Most of us have a crowded concert calendar in the summer months, but things tend to peter out once autumn hits. If you’re keen to keep the party going, make sure you snag some tickets for HERE COMES THE SUN, a cool music festival that runs alongside some of the nation’s biggest surfing events.
It’s bigger than ever in 2024, with organisers adding a Victorian date alongside the Bells Pro. This complements the flagship event in Western Australia, which has run alongside the World Surf League Margaret River Pro for the last four years. Next year’s lineup is also stacked, with Ocean Alley, Ball Park Music, Ruby Fields, Jack Botts, South Summit, and Clews all gracing the HERE COMES THE SUN stage. Tickets are on sale now.
The Pierce Brothers might be one of the most consistent bands on the Aussie music scene. I fall instantly in love with everything they release, and their latest single “Bottle” is no exception. Often their tracks are slow burners, but this one brings the party vibes from the jump. And it’s got horns! Yes please.
“We really wanted to give the song a blues, almost Motown feel. Kicking things off with the horns gave it such a vibe, and we absolutely love it!” Jack Pierce enthused. “When I wrote the track, I knew the exact part the horns were going to play, but when we got into the studio, it was Phil [Threlfall, the band’s longtime collaborator] who pitched that opening, and I‘m so happy he did!”
The video, filmed at the King of Tonga Bar in Euro-Yroke/Elwood, shows you how much fun seeing the Pierce Brothers can be.
“It’s a pretty heavy subject matter, but I wanted to use a dark moody setting and have a bit of levity in there. We liked the idea of Jack going hell for leather, while I was slowly coaxed into the song,” explained Jack’s brother and band mate, Pat Pierce. “Much like a night at a pub can be. It was such a quick shoot and edit, and came together really well! Just vibes for days!”
Pierce Brothers have a couple of local dates before they jet off to Europe for their Studio tour. Catch them anywhere you can:
Xavier Rudd turns the romance all the way up to 11 with his new single “High Times.” It’s a tender acoustic guitar ballad which celebrates the beauty of long-term love.
“I’m stoked to release this song for summer,” Xavier enthused. “No matter what’s going on in our lives we can be thankful for the natural beauty that surrounds us and the freedom to take a breath in those spaces when we can find a little time. The high times.”
When you put your heart into music, when you lay your soul bare and let your listeners see all parts of yourself, I don’t think you can ever go wrong. That’s exactly what Eliza Hull has done with her new EP, Here They Come. You might remember me raving about the single “Running Underwater.” It set my expectations high, but the songs that support it on this five-track EP are every bit as strong.
It’s no coincidence that Eliza released Here They Come a few weeks ago on December 1, to coincide with International Day of People With Disability.
“I wanted to release the EP during the week of International Day of People With Disability because this record is about celebrating my disabled identity; it’s about all the parts of myself I hid away for so long because of stigma,” Eliza explained. “I also want to be the representation I was seeking as a disabled emerging musical artist.”
While these songs are bound to connect with listeners with disabilities who may have felt underrepresented or marginalised, I connected with this music on a purely human level. These are songs of struggle and strength, of acceptance and liberation. Eliza is a superb songwriter with an incredible voice, and that combination is showcased so powerfully here. She keeps the instrumentation simple, ensuring we can catch every important word she sings. Every song is a triumph, from the gentle piano ballad “Stay” to the epic slow burner, “Lilac Dreams.”
I’ve sat with this EP for a few days and I am falling more in love with every listen. It really is such a special release. I’ve been a fan of Eliza’s work for many years. It feels like everything she’s done before has been building towards this. Here They Come is out now. She’ll play the following shows next year to support its release.
Your favorite summer party band COTERIE have released a new anthem for the season, “Paradise.” I know you’ll want to crank this one up loud!
This song sounds fire coming out of your speakers, but you know it’ll be even better live. Consider this your reminder that COTERIE are touring all over the country on their Lush Leopard Regional Summer Tour real soon.
The Bad Dad Orchestra are a bit of a local secret, beloved in their native Lutruwita/Tasmania but largely unknown on the mainland. Listening to their latest single “Birds of Prey,” which features Julian Moss, the song of living legend Ian Moss, I’m convinced they should be every bit as big as the Teskey Brothers. They’ve got a similar classic soulful sound, but for some reason they just haven’t broken through.
They’re hardly newcomers either. They’ve released three EPs since 2016 and received extensive support from community radio and ABC’s regional channels. They’ve even played top national festivals like Blues on Broadbeach, Caloundra Music Festival, and Queenscliff Music Festival.
The Bad Dad Orchestra deserve all the accolades. We’ve all been sleeping on them. That’s on us. I’m not sure when we’ll see them on the mainland next, but they’ve got a stack of gigs booked in their home state. Catch them anywhere you can:
Andy Martin has just dropped his fabulous new single “I Don’t Wanna Go Out” It’s an upbeat indie-pop earworm that should strike a chord with anyone who’s felt hibernating at home was the best option!
“I wrote ‘I Don’t Wanna Go Out’ back in February last year. Due to the ongoing effects of COVID-19, I began getting more and more socially anxious and I wrote this song around that central theme,” Andy recalled. “I’m constantly stuck in my head and when I wrote this, I felt stuck in my house as well (but didn’t know what to do). I feel like some people will be able to relate to this one closely. It’s hooky, fun, and playful, and Aidan [Hogg, producer] and Brock [Weston, mastering] really brought this one to life!”
Fresh from supporting PAIGE and Pacific Avenue, Andy will embark on a quick tour to support the recent release of “I Don’t Wanna Go Out”. All shows are free, so there’s no excuse for staying home in your PJs!
8 December 2023 – Solbar, Kabi Kabi and Jinibara Country/Sunshine Coast (FREE)
9 December 2023 – The Triffid, Meeanjin/Brisbane (FREE)
17 December 2023 – Hotel Brunswick, Durring/Brunswick Heads (FREE)
Eora/Sydney band GRXCE have really impressed me with their latest single “What U Want.” The press release bills them as a pop act, and they’re certainly producing the kind of catchy music associated with the genre. But it’s a little darker and grungier than you might expect. This is pop music with edge, and it’s awesome.
“‘This is the first time I’ve written from someone else’s perspective,” admitted GRXCE frontwoman Jamila Grace. “A friend sent me a song he’d written about a date he went on and this one line about the girl asking to take herself home, rather than be driven by someone else really stuck out to me. I almost immediately started writing the juxtaposing perspective to the story, which eventually transformed it from a song about a bad date into a cautionary tale of bad habits and finally being able to put your foot down to someone who isn’t clear about their intentions.”
This hardworking outfit will continue getting in front of crowds right up until Christmas. Catch them supporting some of the country’s best and brightest at the following venues:
Between You & Me have gone old-school with their latest single “YEAH!” and I’m here for it. With its nostalgic feel, you’ll want to add this track to your favourite summer playlist.
“I imagine this song playing in the montage scene of an early 2000s bratty comedy film,” admitted BYAM frontman Jake Wilson. “Stylistically it’s a big shift for BYAM, but we wanted to bring beachy summer vibes to a fun and carefree song.”
Their sound might have evolved, but this track sees BYAM collaborating again with Canadian producer Sam Guaiana, who flew to Australia earlier this year to record with the band.
BYAM have just announced a UK tour, but don’t stress if you’re a homegrown fan. I hear we can expect more new music and new local shows really soon, so there’s a lot for BYAM fans to look forward to! If you are in the UK, here’s those brand new dates:
16 February 2024 – Thekla, Bristol
17 February 2024 – Key Club, Leeds
18 February 2024 – Cathouse, Glasgow
19 February 2024 – Rescue Rooms, Nottingham
20 February 2024 – Rebellion, Manchester
22 February 2024 – Joiners, Southampton
23 February 2024 – Underworld, London
24 February 2024 – Asylum, Birmingham
Naarm/Melbourne metal act Future Static have blown me away with their latest single “Chemical Lobotomy.” It hits hard, with big thrashing drums and furious guitar riffs, and lead singer Amariah Cook has never sounded better. At times powerful, at times angelic, her voice can do absolutely anything.
“It’s no mystery that this song is about getting a little too excited with substances during lockdown. It was a boring time and, apart from writing music, there really wasn’t much else to do,” Amariah said. “I had a massive bout of inspiration and decided to start writing the vocals to the instrumental (written by Ryan) when I was suffering from a massive hangover. I got up out of bed and decided to write about my lack of control in the hopes it would help me understand why I was putting myself through this and how to get out of it. As the song developed, I realised that if I just sang the chorus a third time at the end, it would allude to nothing changing, whereas I wanted to write something ending on the positive side of these experiences: the connection with my friends and how we were all in this situation together.”
“Chemical Lobotomy” comes from Future Static’s upcoming debut album Liminality, which drops on November 24. It’ll be an exciting time for Future Static, who will kick off their sold-out national tour with Electric Callboy the next day. Here are all Future Static’s upcoming shows.
25 November 2023 – Metropolis Fremantle, Boorloo/Perth (supporting Electric Callboy)
27 November 2023 – Hindley Street Music Hall, Tarndanya/Adelaide (supporting Electric Callboy)
29 November 2023 – PICA, Naarm/Melbourne (supporting Electric Callboy)
30 November 2023 – Hordern Pavilion, Eora/Sydney (supporting Electric Callboy)
1 December 2023 – Eatons Hill Hotel, Meeanjin/Brisbane (supporting Electric Callboy)
5 April 2024 – 170 Russell, Naarm/Melbourne (supporting CLOWNS)
26 July 2024 – Radar Festival @ O2 Victoria Warehouse, Manchester
When you put your heart into music, when you lay your soul bare and let your listeners see all parts of yourself, I don’t think you can ever go wrong. That’s exactly what 
