Stop what you’re doing and hit that volume button. Naarm/Melbourne-based band One More Weekend are here to rock your face off with their latest single “Aunty Meredith.” It’s an all-out assault on the senses, with chunky guitar chords, arresting vocals, and a hooky chorus you’ll find yourself singing long after the final note.
“This one’s about that thin line between freedom and losing control,” explained One More Weekend’s lead vocalist Connor Dougan. “It’s personal, intense, and we didn’t want to sugarcoat any of it.”
Mission accomplished!
You won’t find this song on Spotify or many of the mainstream streaming services, but you can check it out on Bandcamp, Square, or One More Weekend’s Patreon page, where you’ll get access to all the band’s new material first.
The wild music video for “Aunty Meredith” depicts the highs and horrors of a psychedelic experience gone awry at a music festival. It’s both a literal and metaphorical trip that you won’t quickly forget.
One More Weekend will celebrate the release of “Aunty Meredith” with a massive hometown show at The Catfish on July 12. Shows around the rest of the country will follow really soon, so watch this space!
Cardboard Cutouts cement their reputation as one of the most exciting new rock acts in the country with the release of their debut album, Politics and Footy Tips. With raw lyrics, honest vocals, and an epic sound, this Jagera, Giabal, and Jarowair Country/Toowoomba-based band checks all the boxes, and then some.
I say and then some, because this is an album that keeps you on your toes. While the band’s name suggests one-dimensionality, they refuse to make a rock album by the numbers. The opening track “Dishy” sets that standard. Dishies and glassies are rarely rock song heroes, but these icons of Aussie pubs get their moment here. The gentle start, more country-folk than indie-rock, is also unexpected. Soon enough the band’s full throttle, but when they do let rip it’s so much more powerful for the contrast to the quiet moments before.
It’s another bold move to bring out singles “My Best Friend” and “Steer” so early in the album, but it speaks to Cardboard Cutout’s faith in these songs. What comes later is far from filler. While other tracks like “A Story of Numbers, Bottles & Anxiety” and the incredible closer “Better Voice” may be unfamiliar to listeners, they’re destined to become new favourites.
Cardboard Cutouts makes the best kind of rock music. There’s no veneer or bravado, just pure heart. They get real about topics like anxiety, self-doubt, self-acceptance, and perseverance, showing vulnerability that’s rare and beautiful. Whether they’re belting out a tune at 11 or stripping their sound back on a bittersweet ballad, listening to this music from Cardboard Cutouts is such a cathartic experience.
Politics and Footy Tips is a fantastic album from a band with such a bright future ahead of them. Cardboard Cutouts will support its release with headlining shows around the country starting in Meeanjin/Brisbane tonight.
I’m always impressed by a quality cover, a rendition that breathes new life into a song and makes a statement all its own. So I’m really digging what country artist Fanny Lumsden has done with Gotye’s “Somebody That I Used to Know.” We’re used to hearing this song as a haunting indie-pop duet with Kimbra, but Fanny’s country-folk version features her live band, The Prawn Stars. It was also produced by Matt Fell, Dan Freeman and Fanny, mixed by Matt Fell, and mastered by William Bowden (who mastered Gotye’s original).
“After doing our own version of ‘Somebody That I Used To Know’ on ABC’s Spicks and Specks last year, we started adding it to our live show, and have loved playing around with it so much that we thought it about time we recorded it! It’s the first song that has my whole live touring band on it, and it makes me so happy that each of these people I spend so much time with on the road, brought a little of themselves to the song. We also wanted to feature the harmonies, which are a big thing for us live.”
Fanny and The Prawn Stars are heading to the United Kingdom next month, but they’ll be back before you know it for shows with Paul Kelly and Lucinda Williams.
Tarntanya/Adelaide outfit The Tullamarines perfectly balance upbeat vibes with bittersweet lyrics in their latest single “Lying.” It’s got a laidback summery feel, but once you start digging into those lyrics you realise it’s really raw and introspective.
“‘Lying’ is about insecurity, imposter syndrome, self-loathing, and the effort to do better,” The Tullamarines explained. “That feeling of people leaving before we perform is a running joke, but it comes from real doubt. We struggle with confidence in our music, image-everything. So we said exactly how we felt, but wrapped it in sunny, 90s pop-inspired sounds. It’s sad-happy. Sometimes it’s easier to pretend you’re okay than to be vulnerable. We hope this song helps people feel seen and encourages real conversations.”
The Tullamarines are currently on tour with the Preatures and have plenty more new music on the way. You’ll also see them at some of the hottest upcoming festivals, so the back half of the year is shaping up to be huge for them. Here are all the places you can catch them live in the coming months.
A force on the Eora/Sydney live music scene for more than 20 years, Josh Orange have just released their fantastic new single “Believers and Dreamers (What Have We Become).” A reworked version of a track from their 2024 album Birds For the Bayou, it showcases the talents of this veteran folk-rock act. I caught up with founding member Gordon Burke to chat about the single, the creative team that brought it to life, and what comes next for Josh Orange.
You’ve just released your new single “Believers and Dreamers (What Have We Become)” today. At its heart, it’s a classic protest song. What inspired you to write it?
I once heard someone say if you can’t say it, then sing it. I loved that. The song is a protest song. It’s hard not to get angry about the state of things around us at the moment, and the feeling of helplessness at the behaviour of some very powerful entities. It’s also a very personal look inside ourselves and how much we can ignore before we stand up and do something. The world needs Believers and Dreamers more than ever right now.
What issues are getting you fired up lately?
Have you tried to book a flight recently? Living in Australia and having a lot of family and friends in Europe, I fly most years. It’s gone crazy, literally. And then when you get to Europe you have to change the Aussie Battler into Euros … heart breaking stuff LOL.
While I might joke about a first-world problem, there are a lot of things currently that are hard to watch, hard to swallow and even harder to understand. Our world is changing, but I am not quite sure if it is headed in an entirly good direction. Believers & Dreamers asks some hard questions, both of ourselves and others.
The single is actually a new studio version of “What Have We Become,” which features on your fifth album Birds for the Bayou. What made you want to re-record it?
Great question. We had thought of it as an album track at four and a half minutes long. In saying that though, we don’t write songs to fit in a particular bag. We try and get out of the way of the song as much as possible. This song opened a few live shows in support of the album and we kept getting asked about it after the shows. We decided to go back into the studio and take another look at it, and be very pointed about it. We went into Everland Studios in Sydney in April 2025 to record a single. We then had a great bit of luck getting Tim Palmer to mix the record and do some co-production. He loved it and spent a week working on the song. That was such a great experience.
What really struck me when comparing the single to the album version is the addition of the harp, which isn’t an instrument we normally associate with rock music. How did that come about?
It was one of those cases of just trying something new. A friend of ours Kaela Phillips plays harp in a Sydney orchestra, and we met at a show we were both playing. We simply asked her if she would be interested in playing some harp on a pop-rock song and she said why not. We had no idea what would come out in the studio, but Kaela is amazing, and she has such a beautiful energy, it was a pleasure to have her involved.
I noticed the single was mixed by Tim Palmer, who’s worked with industry heavyweights like Pearl Jam and U2. How did you connect with him?
Back in my youth, I was in an Australian band called Oblivia. We were signed to BMG/RCA. Tim Palmer was in Sydney and came to an Oblivia show. I met him after the show and he quite liked a song we had on the album called ‘Stupid’. To cut a long story short, Tim ended up mixing ‘Stupid”. Funny enough, the song ended up on a compilation CD released by BMG alongside U2’s “Beautiful Day.” I thought he was a talented legend when I was with Oblivia and always wanted a Tim Palmer’s creative touch on a Josh Orange song. “Believers & Dreamers” just felt like the song to get him involved in. We simply reached out with a dump of everything we had recorded and he just loved it. In fact, he said it sounded like a hit song to him, whatever that means these days.
You also reunited with Ben Worsey at Everland Studios for this one. He’s been your engineer for the last few albums. What is it about Ben that makes you want to keep working with him?
Another great question. When you have a band as experienced as Josh Orange at recording, things can happen very quickly. The red light so to speak is not always on, but Ben never misses a beat. He is sharp, fast and he hears the music, he catches things we don’t. He also has a great rapport with the band, which is so important when recording. And he is an amazing mixer. We have been in studios where there is all sorts of fancy coffee machines and fridges full of all sorts of beverages, but we didn’t go back. With Ben you are lucky if there is milk in the fridge, his head is in the music, the placements of mics, the dynamic in the room, the speed of the song … he is literally an extra member of the band when we head into Everland. And that’s the way it should be.
Obviously, everyone should be listening to Josh Orange right now. But who are you listening to at the moment?
Haha, yes of course they should. There is a playlist on our Spotify channel called JO Preshow, and we are always updating it with what we are listening to. I think it’s about 12 hours long now. There is also the vinyl in the home studio which I love to sit back and listen to. Currently that would be Steely Dan, Paolo Nutini, Thin Lizzy, and always some Thom Yorke.
Josh Orange formed way back in 2004. How do you think you’ve evolved as a band in that time?
The great thing about being in this band is that we are not here for fame or money; that ship sailed a long time ago. We simply love each other’s company. We love to write and spend many hours pulling stuff apart, throwing it in the bin, then taking it back out. Andrew Wass and myself founded the band and we are still as in love as ever with what it gives us. There is a purpose in being able to create something from thin air that has such a wonderful reward. Alex Miller joined very shortly after, and the three of us have been together for 21 years now. We are excited to be releasing a new song. We are like a bunch of brothers really, and we rarely argue at all anymore (wink, wink) LOL.
You’re launching the single at Lazybones on August 28. What can people expect from that show?
This will be an awesome show. We are so excited for this one. There has to be at least two songs from each album in the set, so it will span all five albums and 21 years of writing. We also have the amazing Primitive who is doing so well in Sydney with his hip hop sound. He is an amazing performer and I am personally hanging to see his set. We also having Kadi Paton opening for us on the night. Kadi has a voice that just floored me the first time I heard it, so we are very lucky to have her. We also love playing Lazybones as it is one of the coolest venues in Sydney, with an amazing stage and sound system. We sold it out in February this year, so we are hoping it will be a big night.
After the launch, what’s next for Josh Orange?
We dropped an album in 2024 and we are enjoying playing live at the moment. We don’t tend to make any grand plans; we are a bit laid back in that way. There is some writing happening in the background but nothing heavy at this stage. We will just roll with the punches, I think. That being said, if the musical God’s answered my prayers, I would be performing on the road.
“Believers and Dreamers (What Have We Become)” by Josh Orange is out today. Tickets are on sale now for Josh Orange’s single launch at Lazybones in Bulanaming/Marrickville on August 28.
Chuck Sics shows you don’t need a big studio or years in the business to create a fantastic song. He recorded, produced, and mixed his psychedelic-rock debut single “Redo” in his bedroom studio, but it sounds every bit as polished as a major label release.
“The song is about the aftermath of confessing love for a friend who doesn’t share those feelings, and wishing everyone could forget it happened. Wishing you could disappear, or do it over again,” Chuck said. “The shame of rejection surely drives this need to forget it ever happened, but in the song I also tried to address that the way I dealt with the rejection at that time had not been fair. So the song is also about the pitfalls of self-victimising. Wallowing in sorrow and feeling as though everyone is out to get you – you manufacture this reality to justify your attitude, when really it’s your attitude that’s the problem. It’s a pretty high school problem, and I wish I’d been mature enough to handle the situation differently.”
Chuck Sics has set the bar pretty high on his debut release, but I can’t wait to hear how he evolves as a musician.
Harrison Storm is injecting a little folky goodness into your Thursday with his gorgeous new single “Find A Way.” Penned in a quiet moment during a solo cabin retreat, it’s a celebration of self-care and comfort that so many of us need.
“This song is a conversation between myself and the anxious part of me that I have been nurturing for years. The part that doesn’t feel safe in the world,” Harrison explained. “It’s a very literal song in that sense. The place I’m singing from is the calm, peaceful, and compassionate part of me that exists within, and the version of myself I’m singing to is this part that needs a lot of care and support.”
“Find A Way” gives us our first taste of Harrison’s sophomore album, which he’ll release later this year. He’ll play a couple of shows here in Australia before heading to the United Kingdom and Europe in November. Here are all the dates you need:
Naarm/Melbourne-based singer-songwriter Hassall hits all the right notes with her relatable new indie-pop single, “Overpopulator.” With intricate lyrics and unpredictably addictive melodic movements, just see if you can resist playing this one a few times in a row.
The song’s music video, filmed by Willem Kingma (Bones & Jones, The Grogans), was shot in several locations around the regional Victorian town of Kolijon Country/Colac. Hassall said the clip aims to replicate the song’s over-caffeinated vibe.
“My favourite part of the day was shooting at our friend Maggie’s house,” she added. “It was a beautiful old house with feature pieces of furniture, and each room was painted a totally different colour, which made it ideal for filming.”
“Overpopulator” comes from Hassall’s debut album Means More to Me Than It Does to You, which drops on July 3. Before that she’ll support Killing Heidi on their 25 Years of Reflector shows, so if you’ve got some tickets make sure you don’t miss her set!
James Johnston tugs at the heartstrings with his nostalgic new single, “Back in the Day.” The track, which James cowrote with Morgan Evans, celebrates a simpler time when the world felt more connected, honest, and a little less crazy.
“’Back in the Day’ was written from a raw and unfiltered place!” James said. “I’ve known Morgan since I was about 10 years old and we just started chatting about that time in our lives and how things just seemed simpler. We started writing and the song came effortlessly! Putting myself back there brought back mixed feelings. On one hand there is a real joy in going back to those simpler times, but at the same time there is a sadness in missing what felt like a happier, safer world! I feel ‘Back in the Day’ really captures both of those emotions.”
James has some exciting headlining shows and appearances at leading country music festivals coming up, so make sure you catch him anywhere you can.
If you’re struggling to get through the working week, give yourself a moment to crank up “So What!”, the latest track from Naarm/Melbourne-based emo pop-punk act Cordiform.
I don’t throw the term perfect around lightly, but this might just be the perfect pop-punk song. Its energetic intro piqued my interest, but those relatable lyrics delivered so convincingly by James Hibble assured me these guys are the real deal. Then when the intensity of those drums went up a notch to match the power of Liam Nolan’s grittier vocals in the second verse, my adoration went to another level. “So What!” is anthemic, perfect for singing along to when life gets too much.
“[So What!] was one of the first songs we started working on after we released our debut EP, Growth & Despair, in October 2023,” Liam said. “The original idea was Tim Irwin’s [drummer] really early in writing, always looking at it wondering how we would use it. It went through a lot of changes but the foundations were always linked back to the original demo. It took working with [producer Ionei] Heckenberg to really pull a chorus together that felt big enough to give the energy to the song we thought it deserved.”
Ionei also shot, directed, and edited the music video for “So What!” with Jaydon Colvin. The clip sees the band coming together with Cordi Club, their playful take on Fight Club. While it’s lighthearted, it also emphasized how even the most mundane things can become meaningful when they’re shared.
“Working with [Jayden and Ionei] was so effortless,” Liam enthused. “They really took our ideas and our lack of experience and really guided us through a massive day. They are so energetic and uptempo with their work and they really want you to walk away with the best product possible. It was something like 36c when we filmed that day and everyone was struggling under all the lights in the cramped spaces but they never showed it, even if we did.”
Cordiform are wasting no time celebrating the release of “So What!”, kicking off an epic East Coast tour supporting Chasing Ghosts tomorrow. Tickets are still available, so get on it!
