to hear most of the tracks from Daughtry’s self-titled album. Their killer cover of Alice in Chains’ “Nutshell” was an unexpected treat. The hour-long set was over far too quickly and soon we were hearing the last song of the night, the frantic “There and Back Again.”

Chris said they’ll be back next year, and I look forward to doing it all again then. Of course, next time they’ll play much larger venues than this, and the tickets will be more expensive. Knowing this just makes me appreciate last night’s gig that much more.

If you couldn’t make it to the show, or you’d just like to relive it, here’s a video my husband took last night during “It’s Not Over.” Unfortunately he realised he was filming side-on a little too late, but he does right it during the first chorus!

Image source: own photo

Posted on by Lauren Katulka

Tori Amos @ Civic Theatre, Newcastle – 18 September 2008

Last night American songstress Tori Amos brought her breathtaking American Doll Posse Tour to Newcastle. Each show is divided into two distinct and unique parts. The first brings one of the American Dolls, made famous by her latest album, to life. Tori appears as one of the five unique characters which represent facets of the artist, and indeed all women.

In Newcastle, the sensual Santa made a dramatic entrance with a platinum blonde wig, stunning white minidress, and an explosive performance of “Body and Soul.” With Santa on show, the first portion of the concerts drew heavily from ‘her’ songs on American Doll Posse, including “Dragon,” “Secret Spell,” and “You Can Bring Your Dog.” Yet she still found time to ‘cover’ one of Tori Amos’ classics, “Sugar.”

I was awestruck watching Santa’s passionate set. While American Doll Posse was conceived as five separate voices, with Tori Amos as the mouthpiece for all the characters tend to blur. The theatrical element of the live show gave me a new appreciation of who Santa really is, and her part in the quintet. I only wish I could see more shows this tour to have the same understanding of the other dolls.

A spectacular light show and “Professional Widow” over the PA marked the end of the first act. Then Tori emerged, her long red hair clashing delightfully with a garish red sequined jumpsuit. She began with “Big Wheel,” then launched into “Black Dove” which seemed to assure us we’d get to hear more than the new album.

Tori is a woman of few words. As a matter of fact, the only time she actually spoke was to introduce the band. Yet what she fails to say verbally, she makes up for with her impassioned performance. She’s strong, driven, feminine, blissful, tender, outrageous, and so many other positive adjectives. Her set managed to satisfy both casual fans and the more dedicated. I attended the show with my sisters, and they were thrilled to hear the hits “Cornflake Girl” and “God.” Personally my biggest delights came when she played the tracks I didn’t expect.

“Honey” was the first of these, a B-side the “Cornflake Girl” single. My heart soared when she began “Northern Lad,” one of my very favourite Tori songs, and “Tear In Your Hand” was so joyous I couldn’t help but grin ear to ear.

We were spoilt with not one but two encores. Every time she stood to leave the crowd rose to give this rare talent the standing ovation she deserved. Perhaps that’s why she kept coming back. Watching the awestruck crowd rise for the last time, as the closing strains of “Hotel” faded, I knew every person in that room was as moved as I was.

Image source: own photo

Posted on by Lauren Katulka

Steely Dan, World Party and Gangajang @ Bimbadgen Estate, Hunter Valley – 15 September 2007

This update has been a little slow coming, but I have a good reason I swear. You see, I’ve spent the weekend in the Hunter Valley catching Steely Dan at Bimbadgen Estate. The show was one of the fabulous A Day on the Green events, which is one of my favourite ways to see concerts. Where else can you enjoy a concert under the stars with delicious wine and a spread of gourmet cheeses and smoked salmon?

The afternoon kicked off with a performance by Australian rock pioneers Gangajang. I must admit, I didn’t have very high expectations, believing I knew nothing more than “Sounds of Then.” As it turned out, I knew a great deal more of their songs than I realised, but there was more than sing-a-long classics to their repertoire. They reminded me a lot of an older Cat Empire, with their eclectic tunes and good vibes.

I had similarly low expectations of the next act, Great Britain’s World Party. Again I felt I only knew one song, “Ship of Fools,” and on watching them I realised why. They weren’t bad, but there wasn’t anything remarkable about them at all. The songs melded together in a wave of bland until that signature tune, which failed to live up to the hype. Lead singer Karl Wallinger struggled to reach that high note, his age clearly showing.

The highlight of their set was the arrival of Australian Idol judge, Ian “Dicko” Dickson who actually took a seat virtually in front of me. Perving on Idol’s hot judge definitely made World Party’s boring music a bit easier to swallow.

Of course, the opening acts would never compare to the band we all came to see, Steely Dan. I must admit, the first few songs left me feeling frustrated. I’m not sure whether they were tracks from the most recent albums, but they certainly weren’t familiar to most of us. They were good, but after so much anticipation we were all dying to sing along.

They gave us that chance with the next song, “Hey Nineteen.” This is actually my favourite Steely Dan track, and I lapped it up. After that the hits seemed to come thick and fast: “Peg,” “Josie,” “Dirty Work,” “Black Friday,” and “Do It Again” were all highlights.

The band was one of the tightest I’ve ever seen. Every performer was individually brilliant, but together they were phenomenal. Drummer Keith Carlock deserves a special mention for the most amazing hand speed and energy I think I’ve ever seen. Of course original members Walter Becker and Donald Fagan were also sensational, still on top of their game despite doing this together for four decades.

However, towards the end the concert sadly lost its gloss for me, and many other fans. They did a big finish, then came back for the obligatory encore which ended with “Kid Charlemagne.” It’s a great song, but we were sure that wasn’t it. After all, they still hadn’t played “Rikki Don’t Lose That Number” or “Reelin’ in the Years.” We were all sure there’d be another encore, that there’s no way they’d leave us without playing at least one of those big hits, but soon the crew started to clear the stage.

I understand that performers can’t play everything, but these songs are the signature tunes. They were even featured on the ads for the tour. To use them to lure fans to the shows, but neglect to play them, almost feels like false advertising. Everything Steely Dan did on stage was wonderful, but sadly most of us will remember what they didn’t do.

Image source: Frontier Touring

Posted on by Lauren Katulka

Powderfinger and Silverchair Hit Brisbane

Last Friday night seasoned concert goer Lisa Mayer, saw Silverchair and Powderfinger at Brisbane Entertainment Centre. I caught up with her for a chat about Powderfinger’s hometown gig.

Lisa’s a big fan of both bands, but she expected Silverchair’s performance would have the edge. The Newcastle lads opened the show with a rocking set, which included big hits “Without You,” “Greatest View,” and their latest smash “Straight Lines.”

While the band did their best to entertain, the local crowd seemed largely unmoved.

“Silverchair did rock, but the audience kind of didn’t. I wanted to stand up and dance but it wasn’t that kind of audience,” Lisa told me. “Other than that, I was really happy with Silverchair and I didn’t think that I could enjoy Powderfinger as much as I enjoyed them.”

When Powderfinger took to the stage, the audience became “the kind of hometown crowd that a band would be proud of.”

And the band delivered a set worthy of their adoring fans. A stripped-back acoustic version of “Sunsets” was “absolutely spine-tingling,” and “On My Mind” was a surprise with “Midnight Rambler” in the middle. But the real crowd-pleaser was “My Happiness” which encouraged a spontaneous sing-a-long.

Lisa said the song “saw the entire entertainment centre singing along while the band stood in amazement that everyone was singing their own song back to them, full volume. That had to be a spine-tingling moment for them. They all looked so happy to be there, so happy that they were with fellow Brisbanites and playing at the Entertainment Centre for the first time.”

So how much did Lisa love the show? Well, she’s going back to see the bands at the Gold Coast and Toowoomba later this week. Now that’s dedication.

Image source: jeaneeem @ Flickr