Q & A with The Good China’s Ryan Mason

The Good China are making their mark with their brand new EP We Knew That We Had to Leave. I recently caught up with one-eighth of this monster outfit, Ryan Mason, to chat about the latest release, the accompanying launch shows, and what it’s like to be part of such a big band!

You just released a brand new EP We Knew That We Had to Leave. What can you tell me about it?
It’s our second EP and is a bit different from the first in that it was engineered, produced and mixed by our guitarist Nick. We recorded some drums and bass at Incubator Studios in Melbourne and then put together everything else using Nick’s little home studio setup, which gave us a bit more room to experiment and to put together something we were really happy with. The four songs all have a sense of change to them, from changing places in the title track “We Knew That We Had To Leave” to changing people in “Marcio.” We wanted a new recording to reflect our developing sound and more mature songs and I think that the new EP really achieves those goals.

The film clip for the title track is one of the most entertaining I’ve seen in some time. Did you have much to do with that creative process?
The clip for “We Knew That We Had To Leave” was actually put together by China members Jag (who is part of film and TV production crew Guerilla Creative during his non-China hours) and Adam (who also has a background in film). The whole group workshopped ideas and sourced props and it was filmed over a weekend at Jag and Nick’s flat. Part of being an independent band is working out ways to do things yourselves and we’re really lucky that we have so many skills and ideas to draw on across our eight members!

I also love the idea behind that song of your favourite place morphing into something you barely recognise. Was it based on personal experience?
To some degree, yes; but I think the feelings behind the song are really universal and don’t necessarily apply to one time or place. We all have those streets and places that mean a lot to us at one point in our lives but then over time just don’t feel as familiar or welcoming. It might feel like those places change over time – and a lot of them do! – but what’s also changing is you.

It’s been a little over a year between releasing your debut EP and this one. How do you think you’ve grown as a band in that time?
After we released our debut EP we played a lot of shows and toured a bit, heading interstate to Sydney and Canberra and also visiting a bit of regional Victoria to play shows in Geelong, Shepparton, and the like, and when we got to the end of that cycle we were all a bit burnt out. I headed to Europe for three months to do some backpacking, while some of the others went to Japan. It’s a bit of a cliche, but travel really does broaden your mind, and from a musical point of view it certainly provides lots of inspiration for new songs and ideas. In the four and a bit years since The Good China’s inception we’ve all grown and changed quite a lot but the band is the one constant that we all come back to.

Eight is an awful lot of people to have in a band. How do you keep things running smoothly?
A lot of hard work! Again, the good thing about being a large band is that there’s a lot of hands available to get things done. It also helps that a few of us are compulsive planners!

You’ve recently been playing a few shows to promote the EP. How have they been going?
Really well. We had a great crowd for the Melbourne EP launch and everyone enjoyed the night. We’re heading off on a short tour later this week, playing a free Friday night show at the Beach Hotel in Byron Bay and playing a Footstomp Music showcase at the Tempo Hotel in Brisbane on Saturday. It’s our first time visiting Byron and Brisbane so we’re excited to be back on the road! We only realised a few weeks ago that it’s actually Schoolies season at the moment, so the Byron show could be an interesting one.

What do you love most about being on stage?
Being able to share the thrill of playing music with seven of my closest friends. Cheesy? Yeah. True? Absolutely.

What can music lovers expect when they come to see you live?
A lot of energy and a lot of happy faces. And, occasionally, the odd near-catastrophe when one of us trips on one of the several thousand instruments or cables we have on stage.

As Christmas is approaching, what’s on your wish list this year?
Is it too outlandish to ask for Radiohead to tour again next year?

After you finish promoting this EP, what comes next?
We’re planning on taking a breather over Christmas and the New Year, and working towards some more shows early next year. And who knows? We might even have another film clip to reveal.

See The Good China when they play Byron Bay’s Beach Hotel on Friday night (free show) or Brisbane’s Tempo Hotel on Saturday.

Dan & Hannah Acfield Back with “Lonely Robot”

Talented siblings Dan and Hannah Acfield are back with a brand new EP, Turning a Page.

The recording features the brand new single “Lonely Robot.” It’s another gorgeous cut with soaring vocals and a beautiful melody. I love Dan’s voice, but it’s even more beautiful when it joins with Hannah’s harmonies near the end of the tune.

Dan and Hannah are currently promoting Turning a Page with shows around the country. You can still catch them at The Newsagency in Sydney on November 30 and Barsoma in Brisbane on December 2.

Wires Look for Short Term Pleasures

Friday’s winding down and we’re ready to kick up our heels and usher in the weekend. So it seems like the perfect time to introduce you to “Short Term Pleasures,” the fun new single from Sydney act Wires.

This song is so playfully self deprecating, I love it. If only most guys were so honest in bars, right girls? It might save us all a lot of heartache!

“Short Term Pleasures” comes from Wires’ debut EP Hold On To Me Now, which in the very best record stores now.

Sleep Decade Back with “Mexico”

With their debut album Into Spinning Lights now in stores, we can see the dreamy romanticism Sleep Decade showcased on their debut single “Bicycle” was no flash in the pan.

There’s that same gentle vibe and poetic lyrics in the current single “Mexico.” Some music lovers might demand more light and shade, but I was so impressed with the first offering that I don’t mind the consistency. Perhaps we should just say this Melbourne band knows itself and its creative vision!

Needless to say, I can’t wait to wrap my ears around the rest of Into Spinning Lights. I’m also a bit jealous that Melbourne gets an afternoon launch show at the Northcote Social Club on November 18. Hopefully we see them playing around the rest of the country soon!

Eagle and the Worm Go Retro

Melbourne’s Eagle and The Worm have released a killer new clip to promote their latest single “Give Me Time,” the first lifted from their brand new EP Strangelove.

I’ve got to admit, the song feels a little bland in comparison to the brassy party tunes we heard on their debut album GoodTimes. However the video is so strong that it makes up for the fairly mediocre tune.

The clip was filmed on location at Melbourne’s Caribbean Rollerama. It stars former Neighbours actor Matthew Werkmeister as a roller-skating sex symbol, although he’s not doing all the fancy footwork. That’s the genius of Jayson Sutcliffe, 2004 artistic inline world champion. It seems he’s kept his skills up!

What do you think of the clip?

It’s Not Over for Panama

The title track’s been floating around the internet for some time, but tomorrow Sydney band Panama will finally release their brand new EP It’s Not Over.

The band flew to Los Angeles to record the EP with acclaimed producer Eric Broucek. The result is a disc which puts a modern spin on ’80s traditions. The single is a fitting introduction to the disc which is as nostalgic as it is innovative.

Look for It’s Not Over in good record stores tomorrow.

Q & A with Ben Wells and the Middle Names’ Ben Wells

Ahead of his Bear in a Birdcage tour, I caught up with Tassie’s Ben Wells of Ben Wells and the Middle Names to chat about the new single, time on the road, and his band’s ever evolving sound.

Your new single “Bear in a Birdcage” has a different sound than the songs I’ve heard from you before. What inspired it?
Something we pride ourselves on is our onstage energy, so I suppose we wanted to write music that we could really let loose to and get the crowd involved in a little more. Also, with the change in the line up of the band recently we wanted to start making a different sound that suited having two lead guitars rather than a violin.

You’re about to kick off a tour of the East Coast. Are you looking forward to it?
Ah I’m so excited about going on tour. Playing live is my favourite thing and because we’re from Tassie we don’t get the opportunity to play to different crowds as often as we’d like, so we take full advantage of going on tour!

You must have the touring bug as you’ve clocked up more than 10, 000 kays in the last year alone. What is your favorite part about being on stage?
I love feeding off the crowd’s energy and the other guys in the band. It’s the only time you can really let loose. Plus you know the people who are there are there to see you play, so we don’t hold back at all.

How do you keep things fresh when you spend so much time on the road?
That’s probably the hardest part about going on tour. Making sure you eat healthy and spend lots of time doing your own thing when we aren’t playing. Going on tour is a good time to check out the rest of the country too!

Probably part of the reason you travel so much is that you live in Tasmania. When so many bands move to the mainland, what is it about the state that keeps you there?
We’ve talked about moving to the mainland before but living in Tassie has its conveniences as well. We recorded “Bear in a Birdcage” at the studio in my house, where we rehearse and write. I think it would be hard to be able to do that in a major city and be able to afford it on a musician’s wage. Plus the music scene down here is really starting to fire. There is so much good music coming out of Tassie it’s all time!

The video for “Bear in a Birdcage” is so much fun. How much input do you have in that creative process?
Thanks! I picked out the direcor (Simon Treweek) for the clip because he’s a prolific surf cinematographer and I knew he’d know what I was getting at with the song. We put a few ideas toward the clip but he knew what he was doing and he nailed it!

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Short Stack Singer Becomes Diviney

Short Stack may have called it a day, but the band’s former frontman is still making music. Shaun Diviney is preparing to release some new material under the not so cryptic moniker Diviney.

Shaun heads up the five-piece which features talent from Operator Please and Die for You. Don’t expect another Short Stack though. Shaun left the band with dreams of creating a brand new sound. The first single “You’re So Cool” is our first taste of that.

You can hear more when Diviney plays the following shows.

5 January 2012 – The Old Museum, Brisbane (All Ages)
12 January 2012 – The Lair @ Metro Theatre, Sydney (All Ages)
19 January 2012 – Ding Dong Lounge, Melbourne, VIC (Under 18)

Hunting Grounds Release “Star Shards”

Hunting Grounds debut album In Hindsight just won’t quit. The band has released another single, “Star Shards.”

“Star Shards” is the third song lifted from In Hindsight, and it’s set to be another radio favourite. I love its anthemic quality and dreamy reverb drench guitars. The video, directed by Ballarat’s own Vegadeet Films, is also pretty brilliant. Who would have thought a scrap metal yard would be the perfect venue for an epic hockey match?

Hunting Grounds will support the release of “Star Shards” at a handful of shows before joining the Big Day Out tour this summer.

3 November 2012 – Bradbury Oval, Campbelltown (FREE)
5 November 2012 – Vault 8 @ Banana Alley, Melbourne
18 January 2012 – Big Day Out @ Sydney Showgrounds, Sydney
20 January 2012 – Big Day Out @ Gold Coast Parklands, Gold Coast
25 January 2012 – Big Day Out @ Adelaide Showgrounds, Adelaide
26 January 2012 – Big Day Out @ Flemington Racecourse, Melbourne
28 January 2012 – Big Day Out @ Claremont Showgrounds, Perth

Texture Like Sun Tours EP with Patrick James

After more than 12 months in the studio, Melbourne’s Texture Like Sun are itching to release their debut EP to the masses. The recording features the new single “Bottle,” a cruisy number with jangling guitars and hushed vocals.

Texture Like Sun will launch their self-titled recording with three shows in the major capitals next month. They’ll take indie-folk up and comer Patrick James along for the ride. I was so impressed by Patrick’s set at Howie Day’s Sydney show earlier this year, so I recommend music lovers get to the venues early to catch his performances.

8 November 2012 – Black Bear Lodge, Brisbane
9 November 2012 – FBi Social Club, Sydney
15 November 2012 – Northcote Social Club, Melbourne