My Top 10 Aussie Guilty Pleasures

This month we’ve been talking about guilty pleasures in the music channel. We all have them, those songs we love but we rarely admit to. From the silliest pop song to the most overblown power ballad, we’re lifting the lid on our secret indulgences. I’ve decided to make this a video post as many of these film clips are so tragic they’re guilty pleasures too.

Olivia Newton-John has produced some of the greatest guilty pleasures around, so choosing just one for my top ten was a tall order. But I’ve gone with “Xanadu,” from the movie which is also a bit of a guilty pleasure. The terrible ’80s fashion, more roller skates than I think I’ve ever seen in a film clip, it’s brilliant.  

I admit it, I’ve been a Human Nature fan for years. I loved them way before they were schmoozing with Motown legends. I loved them when were singing disposable pop songs, and when they were dancing their way around Sydney in terrible film clips. This music video for “Got It Goin’ On” brings together these loves.

Speaking of early musical crushes, I bring you Invertigo. Now there’s a name you haven’t heard in a while, right? They only made one album, and when I listen to it now it’s more than a little bit cheesy. But “Chances Are” is still a great song, and I still love this film clip because Christian Argenti gets all wet in it. Oooer.

And before they were Invertigo, they were Pseudo Echo (well three quarters of them were anyway). Some people may have chosen “Funky Town” for the list, but I maintain their version is far superior to the original. No, the real guilty pleasure is “Listening,” with its big ’80s electro beats and that ridiculously catchy chorus.

I’ve always thought 1927’s “If I Could” was one of the most romantic songs ever written. But we all know how cringe-worthy a good dose of cheesy romance is, particularly when it’s wrapped up in a power ballad. I’m not sure what happened to 1927, but I’m glad they left us this.

While we’re on the topic of romance, they don’t get much soppier than “Especially for You.” Everything about this Kylie Minogue and Jason Donovan song is terrible. The lyrics are awful. The film clip is so frustrating (how do they keep missing one another?!). And the less said about Kylie’s perm, the better. But against the odds, I love it.

Neighbours has given us a few guilty pleasures hasn’t it? Another soapie star who decided to give singing a try was Craig McLachlan. Here he is with his band Check 1-2 and his mullet singing out “Mona.” Just try to get this out of your head.

Yes indeed, before he was a soap star in America Rick Springfield was just a kid from Sydney. Sure he didn’t do a lot more than “Jessie’s Girl,” but this song is such a guilty pleasure that I can forgive him. He may not have been a very good dancer, but he was so handsome!

I believe every country deserves a hair band, a group of lads with big fluffy dos capable of belting out an epic ballad. America had Poison, Sweden had Europe, England had Whitesnake, and Australia had Roxus. Sure there was just that one big album, but it spawned the monster hit “Where Are You Now?” I’m actually wondering that myself! Surely there’s another album left in them. 

The ’80s really were all about guilty pleasures, weren’t they? So I figured it was only fitting to end on another gem from the decade that taste forgot, “Change in Mood” by Kids in the Kitchen. This is Aussie New Wave at its best (or worst depending on your point of view).

So there you have it. I’ve spilled my guts, now it’s your turn. I want to hear your guiltiest musical pleasures. Don’t be shy!

Old Man River’s a Ray of Sunshine

Old Man River will brighten up your summer with their new single “Sunshine.”

Funnily enough, they’ve opted to tour the chilly regions of Europe to celebrate its release. They’ll kick off their Italian dates at Milan’s La Casa 139 tomorrow night, before visiting Scandiano, Brescia, Rome, and Ancona. They’ll arrive in Germany on the 17th, and play Hamburg, Munich, Berlin and Koln.

But never fear Aussies. Old Man River will be back before the jetlag kicks in to play a string of shows, including Homebake, the Peats Ridge Festival, and The Falls.

You’d think they’d be tired of touring after all that, but Old Man River are just getting started. In early 2008 they’ll take their delicious blend of folk and pop to Japan, Canada, and the United States.

Image source: Shmulix15 @ Wikimedia Commons

Australian Idol Does Big Band

Glitz and glamour was the order of the day, as our Australian Idol top four performed the swing stylings of big band. Some felt right at home with the standards, while other struggled.

Carl Riseley has become the show’s resident swing king, and he did a pretty decent job within his comfort zone. My biggest problem with Carl when he performs in this style is that he shows little originality. While I’m a big Michael Bublé fan, I don’t really like his take on “Me and Mrs Jones.” Just like Michael’s, Carl’s version showed none of the sexiness of the original. The song is about sex more than romance, and both singers seem to miss that point. However, I do think it was vocally stronger than his second performance, “Just Kiss Me.” Those lyrics are just frenetic, and I don’t think he was in the pocket for much of it. However, he’s become a real showman and it was an entertaining effort. I agree with the judges: this was meant to be Carl’s night and he really needed to do more than anyone else to wow us.

Marty Simpson was always going to find tonight more difficult than any of the other Idols, and it showed. He was very clever, choosing modern songs he already connected with and giving them a big band reworking. The arrangements were really very good, but his stage manner showed he wasn’t confident in them. It’s a shame. I thought “American Baby” sounded great, but I would have loved a little more fire from “Light My Fire.”

Matt Corby came next, with some average efforts. He too looked a little uncomfortable, but there was no denying his vocal abilities. First up was Michael Bublé’s take on James Taylor’s “How Sweet It Is,” and then the more traditional big band song “Beyond the Sea.” Overall I was a bit bored by it. The emotional connection I’m used to from Matt was missing, and his performances suffered for it.

Natalie Gauci was last night’s real surprise package. She came out with a stunning rendition of “Orange Coloured Sky” and backed it up with “How High the Moon.” Either performance could have earned her a touchdown, but Mark waited until the end to give it to her, her third touchdown in a row. Natalie’s definitely peaking right now, and I think she deserves to be at the Opera House more than anyone else.

I think either Marty or Carl’s number may be up this week. Marty’s performances were probably the weakest, but he’s got a really strong fan base who must realise he’s more vulnerable this week than he’s ever been. Carl should have shone here, and he didn’t. He did better than Matt, but the teenagers aren’t going to let Mr Corby go just yet.